28 Jul 2019

July 2019 – The Story of Modern Music in 1,500+ Facts – Part V

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Okeydokey guitar and music fans out there. If you are reading this 5^th part of the series of articles, I hope you know the routine by now, so I won’t bore you with any further preamble and we can get on with the latest episode.

If you would like to (re)visit the first four parts (covering 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Before we delve in to the Fifties, I was asked a very good question following the last article, which was…

Question(s): “A young Elvis Presley sang ‘Old Shep’ in a talent contest… he came 2nd. I would dearly like to know who beat the future ‘King’ of rock and roll. Do you happen to know if it was a fellow pop star?”

Answer: Many reports say that the young Elvis came 2^nd. However, in a later interview, Presley said that he came 5^th. The photograph of the prize giving presentation suggests that Presley may be correct in his recollection as three others are holding prizes while the young Presley, standing on the far right of the photo below wearing glasses, is standing empty-handed. The winners, as far as anyone knows, did not go on to become famous.

This also raises the point of illustrating the facts. I actually have some interesting images for each and every fact listed in these articles. While a picture can convey many words, to add that many photos, each publication would become humongous to wade through. I know people like to see pictures, rather than read volumes of sometimes repetitive narrative. On this occasion, it is probably better not to illustrate each fact. Apologies to all the picture loving people out there.

Once again, so much happened in the course of the 1950s that the decade demands a discrete article to itself. Let’s go…

The Story of Modern Music Part V 1950-1959

For many people, the birth of rock ‘n’ roll heralded a whole new era of popular music. So, as we get to the 1950s, this article will cover what was going on in the world that enabled such a musical revolution to take place and the fundamental cultural changes that went along with it. The world would never be the same again. It is worth remembering that, at the time, not everyone was excited about change and many conservative traditionalists fiercely rejected and resisted such a rebellious and irreversible transformation.

Historical Context 1950-1959

For most developed economies, the 1950s was a period of slow recovery from the severe consequences of WWII. However, the world was not without conflict and warfare in many other regions including in Asia, Africa and South America. The Cold War continued to fester, fuelled by intense competition between the democratic United States and communism Soviet Russia. The bitter rivalry included reciprocal nuclear weapons testing, military escalation and the start of the ‘space race’. The McCarthy ‘witch hunts’ of communist subversive and treasonous American citizens fuelled bitter political conspiracy and widespread public paranoia. The threat of mutually assured destruction maintained a fragile stalemate between west and east. By the end of the decade, as employment and income levels began to improve, individual freedoms and opportunities would lead to a paradigm shift in civilised countries including radical social, political, technological and cultural change that would set the dynamic scene for following decades.

Year	Global Events
1950	The Korean War started between the communist North supported by Russia and China, and the capitalist South supported by America – the war lasted until 1953 when the Korean Demilitarized Zone was implemented to separate North and South.
1951	The precursor to the European Union, the European Coal and Steel Community (ECSC), was formed when six countries signed the Treaty of Paris.
1952	British monarch, King George VI died and Elizabeth II became Queen of the United Kingdom. Republican politician and army general Dwight D. Eisenhower was elected 34^th President of the U.S.A.
1953	New Zealand mountaineer Sir Edmund Hillary and Nepalese Sherpa Tenzing Norgay became the first people to reach the summit of the world’s highest mountain, Mount Everest. One of the first films to depict youthful rebellion and which would become a reflection on American social tensions, ‘The Wild One’ was released, directed by Laslo Benedek and starring Marlon Brando. The scientific paper describing the double-helix structure of DNA was authored by Britain Francis Crick and American James Watson.
1954	The term rock ‘n’ roll was coined by DJ Alan Freed and the associated teen culture became hugely popular, particularly in America and Britain. British athlete Roger Bannister becomes the first man to run the four minute mile.
1955	Renowned German physicist Albert Einstein died in Princeton, New Jersey, America in 1955 at the age of 76. The Warsaw Pact defence treaty between Russia and seven neighbouring Eastern Bloc states was signed during the ‘Cold War’ standoff. The classic film drama of teen alienation, ‘Rebel Without A Cause’ was released, directed by Nicholas Ray and starring James Dean. The phenomenally successful MacDonald’s fast food chain was established in America by Ray Kroc. The Vietnam War between the Communist North and the Capitalist South started, which lasted until 1975.
1956	The Suez Crisis erupted following Egyptian nationalisation of the Suez Canal, creating conflict in the Middle East.
1957	Russia launched the Sputnik 1, the first artificial Earth satellite into space, effectively triggering the space race. The European Economic Community (EEC) was established when six countries signed the Treaty of Rome.
1958	The American National Aeronautics and Space Administration (NASA) was set up in Washington D.C.
1959	Marxist leader Fidel Castro established the long‑standing communist dictatorship in Cuba after overthrowing the Batista regime. The British Motor Corporation launched the revolutionary and hugely successful small family car, the Mini, designed by Sir Alec Issigonis. The original model stayed in production until 2000. Alaska and Hawaii formally become an integral part of the United States of America.

Musical Genre Development 1950-1959

The 1950s was a decade of innovation that saw the massive explosion of musical creativity across many genres, fusing influences and generating many new musical styles. Arguably, it was during the 1950s that modern music ‘grew up’ and any suggestions that the popular music crazes of the time were ephemeral ‘fads’ were finally dispelled. Country music remained popular with artists such as Johnny Cash and Hank Williams at the forefront of a revival.

Possibly not a genre in itself but easy listening music became popular in the 1950s and lasted until the 1970s. A form of middle‑of‑the‑road (MOR) music, it found popularity on radio and then extended into various styles of background music, elevator music or ‘muzak’. Easy listening music was often instrumental or vocal interpretations of past popular music standards, rather than anything new in its own right. Some major artists tapped into the appeal, including Burt Bacharach, Henry Mancini, Herp Alpert, The Carpenters and Richard Clayderman.

In the post‑war years, modernistic music, broadly also encompassing experimental and avant‑garde music was being explored by many composers wishing to push boundaries either within existing traditions or by introducing original elements outside prevailing styles. The aim of many composers was to break rules, reject established conventions and challenge audiences in a creative, if frequently alienating, way. Practitioners included Arnold Schoenberg and John Cage.

During the 1950s rhythm and blues music, often shortened to R&B, became popular, being a more upbeat form of blues music. R&B emanated from mainly African‑American music that was widespread during the late 1940s. Record companies promoted R&B toward predominantly urban African American audiences. R&B’s popularity was based on a fusing many influences such as jazz, blues, country and gospel to create strongly rhythmic, beat‑based songs. R&B would, in turn, influence the emergence of rock ‘n’ roll and soul of the late 1950s and 1960s. In response to other influences, R&B changed to include other styles such as doo‑wop. Famous R&B artists of the time included Ray Charles, The Drifters, Sam Cooke, The Platters and the Coasters.

By the mid‑1950s, the cultural clash of blues, jazz and country combined to create a new phenomenon in the United States, rock ‘n’ roll, a phrase popularised by radio disc jockey Alan Freed in 1954. Bill Haley (And His Comets) is often credited as the catalyst although many other artists were instrumental in creating the new youth musical revolution, including Elvis Presley, Jerry Lee Lewis, Fats Domino, Carl Perkins, Chuck Berry and Little Richard. Rockabilly was a very close relation to rock ‘n’ roll at the time popularised by artists such as Buddy Holly and Gene Vincent. Classic rock ‘n’ roll is essentially based on a backbeat dance rhythm performed on electric guitar, bass, and drums, replacing the piano and saxophone as lead instruments. The cultural importance of rock ‘n’ roll cannot be underestimated and its impact went far beyond just a musical genre, influencing lifestyle, film & TV, art, fashion, attitudes, and language. Although its roots can be traced back to the 1930s, it was in the 1950s that rock ‘n’ roll began to pervade modern society, coming as it did at a time of immense post‑war technological, economic, social and political change. On the back of radio coverage, the 45rpm single record would provide a massive boost to sales of rock ‘n’ roll songs to America’s urban counterculture youth. Rock ‘n’ roll began to decline by the early 1960s as other forms of popular music began to dilute its impact.

Musical Facts 1950-1959

During the Fifties, many more household names that we take for granted today came into the world. Modern music began the transition from the traditional forms to more contemporary genres. As younger artists born in the 1930s and 1940s began to create the ‘new’ music, the shift in the balance of ‘facts’ from births, through achievements, to deaths are just beginning to become apparent.

