29 Nov 2019

November 2019 – The Story of Modern Music in 1,500+ Facts – Part IX

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Welcome to the end of the 20^th Century. Not actually, of course, that was 20 years ago now. I mean, in the ‘Story of Modern Music’, having covered almost 350 years so far, welcomes you to the very end of the century that really transformed mankind’s potential and bestowed opportunities hitherto unforeseen and unthought‑of, including musically.

If you would like to (re)visit any of the first eight chapters of the story to‑date, you can do so here (each link opens a new browser tab):

I did think of trying to compress the last three decades into a single article and then thought better of it on the grounds that doing so might diminish the impact of the period within the overall picture. So, just for now, the millennial years will have to wait. The result is that the 1990s will have its own dedicated article, although it will be a slightly more diminutive read compared to the previous five decades/articles.

The Story of Modern Music Part IX 1990-1999

It is quite tricky to pinpoint exactly what the ‘90s meant to music devotees. It seemed to depend where you lived, your age and, perhaps, what socio‑economic ‘class’ you belonged to. Whether it was grunge, alternative, Britpop or dance music that floated your boat, there was a new and exciting scene to associate with and belong to. The psychological attachment to a musical style was important to many, especially young people who were looking for some structure to life while the old order of social and political systems seemed to be disintegrating around them. Although not quite as disobedient and defiant as previous musical archetypes, there was still an underlying seething resentment of ‘the man’, which various groups saw as attempting to control their chosen form of exuberant self‑expression. In a sense, they were tapping into the anger of the marginalised.

With previous decades, it was notable that births of familiar artists outnumbered deaths, while the ‘90s saw that trend beginning to reverse. Many future artists that may well achieve sustained fame may have been born in the ‘90s but not yet discovered, while the stars of previous eras are getting, let’s be honest, a bit long in the tooth.

Similarly, it is becoming difficult to distinguish what definitive musical gems will rise from the seeming homogeneity of releases to become revered as ‘classic’ in years to come. Arguably, the 1990s marked the last vestiges of milestone singles and albums. From then on, listening habits began to change fundamentally and that, in turn, changed the way we regard significance, at least through the traditional lens of sales figures.

Historical Context 1990-1999

Some commentators called the 1990s as the ‘best decade’, although that clearly depended on your circumstances and point of view! The dawn of the 1990s experienced widespread international political restructuring, especially in Eastern Europe following the end of the Cold War and the fracturing of the communist Eastern Bloc. The 1990s also saw the growth in environmental consciousness based on dire scientific predictions about global warming and climate change. Ironically, scaremongering about ‘greenhouse gases’ led to an expansion of ‘green’ industries in developed countries. Similarly, many commentators observed signs of societal dysfunctionality, leading to prescient dystopian novels such as ‘Generation X’ by Douglas Coupland (1991), ‘Random Acts Of Senseless Violence’ by Jack Womack (1992), and ‘Prozac Nation’ by Elizabeth Wurtzel (1994). The wealth gap between the haves and have‑nots was striking; a morally unjustifiable trend that would only worsen from the 1990s onwards. The increase in the pace of technological change in post‑industrial countries fuelled the migration towards ‘digitocracies’ and resulted in manufacturing being outsourced to low‑cost developing countries on a massive scale. A period of unprecedented growth in the use of the Internet fuelled unsustainable speculation in the value of high‑tech companies, known broadly as the ‘dot‑com bubble’, a phenomenon that was bound to burst, which it ultimately did. Many companies that had become reliant on IT during the decade were fearful of the impact of Y2K on computer systems that were not prepared for the turn of the millennium.

Year	Global Events
1990	Following the fall of the Berlin Wall and the collapse of soviet communism, East and West Germany were reunited as the Federal Republic of Germany. Political internee and equal rights campaigner, Nelson Mandela was released from prison after serving 27 years. His return to freedom effectively marked the end of apartheid in South Africa. The ground breaking American cult TV series Twin Peaks burst onto screens. Created by David Lynch and Mark Frost, and starring Kyle MacLachlan. It is considered a landmark in television drama. NASA’s Hubble Space Telescope, named after American astronomer Edwin Hubble, was launched into low Earth orbit. The telescope was designed to look into deep space. The first Middle East Gulf War started after Iraq invaded and annexed neighbouring Kuwait. A U.S.‑led coalition of 35 countries responded with Operation Desert Storm resulting in a coalition victory.
1991	Communist rule of the soviet USSR ended, resulting in a break up into a number of separate countries. The dismantling of the communist state effectively ended the 45‑year old Cold War between Russia and America. British computer scientist and engineer, Tim Berners-Lee posted a short summary of the World Wide Web project, effectively launching the Internet, initially to research institutions and then to the general public.
1992	The infamous Los Angeles riots took place after 4 LAPD officers were acquitted of using excessive force in the arrest of African-American Rodney King the previous year. The incident had been videotaped and broadcast widely on TV, sparking renewed civil rights activism. Founded in 1918, Central European country Yugoslavia descended into bitter civil war in Bosnia and Herzegovina, a devastating military conflict that lasted until 1995.
1993	Democrat politician Bill Clinton became the 42^nd president of the U.S.A. Another massive American cult TV series, The X-Files was first broadcast, created by Chris Carter and starring David Duchovny and Gillian Anderson. The European Union (EU) succeeded the European Economic Community (EEC) when 12 countries signed the Maastricht Treaty, signalling a process of closer political and economic union.
1994	The trilateral North American Free Trade Agreement (NAFTA) between the U.S.A., Canada and Mexico came into effect. Anti-apartheid revolutionary and politician Nelson Mandela was elected as president of South Africa. He was the country’s first black head of state and the first to be elected in a fully representative democratic election. The Provisional Irish Republican Army (IRA) declared a cease fire in Northern Ireland, paving the way for de‑armament and the subsequent peace process. The 38Km (23.5mile) Channel Tunnel rail link beneath the English Channel from Folkestone in England to Calais in France was opened for business.
1995	The phenomenally successful multi‑national online auction and e‑commerce website eBay was launched, founded by entrepreneur Pierre Omidyar and based in San Jose, California. Former professional American footballer O.J. Simpson was found not guilty of the double murder of former wife Nicole Simpson and her friend, Ronald Goldman. The criminal trial, held in Los Angeles, was widely broadcast on TV.
1996	Dolly the sheep became the first mammal to be cloned from an adult cell by using nuclear transfer in Scotland, UK. Dolly died in 2003 at the age of 6. Heir to the British throne, Prince Charles was formally divorced from Diana, Princess of Wales in London.
1997	The British crown colony of Hong Kong was returned to Chinese sovereignty as a Special Administrative Region of the People’s Republic of China after 156 years of British rule. Diana, Princess of Wales, was killed in a car crash in the Pont de l’Alma tunnel in Paris, France at the age of 36. Her lover, Egyptian socialite Dodi Fayed, was also killed in the crash, sparking many conspiracy theories. Albanian-Indian Roman Catholic nun and humanitarian missionary Mother Teresa died of a heart attack in Rome at the age of 87. The Pacific Rim countries were hit by the major Asian Financial Crisis, starting in Thailand and spreading rapidly across east and southeast Asia, resulting in an international financial contagion that threatened a severe worldwide economic meltdown.
1998	The male virility drug Sildenafil, commonly known as Viagra, became available for use in America. It was originally discovered by pharmaceutical company Pfizer as a treatment for heart‑related chest pain. The Internet search engine Google Search was launched. It is the most widely used search engine on the World Wide Web, with over 90% market share in 2019, handling more than 5 billion searches per day. Multinational technology giant, Apple Inc. launched the highly successful iMac computer. The multilateral Good Friday Agreement was signed in Belfast by the Republic of Ireland and Britain as part of the on-going Northern Ireland peace process. The first module of the International Space Station (ISS) was launched into low Earth orbit. The ISS has served as a multinational microgravity research laboratory.
1999	The Euro became the official single currency for the majority of European Union (EU) countries, known commonly as the Eurozone. The security of the Euro is overseen by the European Central Bank in Frankfurt, Germany. Politician, Vladimir Putin became President of Russian Federation, succeeding former president, Boris Yeltsin.

Musical Genre Development 1990-1999

The 1990s was a decade of sometimes dysfunctional music set against a background of major political change and social polarisation/alienation.

One phenomenon of the 1990s that isn’t genre‑specific but which built on the perennial success of pop music was the ‘boy band’ and its all‑girl equivalent. Artists included Backstreet Boys, Boyz II Men, *NSYNC, Take That, Westlife, All Saints, S Club 7, Spice Girls and Destiny’s Child. The record company ‘manufactured’ bands didn’t have it all their own way; solo pop music artists were also highly successful during the 1990s, including Britney Spears, Christina Aguilera, Justin Timberlake, Jessica Simpson, and Mandy Moore.

American heavy metal saw a resurgence including bands like Metallica, Megadeth, Slayer and Pantera achieving massive popularity. Meanwhile, British heavy metal was also prospering with NWOBHM bands such as Def Leppard, Judas Priest and Iron Maiden.

Hip‑hop became increasingly divisive, inciting gang warfare, gun violence and drug use, fuelling rivalry between east and west coast artists, and resulting in a number of high profile deaths including Tupac Shakur and the Notorious B.I.G.

The English ‘Manchester movement’ (or ‘Madchester’ as it was often called) was strong in the late 1980s and early ‘90s. The scene centred on venues like the Haçienda nightclub in Manchester, run by post‑punk band New Order and led by local bands such as Stone Roses, Happy Mondays and The Charlatans, although the latter were actually based in the west midlands. The music isn’t necessarily a genre per se, it was more of a loose social and cultural grouping that also encompassed fashion, art and media. The OTT craziness of the Manchester scene was faithfully represented in the film ’24 Hour Party People’, made in 2002, directed by Michael Winterbottom. Other artists associated with the vital hotpot based around the UK’s North West were The Verve, Inspiral Carpets and James, as well as Scottish band Primal Scream. The Manchester ‘baggy’ zeitgeist would be important in the growth of the drug‑fuelled rave scene later in the decade.

A fusing of genres led to the emergence of trip hop as a discrete genre that grew from its roots in Bristol, UK and was pioneered by artists like Massive Attack, Tricky, Portishead, Morcheeba and Sneaker Pimps. Sometimes referred to as ‘downtempo’, it is typified by taking electronica, hip‑hop, house, funk, dub, soul and psychedelia and creating something altogether different and fresh. While its roots were clearly experimental and atmospheric, trip hop was influential in that it led to other popular mainstream forms that became subsumed in the electronic dance craze (see below) of the 1990s and early 2000s, including breakbeat, bigbeat, drum ‘n’ bass, IDM, dubstep and acid jazz. Like the Manchester movement, trip hop was very much a UK‑led genre, which had little mainstream success in the U.S.

Like punk before it, alternative rock and its counterpart, experimental noise rock, is a musical genre that railed against the major record corporations that ran the music business and the mainstream pop and rock products they marketed. Independent producers and record labels that existed outside the studio system were very much part of an active underground movement, particularly in America, and this is where a number of bands came to public attention at the start of the 1990s. Compared to the mainstream, alternative artists found it relatively difficult to garner wide audience appeal, so word of mouth, radio and record releases were the way that the message got out. The alternative moniker is more of an umbrella term relating to artists’ status in the system, rather than having definitive identifiable genre characteristics. Notable alternative artists include Sonic Youth, Dinosaur Jr., Nine Inch Nails, Beck, Jane’s Addiction, Smashing Pumpkins and Pixies. Before they signed to a major label, R.E.M. were seen as alternative and this started a broadening of the definition that included other major artists such as Rage Against the Machine, Red Hot Chili Peppers, Foo Fighters, Queens Of The Stone Age, Radiohead and Nick Cave & The Bad Seeds. The start of the new millennium saw other alternative rock artists emerge including The Strokes, Interpol and The Rapture, extending and ensuring alternative rock’s destiny into the 21^st Century.

Grunge is a specific genre of music that developed in the Pacific North West of the United States and more specifically its epicentre in and around Seattle in Washington State. Like alternative/noise rock, grunge was an underground movement centred on an independent record label, in this case, Sub Pop records based in Seattle. Grunge is influenced by punk, metal and alternative styles resulting in something altogether different from all of them. Grunge is characterised by slow, raw arrangements and a distinctly distorted lo‑fi sound. Compositions often followed a quiet‑loud‑quiet structure. Lyrics tended to be downbeat, melancholic, anti‑consumerist and often depraved with a focus on cultural alienation and social isolation. While all of the following rejected the term ‘grunge’ as defining their music, especially after signing to major labels, the early pioneers of Seattle’s grunge scene included Nirvana, Soundgarden, Pearl Jam, Mudhoney and Alice In Chains. The core grunge scene had largely fizzled out and diversified by the end of the 20^th Century. A revival of the grunge ethic evolved in the 2010s to include artists like Courtney Barnett, Wolf Alice and Yuck.

Britpop was essentially an upbeat and positive British reaction to the dark and depressing American grunge scene. The music and its cultural background (nicknamed ‘Cool Britannia’) lasted approximately from 1993‑1997 before fizzling out. The major bands of the Britpop period included the ‘big four’; Oasis, Blur, Pulp and Suede. Collectively they expanded popularity to include other artists such as Supergrass, Cast, The Lightning Seeds, Sleeper and Elastica. The so‑called ‘Battle of Britpop’ between Oasis and Blur around 1995 was a media‑fuelled highlight catching the public’s imagination at the time. Britpop was important for influencing many quintessentially British bands that came along for the ride including Coldplay, Travis, Feeder, Stereophonics, Elbow, Snow Patrol and Keane. Further influences included Kaiser Chiefs and Arctic Monkeys in the 2000s.

Dance music (in this context, Electronic Dance Music – EDM) was a phenomenon that had its roots in the late 1980s but exploded in the early 1990s and lasted well into the 2000s. Dance music comprises largely electronically produced progressive dance music intended for use at nightclubs, festivals and (often illegal) raves by DJs who mixed and re‑mixed heavy beats through loud PA systems to audience rapture. In fact, many record labels and DJs became far more celebrated than the musical artists they played in their DJ sets. The predominant sub‑genres of dance music include house, techno, trance, drum ‘n’ bass and dubstep, although these only represent the tip of the dance sub‑genre iceberg. Dance beats generally comprise programmed synthesizers, samplers and drum machines to produce buoyant, insistent 4/4 dance rhythms. Dance music also became synonymous with recreational drug use such as ecstasy (MDMA) as well as party holiday destinations such as Ibiza and Mykonos islands in the Mediterranean Sea. Some of the famous artists of the dance scene include The Chemical Brothers, The Prodigy, Underworld, Orbital, KLF, The Shamen, The Future Sound of London, 808 State, Groove Armada, Aphex Twin, Basement Jaxx and Daft Punk. Later artists built on the foundation, include Pendulum, SBTRKT and Skream. DJs became pivotal in promoting the dance craze and became famous in their own right, including Carl Cox, Fatboy Slim, Pete Tong, Paul Van Dyk and Armin van Buuren. There are many sub‑genres of dance including acid house, IDM (Intelligent Dance Music), ambient, breakbeat, downtempo, jungle and UK garage, all ensuring that dance music remains up‑to‑date and relevant in the 21^st Century.

Musical Facts 1990-1999

Day	Month	Year	Music Fact
23	January	1990	American guitarist and co-founder of southern rock band Lynyrd Skynyrd, Allen Collins died from pneumonia in Jacksonville, Florida at the age of 37.
8	February	1990	American country and rock & roll singer and songwriter, Del Shannon committed suicide as a result of depression at his home in California at the age of 55.
18	February	1990	English singer Freddie Mercury made his final public appearance with other members of pop/rock band Queen at the Brit Awards ceremony, held in London.
20	March	1990	English electronic/alternative rock band Depeche Mode released their career-defining classic 7^th studio album, ‘Violator’ in the UK.
26	March	1990	Northern Irish blues/rock guitarist, Gary Moore released his classic studio album, ‘Still Got The Blues’.
3	April	1990	Highly acclaimed Grammy award winning American jazz singer Sarah Vaughan died from cancer at her home in Hidden Hills, California at the age of 66.
10	April	1990	American East Coast rappers Public Enemy released their politically charged 3rd studio album, ‘Fear of a Black Planet’.
16	April	1990	Indie rock giants, Nick Cave & The Bad Seeds released their 6^th studio album, ‘The Good Son’.
26	June	1990	Prolific American alternative rock band Sonic Youth released their successful and significant 6^th studio album, ‘Goo’.
24	July	1990	American heavy metal rock band Pantera released their classic 5^th studio album ‘Cowboys From Hell’.
21	August	1990	Legendary American blues guitarist and singer B.B. King received a star on the Hollywood Walk of Fame at 6771 Hollywood Boulevard.
27	August	1990	American blues guitarist, singer and songwriter, Stevie Ray Vaughan and four others died tragically in a helicopter crash in East Troy, Wisconsin at the age of 35.
31	August	1990	The funeral service of American blues/rock guitarist Stevie Ray Vaughan took place at Laurel Land Cemetery in Dallas, Texas.
3	September	1990	English heavy metal rock band Judas Priest released their 12^th studio album, ‘Painkiller’.
21	September	1990	American thrash metal rock band Megadeth released their superb classic 4^th studio album, ‘Rust In Peace’.
6	October	1990	American Heavy metal band Metallica began recording their massive studio album ‘Metallica’ (aka the ‘black album’) in Los Angeles, California.
9	October	1990	American thrash metal band, Slayer, released their mega 5^th studio album, ‘Seasons In The Abyss’.
29	October	1990	Legendary award-winning American blues guitarist, singer and songwriter John Lee Hooker was inducted into the Rock and Roll Hall of Fame.
8	January	1991	English guitarist and songwriter, Steve Clark of hard rock band Def Leppard died of alcohol poisoning at his home in London, at the age of 30.
15	February	1991	Successful English pop singer, songwriter, guitarist, record producer, and actor Ed Sheeran was born in Halifax, West Yorkshire.
21	March	1991	Legendary American inventor and founder of Fender Electric Instrument Manufacturing Company, Leo Fender died from Parkinson’s disease in Fullerton, California at the age of 81.
8	April	1991	English trip-hop pioneers, Massive Attack, released their successful debut studio album, ‘Blue Lines’ in the UK, including the dance anthem, ‘Unfinished Sympathy’.
20	April	1991	English guitarist and front man of rock bands Small Faces and Humble Pie, Steve Marriott died in a house fire at his home in Essex at the age of 44.
23	April	1991	American guitarist, singer and songwriter with New York Dolls, Jonny Thunders died in mysterious circumstances in a hotel room in New Orleans, Louisiana at the age of 38.
30	July	1991	American heavy metal rock band Metallica released their massively successful single ‘Enter Sandman’.
12	August	1991	American heavy metal band Metallica released their career-defining 5^th studio album, ‘Metallica’, often referred to as ‘the black album’.
27	August	1991	American alternative rock band from Seattle, the home of grunge rock pioneers, Pearl Jam burst onto the scene with the release of their astonishing platinum-selling debut studio album, ‘Ten’.
10	September	1991	American grunge rock pioneers Nirvana released their ‘90s anthem for disaffected youth, the near perfect hit single ‘Smells Like Teen Spirit’.
17	September	1991	American hard rock band, Guns n’ Roses, released their 3^rd and 4^th studio albums ‘Use Your Illusion’ parts I & II on the same day in the U.S.
23	September	1991	Scottish alternative rock band, Primal Scream released their massive 3^rd studio album, ‘Screamadelica’.
24	September	1991	American grunge rock pioneers Nirvana released their career-defining classic 2^nd studio album ‘Never Mind’ in the U.S. Well over 30 million copies have been sold so far.
24	September	1991	American alternative rock band Red Hot Chili Peppers released their 5^th studio album, ‘Blood Sugar Sex Magik’, produced by Rick Rubin.
28	September	1991	American jazz trumpeter, Miles Davis died of complications from a stroke, pneumonia, and respiratory failure in a hospital in Santa Monica, California at the age of 65.
14	November	1991	Legendary American guitarist and singer Jimi Hendrix received a posthumous star on the Hollywood Walk of Fame at 6627 Hollywood Boulevard.
18	November	1991	Massive Irish rock band, U2, released their storming 7^th studio album, ‘Achtung Baby’ in the UK.
24	November	1991	English singer with pop/rock band Queen, Freddie Mercury died of pneumonia resulting from AIDS at his home in London at the age of 45.
15	January	1992	Rock band, The Jimi Hendrix Experience and country music legend, Johnny Cash were both inducted into the American Rock and Roll Hall of Fame.
29	January	1992	Influential American blues singer, songwriter, upright bass player and guitarist, Willie Dixon died of heart failure in Burbank, California at the age of 76.
21	February	1992	American heavy metal rock band Pantera released their classic 6^th studio album ‘Vulgar Display Of Power’.
31	March	1992	English heavy metal rock band Def Leppard released their classic 5^th studio album, ‘Adrenalize’.
20	April	1992	English indie rock icons, The Cure released their upbeat, commercial 10^th studio album, ‘Wish’.
21	April	1992	American rap rockers, Beastie Boys, released their 3^rd studio album, ‘Check Your Head’.
27	April	1992	Indie rock giants, Nick Cave & The Bad Seeds released their great 7^th album, ‘Henry’s Dream’.
9	May	1992	American guitarist, singer and songwriter Bruce Springsteen made his live American TV network debut on ‘Saturday Night Live’ with show host Tom Hanks.
21	July	1992	American alternative rock band Sonic Youth released their cult, cool, classic 8^th studio album, ‘Dirty’.
29	September	1992	American alternative rock band Alice In Chains released their sophomore studio album, ‘Dirt’.
6	October	1992	American rock band R.E.M. released their classic top‑selling studio album, ‘Automatic For The People’.
3	November	1992	American rock band Bon Jovi released their classic 5^th studio album, ‘Keep The Faith’.
10	November	1992	American rock band Rage Against The Machine released their outstanding and career defining eponymous debut album ‘Rage Against The Machine’.
9	December	1992	Although not officially announced until January 1993, English bass guitarist Bill Wyman left The Rolling Stones.
21	December	1992	Legendary American blues guitarist, Albert King died from a heart attack at his home in Memphis Tennessee at the age of 69, just 2 days after his last concert.
6	January	1993	English bass guitarist Bill Wyman officially announced that he was leaving The Rolling Stones after more than 3 decades with the band.
23	March	1993	English alternative/electronic rock band Depeche Mode released their 8^th studio album, ‘Songs Of Faith And Devotion’ in the UK.
20	April	1993	Emerging English alternative rock band Radiohead released their debut album, ‘Pablo Honey’ in the UK.
29	April	1993	English session guitarist, songwriter and producer who played extensively with David Bowie’s Spiders From Mars among others, Mick Ronson died from liver cancer in London at the age of 46.
23	August	1993	English new romantic band Duran Duran received a star on the Hollywood Walk of Fame at 1770 Vine Street.
21	September	1993	American alternative grunge rock band, Nirvana released their 3^rd and final studio album, ‘In Utero’.
19	October	1993	American rock band Pearl Jam released their major 2^nd studio album, ‘Vs.’.
9	November	1993	American East Coast rappers Wu-Tang Clan released their incendiary debut studio album, ‘Enter the Wu-Tang (36 Chambers)’.
19	November	1993	American grunge rock band Nirvana recorded their classic live acoustic concert and album, ‘MTV Unplugged In New York’ at Sony Music Studios.
23	November	1993	American rock band, Guns N’ Roses, released their 5^th studio album, ‘The Spaghetti Incident?’
24	November	1993	Legendary American blues/rock guitarist, nicknamed The ‘Master of the Telecaster’ and ‘The Ice Man’, Albert Collins died from lung cancer at his home in Las Vegas, Nevada at the age of 61.
4	December	1993	Non-conformist American guitarist and composer extraordinaire, Frank Zappa died of prostate cancer at his home in Los Angeles at the age of 52.
1	February	1994	American pop punk rock band Green Day released their breakthrough 3^rd studio album, ‘Dookie’.
1	March	1994	American grunge band Nirvana played their last ever live concert, interrupted by a power cut, in Munich, Germany.
1	March	1994	American alternative rock artist, Beck released his 3^rd studio album, ‘Mellow Gold’.
8	March	1994	American alternative rock band, Nine Inch Nails released their career-peak 2^nd studio album, ‘The Downward Spiral’.
5	April	1994	American singer, songwriter, guitarist and member of grunge rock band Nirvana, Kurt Cobain died from a self‑inflicted shotgun wound in Seattle, Washington at the age of 27.
19	April	1994	Alternative rock band Nick Cave & The Bad Seeds released their classic, career-defining 8^th studio album, ‘Let Love In’.
26	April	1994	American country music legend Johnny Cash embarked on a whole new period of his career with the release of his classic studio album, ‘American Recordings’.
27	April	1994	The famous San Francisco music venue the Fillmore reopened its doors at 1805 Geary Boulevard. It had been closed since 1989 after being damaged in an earthquake.
23	May	1994	Influential American virtuoso jazz guitarist, Joe Pass died from liver cancer in Los Angeles, California at the age 65.
24	May	1994	American rappers, Beastie Boys, released their classic 4^th studio album, ‘Ill Communication’ in the U.S.
14	July	1994	English rave band The Prodigy released their breakout 2^nd studio album ‘Music for the Jilted Generation’.
22	August	1994	Pioneering English trip-hop band, Portishead released their ground breaking debut studio album, ‘Dummy’.
23	August	1994	Acclaimed American singer, songwriter and guitarist Jeff Buckley released his first and only studio album, ‘Grace’. A modern classic.
26	September	1994	English trip-hop outfit, Massive Attack, released their great sophomore studio album, ‘Protection’ in the UK.
4	October	1994	Versatile American ‘redneck jazz’ guitarist Danny Gatton died from self-inflicted gunshot wounds at his home in Newburg, Maryland at the age of 49.
1	November	1994	American grunge band Nirvana released their impressive award-winning live album, ‘MTV Unplugged in New York’, 6 months after Kurt Cobain’s death.
5	December	1994	English indie rock group The Stone Roses released their sophomore studio album, ‘Second Coming’.
13	March	1995	English alternative rock band Radiohead released their breakout 2^nd studio album, ‘The Bends’ in the UK.
13	June	1995	Canadian singer, songwriter, musician and producer Alanis Morissette released her classic 3^rd studio album, ‘Jagged Little Pill’.
14	June	1995	Renowned Irish blues/rock guitarist Rory Gallagher died of MRSA following liver failure caused by medication and alcohol in London at the age of 47.
9	August	1995	American guitarist Jerry Garcia of psychedelic rock band Grateful Dead died from a heart attack while at a rehabilitation centre in California at the age of 53.
2	September	1995	12 years after it was founded, America’s homage to contemporary music, the Rock And Roll Hall of Fame Museum opened on the shore of Lake Erie in Cleveland, Ohio and was celebrated with an all-star concert.
26	September	1995	American alternative rock band Sonic Youth released their great 10^th studio album, ‘Washing Machine’.
2	October	1995	Australian artists, Nick Cave and Kylie Minogue released the haunting and elegiac duet single ‘Where the Wild Roses Grow’.
7	November	1995	American alternative rock band Alice In Chains released their eponymous 3^rd studio album, ‘Alice In Chains’.
21	November	1995	American rock legend, Bruce Springsteen released his 11^th studio album, ‘The Ghost of Tom Joad’.
17	January	1996	Music greats, David Bowie, Pink Floyd and Velvet Underground were all inducted into the American Rock and Roll Hall of Fame.
5	February	1996	Australian alternative rockers, Nick Cave & The Bad Seeds released their dark 9^th studio album, ‘Murder Ballads’.
16	April	1996	American alternative rock group Rage Against The Machine released their sophomore studio album, ‘Evil Empire’.
17	May	1996	American blues, soul and funk singer, songwriter and guitarist, Johnny ‘Guitar’ Watson died of a heart attack after collapsing on stage in Yokohama, Japan at the age of 61.
15	June	1996	Legendary American jazz singer Ella Fitzgerald died of complications from diabetes in Beverley Hills, California, at the age of 79.
18	June	1996	American alternative rock artist, Beck, released his classic, top-selling 5^th studio album, ‘Odelay’.
17	July	1996	English bass guitarist with R&B band The Animals and Jimi Hendrix’s manager, Chas Chandler died of an aneurism in Newcastle, at the age of 57.
10	September	1996	American alt-rock group R.E.M. released their classic 10^th studio album, ‘New Adventures In Hi-Fi’.
13	September	1996	American rapper Tupac Shakur died of gunshot wounds following a drive-by shooting in Las Vegas, Nevada at the age of 25.
19	September	1996	American jazz guitarist George Benson received a star on the Hollywood Walk of Fame at 7055 Hollywood Boulevard.
31	October	1996	English/American guitarist Slash announced that he was leaving rock band Guns N’ Roses after a relationship breakdown with the group’s lead singer Axl Rose.
2	November	1996	Sublime American singer and guitarist, known as ‘the songbird’, Eva Cassidy died from cancer in Bowie, Maryland at the age of 33.
10	January	1997	American soul legend James Brown received a star on the Hollywood Walk of Fame at 1501 Vine Street.
12	February	1997	English singer and songwriter David Bowie received a star on the Hollywood Walk of Fame at 7021 Hollywood Boulevard.
4	March	1997	Alternative rock band, Nick Cave & The Bad Seeds released their classic 10^th studio album, ‘The Boatman’s Call’.
9	March	1997	American rapper Christopher Wallace (a.k.a. The Notorious B.I.G.) was shot and killed in Los Angeles, California at the age of 24.
11	March	1997	English former member of The Beatles, Paul McCartney was knighted by Her Majesty Queen Elizabeth II at Buckingham Palace, London.
7	April	1997	British dance/electronica/big beat duo, The Chemical Brothers, released their massive studio album, ‘Dig Your Own Hole’ in the UK.
14	April	1997	English electronic/alternative rock band Depeche Mode released their classic 9^th studio album, ‘Ultra’ in the UK.
29	May	1997	Renowned American singer, songwriter and guitarist Jeff Buckley died tragically from accidental drowning in Wolf River Harbor, Memphis, Tennessee at the age of 30.
4	June	1997	English bass guitarist and founder of rock band Small Faces, Ronnie Lane died from pneumonia resulting from multiple sclerosis in Trinidad, Colorado at the age of 51.
16	June	1997	English alternative rock band Radiohead released their top-selling 3^rd studio album, ‘OK Computer’ in the UK.
30	June	1997	British rave band, Prodigy, released their massive zeitgeist‑defining 3^rd studio album, ‘The Fat Of The Land’ in the UK.
22	August	1997	German industrial metal rock band Rammstein released their massive 2^nd studio album, ‘Sensucht’ (translated crudely as ‘Desire’).
11	September	1997	American blues legend John Lee Hooker received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.
30	September	1997	English trip-hop band, Portishead released their eponymous sophomore album, ‘Portishead’ in the UK.
12	October	1997	American folk singer, songwriter and guitarist John Denver died tragically in plane crash in Monterey Bay, California, at the age of 53.
19	October	1997	American guitarist, best known for his work with Alice Cooper, Glen Buxton, died of complications from pneumonia in a hospital in Mason City, Iowa at the age of 49.
10	November	1997	Highly-regarded American session guitarist and one of the most recorded musicians in popular music history, Tommy Tedesco died of lung cancer in Northridge, California at the age of 67.
22	November	1997	Australian singer and front man of the rock band INXS, Michael Hutchence committed suicide in Sydney, Australia at the age of 37.
19	January	1998	American singer, songwriter and guitarist, Carl Perkins died from throat cancer in Jackson-Madison County Hospital, Tennessee, at the age of 65.
30	January	1998	English pop singer and songwriter Sir Elton John received his knighthood from Her Majesty The Queen.
19	February	1998	Legendary American jazz trumpeter Miles Davis received a posthumous star on the Hollywood Walk of Fame at 7060 Hollywood Boulevard.
20	April	1998	English trip-hop outfit, Massive Attack, released their classic 3^rd studio album, ‘Mezzanine’ in the UK.
14	May	1998	American singer and actor, Frank Sinatra died from a heart attack at the Cedars-Sinai Medical Center in Los Angeles, California at the age of 82.
6	July	1998	Legendary American singer, guitarist and actor, nicknamed the ‘King of the Cowboys’, Roy Rogers died of heart failure in Apple Valley, California at the age of 86.
25	July	1998	American virtuoso jazz guitarist, Tal Farlow died of oesophageal cancer in New York City at the age of 77.
17	August	1998	Mexican-American guitar legend Carlos Santana received a star on the Hollywood Walk of Fame at 7080 Hollywood Boulevard.
15	September	1998	American heavy metal rock artist, Marilyn Manson released his massively successful classic 3^rd studio album, ‘Mechanical Animals’.
24	September	1998	American icon and rock ‘n’ roll legend Elvis Presley was inducted into the Country Music Hall of Fame.
1	October	1998	American guitarist, singer and songwriter and founder of rock band Creedence Clearwater Revival, John Fogerty received a star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard.
2	October	1998	American country & western ‘singing cowboy’ Gene Autry died of lymphoma at his home in Studio City, California at the age of 91.
6	October	1998	American rock band Queens Of The Stone Age (QOTSA) released their self-titled debut album, ‘Queens Of The Stone Age’.
13	October	1998	The Crossroads Centre in Antigua, founded by English blues/rock guitarist and singer Eric Clapton, opened its doors to help clients with drug and alcohol rehabilitation.
3	November	1998	American alternative rock singer, songwriter, musician and producer, Beck, released his 6^th studio album, ‘Mutations’, the follow up to the massive ‘Odelay’.
29	November	1998	American jazz pioneer of the 7-string guitar, George Van Eps, died of pneumonia in Newport Beach, California at the age of 85.
25	December	1998	English pop/rock band, The Beatles, received a star on the Hollywood Walk Of Fame at 7080 Hollywood Boulevard.
30	December	1998	American surf rock band The Beach Boys received a star on the Hollywood Walk of Fame at 1500 Vine Street.
15	March	1999	Legendary American singer and songwriter Bruce Springsteen was inducted into the American Rock and Roll Hall of Fame.
28	April	1999	American rock band Tom Petty & The Heartbreakers received a star on the Hollywood Walk of Fame at 7018 Hollywood Boulevard.
17	May	1999	Award-winning American singer, songwriter, guitarist, electronica musician and producer Moby released his mega-successful 5^th studio album, ‘Play’.
15	June	1999	After a long break, American Latin rock band Santana released their highly successful 17^th studio album, ‘Supernatural’.
16	June	1999	English rock singer, drummer and member of progressive rock band Genesis, Phil Collins received a star on the Hollywood Walk of Fame at 6834 Hollywood Boulevard.
24	June	1999	English blues/rock guitarist, Eric Clapton auctioned many of his guitars in New York City. The proceeds were used in support of the Crossroads Centre he founded in Antigua as a residential treatment centre for alcohol and chemical dependencies.
11	August	1999	American rock band KISS received a star on the Hollywood Walk Of Fame at 7080 Hollywood Boulevard.
7	September	1999	American virtuoso guitarist, singer, songwriter and producer Steve Vai released his astonishing 5^th studio album, ‘The Ultra Zone’.
2	November	1999	American alternative rock band Rage Against The Machine released their 3^rd studio album, ‘The Battle Of Los Angeles’ in the UK.
23	November	1999	American alternative rock artist, Beck, released his adventurous 7^th studio album, ‘Midnite Vultures’.
17	December	1999	American smooth jazz, funk and soul saxophonist, Grover Washington Jr. died of a heart attack in New York City at the age of 56.
26	December	1999	Highly acclaimed American soul singer, songwriter, guitarist and producer, Curtis Mayfield, died from complications of diabetes in a hospital in Roswell, Georgia at the age of 57.