Day	Month	Year	Music Fact
5	January	1950	American guitarist, producer, photographer and co‑founder of punk/new wave/pop band Blondie, Chris Stein was born in Brooklyn, New York.
12	February	1950	English guitarist, former member of progressive rock band Genesis and now a successful solo artist, Steve Hackett was born in London.
13	February	1950	English solo singer, songwriter and ex-member of progressive rock band Genesis, Peter Gabriel was born in Chobham, Surrey.
19	February	1950	English singer, songwriter, guitarist and founder of rock group Wishbone Ash, Andy Powell was born in London.
20	February	1950	American bassist, guitarist, songwriter and co‑founder of jazz rock band Steely Dan, Walter Becker (1950-2017, 67) was born in New York City.
24	February	1950	American singer, songwriter, guitarist and perennial rocker George Thorogood was born in Wilmington, Delaware.
22	April	1950	English born American singer, songwriter and guitarist, Peter Frampton was born 1950 in Bromley, Kent.
13	May	1950	Legendary American soul singer, songwriter, keyboard player and producer, Stevie Wonder was born in Saginaw, Michigan.
13	May	1950	English guitarist, singer, songwriter and member of Anglo‑American rock group Fleetwood Mac from 1968 to 1972, Danny Kirwan (1950-2018, 68) was born in London.
3	June	1950	Pioneering American singer, songwriter, bass guitarist and actor, Suzi Quatro was born in Detroit, Michigan.
18	July	1950	English business entrepreneur and founder of the Virgin empire including Virgin Records and Virgin record stores, Richard Branson was born in London
2	August	1950	English guitarist and singer, best known for his work with rock band Wishbone Ash, Ted Turner was born in Sheldon, Birmingham.
30	August	1950	English guitarist with, amongst others, Whitesnake and Snafu, Micky Moody was born in Middlesbrough, North Yorkshire.
10	September	1950	American guitarist, singer, songwriter and member of rock band Aerosmith, Joe Perry was born in Lawrence, Massachusetts.
14	September	1950	Great English guitarist and co-founder off blues/rock band Free, Paul Kossoff (1950-1976, 25) was born in London.
2	October	1950	English guitarist, bass guitarist and founding member of progressive rock bands Genesis and Mike + The Mechanics, Mike Rutherford was born in Portsmouth, Hampshire.
5	October	1950	Great English guitarist and one-time member of rock band Motörhead, ‘Fast’ Eddie Clarke (1950-2018, 67) was born in London.
20	October	1950	Legendary American singer, songwriter, guitarist, producer and bandleader of The Heartbreakers, Tom Petty (1950-2017, 66) was born in Gainesville, Florida.
22	November	1950	American guitarist, actor and member of Bruce Springsteen’s E. Street Band, Steven Van Zandt was born in Winthrop, Massachusetts.
22	November	1950	American bass guitarist and co-founder of post-punk alternative rock bands Talking Heads and Tom Tom Club, Tina Weymouth was born in Coronado, California.
9	December	1950	Award-winning British singer, songwriter and guitarist, Joan Armatrading was born in Basseterre, Saint Kitts in the Caribbean.
31	January	1951	English guitarist, producer and former member of art rock bands Roxy Music, 801 and Quiet Sun, Phil Manzanera was born in London.
1	February	1951	Great American blues guitarist and skilled slide guitarist, Sonny Landreth was born in Canton, Mississippi.
4	March	1951	Highly accomplished English pop, rock and blues guitarist, singer and songwriter, Chris Rea was born in Middlesbrough.
6	March	1951	Terrific American blues/rock guitarist, singer and songwriter, Walter Trout was born in Ocean City, New Jersey.
17	March	1951	American guitarist, best known as co-lead guitarist with rock bands Thin Lizzy and more recently, Black Star Riders, Scott Gorham was born in Glendale California.
20	March	1951	American blues/rock guitarist, singer, bandmate and older brother of the late Stevie Ray, Jimmie Vaughan was born in Dallas, Texas.
27	April	1951	American guitarist, songwriter, co-founder and former member of hard rock group, KISS, nicknamed ‘Spaceman’, Ace Frehley was born in The Bronx, New York City.
7	May	1951	Formidable Puerto Rican/American rock guitarist, who frequently played with David Bowie and James Brown, Carlos Alomar was born in Ponce.
7	May	1951	Prolific English guitarist and former member of heavy rock band Whitesnake, Bernie Marsden was born in Buckingham, Buckinghamshire.
21	June	1951	American rock guitarist, often seen as sideman to ‘The Boss’, as well as a solo artist, Nils Lofgren was born in Chicago, Illinois.
30	June	1951	Amazing American jazz fusion bass guitarist, composer and founding member of Return to Forever, Stanley Clarke was born in Philadelphia, Pennsylvania.
2	August	1951	English guitarist and member of psychedelic progressive rock band Gong and founder of electronic dance band System 7, Steve Hillage was born in London.
19	August	1951	Retired English bass guitarist for the rock/pop band Queen, John Deacon was born in Leicester.
21	August	1951	English bass guitarist, solo artist, one time member of hard rock band Deep Purple and currently with super group Black Country Communion, Glenn Hughes was born in Cannock, Staffordshire.
7	September	1951	American singer, songwriter, guitarist and founder of post‑punk rock/pop group The Pretenders, Chrissie Hynde was born in Akron, Ohio.
18	September	1951	American punk rock pioneer, bass guitarist and member of the Ramones, Dee Dee Ramone (1951-2002, 50) was born in Fort Lee, Virginia.
2	October	1951	English singer, songwriter, bass guitarist, actor, ex‑member of rock band The Police and successful solo artist, Gordon Sumner CBE, a.k.a. Sting, was born in Wallsend, Northumberland.
3	October	1951	Award-winning American blues guitarist, singer and songwriter Keb’ Mo’ was born in Los Angeles, California.
26	October	1951	Flamboyant American bass guitarist and singer with funk/soul artists James Brown and Funkadelic/Parliament, the illustrious Bootsy Collins was born in Cincinnati, Ohio.
1	December	1951	Influential virtuoso American jazz bass guitarist who worked with Weather Report, Pat Metheny and Joni Mitchell, as well as a solo artist, the incomparable Jaco Pastorius (1951-1987, 35) was born in Norristown, Pennsylvania.
4	December	1951	American guitarist and founding member of Southern rock band Lynyrd Skynyrd, Gary Rossington was born in Jacksonville, Florida.
16	December	1951	Influential American jazz, blues and rock guitarist Robben Ford was born in Woodlake, California.
26	December	1951	Talented American jazz/rock guitarist who has collaborated with many great musicians over the course of his career, John Scofield was born in Dayton, Ohio.
11	January	1952	American contemporary jazz session and solo guitarist, Lee Ritenour was born in Los Angeles, California.
20	January	1952	American guitarist, singer, songwriter, artist and long‑term member of iconic rock band KISS, nicknamed ‘The Starchild’, Paul Stanley was born in New York City.
7	March	1952	The influential and popular weekly music magazine, The New Musical Express (NME), was launched in the UK.
7	March	1952	American guitarist (as well as bassist and drummer), singer, songwriter and member of funk band The Isley Brothers, Ernie Isley was born in Cincinnati, Ohio.
17	March	1952	Irish guitarist and member of heavy rock bands Gillan and Ozzy Osbourne, Bernie Tormé (1952-2019, 66) was born in Dublin.
2	April	1952	American bass guitarist with southern rock band Lynyrd Skynyrd, Leon Wilkeson (1952-2001, 49) was born in Newport, Rhode Island.
4	April	1952	Legendary Northern Irish blues and rock guitarist extraordinaire, Gary Moore (1952-2011, 58) was born in Belfast.
14	May	1952	Scottish/American singer, songwriter, guitarist founder of alternative rock band Talking Heads and solo artist, David Byrne, was born in Dumbarton, Scotland.
15	July	1952	American guitarist, singer, songwriter and member of proto punk rock band New York Dolls, Johnny Thunders (John Genzale, 1952-1991, 38) was born in Queens, New York.
19	July	1952	American guitarist and member of southern rock band Lynyrd Skynyrd, Allen Collins (1952-1990, 37) was born in Jacksonville, Florida.
21	August	1952	Hugely influential English guitarist, singer, songwriter, actor and co-founder of punk rock bands The Clash and The Mescaleros, the great Joe Strummer (1952-2002, 50) was born in Ankara, Turkey.
19	September	1952	Legendary American guitarist, songwriter, producer and co‑founder of funk/disco/dance band Chic, Nile Rodgers was born in New York.
1	October	1952	Great American rock guitarist and sideman extraordinaire, Earl Slick was born in Brooklyn, New York.
8	November	1952	The UK’s first ever popular music singles chart was introduced by The New Musical Express (NME) magazine. At Number 1 was Al Martino with ‘Here In My Heart’.
14	November	1952	Versatile and prolific American guitarist and songwriter, Johnny A (a.k.a. John Antonopoulos) was born in Malden, Massachusetts.
1	January	1953	American country singer, songwriter and guitarist, Hank Williams died of drug and alcohol-related heart failure in Oak Hill, West Virginia at the age of 29.
6	January	1953	Scottish-born guitarist and co-founder of Australian rock band AC/DC, Malcolm Young (1953-2017, 64) was born in Glasgow.
10	January	1953	American jazz guitarist who has played with Blood, Sweat & Tears, Billy Cobham and Miles Davis, as well a successful solo artist, Mike Stern was born in Boston, Massachusetts.
20	February	1953	American guitarist and co-founder of psychobilly rock band, The Cramps, Poison Ivy (Kristy Wallace) was born in San Bernardino, California.
19	March	1953	American bass player who has played with many great musicians and has a successful solo career, Billy Sheehan was born in Buffalo, New York.
28	April	1953	American bassist, guitarist, and vocalist of alternative rock band Sonic Youth, Kim Gordon was born in Rochester, New York.
5	May	1953	Highly respected English folk singer, songwriter and guitarist, Martin Simpson was born in Scunthorpe, Lincolnshire.
15	May	1953	English multi-instrumentalist, composer and talented guitarist, the man behind ‘Tubular Bells’ in 1973, Mike Oldfield was born in Reading, Berkshire.
16	May	1953	Mercurial Belgian-born French gypsy jazz guitarist and composer, Django Reinhardt died from a brain haemorrhage in Fontainebleau, France at the age of 43.
29	July	1953	Influential Canadian singer, songwriter and bass guitarist with rock band Rush, Geddy Lee was born in North York, Ontario.
1	August	1953	Award-winning American blues guitarist, singer and band leader, Robert Cray was born in Columbus, Georgia.
27	August	1953	Hugely influential Canadian guitarist and co-founder of rock group Rush, Alex Lifeson was born in Toronto, Ontario.
27	September	1953	Great Jamaican reggae riddim ‘n’ dub bass guitarist and producer, Robbie Shakespeare, best known as half of Sly & Robbie was born in Kingston.
18	December	1953	American guitarist and singer, well known for his work with The Cars up to 1988, Elliott Easton was born in Brooklyn, New York.
27	February	1954	American guitarist and member of rock groups Santana, Journey and Bad English, Neal Schon was born in Tinker Air Force Base, Oklahoma.
16	March	1954	American singer, songwriter, guitarist and core member of the rock band Heart, Nancy Wilson was born in San Francisco, California.
12	April	1954	Canadian guitarist and singer who has collaborated with many artists over the years and is bandleader of the Pat Travers Band, Pat Travers was born in Toronto, Ontario.
10	May	1954	American rock ‘n’ roll pioneers, Bill Haley And His Comets originally released ‘(We’re Gonna) Rock Around The Clock’. The world wasn’t ready yet and it didn’t hit the charts until 1955.
12	July	1954	19‑year old American singer, Elvis Presley left his job and signed his first recording contract with producer Sam Phillips at Sun Records in Memphis, Tennessee.
19	July	1954	American record label, Sun Records released the debut single by aspiring American rock ‘n’ roll singer, Elvis Presley, ‘That’s All Right’.
22	July	1954	Virtuoso American jazz fusion/Latin rock guitarist Al Di Meola was born in Jersey City, New Jersey.
28	July	1954	Multi-talented American guitarist and member of hard rock band Deep Purple since 1994, Steve Morse was born in Hamilton, Ohio.
12	August	1954	Influential American virtuoso progressive jazz fusion guitarist, Pat Metheny was born in Lee’s Summit, Missouri.
17	August	1954	Award-winning American virtuoso instrumental rock guitarist Eric Johnson was born in Austin, Texas.
25	August	1954	English punk, pop and alternative rock singer, songwriter, guitarist and producer, Declan MacManus (a.k.a. Elvis Costello) was born in London.
3	October	1954	Legendary American blues/rock guitarist, singer, songwriter and producer, Stevie Ray Vaughan (1954‑1990, 35) was born in Dallas, Texas.
1	December	1954	Australian-born British guitarist, singer and songwriter with punk rock band The Slits, Viv Albertine was born in Sydney.
18	December	1954	German guitarist, known for his work with Scorpions and the innovator behind the Sky Guitar, Uli Jon Roth was born in Düsseldorf.
7	January	1955	The classic hit song, ‘Rock Around The Clock’ was re‑released by Bill Haley & His Comets, entering the UK singles chart. Rock ‘n’ roll had truly arrived.
10	January	1955	German guitarist, best known as a member of rock bands Scorpions and UFO, as well as a successful solo career with his own band, Michael Schenker was born in Sarstedt.