Tailpiece

The 1990s was certainly a strange decade both musically and culturally, notably as a segue to the 21^st Century. While it seems very recent, it is actually receding into long‑term memory, thereby affecting our perceptions of what it meant to us at the time. Still to come, the new millennium is temptingly beckoning and it will prove as frustrating as it was liberating.

Now… we have a minor problemo. I was hoping to conclude this series of articles conveniently in December at the very end of the current decade. However, there are still one, two or maybe even three articles still to write before we are done. December 2019’s article will therefore, ceteris paribus, interrupt the sequence in that it will cover a summary of 2019 through the eyes of CRAVE Guitars, meaning that the ‘History of Modern Music’ will resume early in 2020, all being well. This series has been a gargantuan task thus far, so perhaps a short break in proceedings won’t do any harm. Heaven knows what will follow after it has been concluded though. Looking into the crystal ball of the future is largely futile, so I’ll have to start thinking hard about the ‘next big thing’ very soon. However, that can wait for next year/decade. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “It is a moral travesty that, if you have got everything, you think you can get away with anything.”

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31 Oct 2019

October 2019 – The Story of Modern Music in 1,500+ Facts – Part VIII

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Hello and welcome to the 8^th article in this particular magnum opus of modern music history. I hope by now, you know the way this works, so I won’t say much more, other than welcome to the 1980s. If not by the start of the ‘80s, at least by the end of the decade, most readers will likely have some experience of living through the many events documented here, although I cannot assume that to be the case. I hope you have some fond memories of the time – personally, I can’t believe how long ago it was, as it seems like almost yesterday to me.

As always, if you would like to (re)visit any or all of the first seven parts (and well over 375 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Once again, although notably shorter than the last four articles, this month is dedicated to a single decade, if only to ensure that it is given sufficient focus.

The Story of Modern Music Part VIII 1980-1989

While arguably not quite hitting the heady heights of the previous three decades, the 1980s (or simply, ‘the eighties’) still had much to relate both about the human condition and musical variety. The 1980s were notable for many catchy, sing‑along‑able chart choons and the emergence of commercial pop videos, along with accompanying fashion trends. One personal observation is that, perhaps, there were the first real signs of divergence between what was happening culturally and the music being produced. Interdependence between society and its music were still there but, maybe, not quite as strongly intertwined as previously.

Historical Context 1980-1989

The 1980s were sometimes called the ‘greed decade’ or the ‘old school days’. There was a worldwide move away from planned economies and towards laissez‑faire capitalism, allied to a western post-industrial move to supply side economic policies. This shift had a destabilizing effect on international trade that led to many developing countries being faced by crippling debt crises. Following the 1970s’ oil crisis, crude oil was in over supply, resulting in a glut during the 1980s. The start of the 1980s saw widespread economic recession and damaging labour disputes that hit the less well‑off disproportionately hard. Downturn was followed by a period of rapid capitalist growth towards the end of the decade. Increased economic prosperity facilitated the ‘yuppie’ boom, epitomised by hot hatchback/sports cars, wine bars and early ‘brick’ mobile phones, accompanied by an insatiable appetite for designer fashion. Western society’s affluence further polarised the wealth divide between rich and poor. Fervent materialism and a status driven desire for exposure acted as a catalyst for the start of the vapid public fascination with the ‘celebrity’ phenomenon and subsequent emergence of banal reality TV ‘entertainment’. Fundamental industrial restructuring took place in the developed world that migrated many countries away from traditional manufacturing towards economies based on IT, finance, tourism and service sectors. A rapid growth in digital technology and consumerism began that would change how people would live, work and play forever, including the advent of the ‘information superhighway’ that we now call the Internet. During the 1980s, the world’s population grew at the fastest rate yet, causing heightened fears about unsustainable human expansion and its impact on the planet’s fragile ecosystem.

Year	Global Events
1980	The massively popular maze video game Pac-Man was released by Japanese software company Namco. The bitter war between Middle East neighbours Iran and Iraq began, which would last until 1988. American volcano Mount St. Helens in Washington State erupted violently killing 57 people and causing widespread damage. Former actor and Republican politician Ronald Reagan was elected to become the 40^th President of the U.S.A.
1981	American President Ronald Reagan was shot and wounded by attempted assassin John Hinckley Jr. in Washington D.C. An assassination attempt on the life of Pope John Paul II took place in Vatican City, when he was shot and wounded by Mehmet Ali Ağca. The IBM 5150 Personal Computer, commonly known as the IBM PC was introduced, soon establishing it as an industry standard. American actress Jane Fonda published her hugely successful book, ‘Jane Fonda’s Workout’, which spawned multiple videos and an album. NASA’s Space Shuttle programme began with the first launch of the Earth orbiter Columbia. Heir to the British throne, Prince Charles married Lady Diana Spencer in St. Paul’s Cathedral, London. The retrovirus that causes HIV (human immunodeficiency virus) and AIDS (acquired immune deficiency syndrome) was identified. The life‑threatening condition spread rapidly, becoming a global public health threat and causing widespread hysteria.
1982	King Henry VIII’s Tudor warship and flagship of the British Navy, the Mary Rose, which sank in 1545 during a battle against the French, was raised from the bed of the Solent off the south coast of England. Britain defeated Argentina to regain control of the Falkland Islands in the South Atlantic Ocean, following an unprompted Argentinian invasion and occupation.
1983	American telecommunications company Motorola introduced the first mobile telephones to North America. The final episode of the Korean War‑set comedy drama ‘MAS*H’ was broadcast, achieving the record for most watched television episode to‑date.
1984	English policewoman Yvonne Fletcher was shot and killed by an unknown gunman in the Libyan Embassy in London, prompting an 11‑day siege of the embassy resulting in Libyan citizens being expelled and diplomatic relations between the UK and Libya being severed. Indian Prime Minister Indira Gandhi was assassinated by two Sikh bodyguards, Satwant Singh and Beant Singh, at her residence in New Delhi. American network TV aired the first episodes of crime drama series Miami Vice, produced by Michael Mann for NBC. It was notable for its ground breaking amalgamation of music and visuals. The show ran until 1989.
1985	Politician Mikhail Gorbachev became Russian Premiere and began leading major political and social reform across the USSR. Technology company, Microsoft released the first version of its PC‑based Windows operating system. Acclaimed American screenwriter, director and producer John Hughes released, ‘The Breakfast Club’, followed up a year later by ‘Ferris Bueller’s Day Off’ and ‘Pretty In Pink’. The shipwreck of the ocean liner RMS Titanic was discovered in the North Atlantic Ocean, 73 years after it sank in 1912 following a collision with an iceberg.
1986	The American Space shuttle Challenger exploded shortly after launch at Cape Canaveral, Florida, killing all seven astronauts aboard. The nuclear power plant at Chernobyl in Ukraine, Russia suffered a catastrophic meltdown, causing global pollution and resulting in devastating radioactive environmental damage. The Soviet Union’s Mir project became the first modular manned space station in low Earth orbit. It was used predominantly as a scientific research laboratory. Mir broke up on re‑entry into the Earth’s atmosphere in 2001.
1987	The animated American family comedy, The Simpsons, first appeared on American television as a series of shorts. The film ‘Wall Street’ was released, typifying the zeitgeist of the 1980s and its ‘greed is good’ power of money mentality, directed by Oliver Stone and starring Michael Douglas and Charlie Sheen. The antidepressant medication Fluoxetine, commonly known as Prozac, was approved for use in the U.S.A.
1988	A Pan-Am 747 airliner exploded as a result of a Libyan terrorist bomb, which caused the plane to crash into the village of Lockerbie in Scotland, killing a total of 270 people.
1989	Republican politician George H.W. Bush became the 41^st President of the U.S.A. The pro‑democracy protest in Tiananmen Square, Beijing was brutally crushed by Communist Chinese authorities, resulting in many deaths and widespread international criticism over the state’s human rights violations. Russian military forces pulled out of Afghanistan 10 years after invading the country. Significant environmental pollution occurred when the Exxon Valdez oil tanker struck a reef in Prince William Sound off the coast of Alaska, spilling nearly 11 million gallons (37,000 metric tonnes) of crude oil into the coastal waters. The Berlin Wall in Germany, built in 1961 to divide the city and prevent movement between east and west, was demolished, marking massive political change in Europe, including in Poland, Hungary, East Germany, Bulgaria, Czechoslovakia and Rumania. British computer scientist and engineer, Sir Tim Berners-Lee invented the World Wide Web, now known as the Internet, while he was employed at CERN (the European Organization for Nuclear Research) near Geneva, Switzerland.

Musical Genre Development 1980-1989

After the creative revolutions of the 1950s (rock ‘n’ roll), 1960s (rock and pop) and the 1970s (heavy metal, punk, reggae, disco, rap), the 1980s was largely a decade of reflection, consolidation, cross‑fertilisation and diversification. In short, quite a lot happened but, conversely, there was not a lot that was genuinely new in musical genre subversion. Pop was, erm, as popular as ever with artists such as Debbie Gibson, Tiffany, New Kids on the Block, Wham!, New Edition and Kylie Minogue.

Punk rock’s implosion left a vacuum that needed to be filled and the answer came in post‑punk diversity at the beginning of the 1980s. New wave is associated with the birth of MTV and the music video phase and was seen as a more commercial sub‑genre of post‑punk performed by artists such as Blondie, Talking Heads, Devo, The Cars, The Police, Jam, Elvis Costello, The Smiths, Ian Dury, Adam & The Ants, New Model Army, The Fall, Echo & The Bunnymen, and the Pretenders. Also deriving from post‑punk and encompassing a number of different styles was the new romantic sub‑genre heavily influenced by glam rock from the early 1970s, as exemplified by bands like Duran Duran, Culture Club, Visage, Spandau Ballet, Thompson Twins and Eurythmics. Synth pop also came and went in the post‑punk period of the early‑mid 1980s with electronica‑driven artists like Gary Numan, Kraftwerk, Japan, Human League, Depeche Mode, Pet Shop Boys, New Order, Orchestral Manoeuvres in the Dark (OMD) and Ultravox. These highly produced music fads dominated the charts before beginning to decline by the mid‑1980s, followed by a revival of guitar‑driven music, often harking back to previous decades.

World and new age music became popular during the 1980s after being heavily promoted by record companies, even though neither has its roots in the decade. World music (not to be confused with third world music) isn’t really a genre but rather a broad marketing categorisation for a very wide and diverse range of traditional and contemporary music from around the globe including western music that doesn’t fall easily within more clearly defined genres. It also covers music that fuses ethnic influences from other genres to create something different. The umbrella term may also be used to promote niche music that was potentially under threat from music’s big business. Since 1987, World Music Day has become an annual celebration of the global music scene. Two of the leading artists associated with world music are African bands Ladysmith Black Mambazo and Savuka. Western artists such as Paul Simon and Peter Gabriel have embraced world music, fusing it with their own material. New age music is another loose marketing category for music that aims to promote positive mental wellbeing, spirituality and meditation. It is also used to complement physical activities such as yoga and massage. It has also been used to enhance inspiration and to manage stress. New age music is often acoustic or electronic and predominantly ambient (i.e. not having an obvious beat, rhythm or structure), regularly instrumental and minimalist or comprising recorded sound effects from nature. Popular western new age artists include Tangerine Dream, Vangelis, Jean Michel Jarre, Mike Oldfield, Klaus Schulze, Enya, Enigma and Clannad. Both world and new age music have influenced numerous subsequent musical ventures and projects.

Other established genres experienced revivals during the 1980s. For instance, hip hop’s ‘golden era’ spawned a plethora of artists, including LL Cool J, Run–D.M.C., Public Enemy and the Beastie Boys. Jazz also made a concerted comeback of sorts starting in the ‘70s and continuing into the ‘80s with jazz/rock fusion artists like Mahavishnu Orchestra, Weather Report and Pat Metheny. Partly driven by MTV and ubiquitous pop videos, the 1980s saw the rise of success of mega‑pop stars like Michael Jackson, Madonna, Lionel Ritchie, Billy Joel, Prince and Whitney Houston. Heavy metal saw a 1980s resurgence that lasted well into the 1990s including artists like, Pantera, Queensrÿche, Extreme, Marilyn Manson and Danzig, while Iron Maiden led the charge of the New Wave of British Heavy Metal (NWOBHM) genre along with Def Leppard and Judas Priest. Nu‑metal pioneers began to appear at the very end of the decade including, Korn, Limp Bizkit, Staind and Linkin Park.