24	January	1955	English pianist, singer, songwriter, bandleader, TV presenter and former member of Squeeze, Jools Holland was born in London.
26	January	1955	Dutch/American guitarist, singer, songwriter and producer Eddie Van Halen was born in Amsterdam, Netherlands.
5	March	1955	American singer Elvis Presley made his American television debut on the KWKH TV show ‘Louisiana Hayride’ broadcast from Shreveport, Louisiana.
31	March	1955	Australian guitarist and co-founder of hard rock band AC/DC, Angus Young was born in Glasgow, Scotland, UK.
13	April	1955	American bass guitarist with funk masters Brothers Johnson, Louis Johnson (1955-2015, 60) was born in Los Angeles, California.
31	May	1955	Australian virtuoso session musician and solo guitarist, Tommy Emmanuel was born in Muswellbrook, New South Wales.
26	June	1955	English guitarist and co-founder of punk rock band The Clash and Big Audio Dynamite, Mick Jones was born in London.
1	September	1955	English bass guitarist, singer and songwriter, best known for his work with punk rock band, The Jam from 1972 to 1982, Bruce Foxton was born in Woking, Surrey.
3	September	1955	English guitarist and ex-member of punk rock band Sex Pistols, Steve Jones was born in London.
12	November	1955	Hugely influential Canadian singer, songwriter and guitarist, former member of Buffalo Springfield, CSN&Y, as well as a phenomenal solo artist, the incomparable Neil Young was born in Toronto, Ontario.
15	December	1955	English bass guitarist best known as a member of punk rock icons The Clash and more recently collaborating with Damon Albarn in The Good, The Bad & The Queen, Paul Simonon was born in Croydon.
4	January	1956	English singer, songwriter, guitarist, producer and founding member of post-punk rock bands Joy Division and New Order, Bernard Sumner was born in Salford.
10	January	1956	The ‘King of Rock ‘n’ Roll’, Elvis Presley made his first recordings for RCA/Victor, including the classic hit single, ‘Heartbreak Hotel’.
27	January	1956	Legendary American singer, Elvis Presley released his classic breakout single for RCA, ‘Heartbreak Hotel’.
28	January	1956	American rock ‘n’ roll singer Elvis Presley made his first national television appearance in America on the CBS TV programme, the ‘Dorsey Brothers Stage Show’.
31	January	1956	English singer and member of punk rock bands Sex Pistols and Public Image Ltd, John Lydon (a.k.a. Johnny Rotten), was born in London.
3	February	1956	American guitarist, singer, songwriter, producer, artist and co-founder of alternative rock band Sonic Youth, Lee Ranaldo was born in Long Island, New York.
12	February	1956	Scottish guitarist and one-time member of rock bands Thin Lizzy and Motörhead, Brian Robertson was born in Clarkston.
13	February	1956	English bass guitarist, best known as member of post‑punk rock bands Joy Division and New Order, Peter Hook was born in Salford.
18	February	1956	Renowned American master luthier, innovator, entrepreneur, guitar maker extraordinaire and founder of PRS Guitars since 1985, Paul Reed Smith was born in Stevensville, Maryland.
12	March	1956	English bass guitarist and founder of heavy metal band Iron Maiden, Steve Harris was born in Leytonstone, Essex.
23	March	1956	American singer Elvis Presley released his eponymous debut album, ‘Elvis Presley’, a milestone that heralded the unstoppable explosion of the rock ‘n’ roll era.
4	June	1956	American guitarist, songwriter and producer, known for playing with David Bowie, Tin Machine and indie rock band The Cure, Reeves Gabrels was born in New York City.
26	June	1956	American singer, songwriter, rock (‘n’ roll) guitarist and actor, Chris Isaak was born in Stockton, California.
15	July	1956	Influential American virtuoso instrumental rock guitarist, Joe ‘Satch’ Satriani was born in Westbury, New York.
27	August	1956	English bass guitarist, songwriter and original member of punk rock band Sex Pistols, Glen Matlock was born in London.
29	September	1956	The rock ‘n’ roll era had clearly arrived when Bill Haley & His Comets had 5 songs in the UK Singles Chart Top 30 including the all-time classic hit, ‘Rock Around The Clock’.
4	November	1956	English guitarist and co-founding member of rock band The Pretenders, James Honeyman-Scott (1956-1982, 25) was born in Hereford, Herefordshire.
6	December	1956	Hugely talented American heavy rock guitarist who played with Ozzy Osbourne and Quiet Riot, Randy Rhoads (1956-1982, 25) was born in Santa Monica, California.
6	December	1956	American guitarist, songwriter and co-founder of rock band R.E.M., Peter Buck was born in Berkeley, California.
23	December	1956	English guitarist, songwriter and long-term member of heavy metal rock band Iron Maiden, Dave Murray was born in London.
16	January	1957	The legendary Liverpool live music venue, The Cavern Club opened its doors for business. The Beatles appeared there an impressive total of 292 times.
27	January	1957	English guitarist with heavy rock bands Gillan and latterly Iron Maiden, Janick Gers was born in Hartlepool.
27	February	1957	English guitarist, songwriter and member of heavy metal band Iron Maiden, Adrian Smith was born in London.
17	March	1957	American singer, Elvis Presley bought the famous 23‑room Graceland mansion at 3764 Elvis Presley Boulevard in Memphis, Tennessee for $102,500.
28	April	1957	English guitarist, composer, producer and member of Bristol‑based trip‑hop group Portishead, Adrian Utley was born in Northampton.
10	May	1957	English bass guitarist with the Sex Pistols, John Simon Ritchie, a.k.a. Sid Vicious (1957-1979, 21) was born in London.
27	May	1957	American rock ‘n’ roll band The Crickets, featuring the late Buddy Holly, released their debut hit single, ‘That’ll Be The Day’ in the US.
2	August	1957	American record producer Butch Vig was born. Vig has worked with many famous rock bands including Nirvana, Sonic Youth and The Smashing Pumpkins.
12	September	1957	Acclaimed German film composer and producer, Hans Zimmer was born in Frankfurt.
22	September	1957	Australian alternative/indie rock singer, songwriter, multi-instrumentalist and band leader of The Bad Seeds, Nick Cave was born in Warracknabeal, Victoria.
24	September	1957	American rock ‘n’ roll legend Elvis Presley released his massively popular hit single ‘Jailhouse Rock’ in the U.S.
10	October	1957	American country music legend Johnny Cash released his debut studio album on Sun Records, ‘Johnny Cash With His Hot and Blue Guitar!’
21	October	1957	American guitarist, singer, songwriter, producer, session musician and a founding member of rock band Toto, Steve Lukather was born in San Fernando Valley, California.
1	November	1957	Award-winning American country singer, songwriter, guitarist and actor, Lyle Lovett was born in Klein, Texas.
8	November	1957	English guitarist and artist best known as a member of the original line up of indie/alternative rock band The Cure, Porl (now Pearl) Thompson was born in Surrey.
8	December	1957	English guitarist and long-time member of heavy rock band Def Leppard – one half of ‘The Terror Twins’ – Phil Collen was born in London.
20	December	1957	American rock ‘n’ roll singer Elvis Presley was served with his U.S. Army draft notice while at his home at Graceland in Memphis, Tennessee.
20	December	1957	English guitarist, protest singer, songwriter, charity founder and political activist, Billy Bragg was born in Barking, Essex.
21	February	1958	The very first ‘modernist’ Flying V guitar, designed by the legendary Ted McCarty, was shipped from the Gibson factory in Kalamazoo, Michigan.
24	March	1958	American rock ‘n’ roll singer Elvis Presley was inducted into the U.S. Army in Memphis, Tennessee.
27	March	1958	CBS Records announced the invention of the stereophonic record, ensuring that they were backwards compatible with the mono record players of the time.
31	March	1958	American rock ‘n’ roll legend, Chuck Berry released his all‑time classic hit single, ‘Johnny B. Goode’. 2 min. 30 sec. of pure magic.
19	April	1958	London’s (in)famous music venue, The Marquee Club first opened its doors at 165 Oxford Street, its original site before moving to 90 Wardour Street in 1964.
25	May	1958	The ‘modfather’ of post-punk rock, member of The Jam, The Style Council and solo artist, Paul Weller was born in Woking, Surrey.
7	June	1958	Legendary singer, songwriter and guitarist, Prince Rogers Nelson (1958-2016, 57) was born in Minneapolis, Minnesota.
8	July	1958	The Recording Industry Association of America awarded the first official ‘Gold’ album to the soundtrack of the hit film, ‘Oklahoma’.
9	July	1958	After leaving Sam Phillips at Sun Records, country music legend Johnny Cash signed a lucrative contract with Columbia Records, a successful association that lasted for three decades.
25	July	1958	American guitarist, singer and songwriter with alternative rock band Sonic Youth, Thurston Moore was born in Coral Gables, Florida.
7	August	1958	English singer and on-off-on member of heavy metal band Iron Maiden, Bruce Dickinson was born in Worksop, Nottinghamshire.
14	August	1958	American blues singer, songwriter and guitarist, Big Bill Broonzy died from cancer in Chicago, Illinois at the age of 55 or 65, depending on who you believe.
16	August	1958	American singer, songwriter, actress and entrepreneur, Madonna Louise Ciccone, or as we know her, Madonna, was born in Bay City, Michigan.
29	August	1958	American singer, songwriter and member of the Jackson Five, as well as successful solo artist, nicknamed the ‘King of Pop’, Michael Jackson was born in Gary, Indiana.
19	September	1958	English/American rock guitarist, ex-member of The Runaways and successful solo artist, Lita Ford was born in London.
22	September	1958	American singer and US Army conscript Private Elvis Presley sailed on the USS Randall to Friedberg, Germany to serve in the 1^st Battalion, 32^nd Armor Regiment, 3^rd Armored Division.
22	September	1958	American rock singer, songwriter, guitarist, founding member of the Runaways and Joan Jett & The Blackhearts, Joan Jett was born in Wynnewood, Pennsylvania.
20	October	1958	English bass guitarist, singer and co-founder of jazz/funk/pop band Level 42, Mark King was born in Cowes on the Isle of Wight.
28	October	1958	Scottish guitarist, composer and co-founder of indie/alternative rock band The Jesus And Mary Chain, William Reid was born in East Kilbride.
7	November	1958	American rockabilly/rock ‘n’ roll icon, Eddie Cochran had his first hit with the classic song, ‘Summertime Blues’. It reached number 18 in the UK singles chart.
11	December	1958	American bass guitarist, songwriter, producer and co‑founder of heavy rock band Mötley Crüe, Nikki Sixx (real name Frank Feranna, Jr.) was born in San Jose, California.
17	December	1958	American bass guitarist, singer, composer and founding member of alternative rock band R.E.M., Mike Mills was born in Orange County, California.
1	January	1959	American country music legend Johnny Cash performed his first live concert for inmates at the infamous San Quentin State Prison in California.
17	January	1959	American guitarist, singer, songwriter, actress and co‑founder of pop/rock band The Bangles, Susanna Hoffs was born in Los Angeles, California.
3	February	1959	American singer Buddy Holly and 3 others (including stars Ritchie Valens and The Big Bopper) died tragically in a plane crash in Iowa. Holly was just 22 years old. ‘The Day the Music Died’.
7	February	1959	American blues guitarist, Eddie ‘Guitar Slim’ Jones died of pneumonia in New York City at the age of 32.
7	February	1959	The funeral of American rock & roll singer, songwriter and guitarist Buddy Holly took place in Lubbock, Texas.
10	April	1959	American rockabilly/swing guitarist, songwriter and bandleader of Stray Cats and the Brian Setzer Orchestra, Brian Setzer was born in Massapequa, New York.
21	April	1959	English, guitarist, singer, songwriter, co-founder and main inspiration behind indie rock icons The Cure, Robert Smith was born in Blackpool, Lancashire.
4	May	1959	The first Annual Grammy Awards was held in two venues simultaneously, in Beverly Hills, California and in New York City. Winners included Ella Fitzgerald, Count Basie and Henry Mancini.
5	May	1959	American guitarist and songwriter, best known as guitarist for Billy Idol since the early 1980s, Steve Stevens was born in Brooklyn, New York.
22	May	1959	Controversial English singer, songwriter and former front man of indie rock band The Smiths, Steven Morrissey, was born in Davyhulme, Lancashire.
1	June	1959	The BBC broadcast the first celebrity music panel TV show ‘Juke Box Jury’ in the UK. Guests judged new record releases as a ‘hit’ or ‘miss’. It was hosted by presenter David Jacobs and ran until December 1967.
14	June	1959	American jazz fusion bass guitarist, famed for his work with Miles Davis and Herbie Hancock, Marcus Miller was born in Brooklyn, New York.
11	July	1959	American guitarist, singer, songwriter, producer and long‑term member of rock band Bon Jovi, Richie Sambora was born in Perth Amboy, New Jersey.
17	July	1959	Legendary American jazz singer Billie Holiday died of pulmonary oedema and heart failure caused by cirrhosis of the liver in New York at the age of 44.
29	July	1959	English guitarist, best known for playing with hard rock band Whitesnake, John Sykes was born in Reading, Berkshire.
19	August	1959	American country blues and ragtime guitarist and singer, Blind Willie McTell died from a stroke in Milledgeville, Georgia, at the age of 61.
16	October	1959	English guitarist and member of new wave/pop band Spandau Ballet, Gary Kemp was born in London.

Tailpiece

So… by the end of the 1950s, KABOOM! – Rock ‘n’ Roll had well and truly arrived and there was no going back. The significant influence of rock ‘n’ roll had set in motion further evolutionary strands that would continue to expand horizons in all sorts of different directions during a period of unprecedented creativity. New musical genres demanded technological developments in recording, distribution and consumption of music.

Things are only going to get even more interesting as we go forward. I hope you will return and see what happened in the 1960s and beyond. No cliff‑hanger required, just a touch of gentle encouragement to return here next month. In the meantime, I have plenty more vintage guitars that need some tender loving care, followed by some serious playing workouts. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Exercise your right to be you or regret the denial of yourself.”

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28 Apr 2019

April 2019 – The Story of Modern Music in 1,500+ Facts – Part II

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Hello and welcome back to the second part of what is turning out to be CRAVE Guitars’ magnum opus for this year. You can revisit Part I by clicking on the link below (it will open in new browser tab):

March 2019: Part I – 1650‑1900

After posting Part I in March 2019, I realised that the intended approach wasn’t going to work as I’d originally intended, especially as the series would progress. The idea for this year was to present each section in two parts, i) a short narrative setting the general historical context through global political, technological and economic events of the time, and ii) the list of music facts covering the same period. That worked well enough for the first article, which briefly covered 250 years (1650 to 1900) as a precursor to ‘modern’ musical times (from 1900 onwards).

Now… after a bit of reflection, this posed a few problems once we get into the 20^th and 21^st Centuries, as the number of facts and the historical context expanded in quantity and complexity. Not only this, there was a noticeable disconnect between the context and the musical facts that seemed to leave a hole in the story. While not a huge problem, I wasn’t happy with the result. The course of events needed something additional not only to make the story more coherent but also to become more interesting.

So, as it’s ‘early doors’ in the project, I decided to revisit the deferred piece of research that I was going to publish this year. This brainwave enabled me to adapt that other idea and to combine it with the historical context and musical facts. It isn’t quite what I was thinking of but I reckon it will work quite well. This extensive new piece of work involved documenting the development of relevant musical genres that took place over the same time period as the rest. This move, however, will negate the original idea I had for 2019. Oh well, never mind.

Unfortunately for me, this presented another issue which was to undertake the background work needed for it to make sense and this was on top of the other elements I was already working on. If that was the end of the story, that would be enough. However, it also meant that the length of each section would then not only become too long but also too ‘chunky’. The answer to that is to split the sections into decades, each comprising three parts – historical context, musical genre developments and music facts. That’s where we are this month.

As music is an art not a science, the approach is, to some extent, necessarily arbitrary. In an attempt to avoid repetition, each genre is only covered in the first period when it became popular. As you might expect, history, genres, artists and time periods are not always neatly organised, so there is often overlap and a degree of ‘fuzziness’ around the edges. I hope, however, that the structure is relatively easy to follow and makes some kind of sense.