Musical Facts 1980-1989

Day	Month	Year	Music Fact
3	January	1980	American lo-fi indie/rock singer, songwriter, guitarist, former member of indie rock band The War On Drugs and successful solo artist, Kurt Vile was born in Lansdowne, Pennsylvania.
26	January	1980	American guitarist, singer and songwriter Prince made his first U.S. television appearance on the show ‘American Bandstand’.
19	February	1980	Scottish singer with Australian hard rock band AC/DC, Bon Scott died from acute alcohol poisoning in a friend’s car in London at the age of 33.
14	March	1980	Renowned American music producer Quincy Jones received a star on the Hollywood Walk of Fame at 1500 Vine Street.
14	April	1980	English heavy metal rock band, Iron Maiden released their storming debut studio album, the self-titled ‘Iron Maiden’ in the UK.
22	April	1980	English indie rock icons, The Cure released their 2^nd studio album, ‘Seventeen Seconds’ in the UK.
23	April	1980	English heavy metal band Judas Priest released their classic 6^th studio album, ‘British Steel’.
2	May	1980	English alternative post-punk rock band Joy Division played their final live gig with singer Ian Curtis, two weeks before he committed suicide.
18	May	1980	English singer, songwriter and driving force behind post‑punk rock band Joy Division, Ian Curtis was found hanged at this home in Macclesfield, Cheshire at the age of 23.
7	July	1980	English hard rock band Led Zeppelin played their final live concert with John Bonham as drummer in Berlin, Germany.
10	July	1980	Jamaican reggae giants, Bob Marley & The Wailers released their final studio album before Marley’s untimely death, ‘Uprising’.
18	July	1980	English post-punk rock band Joy Division released their classic sophomore studio album, ‘Closer’.
25	July	1980	Australian heavy rock band, AC/DC, released their career-redefining 7^th studio album, ‘Back In Black’.
12	September	1980	English rock singer and songwriter David Bowie released his standout studio album, ‘Scary Monsters (And Super Creeps)’ in the UK.
20	September	1980	English heavy metal singer and ex-member of Black Sabbath, Ozzy Osbourne released his debut solo studio album, ‘Blizzard Of Ozz’ in the UK.
23	September	1980	Jamaican reggae star Bob Marley made his final live concert performance in Pennsylvania, USA, during which he collapsed on stage.
25	September	1980	English drummer with rock band Led Zeppelin, John Bonham, died tragically of alcohol-induced asphyxia in Clewer, Berkshire at the age of 32.
3	October	1980	English post-punk rock band The Police released their 3^rd studio album, ‘Zenyattà Mondatta’ in the UK.
8	October	1980	American alternative rock band Talking Heads released their exceptional career-best studio album produced by Brian Eno, ‘Remain In Light’.
10	October	1980	American singer, songwriter and guitarist Bruce Springsteen released his 5^th studio album, ‘The River’.
20	October	1980	Emerging Irish rock band, U2 released their debut studio album, ‘Boy’, to critical acclaim in the UK.
8	November	1980	English rock band Motörhead, released their massive 5^th studio album, ‘Ace Of Spades’ in the UK.
8	December	1980	English former member of The Beatles, John Lennon was murdered by gunman Mark Chapman outside the Dakota hotel in New York City at the age of 40.
12	December	1980	English punk rock band, The Clash released their follow up to the epic ‘London Calling’ with their even more ambitious 4^th studio triple album, ‘Sandinista!’.
15	December	1980	English guitarist, singer and songwriter with rock band Kasabian, Sergio Pizzorno was born in Newton Abbot, Devon.
16	January	1981	American guitarist, singer, songwriter and founding member of indie/alternative rock band The Strokes, Nick Valensi was born in New York City.
2	February	1981	English heavy metal rock band, Iron Maiden released their sophomore studio album, ‘Killers’ in the UK.
9	February	1981	American Rock ‘n’ Roll pioneer, Bill Haley, having been diagnosed with a brain tumour, died at his home in Harlingen, Texas at the age of 55.
15	February	1981	American blues/rock guitarist Mike Bloomfield died from an accidental drug overdose and was found in his car in San Francisco, California at the age of 37.
4	April	1981	UK pop group Bucks Fizz won the 26^th Eurovision Song Contest with, ‘Making Your Mind Up’.
14	April	1981	Legendary English indie rock band, The Cure released their classic 3^rd studio album, ‘Faith’ in the UK.
11	May	1981	Jamaican reggae singer, songwriter and guitarist, Robert Nesta ‘Bob’ Marley died from cancer in Miami, Florida at the age of 36.
21	May	1981	Rastafarian reggae legend Bob Marley received a state funeral in his home town of Kingston, Jamaica.
6	June	1981	The very first issue of weekly heavy metal music magazine ‘KERRANG!’ was published, featuring AC/DC on the front cover.
1	August	1981	Revolutionary 24 hour music video channel, MTV (Music Television), broadcast for the very first time in the USA at 12:01am Eastern Time, introduced by creator John Lack with, “Ladies and gentlemen, rock and roll”
8	October	1981	English post-punk rock band Joy Division released their 3^rd and final studio album, ‘Still’.
7	November	1981	English singer and former member of heavy metal rock band Black Sabbath, Ozzy Osbourne released his sophomore solo studio album, ‘Diary of a Madman’.
30	January	1982	Legendary American country blues guitarist, singer and songwriter Sam ‘Lightnin’’ Hopkins died from cancer in Houston, Texas at the age of 69.
14	March	1982	American thrash metal band, Metallica performed their debut live concert at Radio City, Anaheim, California, taglined, ‘Metalus Maximus’.
19	March	1982	American heavy metal guitarist Randy Rhoads, best known as member of Ozzy Osbourne’s band died tragically in a plane crash in Leesburg, Florida at the age of 25.
22	March	1982	English heavy metal rock band, Iron Maiden released their 3^rd studio album, ‘The Number Of The Beast’ in the UK.
3	May	1982	English indie rock icons, The Cure released their dark and brooding masterpiece 4^th studio album, ‘Pornography’ in the UK.
6	May	1982	American singer and actress, Diana Ross received a star on the Hollywood Walk of Fame at 6712 Hollywood Boulevard.
14	May	1982	English punk rock legends, The Clash released their 5^th and penultimate studio album, ‘Combat Rock’ in the UK.
16	June	1982	English guitarist, songwriter and founding member of The Pretenders, James Honeyman-Scott died of drug‑related heart failure in London at the age of 25.
14	July	1982	English heavy metal rock band Judas Priest released their classic 8^th studio album, ‘Screaming for Vengeance’.
17	August	1982	Company executives from Philips, Sony and Polygram announced the pressing of the first commercial digital Compact Disc (CD).
20	September	1982	American singer, songwriter and guitarist Bruce Springsteen released his 6^th studio album, the often‑overlooked haunting and elegiac, ‘Nebraska’.
1	October	1982	Technology giant, Sony released the first ever digital Compact Disc (CD) player, the CDP-101, to the eager public in Japan.
27	October	1982	Legendary American singer, songwriter, guitarist and producer, Prince, released his top-selling 5^th studio album, ‘1999’.
5	November	1982	UK TV broadcaster Channel 4 aired its edgy music and lifestyle programme, ‘The Tube’ for the first time. Presenters included Jools Holland and the late Paula Yates. The show ran for 5 series until April 1987.
30	November	1982	American singer, Michael Jackson released his career‑defining mega‑hit 6^th studio album, ‘Thriller’. It is estimated that sales have well‑exceeded 50 million copies worldwide.
11	December	1982	English punk rock and mod revival band, The Jam played their final live concert in Brighton, UK before splitting up for good.
29	December	1982	The Jamaican Post Office released a set of postage stamps commemorating the life and music of reggae legend Bob Marley.
18	January	1983	English guitarist, singer and member of indie pop duo The Ting Tings, Katie White was born in Lowton, Greater Mancester.
28	February	1983	Irish mega-rock band U2 released their highly acclaimed chart-topping gold 3^rd studio album, ‘War’.
2	March	1983	The digital Compact Disc (CD) was launched in Europe and America by Philips, Sony and Polygram, 7 months after it had debuted in Japan.
23	March	1983	American Texas blues/rock giants ZZ Top released their massive 7^th studio album, the classic, ‘Eliminator’.
14	April	1983	English rock singer David Bowie released his 15^th and perhaps most commercial studio album, the great Nile Rodgers‑produced, ‘Let’s Dance’.
30	April	1983	Renowned American Chicago blues guitarist, Muddy Waters (McKinley Morganfield) died from a heart attack at his home in Westmont, Illinois at the age of 70.
16	May	1983	Pioneering English heavy metal rock band Iron Maiden released their massively successful 4^th studio album, ‘Piece Of Mind’.
23	May	1983	Jamaican reggae legends Bob Marley & The Wailers released their studio album, ‘Confrontation’ posthumously, after Bob Marley’s death in 1981.
12	June	1983	Influential American blues slide guitarist and singer J.B. Hutto died from cancer in Harvey, Illinois at the age of 57.
13	June	1983	Emerging American blues/rock guitarist and singer, Stevie Ray Vaughan with his band Double Trouble released their debut studio album, ‘Texas Flood’.
25	July	1983	Up-and-coming American thrash metal band Metallica released their standout debut studio album, ‘Kill ‘Em All’.
20	October	1983	American country music guitarist Merle Travis died of a heart attack at his home in Tahlequah, Oklahoma at the age of 65.
10	November	1983	English singer, songwriter and one-time member of punk rock band Generation X, Billy Idol released his highly popular 2^nd studio album, ‘Rebel Yell’.
15	November	1983	English singer and former member of heavy metal rock band Black Sabbath, Ozzy Osbourne released his 3^rd solo studio album, ‘Bark At The Moon’ in the UK.
2	December	1983	Music television channel MTV aired the full 14-minute pop video to Michael Jackson’s massive hit single, ‘Thriller’ for the first time.
1	January	1984	Widely regarded as the founding father of British Blues, guitarist and broadcaster Alexis Korner died of lung cancer in London at the age of 55.
21	January	1984	American rock band Bon Jovi released their debut studio album, the self-titled ‘Bon Jovi’ in the U.S.
1	April	1984	American soul singer Marvin Gaye was shot and killed by his father in Los Angeles, California at the age of 44.
26	April	1984	Eleven years after the famous original Cavern Club in Liverpool, UK was demolished in 1973, it was rebuilt and the new venue opened its doors.
4	May	1984	The classic music rock/mock/documentary film about the experiences of an English rock band, ‘This Is Spinal Tap’, directed by Rob Reiner, was released in the UK.
15	May	1984	American blues rock guitarist, Stevie Ray Vaughan with his band Double Trouble released their 2^nd studio album, ‘Couldn’t Stand the Weather’.
19	May	1984	American southern rock band ZZ Top released their hit single, ‘Legs’ with the B-Side ‘Bad Girl’, both from their career‑defining album, ‘Eliminator’.
21	May	1984	Emerging indie rock band, Nick Cave & The Bad Seeds released their impressive debut album, ‘From Her to Eternity’.
4	June	1984	American singer, songwriter and guitarist Bruce Springsteen released his massive 7^th studio album, ‘Born In The U.S.A.’.
14	June	1984	American country singer Dolly Parton received a star on the Hollywood Walk of Fame at 6712 Hollywood Boulevard.
25	June	1984	Legendary flamboyant American musician Prince released the massive original soundtrack album for the film, ‘Purple Rain’.
30	July	1984	American thrash metal rock band Metallica released their sophomore studio album, ‘Ride The Lightning’.
3	September	1984	English heavy metal rock band Iron Maiden released their classic 5^th studio album, ‘Powerslave’ in the UK.
16	September	1984	Talented Georgian/British singer, songwriter and guitarist Katie Melua was born in Kutaisi, Georgia.
24	September	1984	English electronic/alternative rock band Depeche Mode released their 4^th studio album, ‘Some Great Reward’ in the UK.
27	September	1984	Canadian pop-punk singer, songwriter and guitarist, Avril Lavigne was born in Ontario.
1	October	1984	Irish rock band U2 released their classic 4^th studio album, ‘The Unforgettable Fire’ in the UK.
20	November	1984	American pop singer, Michael Jackson received a star on the Hollywood Walk of Fame at 6927 Hollywood Boulevard.
3	December	1984	Assembled super group Band Aid released their massive Christmas charity single, ‘Do They Know It’s Christmas?’ in response to the famine in Ethiopia.
15	December	1984	Charity super group, Band Aid entered the UK singles chart at number 1 with their song, ‘Do They Know It’s Christmas?’ in aid of Ethiopian famine victims.
22	January	1985	Australian guitarist, famous for working with Alice Cooper and Michael Jackson, Orianthi Panagaris was born in Adelaide, South Australia.
13	May	1985	English rock band Dire Straits released their massive hit 5^th studio album, ‘Brothers In Arms’.
4	June	1985	American guitarist with heavy rock band Black Stone Cherry, Chris Robertson was born in Kentucky.
29	June	1985	English rock singers David Bowie and Mick Jagger recorded their version of the classic Martha Reeves and the Vandellas’ soul hit, ‘Dancing In The Street’ in support of the Live Aid charity.
13	July	1985	Two Live Aid fundraising concerts took place in London and Philadelphia to benefit the plight of Ethiopian famine victims.
30	September	1985	American blues/rock guitarist Stevie Ray Vaughan with his band Double Trouble released their 3^rd studio album, ‘Soul to Soul’.
9	October	1985	Japanese artist Yoko Ono dedicated the Strawberry Fields memorial in New York City’s Central Park to her late husband, John Lennon on what would have been his 45^th birthday.
28	October	1985	American Texas blues/rock trio, ZZ Top released their 9^th studio album, ‘Afterburner’, the follow up to their massive 1983 hit, ‘Eliminator’.
30	October	1985	American thrash metal masters Anthrax released their career classic 2^nd studio album, ‘Spreading The Disease’.
4	January	1986	Irish bass guitarist with rock band Thin Lizzy, Phil Lynott died of complications due to septicaemia in Salisbury, Wiltshire, UK, at the age of 36.
6	January	1986	English singer, songwriter and guitarist of indie/rock bands Arctic Monkeys and The Last Shadow Puppets, Alex Turner was born in Sheffield.
3	March	1986	American heavy metal band Metallica released their 3^rd studio album, the last with Cliff Burton playing bass guitar in the line-up, ‘Master Of Puppets’.
14	March	1986	The classic film inspired by the mythology surrounding blues guitarist Robert Johnson, directed by Walter Hill, ‘Crossroads’ was released in the USA.
17	March	1986	English electronic/alternative rock band Depeche Mode released their 5th studio album, ‘Black Celebration’ in the UK.
19	May	1986	English singer, songwriter and former member of progressive rock band Genesis, Peter Gabriel released his commercially successful 5^th solo studio album, ‘So’.
20	July	1986	The feature film ‘Sid And Nancy’ focusing on the tragic lives of Sex Pistols’ bass guitarist Sid Vicious and his girlfriend Nancy Spungen premiered in London. The film was directed by Alex Cox and starred Gary Oldman.
25	August	1986	American singer and songwriter Paul Simon released his classic 7^th solo studio album, ‘Graceland’.
28	August	1986	American pop singer, Tina Turner received a star on the Hollywood Walk of Fame at 1750 North Vine Street.
27	September	1986	American bass guitarist and songwriter with thrash metal rock band Metallica, Cliff Burton was tragically killed in a tour coach crash in Dörarp, Sweden at the age of 24.
29	September	1986	English heavy metal band Iron Maiden released their 6^th studio album, ‘Somewhere In Time’ in the UK.
7	October	1986	American thrash metal band Slayer released their huge genre classic 3^rd studio album, ‘Reign In Blood’.
15	November	1986	American hip-hop group from NYC, Beastie Boys, released their debut studio album, ‘Licensed To Ill’, including their massive hit single, ‘(You Gotta) Fight for Your Right (To Party!)’.
2	December	1986	Supremely talented Australian bass guitarist and singer, Tal Wilkenfeld was born in Sydney.
21	January	1987	American soul legend Aretha Franklin became the first woman inducted into the American Rock and Roll Hall of Fame.
22	February	1987	American pop artist and manager of experimental rock band Velvet Underground, Andy Warhol died following gall bladder surgery in New York at the age of 58.
9	March	1987	Irish rock band U2 released their 5^th studio album, the massive ‘The Joshua Tree’ in the UK.
22	March	1987	American thrash metal masters Anthrax released their career classic 3^rd studio album, ‘Among The Living’.
30	March	1987	Diminutive American singer, songwriter and guitarist Prince released his ambitious, epic change of direction 9^th studio album, ‘Sign ☮ The Times’.
2	April	1987	Highly acclaimed American jazz drummer Buddy Rich died from respiratory and heart failure following treatment for a brain tumour in Los Angeles, California at the age of 69.
5	May	1987	English indie rock icons The Cure released their lip‑smacking 7^th studio double album, ‘Kiss Me Kiss Me Kiss Me’ in the UK.
2	June	1987	Virtuoso Spanish classical guitarist Andrés Segovia died from a heart attack in Madrid at the age of 94.
14	July	1987	American rock group The Steve Miller Band received a star on the Hollywood Walk of Fame at 1750 Vine Street.
21	July	1987	American hard rock band, Guns N’ Roses released their storming debut studio album, ‘Appetite For Destruction’.
3	August	1987	English heavy metal rock band Def Leppard released their best-selling classic 4^th studio album, ‘Hysteria’.
25	August	1987	American singer and songwriter Michael Jackson released his 7^th solo studio album, ‘Bad’, as a follow up to his massive 1982 LP, ‘Thriller’.
11	September	1987	Jamaican reggae artist Peter Tosh was shot dead along with two others by a gang of three armed robbers at his home in Kingston, Jamaica at the age of 42.
12	September	1987	English alternative rock singer and songwriter Morrissey left his band, The Smiths to pursue a successful solo music career.
21	September	1987	American bass guitarist and member of jazz fusion band Weather Report from 1976-1981, the inimitable Jaco Pastorius died from injuries following an altercation at a club in Wilton Manors, Florida at the age of 35.
28	September	1987	English electronic/alternative rock band Depeche Mode released their 6^th studio album, ‘Music For The Masses’ in the UK.
8	October	1987	Legendary American rock ‘n’ roll guitarist Chuck Berry received a star on the Hollywood Walk of Fame at 1777 North Vine Street.
15	October	1987	American virtuoso instrumental rock guitarist Joe Satriani released his classic 2^nd studio album, ‘Surfing With The Alien’.
1	December	1987	Puerto Rican guitarist and singer, Jose Feliciano received a star on the Hollywood Walk of Fame at 6541 Hollywood Boulevard.
31	December	1987	After 17 years and 445 episodes, British TV broadcaster, the BBC aired the final edition of contemporary music show, ‘The Old Grey Whistle Test’.
20	January	1988	Legendary English pop/rock band The Beatles were inducted into the American Rock and Roll Hall of Fame.
11	April	1988	English heavy metal band Iron Maiden released their 7^th studio album, ‘Seventh Son Of A Seventh Son’.
5	May	1988	Highly successful English singer and songwriter Adele MBE was born in London.
5	July	1988	American thrash metal rock band, Slayer, released their mega hit 4^th studio album, ‘South Of Heaven’.
14	August	1988	American blues/rock guitarist Roy Buchanan was found hanged (a disputed suicide) in a jail cell after he was arrested for public intoxication in Fairfax, Virginia at the age of 48.
25	August	1988	American heavy metal rock band Metallica released their classic 4^th studio album, ‘… And Justice For All’.
19	September	1988	Alternative rock band Nick Cave & The Bad Seeds released their highly acclaimed 5^th studio album, ‘Tender Prey’.
30	September	1988	English former member of The Beatles, John Lennon received a posthumous star on the Hollywood Walk of Fame at 1750 Vine Street.
10	October	1988	Irish rock band U2 released their classic 6^th studio album (and complementary ‘rockumentary’ film), ‘Rattle and Hum’ in the UK.
18	October	1988	American alternative rock band Sonic Youth released their landmark 6^th studio album, ‘Daydream Nation’.
19	October	1988	Legendary American delta blues guitarist and singer, Son House died of cancer of the larynx in Detroit, Michigan at the age of 86.
6	December	1988	American singer, songwriter and musician, Roy Orbison died of a heart attack in Hendersonville, Tennessee at the age of 52.
18	January	1989	Music greats, The Rolling Stones, Stevie Wonder, The Temptations, Otis Redding and others were inducted into the American Rock and Roll Hall of Fame.
2	May	1989	English indie rock group The Stone Roses released their eponymous debut studio album, ‘The Stone Roses’.
2	May	1989	English indie rock icons, The Cure released their near‑perfect career-defining 8^th studio album, ‘Disintegration’ in the UK.
29	May	1989	American guitarist, John Cipollina of rock band Quicksilver Messenger Service died of alpha‑1 antitrypsin deficiency in San Francisco at the age of 45.
1	June	1989	Underground American grunge band, Nirvana released their debut studio album, ‘Bleach’ to an unsuspecting public.
6	June	1989	Legendary American blues/rock guitarist and singer, Stevie Ray Vaughan with his band Double Trouble released their 4^th and final studio album before SRV’s tragic death, ‘In Step’.
15	July	1989	English progressive rock band Pink Floyd performed a live concert on a floating stage at Venice, Italy, watched by over 200,000 people.
25	July	1989	American rap rock band, Beastie Boys released their classic sophomore studio album, ‘Paul’s Boutique’.
12	September	1989	English virtuoso instrumental rock guitarist Jeff Beck released his impressive 6^th studio album ‘Jeff Beck’s Guitar Shop’ in the UK.
26	November	1989	British pop/rock band, Squeeze performed in concert for the very first broadcast of ‘MTV Unplugged’ in the US.
13	December	1989	One of the best‑selling artists of all time, American country/pop singer and songwriter Taylor Swift was born in Reading, Pennsylvania.