As previously mentioned, this is not a detailed, comprehensive academic exercise. It is purely for entertainment and each snippet of information barely scratches the tip of the proverbial iceberg. If you want to know more, I’m afraid you’ll have to go and explore where it takes you for yourself.

Finally, before we get started with this month’s part of musical history, I also have to say that the starting point of the series is from the perspective of the guitar and guitar music. If you are reading this, then you probably already appreciate that anyway, however, it does need to be said. This means that, while other aspects of music are covered, it will have a definite and obvious guitar bias. As the author, that’s my prerogative and I’m not apologising for that. Anyway, I hope you enjoy this part of the story because this is where things begin to get enthralling.

The Story of Modern Music Part II – 1900-1919

Musical Context

This is the new bit of the story added to cement the whole together, so a quick recap is needed.

Popular music of the early 1900s was very different from the predominantly highly structured classical music genres that preceded it. Starting around 1870, the catalyst for the emergent modern styles led to a seemingly miraculous eruption of musical innovation, creativity and experimentation during the 20^th Century that was unlike anything that preceded it and probably unlike anything we will see again, at least in our lifetimes. Blues, jazz, gospel and folk were becoming particularly prominent and relevant in the western world.

In order to appreciate where modern music of the 20^th Century began, we need to take a brief look at the origins that began to appear in the late 19^th Century, even though they were still not necessarily prominent at the turn of the millennium. In these sections it is important to recognise that musical genres did not appear from nothing and neither did they disappear overnight. In addition, many musical genres endured and morphed over decades and many have seen periodical revivals. The categorisation of music into decades for the sake of this article is simply a convenient device to provide a frame of reference within which the ‘facts’ can be readily accommodated. Similarly, genre boundaries and musical styles emanating from particular geographical territories should be seen as fluid and constantly cross‑pollinating, and should not, therefore, be taken as definitive. Where appropriate, relevant notes will be included. Nothing in music, it seems, is simple or straightforward.

1870s

The Blues, or ‘the devil’s music’ is a major musical genre that originated in the Deep South of the United States such as Mississippi, Louisiana and southern Texas from around the 1870s and spread widely across the country changing its style as its popularity increased. Blues really came to prominence at the beginning of the 20^th Century. The basis of the blues came predominantly from African American music and traditional African music, as well as European traditional folk music. The genre can be recognised often by repeating chord progressions and commonly a 12‑bar structure. The word ‘blues’ is largely attributed to melancholy, sad or depressed mental states and is often associated with trials and tribulations of post‑slavery black oppression. The development of the blues included work songs, spiritual songs, chants, and ballads. Around 1902, African American musician WC Handy, often called ‘the father of the blues’, heard blues music being played at a railway station and set about promoting the genre through early recordings. Some of the early practitioners of blues include Charlie Patton, Blind Blake, Blind Lemon Jefferson, Mississippi John Hurt, Son House, Robert Johnson, Big Bill Broonzy and Lead Belly, along with many others. Blues music has been highly influential over the last 150 years and its lasting effects can be found widely in jazz as well as later musical genres such as rhythm & blues, rock ‘n’ roll and rock music. Blues has also spawned many sub‑genres including Delta blues, country blues, Piedmont blues, hill country blues, West Coast blues, electric Chicago blues, Texas blues and blues rock.

1890s

While orchestral music remained popular up to the end of the 19^th Century, a new breed of music was attracting listeners’ attention. Ragtime emanated from the African American communities of urban cities including St. Louis in Missouri around 1895-1897. Ragtime takes the traditional march musical style that had been made popular by John Philip Sousa and was often played by African American bands. Ragtime incorporated ‘ragged’ syncopated rhythms often reminiscent of polyrhythmic African music. Ragtime became a massively popular form of dance music up to around 1919. Ragtime, along with blues music largely influenced and evolved into Jazz from about 1917. Dance crazes inspired by ragtime became popular with contemporary audiences of the time including the shimmy, the turkey trot, the buzzard lope, the chicken scratch, the monkey glide, and the bunny hug. Predominantly white audiences first encountered the new craze at popular vaudeville shows, with artists soon migrating to the music clubs. Scott Joplin, Joseph Lamb and James Scott are known as the ‘big three’ ragtime composers of their time.

Right, now things are back on track, let’s get going with the early part of the 20^th Century.

The 1900s

The 1900s was a decade that heralded not only intense hope for a new millennium but also further leaps of scientific and technological progress.

Historical Context 1900-1909

1900	Work on the famous New York subway from City Hall to the Bronx began.
1901	The first Nobel Prizes are awarded in Stockholm, Sweden in the fields of physics, chemistry, medicine, literature, and peace. The Commonwealth of Australia was created. Hubert Cecil Booth made the world’s first commercial vacuum cleaner. King Gillette and William Nickerson founded the American Safety Razor Company. After 63 years on the throne, British monarch Queen Victoria died and was succeeded by King Edward VII. The first 2000‑mile transatlantic radio message from England to Newfoundland was sent by Italian electrical engineer Guglielmo Marconi.
1902	The Flatiron Building in Manhattan, New York became the world’s tallest at 20 stories and 205 feet tall.
1903	The first powered flight was made by brothers Orville and Wilbur Wright using the first heavier than air powered airplane, the Wright Flyer. American industrialist and founder of the Ford Motor Company, Henry Ford started mass production of motor cars in America. The first baseball World Series was held.
1905	Albert Einstein published his ‘Special Theory of Relativity’ proposing the relationship between space and time.
1906	A massive 7.9 (estimated) magnitude earthquake struck California, killing 3,000 people and destroying 80% of San Francisco. The Britain suffragette movement began, aiming to give women the vote. The first Grand Prix motor race took place at Le Mans in France.
1908	Lord Baden‑Powell founded the Boy Scouts and Girl Guides movement. The headquarters of the Singer Manufacturing Company in Manhattan reached 47 stories and 612 feet tall. The American agency, the FBI (Federal Bureau of Investigation) was formed. Ford introduced the massively popular Model T motor car, which sold for $850.
1909	Explorers Robert Peary and Matthew Henson claim to be the first people to reach the North Pole.

Musical Genre Development 1900-1909

Blues music was beginning to spread from the rural areas of the American Deep South and varieties such as hill blues and country blues reflected the social culture of their regional origins. Church music was also prominent in the American Bible belt, as was Anglo‑American folk music with immigrants influencing home grown styles.

Although classical music began to be overtaken rapidly by more modern forms, opera became particularly popular in the early 20^th Century and sustained interest until about 1960.

Jazz music, often termed ‘America’s classical music’, is another major musical genre starting from around 1900. Early forms of jazz musical expression emerged mainly from the American south and particularly around the city of New Orleans in Louisiana, often referred to as Dixieland. Jazz stemmed from existing blues, ragtime and European military band music, all of which were popular in the late 19^th Century. Musician Buddy Bolden is widely recognised for fusing blues and ragtime to form the basis of jazz. Partly because of these origins, early jazz music was principally performed by African American musicians. Jazz is characterized by ‘swing’ and ‘blue’ notes, call and response patterns, polyrhythmic arrangements and extensive improvisation. Jazz rapidly diversified with forms such as ‘honky‑tonk’, ‘boogie woogie’ and simple jug band music. The main surge in the popularity of jazz music occurred after WWI and particularly from 1920 onwards, known widely as ‘the Jazz Age’. The growth of the jazz craze soon spread to dance halls and speakeasies as well as ubiquitous marching bands. Music and dancing became a significant part of popular jazz culture, including the cakewalk, the black bottom, the Charleston, the lindy hop and the jitterbug. The introduction of recording technology and wireless radio also gave much broader exposure to the exciting new musical genre. Popular jazz artists included Jelly Roll Morton, Louis Armstrong, Bessie Smith and Fats Waller, as well as big band orchestras led by the likes of Duke Ellington, and Count Basie. Jazz rapidly diversified including forms such as Kansas City jazz, gypsy jazz, bebop, cool jazz, free jazz and fusion. Jazz and its many different styles remained hugely popular up to the 1940s and its legacy heavily influenced the proliferation of other musical genres from the early 1950s.

Musical Facts 1901-1909

Day	Month	Year	Music Fact
4	August	1901	Legendary American jazz trumpet player, singer and composer, Louis ‘Satchmo’ Armstrong was born in New Orleans, Louisiana.
21	March	1902	Legendary and influential blues guitarist, singer and songwriter, Son House (1902-1988, 86) was born in Lyon, Mississippi.
9	June	1902	Influential delta blues guitarist and singer Skip James (1902-1969, 67) was born in Bentonia, Mississippi.
10	October	1902	American luthier Orville Gibson founded The Gibson Mandolin-Guitar Manufacturing Co. Ltd in Kalamazoo, Michigan, now better known as manufacturer of Gibson guitars.
26	June	1903	American blues singer, songwriter and guitarist, Big Bill Broonzy (1903-1958, 65) was born in Jefferson County, Arkansas.
1	March	1904	American big-band trombone player, arranger, composer, and bandleader Glenn Miller was born in Clarinda, Iowa.
21	August	1904	American jazz pianist, organist, bandleader, and composer Count Basie was born in Red Bank, New Jersey.
19	November	1905	American jazz trombone player, composer, conductor and bandleader, the ‘Sentimental Gentleman of Swing’ Tommy Dorsey was born in Shenandoah, Pennsylvania.
12	January	1906	American country blues singer and guitarist Mississippi Fred McDowell (1906-1972, 66) was born in Rossville, Tennessee.
12	November	1906	American delta blues guitarist and singer Booker T. Washington ‘Bukka’ White (1906 or 1909-1977, 67 or 70) was born between Aberdeen and Houston, Mississippi.
2	December	1906	The inventor of the long playing microgroove record (a.k.a. the LP) for Columbia Records, Peter Carl Goldmark was born in Budapest, Hungary.
29	September	1907	American guitarist, singer, songwriter, actor, rodeo performer and businessman, ‘the singing cowboy’ Gene Autry (1907-1998, 91) was born in Tioga, Texas
26	January	1908	Amazing French virtuoso jazz violinist, known as ‘the grandfather of jazz violinists’ Stéphane Grappelli was born in Paris.
30	May	1909	American jazz clarinet player and bandleader, the ‘King of Swing’, Benny Goodman was born in Chicago, Illinois.
10	August	1909	One of the most significant figures in guitar music history and business, Clarence Leonidas ‘Leo’ Fender (1909-1991, 81) was born in Anaheim, California.
10	October	1909	American businessman, president of guitar manufacturer Gibson and mentor to luthier Paul Reed Smith, the formidable Theodore ‘Ted’ McCarty (1909-2002, 91) was born in Somerset, Kentucky.