Tailpiece

Well that’s the eighties for you in a (sizeable) nutshell. We are now getting much closer to the end of the story (at least as far as I am able to document it) and the new millennium beckons tantalisingly out of reach. However, before that, we will fill in the gap with the 1990s next month. Will it be a Brave New World or just more of the same? To discover the facts behind the memories, please return here next month for some more manic music history. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Never trust your memories but cherish the good ones regardless”

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28 Sep 2019

September 2019 – The Story of Modern Music in 1,500+ Facts – Part VII

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Welcome to the 1970s. Well kinda. Yep, here we are yet again, with the 7^th article in the current series of musical discovery, focusing on the delightful ‘Seventies’. As is often the case with monumental projects, the amount of work involved has been colossal and the amount of information has been considerable. The scale alone has meant that compressing it all into logical and manageable chunks has proved somewhat of a challenge. Unsurprisingly, perhaps, it has been the 1950s, 1960s and 1970s that have proved to be the most eventful and remarkable. This month’s article focuses on the unpredictable 1970s as it follows on from the previous two tumultuous decades.

If you would like to (re)visit the first four parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In terms of this article as part of the overall series, the 1970s has, by far, more content than any other single decade. While it is inherently fascinating, it makes for quite a hefty read (over 300 facts this month)… so be prepared and apologies.

The Story of Modern Music Part VII 1970-1979

The so-called ‘golden era’ of music (1950s-1970s inclusive) was characterised by major seismic musical movements. The 1950s saw rock ‘n’ roll burst onto the scene, the 1960s saw the fan hysteria of the ‘British Invasion’ followed by heady idealism of hippie flower power full of peace & love, while the 1970s heralded a very different form of youth rebelliousness, veritably bristling with vigorous nihilistic punk attitude.

Gone was the positivity and optimism to be replaced with disaffection distrust and deeply seated urban angst. Instead of striving for some sort of wistful, unobtainable utopia, the desperate pursuit for a grimy dystopian anarchy became almost an end in itself. The zeitgeist of warts‑and‑all realism was striking back.

The 1970s would ultimately descend into gritty and chaotic demands for change without a clear idea of what outcome the disillusioned generation was rebelling for or against. In many respects, it didn’t matter as the alienated youth voice was seen as irrelevant to detached and remote institutions who weren’t listening and, worse, seemed not to care.

As social provocateur Malcolm McLaren proclaimed, “What matters is this: Being fearless of failure arms you to break the rules. In doing so, you may change the culture and just possibly, for a moment, change life itself.” He went on to comment, “I always said punk was an attitude. It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.”

Civilisation wasn’t really breaking down of course and not everything was tainted by dismal doom and gloom. However, western societies were being tested and forced to adapt to a darker, more uncertain, complex and ambiguous new world.

Historical Context 1970-1979

The self-indulgent 1970s was described as the ‘Me Decade’ (coined by writer Tom Wolfe), with a move away from the model of social collectivism (communities) to individualism (self). To many, the ‘70s may well be remembered as a caricature of kitsch, a gaudy facsimile of 1960s’ sybaritic, exuberant excess. While not devoid of conflict and warfare, particularly in Asia and the Middle East, the world was slowly becoming accustomed to a period of extended and stable peace around the globe. Even the tension of the Cold War became a continuous mutual standoff. Progressive political, cultural and social change that began in the 1960s continued, including the emergence of the Women’s Liberation Movement, enabling greater social mobility for many. The ever‑more liberal ‘permissive society’ was well under way representing a crucial stage in that generation’s struggle for greater individual freedom and equality. Technology was developing at a rapid pace, providing much greater work, leisure and recreational opportunities for people in their everyday lives. However, a number of disruptive economic and political events began to destabilise a long period of post‑war economic expansion. Widespread social discontent and a rejection of a stagnant status quo resulted in widespread riots, protests, labour strikes, direct action and hints of anarchy, culminating in the UK with the infamous ‘winter of discontent’.

Year	Global Events
1970	Manned moon mission Apollo 13 narrowly avoided tragedy after an emergency in space, ultimately returning all 3 astronauts safely to Earth. After being signed in 1968, 43 nations ratified The Treaty on the Non‑Proliferation of Nuclear Weapons, intended to curb the spread of nuclear weapons and promote co‑operation on the peaceful use of nuclear power.
1971	The phenomenally successful coffee empire, the Starbucks Corporation, was founded in Seattle, Washington, U.S.A. The massive Aswan High Dam across the River Nile in Egypt was opened. The project had required moving the ancient Egyptian temples of Ramses at Abu Simbel (in 1964) above the rising waters of Lake Nasser.
1972	The first commercial video game, Pong was released by Atari. The classic gangster movie, ‘The Godfather’, directed by Francis Ford Coppola and starring Marlon Brando was released. Britain imposed direct rule over Northern Ireland following the so‑called ‘Bloody Sunday’ massacre. A Palestinian terrorist group killed 11 Israeli Olympic team members and a German police officer at the 1972 Olympic Games in Munich, West Germany. Apollo 17 became the last moon landing (to‑date) where humans have walked on the surface of the Moon.
1973	The United Kingdom joined the expanding European Economic Community (EEC). The seminal and controversial ‘horror’ movie about faith, ‘The Exorcist’ was released, directed by Willian Friedkin and starring Linda Blair. A global oil crisis was triggered by OPEC, the confederation of Arab oil producing nations, which imposed an embargo on oil exports to countries supporting Israel in the Yom Kippur War, also known as the Arab-Israeli War. The famous Spanish artist and co‑founder of the Cubist movement, Pablo Picasso died at the age of 91.
1974	American President Richard Nixon resigned from office following the Watergate scandal, to be succeeded by Gerald Ford as the 38^th U.S. president. The popular 3-D combination puzzle Rubik’s Cube was invented by Hungarian sculptor and professor of architecture, Ernő Rubik. The ubiquitous Bar Code was introduced. It was notable because it was the first standardised method of representing data in a visual, machine-readable form.
1975	America finally pulled out of the Vietnam War after the Fall of Saigon, leading to the formal reunification of north and south Vietnam. An historic joint American/Russian Apollo and Soyuz space mission took place in Earth orbit. It was the first time that spacecraft from different nations docked in space. Widely recognised as the first modern summer blockbuster film, ‘Jaws’ was released, directed by Steven Spielberg and based on the novel by Peter Benchley published in 1974. American technology innovators, Bill Gates and Paul Allen co‑founded the Microsoft Corporation in Albuquerque, New Mexico.
1976	American technology entrepreneurs, Steve Jobs, Steve Wozniak and Ronald Wayne co‑founded Apple Computer Company (now Apple Inc.) in California. The infamous ‘Son of Sam’ serial murders began in New York City, sparking the largest manhunt in the city’s history. The notorious killer, David Berkowitz, was finally arrested in 1977. Chinese communist leader, Chairman Mao Zedong died, effectively ending the decade‑long Chinese Cultural Revolution.
1977	South African activist and anti-apartheid campaigner Stephen Biko died while in police custody after violating an order to restrict his movements. The cinema phenomenon and start of a major film and merchandise franchise, Star Wars Episode 4 was released, directed by George Lucas.
1978	English woman Louise Brown, the world’s first test tube baby, was born after conception by in‑vitro fertilisation (IVF). The classic video game created by Tomohiro Nishikado, Space Invaders was released. The Camp David Accords signifying a negotiated peace agreement between Israel and Egypt was signed in Maryland in the U.S.A, leading to the Egypt‑Israel Peace Treaty of 1979.
1979	Conservative Party leader Margaret Thatcher became the UK’s first female Prime Minister. She was Prime Minister for nearly 12 years. Russia invaded the Democratic Republic of Afghanistan, starting the Soviet‑Afghan war that would last until 1989. Revolutionary Iranian religious leader Ayatollah Khomeini proclaimed Iran to be an Islamic Republic in the Middle East, starting decades of international isolation. The epic Vietnam war film, ‘Apocalypse Now’, written and directed by Francis Ford Coppola, starring Martin Sheen and Marlon Brando was released. In Africa, the notorious Ugandan president and dictator Idi Amin was forced to leave the country into exile. The nuclear power plant at Three Mile Island in Pennsylvania, America suffered a catastrophic meltdown.

Musical Genre Development 1970-1979

If the 1960s was memorable for its own musical revolutions, the 1970s was about to unleash its own rebellious step changes. The music of the 1970s can be categorised by bursts of creativity, using existing musical styles to come up with something relevant, new, raw and vital with something important to say. Perhaps more than any other decade, the 1970s produced greater musical diversity than any other before or since. Pop music continued to be commercially successful into the 1970s including artists like David Cassidy, The Osmonds, Abba, The Bay City Rollers and the Jackson 5.

Progressive rock, often abbreviated to ‘prog’, is a broad musical genre that grew largely from psychedelic rock and the British Canterbury Scene to achieve significant appeal in the late 1960s and early 1970s. Progressive rock can be characterised by long instrumental compositions influenced by fusing classical, jazz, rock and folk styles often complemented by elegiac, poetic lyrics. Prog music was usually only released by bands on LP albums rather than singles. Studio technology and instrumental proficiency were central to the artistic soundscapes used. Like most classical music, it was intended to be listened to, rather than danced to. To some critics, prog rock was seen as avant‑garde, pompous, overblown and boring, being not readily accessible to casual listeners. For some prog musicians, it was important to elevate music from largely populist to the status of art and included experimental arrangements to create debate and stimulate interpretation. This attitude was regarded by some as pretentious and elitist, pushing the genre into somewhat of a dead end niche. Prog rock reached its peak around 1973 and had largely been rejected by the rise of punk rock in the mid‑1970s. Early artists associated with prog rock include Procol Harum, Colosseum, Soft Machine, Barclay James Harvest, Caravan and Curved Air, paving the way for the progressive giants of the genre, including Jethro Tull, King Crimson, Yes, Genesis, Van der Graaf Generator, Emerson, Lake and Palmer (ELP), as well as Pink Floyd and Mike Oldfield.

The underpinnings of heavy metal began in the late 1960s as hard rock explored new musical territories. Often cited as the pioneers of the genre were Led Zeppelin, Deep Purple and Black Sabbath, all forming in 1968. Arguably, though, the first two, while clearly influencing metal, lean more towards hard rock and its successors. Even though many of the characteristics of metal had been used before, Black Sabbath are widely regarded as the true forefathers of today’s heavy metal. The sound of heavy metal took hard rock and laid on layers of thick, heavy distorted riffs using power chords, high volume levels, searing guitar solos, pounding drums and thundering bass. Vocals were often strong and bold and had a dark or satanic emphasis. During the formative 1970s, there were a few bands that adopted the metal tropes, including Judas Priest. By the end of the 1970s, a new wave of British heavy metal (NWOBHM) was spearheaded by bands such as Iron Maiden, Def Leppard, Saxon and UFO. Although more rock than metal, Motörhead played their part in promoting heavy rock to audiences. The sub‑culture surrounding heavy metal grew alongside the music with fans branded as ‘headbangers’ with a dress code not unlike the rockers of the previous decade but taken further. By 1984 and the release of the mockumentary film ‘This Is Spinal Tap’, metal had reached a point of self‑parody. During the 1980s and beyond, metal gave birth to sub‑genres including hair metal (Van Halen, Bon Jovi and Mötley Crüe), thrash metal (Metallica, Slayer, Anthrax and Megadeth), groove metal (Pantera, Blackstone Cherry and White Zombie), industrial (Rammstein and Marilyn Manson), alternative metal (Alter Bridge, Avenged Sevenfold, Slipknot, Deftones, Tool and Queensryche) and nu‑metal (Linkin Park, Limp Bizkit, Papa Roach, Korn and Disturbed), amongst many others such as glam metal, progressive metal, black metal, doom metal, death metal, power metal, metalcore, Christian metal, etc. Possibly more than any other style of music, heavy metal has proliferated sub‑genres.

Glam rock is a relatively short‑lived offshoot of rock music that developed in the early 1970s, particularly in the UK. Glam rock’s heyday was roughly between 1970 and 1975. The music was tightly interwoven with flamboyant and colourful fashions, being performed by musicians who wore outrageous costumes, stark makeup and pronounced hairstyles. The impact of the symbolism was to blur the traditional gender stereotyping that was prevalent before 1970. The visuals often extended to custom instruments used by some artists. Although it may not appear obvious, glam rock influenced subsequent genres such as punk rock, new romantics, Goth rock and new wave that followed. Significant artists included Marc Bolan and T.Rex, David Bowie, Queen, Sweet, Slade, Elton John, Mud, Roxy Music and Gary Glitter. Although its impact was lower profile in the USA, artists such as Alice Cooper, New York Dolls and Iggy Pop adapted glam imagery for their own purposes.

Reggae emanated from Jamaica in the late 1960s and significantly became popular internationally during the 1970s. Reggae evolved from ska and a transitional form between ska and reggae called rocksteady. Reggae is distinctive in that it has a 4/4 rhythm with the drum marking the 3^rd beat of the bar with a guitar or keyboard staccato ‘skank’ on the 2^nd and 4^th (off) beats of the bar. Reggae is also often associated with strong and heavy rhythmic bass lines, sometimes complemented by horn arrangements. Reggae is often but not exclusively connected to Rastafarianism which also features strongly in many reggae songs, as does the use of marijuana. Roots reggae refers to its African roots and the black diaspora. Jamaican record producers also played a strong part in moulding the sound of reggae and developed a complete sub‑genre known as ‘versions’ or dub reggae that used production techniques to remove vocals and remix instrumental elements of drum, bass and guitar. Dub reggae was often played on loud PA sound systems. Key producers include Lee ‘Scratch’ Perry, King Tubby, Mad Professor and Scientist. Reggae has been successfully exported worldwide, although the UK remains a key consumer market. One of the major artists who not only popularised commercial reggae globally but also acted as an ambassador for Jamaica was Bob Marley who, with his band, The Wailers became an international icon. Other major artists also include Peter Tosh, Toots & The Maytals, Burning Spear, Augustus Pablo, Horace Andy, I‑Roy, U‑Roy, The Abyssinians, Black Uhuru, Sly & Robbie, The Upsetters, Desmond Decker, Jimmy Cliff, Johnny Nash, Third World, Gregory Isaacs and many others. British reggae artists include Aswad, Steel Pulse, Linton Kwesi Johnson and UB40. After Bob Marley’s death, the genre diversified into other forms, such as dancehall and ragga.

The origins of rap and hip hop music derived from vocal a cappella rapping and African American urban street music originating in New York house and block parties in the Bronx during the early 1970s. The largely vernacular spoken rhyming lyrics were backed by rhythmic percussive soul, funk and disco beats of the period. The sub‑culture expanded by the late 1970s to include MCing, DJ scratching, sampling and beatboxing frequently using drum machines. Also associated with rapping were break dancing, urban graffiti art and aggressive gangland/gun culture. The broader cultural definition has become widely known as hip hop, which is the current common categorisation. Early practitioners included Grandmaster Flash & The Furious Five, the Sugarhill Gang and Afrika Bambaataa. The genre spread widely during the ‘golden age of hip hop’ from the 1980s up to the early 1990s spawning many sub‑genres, often associated with the region or country. For instance, there was intense rivalry between U.S. West Coast and East Coast hip hop during the 1990s, coining the term ‘gangsta rap’. Hip hop became massively influential in many other mainstream musical genres who adapted the rhyming lyrical style and sparse percussive beats. Despite a decline in the mid‑2000s, hip hop is now a global phenomenon with numerous offshoots and diverse styles. While its origins are African American, a few white artists have been successful including the Beastie Boys and Eminem. There are way too many hip hop artists to mention all of them. However, they include Run-D.M.C., LL Cool J, Public Enemy, A Tribe Called Quest, De La Soul, Ice‑T, Ice Cube, Snoop Dogg, Cypress Hill, N.W.A., The Notorious B.I.G., Tupac Shakur, Wu-Tang Clan, Dr. Dre, 50 Cent, OutKast, Jay‑Z and Kanye West among many others.

Like other musical forms, funk and disco adapted from previous genres, becoming mainstream during the 1970s. Funk emerged from African American communities and mixed soul, jazz and R&B. Funk is recognisable by have an addictively danceable groove. Funk focused on a strong first beat of the bar and was driven by strong insistent bass and drum rhythms. Funk artists included James Brown, Sly & The Family Stone, Parliament/Funkadelic, Chaka Khan, Earth Wind & Fire and Kool & The Gang. Later, artists like Rick James and Prince would adopt funk as a key ingredient in their dance‑fused arrangements. Funk tends to be more musically complex than its sister genre, disco. Disco originated in America and rapidly spread to the UK. It is associated with urban nightclubs and DJs mixing dance records through loud sound systems to audiences in clubs and discothèques. Discos also used complex light and strobes to emphasise the beat. Disco is a heavily produced bass and drum‑driven 4/4 rhythm, often using electronic instruments to add syncopation. Disco’s core rationale was music to dance to, so disco dancing became very popular. Culturally, disco is also associated with fashion, drug use and promiscuity. Disco artists included Gloria Gaynor, The Bee Gees, Donna Summer, The Village People, Sylvester and Chic. Disco was hugely influential on later dance genres such as house, techno, drum ‘n’ bass and rave. Like many other broad genres, funk and disco have diversified into many other related sub‑genres over the years.

Widespread social dissatisfaction and a rejection of established musical forms on both sides of the Atlantic during the mid‑1970s led to the emergence of punk rock. Loud, brash, nihilistic and stripped‑back arrangements performed mainly on guitar, bass and drums were used to support often angry and alienated anti‑establishment lyrics. The result was short, sharp bursts of controversial and provocative music. The emergence of punk in America is associated with artists such as Television, Patti Smith and Ramones, building on the work of proto‑punk bands like Velvet Underground, New York Dolls and Iggy & The Stooges. Meanwhile a parallel evolution in the UK was epitomised by bands such as Sex Pistols, The Clash, The Damned, Buzzcocks, Sham 69 and The Ruts. As with many other music‑related sub‑cultures, punk led to distinctive fashions (Vivienne Westwood), art (Jamie Reid) and agressive attitudes. The anarchic punk movement spread rapidly and by 1977 was pervasive in many westernised countries. As popularity increased and punk sensibilities were adopted by the commercial mainstream, the essential ethos of punk imploded and was overtaken by the music business machinery that, ironically, was punk’s original anathema. The demise of chaotic punk rock principles led to post‑punk sub‑genres that expanded its appeal beyond the original audience, including artists like Joy Division, Bauhaus, Siouxsie & the Banshees, Ian Dury, The Cure and The Sisters Of Mercy. Punk in its purest form could not and did not last long. However, it was very influential in subsequent styles such as new wave, new romantic, emo and Goth sub‑genres. Live music venues were very important for audiences to experience the visceral nature of punk rock first hand, including CBGBs in New York and the Marquee in London. Punk saw a revival in the 1990s with bands like Green Day, Blink‑182 and The Offspring but it was far more commercial and lacking the authenticity of the original.