The 1910s

The 1910s was a tumultuous decade and one that would leave the world on a watershed, with positive and negative implications for the ones that would follow.

Historical Context 1910-1919

1911	Norwegian explorer, Roald Amundsen became the first person to reach the South Pole. The Chinese Revolution led to the formation of the republic of China. The first Indianapolis 500 motor race took place at Indianapolis Motor Speedway in Indiana.
1912	The so‑called unsinkable ocean liner, the RMS Titanic sank on its maiden transatlantic voyage from Southampton to New York after striking an iceberg, killing over 1,500 passengers and crew.
1913	The first crossword puzzle was published in a Sunday newspaper, the New York World.
1914	The Panama Canal in Central America opened, connecting the Atlantic and Pacific Oceans. The First World War (WWI) started between Germany/Austria and Britain/France/Russia, which lasted until 1918.
1915	A German torpedo sank the British ocean liner Lusitania off the Irish coast, killing nearly 1,200 people.
1916	Albert Einstein published his ‘General Theory of Relativity’ proposing a unified description of gravitation as a geometric property of space and time.
1917	The Russian Bolshevik Revolution took place, led by Vladimir Lenin and Leon Trotsky. America joined WWI on the side of the Allies.
1918	The British Royal Air Force was founded. Women over the age of 30 were given the vote in Britain. A deadly influenza pandemic infected c.500 million people around the world and resulted in the deaths of 50 to 100 million, equivalent to 3-5% of the global population. The armistice between the Allies and Germany ended WWI. Approximately 17 million people were killed during the conflict.
1919	The infamous Chicago Black Sox baseball match fixing scandal, when 8 members of the White Sox were accused of intentionally losing the World Series to Cincinnati for money from a gambling syndicate. The Grand Canyon National Park in Arizona was created. After WWI, the League of Nations was established, intended to ensure world peace, lasting until it was abandoned in 1946.

Musical Genre Development 1910-1919

By 1910, blues music was migrating into urban areas and would have a major influence on all forms of music. Jazz particularly New Orleans Jazz maintained its popularity during the 1910s. Religion was of great solace to the oppressed black communities of southern USA and unaccompanied singing of spirituals grew in popularity, eventually morphing into gospel by the 1930s. Social development in America and particularly Europe during the 1910s was heavily impacted by World War I. In the absence of technological music distribution, the ‘new’ music from the previous decade continued to spread and it maintained its influence during the 1910s. As a consequence, no major genre styles appeared before the boom period of the post‑war ‘roaring twenties’. Recordings of Afro‑Caribbean calypso music began to appear in the 1910s, which proved not only popular but also influential.

Musical Facts 1910-1919

Day	Month	Year	Music Fact
23	January	1910	Belgian/French virtuoso gypsy jazz guitarist, Django Reinhardt (1910-1953, 43) was born in Liberchies, Pont‑à‑Celles, Belgium.
28	May	1910	Influential American blues guitarist, singer and songwriter T-Bone Walker (1910-1975, 64) was born in Linden, Texas.
10	June	1910	Legendary blues American guitarist and singer Howlin’ Wolf (real name, Chester Burnett) (1910-1976, 65) was born in White Station, Mississippi.
8	May	1911	Legendary American blues guitarist, singer and songwriter, Robert Johnson (1911-1938, 27) was born in Hazlehurst, Mississippi.
5	November	1911	American singer, guitarist and popular Western film actor, known as the ‘King of the Cowboys’ Roy Rogers (1911‑1998, 86) was born in Cincinnati, Ohio.
15	March	1912	American country blues singer, songwriter and guitar legend, Sam ‘Lightnin’ Hopkins (may be 1911 or 1912‑1982, 69) was born in Centreville, Texas.
14	July	1912	Legendary and influential American folk singer, songwriter and guitarist, Woody Guthrie (1912‑1967, 55) was born in Okemah, Oklahoma.
4	April	1913	Legendary American Chicago blues guitarist, Muddy Waters a.k.a. McKinley Morganfield, (1913-1983, 70) was born in Issaquena County, Mississippi.
7	August	1913	American pioneer of the 7-string jazz guitar, long before its current popularity in modern rock music, George Van Eps (1913-1998, 85) was born in Plainfield, New Jersey.
22	November	1913	Famous English classical composer, conductor and pianist Benjamin Britten was born in Lowestoft, Suffolk.
20	March	1915	Influential American gospel singer, songwriter and guitarist, Sister Rosetta Tharpe (1915-1973, 58) was born in Cotton Plant, Arkansas.
7	April	1915	Legendary American singer Billie Holiday was born in Philadelphia, Pennsylvania, She is widely recognised as one of the greatest jazz singers of all time.
9	June	1915	True American guitar legend and musical innovator, the incomparable Les Paul, a.k.a. Lester William Polsfuss (1915-2009, 84) was born in Waukesha, Wisconsin.
1	July	1915	Influential American blues singer, songwriter, upright bass player and guitarist, Willie Dixon (1915-1992, 75) was born in Vicksburg, Mississippi.
29	July	1916	Highly influential American jazz guitarist, Charlie Christian (1916-1942, 25) was born in Bonham, Texas.
12	March	1917	American record producer and co-founder of Chess Records in Chicago, famous for pioneering blues and rock ‘n’ roll artists, Leonard Chess was born in Motal, Poland.
7	June	1917	American singer, actor, comedian, and producer Dean Martin was born in Steubenville, Ohio.
22	August	1917	Massively influential American blues guitarist, singer and songwriter, an all-time great music man, John Lee Hooker (1917-2001, 83) was born in Tutwiler, Tallahatchie County, Mississippi.
30	September	1917	Legendary American jazz drummer and band leader Buddy Rich was born in Brooklyn, New York.
21	October	1917	American jazz trumpeter, bandleader, composer, and singer Dizzie Gillespie was born in Cheraw, South Carolina.
17	November	1917	Influential American country singer, songwriter and guitarist, Merle Travis (1917-1983, 65) was born in Rosewood, Kentucky.
27	January	1918	American blues guitarist, the ‘king of the slide guitar’, Elmore James (1918-1963, 45) was born in Richland, Mississippi.
25	April	1918	Renowned American jazz singer, known as the ‘First Lady of Song’ and the ‘Queen of Jazz’, Ella Fitzgerald was born in Newport News, Virginia.
19	August	1918	Pioneering American luthier, Orville H. Gibson, founder of Gibson guitars, died in a New York hospital at the age of 62.

Tailpiece

OK, there you have it for this month’s article and we’ve only covered two decades! But, what influential decades they were. Things are just starting to hot up and there is still plenty to look forward to over coming months. Music and world events begin to get even more complicated and quite exciting from here on in. I’m not sure how many months this series will last, so we’ll just have to take things as they come.

In the background, the repatriation project is ongoing at an intentionally slow pace with about 3‑4 guitars a month attracting some much deserved tender loving care and attention. Also, the ‘most wanted’ vintage gear hunt is still underway but with no desperate urgency, as there is plenty else to be getting on with. Also, the postponed and much‑needed cellar renovation (i.e. future guitar accommodation) may begin to get underway by mid‑year. So, lots of fun and games to be had if at all possible. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Intelligence is not about what you know or how much you know but about having the curiosity to ask ‘why?’”

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28 Apr 2018

April 2018 – A Potted History Of The Guitar Part II

by Tony Drew | posted in: History, Introduction, Observations | 0

Hello again. Part II of CRAVE Guitars’ abridged history of the world’s favourite instrument continues from the point where Part I left off (March 2018 → read the first article here). For brevity (!), I won’t repeat the rationale or contextual backstory up to this point.

Part II covers the period starting shortly after the beginning of the European Renaissance in the 15^th Century and covers the development of the acoustic guitar as we know it, largely up to the middle of the 20^th Century. So, without further ado, here we go stepping right back into the story where the last part left off…

Renaissance (1400-1600 CE)… Continued

The lute remained fashionable in Europe in both Spain and, particularly, Sicily. The popularity of the nascent instrument was through its use as a solo instrument in European courts during the 16^th Century. The number of string courses used by the lute increased considerably, to as many as 14 or 19, or more, courses. Over time, however, the lute diminished in popularity, with keyboard instruments and the guitar eventually taking over. Its descent was so marked that, by 1800, the lute was pretty much absent from European social life.