Musical Facts 1970-1979

Day	Month	Year	Music Fact
26	January	1970	American folk rock duo Paul Simon and Art Garfunkel released their 5^th and final classic studio album, ‘Bridge Over Troubled Water’.
3	February	1970	Multi-talented American guitarist, singer, songwriter, producer, solo artist and member of rock super group The Winery Dogs, Richie Kotzen was born in Reading, Pennsylvania.
13	February	1970	English heavy metal legends Black Sabbath released their classic, game-changing self-titled debut album, ‘Black Sabbath’ in the UK (NB. appropriately on Friday 13^th).
14	February	1970	English rock band The Who performed a concert at Leeds University. The show was recorded and released as the band’s first official live album, ‘Live At Leeds’.
5	March	1970	American guitarist, former member of rock band Red Hot Chili Peppers and solo artist, John Frusciante was born in New York City.
9	March	1970	After changing their name from Earth, English heavy metal rock band Black Sabbath performed their debut live concert at the Roundhouse in London.
22	March	1970	Marc Bolan and Tyrannosaurus Rex released their last studio album before transforming into glam rockers T.Rex, ‘A Beard of Stars’.
10	April	1970	English singer, songwriter and bass guitarist, Paul McCartney issued a press statement that he was leaving The Beatles, signalling the band’s break up.
21	April	1970	American Chicago blues guitarist Earl Hooker died of complications from tuberculosis in Chicago, Illinois at the age of 40.
1	May	1970	English guitarist, singer, songwriter, producer and former member of indie rock band Suede, Bernard Butler was born in London.
3	May	1970	English rock band The Who released their classic live album, ‘Live At Leeds in the UK.
8	May	1970	Legendary English pop/rock band The Beatles released what would be the group’s 12^th and final studio album, ‘Let It Be’, after the band split up.
3	June	1970	British heavy rock band Deep Purple released their classic breakout studio album, ‘Deep Purple in Rock’ in the UK.
5	June	1970	English heavy rock band Deep Purple released their breakthrough hit single ‘Black Night’ in the UK.
6	June	1970	American rhythm guitarist and co-founder of Nu-Metal rock band Korn, James Shaffer (a.k.a. Munky) was born in Bakersfield, California.
8	July	1970	Innovative and massively talented American alternative rock singer, songwriter, guitarist and producer, Beck was born in Los Angeles, California.
18	July	1970	London hosted the third Free Concert held in Hyde Park featuring Pink Floyd, Roy Harper, Kevin Ayers, and the Edgar Broughton Band.
14	August	1970	English psychedelic space rock band Hawkwind released their debut studio album, the eponymous, ‘Hawkwind’.
23	August	1970	American singer, songwriter and guitarist Lou Reed performed his final live concert appearance with The Velvet Underground (bar reunions) at Max’s Kansas City rock club in Manhattan, New York City.
26	August	1970	The famous Isle of Wight Festival began at Afton Down, attracting between 600,000 and 700,000 attendees, the largest open air music festival of its kind. Tickets for the weekend cost £3.
28	August	1970	Well over half a million people attended the 3^rd day of the UK’s famous Isle of Wight Festival to see artists including Taste, Chicago, Family and Procol Harum.
29	August	1970	The 4th day of the massive Isle of Wight Festival continued starring Joni Mitchell, Miles Davis, Ten Years After, ELP, The Doors, The Who and Sly & The Family Stone.
30	August	1970	The 5^th and final day of the gigantic Isle of Wight Festival took place starring Jethro Tull, Jimi Hendrix, Joan Baez, Leonard Cohen and Richie Havens.
4	September	1970	English rock group The Rolling Stones released their classic live album, ‘Get Yer Ya-Ya’s Out’ in the UK.
6	September	1970	Legendary American rock guitarist Jimi Hendrix played his final live concert at the Isle of Fehmarn in Germany.
11	September	1970	American rock guitarist, singer and songwriter Jimi Hendrix gave his final interview for the UK weekly music magazine New Musical Express (NME).
12	September	1970	London hosted the fourth Free Concert held in Hyde Park (the 2^nd that year) featuring Canned Heat, Eric Burdon and War, John Sebastian, Michael Chapman, Stoneground and others.
18	September	1970	Legendary American rock guitarist, singer and songwriter, Jimi Hendrix died tragically of asphyxia in his London flat at the age of 27.
18	September	1970	Pioneering English heavy metal rock band, Black Sabbath released their classic sophomore studio album, ‘Paranoid’ in the UK.
19	September	1970	The very first Glastonbury Pop, Folk & Blues Festival took place at Worthy Farm, Pilton, Somerset, UK, attended by approximately 1,700 people.
19	September	1970	Canadian singer, songwriter and guitarist Neil Young released his classic 3^rd studio album, ‘After The Gold Rush’.
1	October	1970	American guitarist Jimi Hendrix’s funeral service took place at Dunlap Baptist Church in his hometown of Seattle before he was buried at the Greenwood Cemetery in Renton, also in Seattle.
2	October	1970	English glam rock band Marc Bolan and T.Rex released their classic breakout hit single ‘Ride A White Swan’ in the UK.
2	October	1970	English progressive rock band, Pink Floyd released their 4^th studio album, ‘Atom Heart Mother’ in the UK.
4	October	1970	Respected American rock, soul and blues singer Janis Joplin was found dead following an accidental heroin overdose in Los Angeles, California at the age of 27.
5	October	1970	English heavy rock band Led Zeppelin released their classic 3^rd studio album, ‘Led Zeppelin III’ in the UK.
10	October	1970	English heavy metal rock band, Black Sabbath had their classic 2^nd studio album, ‘Paranoid’ reach No. 1 in the UK album chart.
23	October	1970	The Jimi Hendrix Experience released the song ‘Voodoo Child (Slight Return)’ shortly after the guitarist’s untimely death. It reached number 1 in the UK singles chart.
23	October	1970	English progressive rock band Genesis released their breakout studio album, ‘Trespass’ in the UK.
1	November	1970	Legendary American psychedelic rock band Grateful Dead released their classic 5^th studio album, ‘American Beauty’.
4	November	1970	English singer and songwriter David Bowie released his classic 3^rd studio album, ‘The Man Who Sold the World’ in the UK.
6	November	1970	Emerging American rock band Aerosmith made their debut live appearance in the gymnasium at what was Nipmuc Regional High School (now Miscoe Hill Middle School) in Mendon, Massachusetts.
9	November	1970	American blues/rock guitarist, singer and member of the Tedeschi Trucks Band along with hubby, Derek Trucks, Susan Tedeschi was born in Boston, Massachusetts.
15	November	1970	American alternative rock band, The Velvet Underground released their 4^th and possibly most commercial studio album, ‘Loaded’.
27	November	1970	Former member of English rock band The Beatles, George Harrison released his hugely successful solo triple studio album, ‘All Things Must Pass’ in the UK.
11	December	1970	English singer, songwriter and guitarist, Marc Bolan and T.Rex released the first post-Tyrannosaurus Rex studio album, ‘T.Rex’ in the UK.
11	December	1970	English singer and songwriter John Lennon released his post-Beatles solo album, ‘John Lennon/Plastic Ono Band’ in the UK.
12	December	1970	American rock band, The Doors played their final live concert with singer Jim Morrison at the Warehouse in New Orleans, Louisiana.
16	January	1971	American blues rock band, ZZ Top, released their debut studio album, ‘ZZ Top’s First Album’ in the UK.
17	March	1971	Renowned Canadian singer, songwriter and poet, Leonard Cohen released his classic 3^rd studio album, ‘Songs of Love and Hate’ in the UK.
19	March	1971	English progressive rock band Jethro Tull released their classic 4^th studio album, ‘Aqualung’ in the UK.
16	April	1971	English blues rock band The Rolling Stones released their huge hit single, ‘Brown Sugar’, taken from the album, ‘Sticky Fingers’.
23	April	1971	The Rolling Stones released what was probably their career peak 9^th studio album, ‘Sticky Fingers’.
29	April	1971	American rock band, The Doors released their massive 6^th studio album, ‘L.A. Woman’, including the classic single, ‘Riders On The Storm’, recorded shortly before singer, Jim Morrison’s death.
22	June	1971	The second Glastonbury Festival took place in Pilton, Somerset, UK, attended by c.12,000 fans. Artists included Hawkwind, Traffic, David Bowie, Joan Baez, Fairport Convention, Quintessence and Melanie.
2	July	1971	English glam rock group T.Rex, led by the late Marc Bolan, released their classic hit single ‘Get It On’.
3	July	1971	American singer, poet and member of rock band The Doors, Jim Morrison died from reported heart failure at an apartment in Paris, France at the age of 27.
6	July	1971	American jazz trumpeter and singer, Louis Armstrong died of a heart attack in a New York hospital at the age of 69.
31	July	1971	American guitarist known for his work with heavy rock bands Marilyn Manson and Rob Zombie, as well as a solo artist, John Lowery (a.k.a. John 5) was born in Grosse Pointe, Michigan.
25	August	1971	English rock band, The Who, released their 5^th studio album, ‘Who’s Next’ in the UK.
9	September	1971	English singer, songwriter, guitarist and former Beatle, John Lennon released his career-defining solo studio album, ‘Imagine’ in the UK.
15	September	1971	English heavy rock band, Deep Purple released their flaming hot 5^th studio album, ‘Fireball’ in the UK.
21	September	1971	UK broadcaster, the BBC aired their highly regarded long-running contemporary music TV programme, ‘The Old Grey Whistle Test’ for the first time.
8	October	1971	English psychedelic space rock band Hawkwind, released their 2^nd studio album ‘In Search Of Space’ in the UK.
29	October	1971	American guitarist and co-founder of rock band The Allman Brothers Band, Duane Allman died tragically in a motorcycle accident in Macon, Georgia at the age of 24.
30	October	1971	English former member of The Beatles, John Lennon had his classic solo studio album, ‘Imagine’ reach number 1 in the UK album chart.
1	November	1971	The classic hit single ‘Jeepster’ was released, performed by English glam rock pioneer Marc Bolan and T.Rex, reaching No. 2 in the UK singles chart.
1	November	1971	British guitarist, singer and songwriter John Martyn released his classic 3^rd solo album ‘Bless The Weather’ in the UK.
5	November	1971	Supremely versatile English lead guitarist with alternative rock band Radiohead, Jonny Greenwood was born in Oxford.
8	November	1971	English hard rock band Led Zeppelin released their classic multi-million-selling 4^th studio album, ‘Led Zeppelin IV’ in the UK, which included the track, ‘Stairway To Heaven’.
12	November	1971	English progressive rock band Genesis released their ambitious 3^rd studio album, ‘Nursery Cryme’ in the UK.
13	November	1971	English progressive rock band Pink Floyd released their outstanding 6^th studio album, ‘Meddle’ in the UK.
4	December	1971	The Montreux Casino in Switzerland, built in 1881, burnt down during a Frank Zappa gig, inspiring Deep Purple’s classic rock song, ‘Smoke On The Water’.
17	December	1971	Legendary English rock singer, songwriter and actor, David Bowie released his classic 4^th studio album, ‘Hunky Dory’ in the UK.
27	December	1971	Remarkable English guitarist with The Aristocrats and noted guitar teacher, Guthrie Govan was born in Chelmsford, Essex.
21	January	1972	English glam rockers Marc Bolan with T.Rex released the classic hit single ‘Telegram Sam’ in the UK.
10	February	1972	English glam rock singer David Bowie made his debut live appearance as his legendary alter-ego, Ziggy Stardust at the Toby Jug pub in London.
17	February	1972	American singer, songwriter, guitarist, front man and co‑founder of pop punk rock band Green Day, Billie Joe Armstrong was born in Oakland, California.
25	February	1972	English singer, songwriter and guitarist, Nick Drake, released his sublime 3^rd and final studio album, ‘Pink Moon’.
25	February	1972	Legendary Canadian singer, songwriter and guitarist, Neil Young, released his classic 4^th studio album, ‘Harvest’.
3	March	1972	English progressive rock band Jethro Tull released their classic 5^th studio album, ‘Thick As A Brick’ in the UK.
25	March	1972	English heavy rock band Deep Purple released their classic 6^th studio album, ‘Machine Head’ in the UK, which included the track, ‘Smoke On The Water’.
29	April	1972	English hard rock band Wishbone Ash released their career-defining classic 3^rd studio album, ‘Argus’.
5	May	1972	English glam rockers, Marc Bolan and T.Rex released their classic hit single ‘Metal Guru’ in the UK.
12	May	1972	English rock band, The Rolling Stones released their massive 10^th studio double album, ‘Exile On Main Street’.
6	June	1972	English glam rock singer and songwriter, David Bowie released his classic 5^th studio album, ‘The Rise and Fall of Ziggy Stardust and the Spiders From Mars’.
3	July	1972	American country blues guitarist, Mississippi Fred McDowell died from cancer in Memphis, Tennessee at the age of 66.
23	July	1972	British glam rock band, Marc Bolan and T.Rex released their classic studio album ‘The Slider’ in the UK.
8	September	1972	British glam rock star Marc Bolan and his band T.Rex released the classic hit single ‘Children Of The Revolution’.
11	October	1972	Mexican-American guitarist Carlos Santana with his band released their classic 4^th studio album, ‘Caravanserai’.
17	October	1972	American rapper and hip-hop artist, Eminem was born as Marshall Bruce Mathers III, a.k.a. ‘Slim Shady’ in St. Joseph, Missouri.
10	December	1972	British singer, songwriter, guitarist and co-founder of alternative rock band Placebo, Brian Molko was born in Brussels, Belgium.
5	January	1973	American rock band, Aerosmith, released their eponymous debut studio album, ‘Aerosmith’.
5	January	1973	American singer and songwriter Bruce Springsteen released his debut studio album, ‘Greetings From Asbury Park, N.J.’.
30	January	1973	After changing their name to KISS, the American rock band made their debut live performance in Queens, New York.
1	February	1973	British singer, songwriter and guitarist, John Martyn released his classic 4^th solo studio album, the sublime and career-defining, ‘Solid Air’.
7	February	1973	American proto punk rock band Iggy The Stooges released their hugely influential 3^rd studio album, ‘Raw Power’.
8	February	1973	Max Yasgur, who owned the New York dairy farm on which the legendary Woodstock Festival was held in August 1969, died from a heart attack in Florida at the age of 53.
23	February	1973	English pop/rock band Slade released their classic hit single, ‘Cum On Feel The Noize’ in the UK.
2	March	1973	British glam rockers, Marc Bolan and T.Rex released their classic hit single ‘20^th Century Boy’ in the UK.
16	March	1973	English progressive rock group Pink Floyd released their career pinnacle 8^th studio album, ‘The Dark Side Of The Moon’ in the UK.
23	March	1973	English progressive rock band King Crimson released their 5^th studio album, ‘Larks’ Tongues in Aspic’.
28	March	1973	British heavy rock band Led Zeppelin released their 5^th studio album, ‘Houses Of The Holy’ in the UK.
12	April	1973	English glam rock singer, David Bowie released his milestone classic 6^th studio album, ‘Aladdin Sane’ in the UK.
13	April	1973	Jamaican Reggae legends, Bob Marley & The Wailers released their classic 4^th studio album ‘Catch A Fire’ in the UK.
17	May	1973	American singer, songwriter, guitarist, producer, actor and founder of rock bands Queens Of The Stone Age and Eagles Of Death Metal, Josh Homme was born in Joshua Tree, California.
25	May	1973	Richard Branson’s Virgin Records label was launched, marked by the release of Mike Oldfield’s seminal studio album, ‘Tubular Bells’.
18	June	1973	American folk rock singer, songwriter and guitarist, Ray LaMontagne was born in New Hampshire.
22	June	1973	English glam rock singer David Bowie released his classic hit single, ‘Life On Mars?’, with ‘The Man Who Sold the World’ on the B-side.
3	July	1973	English glam rock star David Bowie announced that his iconic on-stage persona, Ziggy Stardust was to retire (not Bowie himself, as was widely reported in the press).
13	July	1973	English rock/pop band Queen released their great debut studio album in the UK, the eponymous ‘Queen’.
15	July	1973	American bluegrass and country rock guitarist, a member of rock band The Byrds and an accomplished session musician, Clarence White died in a car accident in Palmdale, California at the age of 29.
26	July	1973	American southern blues/rock power trio ZZ Top released their critically acclaimed 3^rd studio album, ‘Tres Hombres’.
6	August	1973	Influential American blues singer, songwriter and guitarist Memphis Minnie (real name Lizzie Douglas) died from a stroke in a nursing home in Memphis, Tennessee at the age of 76.
13	August	1973	American southern rock band, Lynyrd Skynyrd released their storming debut album, ‘(pronounced ‘lĕh-‘nérd ‘skin-‘nérd)’, featuring their career-defining signature song, ‘Freebird’.
11	September	1973	American rock singer, songwriter and guitarist, Bruce Springsteen released his sophomore studio album, ‘The Wild, the Innocent & the E Street Shuffle’.
19	September	1973	American guitarist with country rock band The Byrds, Gram Parsons died of a drug overdose in Joshua Tree, California at the age of 26.
20	September	1973	American folk/rock guitarist, singer and songwriter, Jim Croce died tragically along with 5 others in a plane crash in Natchitoches, Louisiana at the age of 30.
1	October	1973	British singer, songwriter and guitarist John Martyn released his remarkable change of direction 5^th studio album, ‘Inside Out’ in the UK.
9	October	1973	Influential American blues singer, songwriter and guitarist Sister Rosetta Tharpe died from a stroke in Philadelphia, Pennsylvania at the age of 58.
12	October	1973	English progressive rock band Genesis released their classic 5^th studio album, ‘Selling England By The Pound’.
19	October	1973	Jamaican reggae legends (Bob Marley &) The Wailers released their classic studio album, ‘Burnin’’ in the UK.
19	October	1973	English singer and songwriter David Bowie released his 7^th studio album comprising cover songs, ‘Pin Ups’ in the UK.
26	October	1973	English rock band, The Who, released their classic 6^th studio double album; the rock opera and ode to the UK’s mod movement, ‘Quadrophenia’.
11	November	1973	Legendary Irish blues/rock guitarist, Rory Gallagher, released his 4^th studio album, ‘Tattoo’ in the UK.
1	December	1973	English heavy metal band Black Sabbath released their 5^th studio album, ‘Sabbath Bloody Sabbath’.
5	December	1973	English former member of The Beatles, Paul McCartney and Wings released his 5^th and most successful ‘solo’ studio album, ‘Band On The Run’ in the UK.
10	December	1973	The legendary New York alternative, punk and New Wave music venue at 315 Bowery, Manhattan, CBGB & OMFUG, was opened by club owner Hilly Kristal.
31	December	1973	Australian heavy rock band AC/DC made their debut live performance at a local bar in Sydney, Australia.
17	January	1974	Legendary American guitarist, singer and songwriter Bob Dylan released the studio album recorded with The Band, ‘Planet Waves’.
15	February	1974	British hard rock band, Deep Purple released their classic 8^th studio album, ‘Burn’ in the UK.
20	February	1974	American jazz rock band Steely Dan released their critically well-received and commercially successful classic 3^rd studio album, ‘Pretzel Logic’.
8	March	1974	English rock band, Queen released their classic 2^nd studio album, ‘Queen II’ in the UK.
15	April	1974	American southern rock group, Lynyrd Skynyrd released their classic breakout 2^nd studio album ‘Second Helping’.
17	April	1974	Swedish guitarist, singer and songwriter with progressive death metal rock band Opeth, Mikael Åkerfeldt was born in Stockholm.
18	April	1974	Accomplished American guitarist, singer and songwriter with rock bands Creed, Alter Bridge and as a solo artist, Mark Tremonti was born in Detroit, Michigan.
24	April	1974	English glam rock legend, David Bowie released his classic 8^th studio album, ‘Diamond Dogs’ in the UK.
1	June	1974	Talented Canadian singer, songwriter, guitarist, producer, activist and actress Alanis Morissette was born in Ottawa, Ontario.
15	June	1974	English rock super group Bad Company released their self‑titled debut studio album, ‘Bad Company’ in the UK.
1	July	1974	English blues/rock guitarist, singer and songwriter Eric Clapton released his classic 2^nd studio album, ‘461 Ocean Boulevard’.
21	July	1974	Highly acclaimed Irish blues/rock guitarist Rory Gallagher released his hugely successful live album, ‘Irish Tour ‘74’.
29	July	1974	Perennial Canadian singer, songwriter and guitarist Neil Young released his classic 5^th studio album, ‘On The Beach’.
16	August	1974	American punk rock band Ramones played their first live concert at the legendary CBGB & OMFUG music venue in New York City.
6	September	1974	English space rock band, Hawkwind, released their classic 4^th studio album, ‘Hall of the Mountain Grill’.
14	September	1974	English guitarist, singer and songwriter Eric Clapton released his cover of Bob Marley’s ‘I Shot The Sherriff’ as a single, which reached number 1 in the U.S.
6	October	1974	English progressive rock band King Crimson released their 7^th studio album, ‘Red’.
12	October	1974	American punk rock band Blondie made their first appearance at the legendary CBGB & OMFUG music venue in New York City.
25	October	1974	Jamaican reggae legends, Bob Marley & The Wailers released their studio album, ‘Natty Dread’ in the UK, the first Wailers’ album to bear Marley’s name in the title.
29	October	1974	Hugely impressive American blues/rock guitarist, Eric Gales was born in Memphis, Tennessee.
8	November	1974	English rock band Queen moved in a more commercial direction and released their successful 3^rd studio album, ‘Sheer Heart Attack’ in the UK.
18	November	1974	English progressive rock band Genesis released their 6^th studio double concept album, and their final LP with singer Peter Gabriel, ‘The Lamb Lies Down on Broadway’.
25	November	1974	English singer, songwriter and guitarist, Nick Drake died from a drug overdose at his home in Tanworth-in-Arden, Warwickshire at the age of 26.
28	November	1974	English former Beatle, John Lennon made his final live appearance, joining Elton John on stage at Madison Square Garden in New York City.
16	December	1974	After 5 years as a member of The Rolling Stones, English guitarist, Mick Taylor announced that he was leaving the band.
17	January	1975	English former member of The Beatles John Lennon released his classic solo covers album, ‘Rock ‘n’ Roll’ in the UK.
18	January	1975	American jazz, blues and country rock guitarist, Johnny Hiland was born, growing up in Maine.
20	January	1975	Legendary American guitarist, singer and songwriter, Bob Dylan released his renaissance studio album, ‘Blood On The Tracks’ in the UK.
24	January	1975	Influential and pioneering British singer, songwriter and guitarist John Martyn released his 6^th studio album, ‘Sunday’s Child’.
7	February	1975	American guitarist and member of nu-metal band Limp Bizkit and Black Light Burns, Wes Borland was born in Richmond, Virginia.
17	February	1975	Australian hard rock band, AC/DC released their debut studio album, ‘High Voltage’.
24	February	1975	English heavy rock band, Led Zeppelin released their epic 6^th studio double album, ‘Physical Graffiti’.
7	March	1975	English singer, songwriter and true rock legend, David Bowie released his change of direction classic 9^th studio album, the soul-oriented ‘Young Americans’ in the UK.
11	March	1975	English pop/art/rock band 10cc released their hugely successful 3^rd studio album, ‘The Original Soundtrack’ in the UK.
16	March	1975	American blues legend, Aaron Thibeaux ‘T-Bone’ Walker died from pneumonia following a stroke in Los Angeles, California at the age of 64.
17	March	1975	English singer, songwriter and guitarist, best known as member of hard rock band The Darkness, Justin Hawkins was born in Chertsey, Surrey.
29	March	1975	Experimental virtuoso English rock guitarist, Jeff Beck released his seminal and commercially successful 2^nd solo album, ‘Blow By Blow’ in the UK.
2	April	1975	English super group Bad Company released their classic sophomore studio album, ‘Straight Shooter’.
8	April	1975	American hard rock band Aerosmith released one of their most successful records, their 3^rd studio album, ‘Toys In The Attic’, including the hit track, ‘Walk This Way’.
9	May	1975	English space rock perennials, Hawkwind, released their 5^th studio album ‘Warrior On The Edge Of Time’ in the UK.
23	May	1975	English pop/rock band 10cc released their superbly written and produced massive hit single, ‘I’m Not In Love’.
20	June	1975	Canadian singer, songwriter and guitarist Neil Young released his classic 6^th studio album, ‘Tonight’s The Night’.
23	June	1975	Hugely talented Scottish multi-genre singer, songwriter and guitarist, KT Tunstall was born in Edinburgh.
29	June	1975	Influential American singer, songwriter and guitarist Tim Buckley died from a drug overdose in Los Angeles, California, at the age of 28.
9	July	1975	Mercurial American singer, songwriter and flamboyant guitarist with The White Stripes, The Dead Weather and The Raconteurs, as well as solo artist, Jack White was born in Detroit, Michigan.
11	July	1975	British/American rock band Fleetwood Mac released their self-titled 10^th studio album, ‘Fleetwood Mac’.
17	July	1975	Jamaican reggae icons, Bob Marley And The Wailers performed the first of 2 live concerts at London’s Lyceum. The concerts were recorded for the classic live album, ‘Live!’
25	July	1975	English singer and songwriter, David Bowie released his hit single, ‘Fame’, co-written with Carlos Alomar and with backing vocals by John Lennon. It was reportedly a jibe at Bowie’s artist management.
16	August	1975	English singer and songwriter Peter Gabriel announced that he was leaving Genesis, the progressive rock band he co‑founded.
25	August	1975	American rock icon Bruce Springsteen released his massively successful 3^rd studio album, ‘Born To Run’.
1	September	1975	British singer, songwriter and guitarist John Martyn released his masterful live concert album, ‘Live At Leeds’.
5	September	1975	English progressive rock band Jethro Tull released their 8^th studio album, ‘Minstrel In The Gallery’ in the UK (8 September in the U.S.).
12	September	1975	English progressive rock band, Pink Floyd released their massive classic 7^th studio album, ‘Wish You Were Here’.
23	October	1975	English singer and songwriter, Elton John received a star on the Hollywood Walk of Fame at 6915 Hollywood Boulevard.
6	November	1975	British punk rock band, Sex Pistols made their debut live performance as a support act in the Common Room of Saint Martin’s School Of Art at Charing Cross Road in central London.
10	November	1975	Canadian singer, songwriter and guitarist, Neil Young with his band Crazy Horse released the classic 7^th studio album, ‘Zuma’.
2	December	1975	English pop/rock band Queen released their 4^th studio album, ‘A Night At The Opera’, including the massive hit single ‘Bohemian Rhapsody’.
5	December	1975	Jamaican reggae legends Bob Marley And The Wailers released their classic live album, ‘Live!’ recorded at London’s Lyceum Theatre on 17 & 18 July 1975.
13	December	1975	American punk rock singer, beat poet and political activist, Patti Smith released her classic anti‑establishment debut studio album, ‘Horses’, produced by John Cale.
13	December	1975	American guitarist, singer, songwriter, producer and co‑founder of pop punk rock band Blink-182, Tom DeLonge was born in Poway, California.
20	December	1975	American guitarist Joe Walsh joined the country rock band Eagles, replacing former band guitarist Bernie Leadon.
5	January	1976	Renowned American guitarist, singer and songwriter, Bob Dylan released his classic mid-career studio album, ‘Desire’ in the UK.
10	January	1976	American blues legend Howlin’ Wolf died from complications of kidney surgery in Hines, Illinois at the age of 65.
23	January	1976	Legendary English rock singer and songwriter, David Bowie released his classic 10^th studio album, ‘Station To Station’.
9	March	1976	Country music legend Johnny Cash received a star on the Hollywood Walk of Fame at 6320 Hollywood Boulevard.
18	March	1976	The classic sci-fi film ‘The Man Who Fell To Earth’, directed by Nicolas Roeg and starring English singer David Bowie was released in the UK.
19	March	1976	English guitarist with rock band Free, Paul Kossoff died from a drug-related heart attack on a flight from Los Angeles to New York City at the age of 25.
21	March	1976	Guitar pioneer, innovator and entrepreneur, Adolph Rickenbacker died from cancer in Orange County, California at the age of 89.
23	March	1976	English heavy metal band Judas Priest released their classic sophomore studio album, ‘Sad Wings of Destiny’.
26	March	1976	Irish rock group, Thin Lizzy released their breakout classic 6^th studio album, ‘Jailbreak’.
28	March	1976	American guitarist with rock group The Killers, Dave Keuning was born in Pella, Iowa.
31	March	1976	Legendary English heavy rock band Led Zeppelin released their 7^th studio album, ‘Presence’.
3	April	1976	British pop group Brotherhood Of Man won the 21^st Eurovision Song Contest with, ‘Save Your Kisses for Me’.
23	April	1976	American punk rock band, Ramones released their eponymous debut studio album, ‘Ramones’.
30	April	1976	Jamaican reggae legends, Bob Marley & The Wailers released their commercially successful studio album, ‘Rastaman Vibration’.
3	May	1976	American hard rock band, Aerosmith, released their 4^th studio album, ‘Rocks’.
4	July	1976	British punk rock band The Clash made their live concert debut supporting the Sex Pistols at the Black Swan pub (known to locals as ‘The Mucky Duck’) in Sheffield, England.
27	July	1976	English singer, songwriter, guitarist and former member of The Beatles, John Lennon, finally had his application for permanent American residency approved by the U.S. Government.
31	July	1976	American hard rock band, Blue Öyster Cult released their signature tune and huge commercial hit, the classic single, ‘(Don’t Fear) The Reaper’.
29	August	1976	Exemplary American blues guitarist and singer, Jimmy Reed died from respiratory failure in Oakland, California at the age of 50.
13	September	1976	American southern rock band Lynyrd Skynyrd released their great live double album ‘One More From The Road’ in the US.
7	October	1976	Following an appeal hearing, English former member of The Beatles, John Lennon had his permanent residency of the USA confirmed.
8	October	1976	American jazz fusion pioneer and bass guitarist Stanley Clarke released his ground breaking studio album ‘School Days’.
22	October	1976	Influential American poet, singer, songwriter, artist and activist Patti Smith released her 2^nd studio album, ‘Radio Ethiopia’.
24	October	1976	Legendary Irish guitarist, Rory Gallagher, released his classic 6^th studio album, ‘Calling Card’.
25	November	1976	Canadian/American rock group, The Band, played their final concert in San Francisco, California, ‘The Last Waltz’, documented by filmmaker Martin Scorsese.
26	November	1976	English punk rock pioneers, Sex Pistols released their controversial debut single, ‘Anarchy In The UK’ on EMI Records.
2	December	1976	The photoshoot for the iconic album cover to Pink Floyd’s ‘Animals’ (released in 1977) took place at Battersea Power Station in London, complete with giant inflatable pig.
3	December	1976	Jamaican reggae star Bob Marley was wounded when gunmen shot him, his wife and manager at his home in Kingston. The incident was widely thought to be a politically motivated act.
5	December	1976	French electronic musician Jean Michel Jarre released his milestone 3^rd studio album Oxygène in France.
8	December	1976	American country rock band Eagles released their top‑selling and career-defining classic 5^th studio album, ‘Hotel California’.
12	December	1976	English guitarist with hard rock bands The Darkness and Stone Gods, Dan Hawkins was born in Chertsey, Surrey.
28	December	1976	American blues guitar legend, Freddie King died of complications from ulcers and acute pancreatitis in Texas at the age of 42.
14	January	1977	English rock singer David Bowie released his 11^th studio album and the first part of his highly acclaimed ‘Berlin Trilogy’, ‘Low’ in the UK.
23	January	1977	Highly acclaimed English progressive rock band, Pink Floyd, released their 10^th studio album, ‘Animals’, in the UK.
4	February	1977	Anglo-American rock band, Fleetwood Mac released their massive career-topping 11^th studio album, ‘Rumours’ in the US.
26	February	1977	American delta blues guitarist and singer Booker T. Washington ‘Bukka’ White died from cancer in Memphis, Tennessee at the age of 67 or 70 (age disputed).
2	March	1977	English singer, songwriter, co-founder and front man of band Coldplay, Chris Martin was born in Exeter, Devon.
10	March	1977	English punk rock band Sex Pistols controversially ‘signed’ a short-lived recording contract with A&M Records outside Buckingham Palace in London.
21	March	1977	Australian hard blues/rock band, AC/DC, released their 4^th studio album, ‘Let There Be Rock’.
8	April	1977	English punk rock band, The Clash released their classic eponymous debut studio album, ‘The Clash’. Often considered to be one of the finest British punk albums.
8	May	1977	Great American blues rock guitar maestro, Joe Bonamassa was born in New Hartford, New York.
27	May	1977	In the same year as Queen Elizabeth II’s Silver Jubilee, British punk pioneers Sex Pistols released their controversial 2nd single, ‘God Save The Queen’ in the UK.
31	May	1977	The BBC and the Independent Broadcasting Authority banned the Sex Pistols’ controversial single, ‘God Save The Queen’ from being played on UK radio for being “in gross bad taste”.
3	June	1977	Jamaican reggae icons Bob Marley & The Wailers released their career-defining massively successful 9^th studio album, ‘Exodus’.
12	June	1977	Talented American blues/rock guitarist, singer and songwriter Kenny Wayne Shepherd was born in Shreveport Louisiana.
15	June	1977	English punk rock band Sex Pistols infamously performed ‘Anarchy In The UK’ aboard a party boat on the River Thames outside the Houses of Parliament in London.
20	June	1977	Canadian singer, songwriter and guitarist Neil Young released his 8^th studio album, ‘American Stars ‘n Bars’.
30	June	1977	Marvel Comics published the first comic book with characters loosely based on members of the American rock band KISS.
2	July	1977	British punk rock pioneers Sex Pistols released their controversial 3^rd single, ‘Pretty Vacant’ in the UK.
16	August	1977	American rock ‘n’ roll legend, Elvis Presley died from a drug-related heart attack in Memphis, Tennessee at the age of 42.
18	August	1977	The funeral of American singing legend, Elvis Presley took place at Forest Hill Cemetery in Memphis, Tennessee.
11	September	1977	Welsh guitarist and co-founder of rock band Coldplay, Jonny Buckland was born in London.
16	September	1977	Flamboyant English glam rock guitarist, singer and songwriter Marc Bolan of Tyrannosaurus Rex and later T.Rex died tragically in a car accident in London at the age of 29.
16	September	1977	American alternative rock band, Talking Heads, released their remarkable debut studio album, ‘Talking Heads: 77’.
23	September	1977	English singer and songwriter David Bowie released the single ‘Heroes’, which would become one of his greatest signature songs.
24	September	1977	English heavy rock band Motörhead released their debut studio album, the self-titled ‘Motörhead’ in the UK.
30	September	1977	English post-punk and new wave singer, songwriter and actor, Ian Dury released his debut studio album with The Blockheads, ‘New Boots And Panties!!’ in the UK.
30	September	1977	Fiery American blues/rock guitarist and member of Supersonic Blues Machine, Lance Lopez was born in Galveston, Texas.
7	October	1977	English guitarist Steve Hackett left progressive rock band Genesis to pursue a successful solo career.
12	October	1977	American singer, songwriter and guitarist Bruce Springsteen released his 4^th studio album, ‘Darkness on the Edge of Town’.
14	October	1977	English singer and songwriter David Bowie released his 12^th studio album, ‘Heroes’, the 2^nd part of his famed ‘Berlin Trilogy’.
16	October	1977	Award-winning American blues/rock guitarist, singer, songwriter and producer John Mayer was born in Bridgeport, Connecticut.
17	October	1977	American southern rock band Lynyrd Skynyrd released their 5^th studio album, ‘Street Survivors’, just days before the band’s tragic plane crash.
20	October	1977	Several members of American rock band Lynyrd Skynyrd, including singer Ronnie Van Zant, guitarist Steve Gaines and his sister, singer Cassie Gaines were among those tragically killed and injured in a plane crash near Gillsburgh, Mississippi.
21	October	1977	American rock band, Meat Loaf, released their best‑selling debut studio album, ‘Bat Out Of Hell’.
28	October	1977	English punk rock band, Sex Pistols released their controversial debut (and currently only) studio album, ‘Never Mind the Bollocks Here’s the Sex Pistols’.
4	November	1977	American punk rock pioneers, Ramones released their definitive 3^rd studio album, ‘Rocket To Russia’.
4	November	1977	British guitarist, singer and songwriter John Martyn released his classic 7^th solo studio album, ‘One World’ in the UK.
25	November	1977	English blues/rock guitarist, singer and songwriter Eric Clapton released his classic 5^th studio album, ‘Slowhand’.
1	December	1977	American guitarist, producer and founding member of nu-metal rock band Linkin Park, Brad Delson was born in Agoura, California.
25	January	1978	After changing their name from Warsaw to Joy Division, the post-punk rock band made their first live performance in Manchester, UK.
6	February	1978	Influential Dutch/American guitarist, Eddie Van Halen released the eponymous debut studio album that launched the band’s career ‘Van Halen’.
10	February	1978	English heavy metal band Judas Priest released their classic 4^th studio album, ‘Stained Class’.
3	March	1978	American punk rock singer, poet, activist and artist, Patti Smith released her classic 3^rd studio album, ‘Easter’.
23	March	1978	Jamaican reggae legends, Bob Marley & The Wailers released their 9^th studio album and follow up to the massive ‘Exodus’, ‘Kaya’.
5	April	1978	English new romantic and pop/rock band Duran Duran performed their debut live concert at Birmingham Polytechnic.
15	May	1978	Antipodean heavy rock band, AC/DC released their storming 5^th studio album, ‘Powerage’.
19	May	1978	British rock band, Dire Straits released their breakout debut single, ‘Sultans of Swing’ in the UK.
2	June	1978	Irish rock band, Thin Lizzy released their massive live double album, ‘Live And Dangerous’ in the UK.
9	June	1978	Mercurial English guitarist, singer, songwriter and founding member of rock band Muse, Matt Bellamy was born in Cambridge.
7	July	1978	American indie rock band, Talking Heads, released their 2^nd studio album, ‘More Songs About Buildings and Food’.
7	September	1978	English drummer with rock band The Who, Keith Moon, died of a drug overdose in London at the age of 31.
12	October	1978	English bass guitarist with the Sex Pistols, John Ritchie (a.k.a. Sid Vicious) was arrested for the murder of his girlfriend Nancy Spungen at the Chelsea Hotel in New York City.
30	October	1978	American punk rock band Blondie released their single ‘Hanging On The Telephone’, their first Top 10 hit in the UK singles chart.
2	November	1978	English post-punk rock band The Police released their astounding debut studio album, ‘Outlandos d’Amour’ in the UK.
11	November	1978	The first commercially available vinyl 7” single picture disc was released by the Elektra label, featuring The Cars, ‘My Best Friend’s Girl’.
23	November	1978	American singer, songwriter, artist and occasional guitarist with rock bands, The Kills and The Dead Weather, Alison Mosshart was born in Vero Beach, Florida.
2	January	1979	The trial of English bass guitarist with Sex Pistols, Sid Vicious, started in New York. He was accused of murdering his American girlfriend, Nancy Spungen in 1978.
31	January	1979	American virtuoso jazz guitarist Grant Green died of a heart attack while on the road in New York City at the age of 43.
2	February	1979	English bass guitarist of Sex Pistols, Sid Vicious (John Ritchie) died from a heroin overdose in New York City at the age of 21.
7	February	1979	American guitarist, singer and songwriter Stephen Stills became the first major rock artist to record tracks using digital studio equipment at the Record Plant in Los Angeles, California.
3	March	1979	American guitarist, singer and songwriter, Frank Zappa released his highly successful and humorous part studio, part live double album, ‘Sheik Yerbouti’.
12	March	1979	English singer, songwriter, guitarist and founding member of indie rock bands The Libertines and Babyshambles, Pete Doherty was born in Hexham, Northumberland.
24	March	1979	English rock band, Motörhead hit the mainstream with the release of their classic 2nd studio album, ‘Overkill’.
8	May	1979	English indie rock giants The Cure released their debut studio album, ‘Three Imaginary Boys’ in the UK.
14	May	1979	Great American guitarist, singer, songwriter, producer and member of blues rock band The Black Keys, Dan Auerbach was born in Akron, Ohio.
18	May	1979	Legendary English rock singer and songwriter David Bowie released his 13^th studio album and the third part of his ‘Berlin Trilogy’, ‘Lodger’.
8	June	1979	American guitarist, songwriter, member of rock band The Allman Brothers Band and founder of The Derek Trucks Band, Derek Trucks was born in Jacksonville, Florida.
15	June	1979	English post-punk band Joy Division released their impressive debut studio album, ‘Unknown Pleasures’.
20	June	1979	English guitarist, singer, songwriter, former member of indie rock band Ash and then solo artist, Charlotte Hatherley was born in London.
29	June	1979	American singer, songwriter and guitarist with Little Feat, Lowell George died from a cocaine-related heart attack in Arlington, Virginia at the age of 34.
1	July	1979	Japanese technology company Sony launched the first Walkman portable media player, capable of playing Compact Cassettes while on the move.
27	July	1979	Australian hard rock band AC/DC released their classic 6th studio album, ‘Highway To Hell’.
3	August	1979	American alternative rock band Talking Heads released their classic 3^rd studio album, ‘Fear Of Music’, produced by Brian Eno.
11	August	1979	English hard rock band Led Zeppelin played their final UK concert with their original line up at Knebworth Festival in Hertfordshire.
12	August	1979	American pop singer and songwriter Michael Jackson released his 5^th studio album, ‘Off The Wall’, marking his status as a global superstar.
15	August	1979	English heavy rock band Led Zeppelin released their last album with their original group line up, ‘In Through The Out Door’.
24	August	1979	American guitarist Peter Frampton received a star on the Hollywood Walk of Fame at 6819 Hollywood Boulevard.
17	September	1979	American rock guitarist, singer, songwriter and composer Frank Zappa released his studio album, ‘Joe’s Garage Act I’. The first of 3 ‘parts’.
29	September	1979	English post-punk rock trio The Police had their first UK No.1 hit single with, ‘Message In A Bottle’, the band’s 3^rd Top 20 hit.
2	October	1979	Jamaican reggae legends, Bob Marley & The Wailers released their studio album, ‘Survival’ in the UK.
2	October	1979	English post-punk rock band The Police released their massively commercial chart-topping 2^nd studio album, ‘Reggatta de Blanc’ in the UK.
7	October	1979	English post-punk rock band Joy Division released their debut single ‘Transmission’ on Factory Records in the UK.
19	October	1979	Anglo-American rock group Fleetwood Mac released their divisive, experimental 12^th studio album, ‘Tusk’ amidst reports of the band’s excess.
27	October	1979	English rock band Motörhead released their strong 3^rd studio album, ‘Bomber’ in the UK, with the classic line up of Lemmy, Eddie Clarke and Phil Taylor.
19	November	1979	American rock guitarist, singer, songwriter and composer Frank Zappa released his classic studio double album, ‘Joe’s Garage Acts II & III’.
30	November	1979	English progressive rock band, Pink Floyd released their epic 11^th studio double concept album, ‘The Wall’. Estimated worldwide sales are around 30 million copies.
14	December	1979	English punk rock band, The Clash released their mighty 3^rd studio double album, ‘London Calling’ in the UK.