The Spanish vihuela emerged in the late 15^th and early 16^th Centuries. The vihuela was a small flat‑backed, guitar instrument that derived its influence directly from the earlier ‘Spanish Guitars’. The vihuela’s appearance included the now familiar waisted ‘hourglass’ body shape, the circular sound hole with ornamental ‘rosette’, 10 moveable tied gut frets and 6 courses of gut strings. The vihuela’s tuning, however, was often distinctly more lute-like, often tuned to either G, C, F, A, D, G or A, D, G, B, E, A. Design and construction of the vihuela, however, tended to vary considerably during its reign, with the ‘vihuela da mano’, played with the fingers (rather than with a bow or plectrum), becoming the dominant form. Although the vihuela’s influence in Spain, Portugal and Italy diminished to be superseded by other forms of early guitar, it may, arguably, be the legitimate grandparent of the contemporary (12‑string) guitar. As if to support this notion, there is a small number of books of printed music tablature (or Spanish cifra translated as cipher) for the vihuela dating from the 16^th Century, suggesting its use for formal performance music by skilled vihuelists. Only 2 examples of the vihuela are known to survive in museum collections, one in Italy, the other in France.

Effectively succeeding the Spanish vihuela was the plain (i.e. undecorated) Renaissance guitar, which began to rise in popularity from the second half of the 16^th Century and remained fashionable well into the 17^th Century. These instruments were slightly smaller than the Spanish vihuela and initially had 10 frets, later increased to 12 frets. The Renaissance guitar tended to have 4 courses of stings tuned to G, C, E, A.

The first written music notation for guitar began to appear in the mid-16^th Century, initially in tablature (tab) format, soon to be superseded by modern staff manuscript. Early pieces for a 4‑course guitarra were published by Alonso de Mudarra in Spain in 1546 and an early manuscript by Miguel Fuenllana for the chitarra battente (see below) dates from around the same period (1554). A substantial amount of material appeared in France from c.1550-1570, principally by French musician Adrian le Roy, as the instrument gained popularity with the aristocracy.

Baroque Era (1600-1750 CE)

While the Renaissance guitar was rather plain and undecorated, the Baroque guitar (chitarra barocca), which originated during the baroque period of music from c.1600‑1750 was quite ornate in comparison. In addition, Baroque guitars gained an extra course of strings increasing from 4 to 5 courses tuned to A, D, G, B, E. The guitars were widely used in Spain, Italy and France, mostly by the wealthy classes. Baroque instrumental and dance court music was particularly popular at the time and contributed significantly towards subsequent development of the instrument and of classical guitar music.

Another branch of the guitar family tree from the same period includes the 4 or 5‑course chitarra battente (Italian for ‘strumming guitar’) commonly used in Italy. The instrument was traditionally played by folk musicians although it was also known to be used in court music. The chitarra battente comprised an ‘hourglass’ body shape and was similar to, although commonly slightly larger than, the baroque guitar. A number of 17^th Century instruments are known to exist in museum collections.

These various forms of early guitar continued incremental change including the introduction of metal strings and frets to replace gut. By the 16^th and 17^th Century, the ‘standard’ guitar tuning of A, D, G, B, E was proving popular and was becoming established. The tuning was equivalent to the top 5 strings of the modern guitar, although re-entrant tunings (where single strings are not tuned in order from the lowest pitch to the highest pitch) were also used during the same period.

By the late 16^th and early 17^th Century, the immediate predecessors of the ‘modern’ classical and flamenco guitars were firmly established. According to many historians, the documented history of the present-day classical guitar as we know it today really starts around this time – the ‘guitar’ had finally arrived.

The familiar shape of the guitar had been refined and had become largely well‑established. The traditional characteristics were in place including a flat front and back, distinct waist bouts providing the familiar and distinctive ‘hourglass’ body shape, a long, slim fretted neck and mechanical tuning on the headstock. However, the number of courses or single strings and tuning had not yet been fully standardised.

Classical Era (1750-1820)

While the European Renaissance was hugely important in bridging the gap between early guitar-like instruments and the recognisable forbears of the modern guitar, it certainly isn’t the end of the story. Musical styles and tastes in Europe were changing and the guitar was able to adapt to the major shift from baroque to classical music composition c.1750.

The 6-course guitar commonly appeared first in Spain during the classical period of music covering c.1750-1820, effectively using the same principle as today’s 12-string guitar. The modern-day ‘standard’ guitar tuning, E A D G B E, was in common use by c.1770 and by 1800, the practice of using six single strings had largely taken over from the earlier 5‑courses of paired strings. Many of these now‑‘obsolete’ 5‑course guitars were easily adapted to 6 single strings by simply removing the 2^nd and 4^th rows of the original 5 pairs of tuners from the headstock and adjusting the bridge and nut to suit. The change to 6 single strings was probably driven by musical tastes and the need for a louder, clearer-sounding instrument that could also be used for both solo and ensemble performance.

The Romantic Guitar

Not to be confused with the ‘Romantic Era’ of music (1820-1900 CE), the development of the romantic guitar predated the time period that it was known for. The basic body construction of these early guitars was relatively unchanged from those that preceded them, with transverse bracing struts used to support the top soundboard. However, incremental improvements had been made over time. The move from tied gut frets to fixed metal frets made of brass and the introduction of tuning gears, rather than violin pegs of previous instruments, became common. The consistent approach to guitar making in Europe between c.1790 and c.1830 is often referred to as belonging to the early romantic guitar. Known examples of early romantic guitars appear from the start of this period although opinions differ as to authenticity of the ‘first’ surviving specimen. The romantic guitar is often cited as the immediate precursor to the modern classical guitar that became established from the mid-19^th Century.

During the first half of the 19^th Century, many classical music composers used or played the romantic guitar, including several familiar names such as Hector Berlioz (1803-1869), Franz Schubert (1797-1827) and Niccolò Paganini (1782-1840). Schubert is often quoted as saying “The guitar is a wonderful instrument which is understood by few”.

Geographically, Naples in Italy had been a centre for educating religious and performance musicians since the mid‑16^th Century and this continued right up to the 19^th Century. The guitar developed as a serious instrument during the Baroque period and into the classical period, partly as a result of the influential major music conservatories based in Italy. The surge in popularity of the instrument led to the development of the luthiers’ craft, not only for guitars but also for violin and mandolin manufacture. There is no doubt that the craftsmanship involved with Italian instrument manufacture during the romantic guitar period was outstanding.

Influential luthiers from the romantic guitar period include Italians Gaetano Vinaccia (1759-c.1831), Giovanni Battista Fabricatore (c.1777-c.1849) and Pierre René Lacôte (c.1785-c.1868).

Coincidentally, prominent guitar players from the period include Italians Federico Moretti (1769‑1839) and Mauro Giuliani (1781-1829).

Romantic Era (1830-1900 CE)

The influence of romantic guitar on the broader romantic era of music is debateable. What was crucial to the guitar’s success was the ability of the luthiers who made them and the musicians who played them to adapt to changing styles of popular music.

Up to this point, evolution in the guitar’s development had been incremental and largely reactionary, i.e. responding positively to prevailing cultural circumstances rather than dictating them. Luthiers had adopted the skills, knowledge and experience of their predecessors and passed them onto the next generation with only minimal change and improvement. However, things were about to change significantly and a fundamental shift in the design and construction was about to transform the acoustic guitar and this would in turn thereafter drive musical development.

Over recent years, the level of interest in period instruments has grown considerably. The result of renewed fascination in the past is that there are many modern‑day luthiers making accurate recreations of historic instruments, as well as many musicians playing music in the style of the time, keeping the important heritage alive for future generations.

Revolutions in Classical and Acoustic Guitar Construction

While still in the formal ‘Romantic Era’ of music, the mid-19^th Century led to two landmark developments in the path to the modern instrument. While these innovations occurred separately on either side of the Atlantic Ocean, they came to define modern classical and acoustic guitars as we know them today. They also, arguably, paved the way to the even more revolutionary advances that took place during the 20^th Century, but more of that later in the story.

One of these breakthroughs occurred in southern Spain from around 1860 while the other leap forward occurred on the east coast of the United States of America from about 1850.

Spanish Innovation and Development

Spanish luthier, Antonio de Torres Jurado (1817-1892), introduced a major breakthrough in classical guitar design from the 1860s onwards. Torres worked in Seville and then in Almeria, Spain; the location of his workshops largely defined the two major periods (the so‑called ‘epochs’) of his work.

Up to this point, many classical guitars used what is called ladder bracing – a simple method where braces supporting the top sound board were in a grid aligned with and perpendicular to the strings. Torres’ revolutionary approach was to introduce fan‑braced soundboards with thinner strips of timber diverging from the sound hole to the base of the body in a fan shape. This seemingly simple invention enabled Torres to make guitars with larger bodies and thinner tops without increasing the weight of the instrument. In addition Torres popularised the use of mechanical machine heads for tuning strings, rather than wooden pegs.

Torres’ design influence spread rapidly and the classical guitar, also widely known as the modern ‘Spanish guitar’, became hugely popular well into the early 20^th Century. Many modern classical guitars still exhibit the characteristics established by Torres’ milestone designs. Before modern nylon strings were invented, classical guitars still used gut for the unwound treble strings and a combination of silk and silver to form the wound bass strings.

Until the late 19^th Century, there was essentially a single form of classical guitar. The differentiation between classical and acoustic Flamenco guitars became clearer after classical virtuoso guitarist Andres Segovia (1893-1987) used Torres’ fan-braced Spanish guitars to perform concert material from the so-called ‘modern school’ of classical music. From the early 1920s, Segovia was particularly influential in extending the repertoire of the instrument as well as increasing its popularity through early phonograph recordings, musical collaborations and extensive touring.

The distinction between Flamenco and classical guitars are relatively subtle but important to practitioners of the different musical genres. The differences are mainly to do with the tone woods used, rather than fundamental structural principles. The construction, materials used and therefore the sound and tone they produce are different, as are the techniques used to play them. Flamenco guitars tend to be lighter and the soundboards are usually thinner with less internal bracing than those found on the modern classical guitar. The result is that Flamenco guitars are said to produce a more resonant, percussive, brighter sound quality than the thicker, smoother, louder and heavier sound of classical guitars.

American Innovation and Development

Around the same time in the 19^th Century, a parallel step change in guitar design was taking place on the other side of the Atlantic. In 1833, German American immigrant, Christian Frederick Martin (1793-1873) founded his guitar‑making business, C.F. Martin & Co., firstly in New York City before relocating to Nazareth, Pennsylvania in 1839.

Martin’s early guitars were heavily influenced by Viennese luthier Johann Georg Stauffer (1778-1853), with whom Martin had worked before he emigrated to America.

Martin established the next great innovations of the modern acoustic guitar, introducing X‑braced soundboards from the 1850s onwards. X-bracing involves the timber strips supporting the soundboard being configured diagonally in both directions from the sound hole to the base of the body in the shape of the letter ‘X’. This form of construction was important for the widespread use of steel strings, which first became readily available around 1900. Martin’s X-bracing technique directly addressed the problem caused by the increased tension of steel strings that proved too much for the Torres-style fan‑braced flat top of the guitar. Alongside the stronger and more resilient X-bracing Martin introduced vital neck reinforcement that allowed the company to make narrower, thinner necks. Martins innovations proved highly popular with guitarists and the techniques rapidly became the industry standard for the flat‑top steel‑string acoustic guitar.

The widespread adoption of steel strings enabled guitar makers to meet the increasing demand from musicians for louder guitars. Steel strings also produced a different sound and encouraged a different playing style, often using a plectrum or guitar pick rather than the fingerstyle technique used almost exclusively in classical guitar music.

Jumping ahead a little bit, Martin also made another significant development in 1931 when the company introduced the ‘dreadnought’ guitar, named after a British battleship design. The Martin Dreadnought D-28 was larger than most acoustics of the time and featured a deeper, fatter (i.e. less ‘waisted’) outline. Martin’s aim was to produce a louder, more powerful guitar during a period when guitarists were demanding greater volume from their instruments. The classic American dreadnought was to prove very popular with acoustic guitarists from the 1930s onwards and the design remains highly influential today. Pre-war Martin dreadnoughts are very highly sought after as they are considered an exemplar of their type.

The two key developments by Torres in Spain and Martin in America, aided by more modern (i.e. accurate) manufacturing techniques, and the degree of relative standardisation provided the stable foundation upon which the vast majority of today’s ‘traditional’ classical and steel‑strung acoustic ‘folk’ guitars are built.

Modern Era (1900 CE-Present Day)

Acoustic Guitar Types

While there remains an infinite variety of designs and numerous incremental developments, the nylon‑strung classical guitar and the steel string acoustic ‘folk’ guitar define the major two categories of the contemporary acoustic guitar. Acoustic guitars based on Torres’ and Martin’s design principles remain very popular today.

As the evolution of the acoustic guitar continued, a loose classification according to body size, shape and depth was developed. These generic designations, originally defined by C.F. Martin, mostly apply to steel string acoustics include:

’Parlour’,
‘0’ (Concert)
‘00’ (Grand Concert)
‘000’ (Auditorium)
‘OM’ (Orchestra Model – also ‘0000’)
’M’ (Grand Auditorium – also ‘AS’)
‘D’ Dreadnought
‘DS’ Slope Shouldered Dreadnought
‘J’ Jumbo
‘Grand Jumbo’

The following diagram, although not exactly corresponding to the table may help with identifying the various types of acoustic guitar:

While the nomenclature can be confusing, it does provide for a certain degree of useful normalisation. Just to confuse matters, other manufacturers such as Gibson and Taylor use their own type designations.

Many modern acoustic guitars now have sophisticated on‑board electrics both to improve flexibility and to help them to compete on a level playing field with their solid body electric guitar equivalents. These advances in technology are necessary for acoustic guitars to stay relevant and up‑to‑date in contemporary situations at home, in the recording studio and in a live environment. The acoustic guitar remains alive and well in the 21^st Century.

Variations on a theme

The key milestones described here are, I trust obviously, not the only ones that have taken place over the centuries. There are an infinite number of guitar designs for just about any style of music, all with an infinite array of construction techniques and materials. It is impossible to do justice to every aspect of the guitar landscape and the point of the guitar’s story isn’t to be comprehensive but to give a taster for what’s out there to be discovered. This narrative is simply a starting point from which to explore the many other areas in much greater detail. Before we move onto some major milestones of the 20^th Century that will eventually lead to the introduction of the electric guitar, it is worth a modest glimpse into the delights on offer to those who wish to explore the fringes of the guitar’s story. Here are a few selected examples from diverse sub‑genres of guitar building. Note: archtop acoustic and resonator guitars that emerged during the 20^th Century will be covered in the next instalment (Part IV) of the series.

Gypsy Jazz Guitars

Before moving onto the ‘missing links’ between acoustic and electric guitars, there is an additional discrete family tree branch worth noting, generally referred to as gypsy jazz guitars. These acoustic designs were popularised by the jazz virtuoso guitarist, Django Reinhardt (1910-1953) in the 1930s and 1940s. The guitar of choice is often referred to variously as the Selmer, Selmer Maccaferri or Maccaferri guitars.

Selmer was a French manufacturer while Maccaferri was an Italian guitarist and luthier. From 1932-1934, the partnership between the two introduced what is now known simply as the gypsy jazz guitar. While still an acoustic guitar, its large body, D‑shaped (early) or oval (later) sound hole, single cutaway body, slotted headstock, steel strings, ladder bracing, separate floating bridge and trapeze tailpiece characterise the direction that some acoustic jazz guitar designs were taking at the time.

Many other companies have produced gypsy jazz guitars over the intervening decades, often heavily influenced by the original Selmer Maccaferri template. While interesting in its own right, the gypsy jazz-style guitar is, at least in technical terms, a bit of an evolutionary dead end.

Mariachi Guitars

Another branch on the guitar family tree is a key instrument in the Mexican Mariachi band, a type of Spanish theatrical folk orchestra originally comprising guitar, violins and harp. The music originated in the 19^th Century in central-western Mexico, emerging mainly from the state of Jalisco, as well as neighbouring Colima and Nayarit. By all accounts, the first evidence dates from about 1880. By the start of the 20^th Century, the instruments of the mariachi band comprised the 5-string vihuela (see above) the ‘guitarrón mexicano’ (a large acoustic fretless bass‑like guitar), two violins and trumpet. The Mariachi band has become integral to the social geography and musical culture of Mexico. While an interesting departure, like the gypsy jazz guitar, Mariachi guitars are generally considered to be another evolutionary cul‑de‑sac.

Harp Guitars

A relatively radical version of the acoustic guitar is the harp guitar, which originated around the end of the 18^th Century, although there are references that go back even further, perhaps as early as the mid‑17^th Century. Some supporters of the instrument, both luthiers and musicians believed it to be a viable replacement for the standard guitar. However, it remains popular only at the margins of the modern‑day guitar landscape. The first harp guitar was produced in Paris around 1773 by a luthier called Naderman and comprised 6 standard fretted strings and 6 open bass strings. Orville Gibson, founder of Gibson guitars, made harp guitars alongside mandolins and guitars in the early 20^th Century. Contemporary fusion guitarist John McLaughlin has been known to use a harp guitar alongside more traditional acoustic and electric guitars. There are many independent luthiers mow making harp guitars for the 21^st Century.

End of Part II

So… this seems to be another convenient break point in the story and concludes Part II of the guitar’s long history. I hope you enjoyed the fascinating tale of the ups and downs, twists and turns and various machinations of guitar evolution to this point.

While Part I covered a period of about 3,000 years, Part II has covered a mere 500 years. Arguably, more technical development has taken place over the last half‑millennium than in the preceding 3 millennia. As the pace of progress increases, the level of technological advance also expands, so the depth of each part of the story becomes increasingly condensed.

The period covered in this article provides a solid the foundation and launch pad for the modern instrument in the 20^th Century. The ancestral DNA presented in parts I and II is now directly and inextricably connected to each and every guitar bought today, whether they are mass produced in giant factory facilities or bespoke custom built in a one‑person workshop. For the curious reader, I hope that the story thus far inspires you to look beyond the immediate and obvious. There is plenty to discover, including anything along a continuum from the conventional to the obscure. Enjoy the journey.

Looking forward, Part III will cover the period from the start of the 20^th Century to the mid-1900s. This period is crucial, covering the relentless drive to achieve greater volume and versatility from acoustic instruments to the point where early electric guitars were just about to appear.

The entire historical narrative of these articles is a journey of discovery and exploration for the author. In particular, I am not content in simply regurgitating what others have written before me. I am still researching, writing and editing later parts of the guitar’s history so, depending on personal circumstances and degree of refinement required to publish the rest of the story, Part III may or may not appear for a while yet. Watch this space.

While uncovering the acoustic guitar’s distant past has been fascinating, the dawn of the electric guitar will probably be familiar territory for anyone with a remote interest in the instrument’s heritage. As a purveyor of ‘Cool & Rare American Vintage Electric’ Guitars, it is also the period in which I am personally most interested. It is also the period from which most of CRAVE Guitars’ vintage ‘collection’ derives.

Talking of which, it is high time for me to disconnect from the hinterwebby thing, put down the laptop, pick up one of those American now‑vintage electric guitars and put it to good use. Which one to choose remains an on‑going challenge. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Learn from the future now and avoid the mistakes of the past”

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