Tailpiece

That’s more than enough for now! Looking at the list of artists, it is a veritable roll call of modern music. Just contrast the albums that started and ended the decade to see how much irreversible change had occurred in just 10 years. For many, the 1970s was the last decade to witness truly fundamental changes in musical and social paradigms. While not being strictly true, it was always going to be a tough task to sustain the energy and innovation of the 1950s, 1960s and 1970s into subsequent decades. However, this didn’t stop existing and emerging artists trying to break the constraints of predictability. So, the 1980s was to prove a different kettle of fish altogether and that is what the story seeks to explore in the next article. Are you with me? Until next time…

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30 Aug 2019

August 2019 – The Story of Modern Music in 1,500+ Facts – Part VI

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

So, here we are again, good people. Like the immortal rose‑tinted glasses of the ‘Summer of ‘69’, 50 years on, the summer 2019 is beginning to degrade and enter the memory banks while the evenings are inexorably drawing in again. Perhaps it is poignant to recount the past and reflect a little on how we got to where we are now.

If you would like to (re)visit any or all of the first five parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In the last article, the world of music transformed seemingly overnight with the rise of rock ‘n’ roll acting as a significant catalyst for American and British youth culture in the 1950s. Of course, it wasn’t quite like that in reality – so many different ingredients came together to create an irresistible phenomenon. If the 1950s wasn’t enough to challenge the traditionalists, things were about to get a whole lot more liberal and lively in the 1960s. Even greater social change compounded the consternation of the older, and typically more old-fashioned, conservative generation.

The Story of Modern Music Part VI 1960-1969

While rock ‘n’ roll now seems to be a permanent fixture in the minds of modern music lovers, in its purest form, it didn’t last that long before it became diluted and music evolution moved on rapidly. However, the influence of rock ‘n’ roll was pervasive, acting as a major stimulus to all other sorts of genre developments. The 1960s stood alone from previous and subsequent decades in terms of political, cultural, economic, technological climate and this was reflected in the distinctive music emerging over the same period. For many readers, the 1960s is now within ‘living memory’ – it is, just about, for me. Up to now, much of the chronology will be history, picked up second hand from written or pictorial records. From here on in, readers may well have some experience of these events for real. For a younger audience, be patient, we’ll get to your era soon. There is a lot to get through this month, so it focuses only on one decade with a few photos again.

Historical Context 1960-1969

Although fundamental human equality was still a pipedream for many in the west, freedom of expression and individual liberties probably characterised the ‘Swinging Sixties’ more than anything else, including the Sexual Revolution and civil rights movements. People felt able to say and do things that were unthinkable in previous decades. People were also able to protest against what they felt were moral injustices. Many families experienced benefits from improving economic prosperity and technological advancement. The Cold War and the space race dominated international relations, particularly between the capitalist ‘west’ and communist ‘east’. The latter part of the 1960s saw symbols of the peace & love movement, gaudy fashion and hippie ‘flower power’, all kaleidoscopically prevalent. If there was a decade that could live up to the description of ‘sex, drugs and rock ‘n’ roll’, the 1960s would be it.

Year	Global Events
1960	America launched the first satellite navigation geo‑positioning system into space, called Transit for use by the U.S. Navy, entering operational service in 1964. The oral contraceptive pill was approved for use by married women in America followed by Britain in 1961. The classic great American novel, ‘To Kill A Mockingbird’, written by author Harper Lee was published. The classic and ground breaking psychological horror film, ‘Psycho’, directed by Alfred Hitchcock and starring Anthony Perkins was released.
1961	Democrat politician John F. Kennedy became the 35^th President of the U.S.A. JFK’s election heralded a new wave of hope and optimism set against the background of the Cold War. The American‑backed military invasion of the Bay of Pigs in Cuba intended to topple Fidel Castro failed, thereby escalating political tensions. The infamous Berlin wall separating east and west Germany was constructed. It remained until 1989 when it was symbolically destroyed by the German people. Russian cosmonaut Yuri Gagarin became the first man in space aboard the Soviet Vostok 1 capsule. Astronaut Alan Shepard became the first American to go into space aboard a Mercury spacecraft.
1962	The Cuban Missile Crisis between United States and the Soviet Union narrowly avoided escalation into a full‑scale nuclear world war. American actress and cultural icon Marilyn Monroe died of a drug overdose at the age of 36. Her death was ruled controversially as probable suicide. Marvel’s fictional super hero Spider‑Man made his first comic book appearance. The first satellite television transmission and telephone calls took place over the Atlantic ocean from Europe to North America, relayed by the American Telstar communication satellite.
1963	American president John F. Kennedy was assassinated in Dallas, Texas. Former U.S. Marine, Lee Harvey Oswald was accused of the murder only to be killed while in police custody by local night club owner, Jack Ruby, fuelling many conspiracy theories. Democrat politician Lyndon B. Johnson became 36^th President of the U.S.A. following the assassination of John F. Kennedy. The infamous Alcatraz Federal Penitentiary in San Francisco Bay was closed as a prison. The island is now a museum and tourist attraction run by the U.S. National Park Service.
1964	Sidney Poitier became the first African American actor to win an Academy Award (Oscar) for his role in the film ‘Lilies of the Field’. South African anti‑apartheid campaigner Nelson Mandela was jailed, having been charged with sabotage and conspiracy to overthrow the government.
1965	America joined the Vietnam War by sending U.S. Marines into battle supporting the South Vietnamese against the Chinese‑backed North Vietnamese National Liberation Front (the Viet Cong). American space missions took a significant step forward with the launch of manned Gemini low Earth orbiting capsules. The successful programme ended in 1966. Soviet cosmonaut Alexei Leonov became the first person to make a spacewalk, lasting 12 minutes after exiting the Voskhod 2 spacecraft. Renowned British Fashion designer Mary Quant launched the iconic mini skirt in London, encouraging young women to dress to please themselves.
1966	The Chinese Cultural Revolution began, led by Chairman Mao Zedong, intended to preserve Chinese Communism and purge capitalism from its society. The oppressive campaign lasted until Mao’s death in 1976. The Black Panther Party for Self-Defense was founded in Oakland, California in 1966, intended to patrol African American neighbourhoods and protect residents from acts of police brutality. It ceased operation in 1982. The classic, ground breaking science fiction TV series Star Trek was first broadcast, created by American producer and screenwriter, Gene Rodenberry.
1967	British sailor Sir Francis Chichester became the first person to circumnavigate single‑handedly around the globe in his yacht the Gypsy Moth IV. Argentinian Marxist revolutionary and guerrilla leader Ernesto ‘Che’ Guevara, a major figure in the Cuban Revolution, was executed while in military detention in Bolivia at the age of 39. His death secured his status as a political martyr and counter‑culture rebel icon. The first successful human heart transplant took place, carried out by Dr Christiaan Barnard in South Africa. The first American Football Super Bowl took place between the Kansas City Chiefs and the Green Bay Packers. Green Bay won.
1968	Russia brutally crushed the Prague Spring uprising in Czechoslovakia, forcing the country to subordinate its national interests to those of the ‘Eastern Bloc’. The classic science fiction film, ‘2001: A Space Odyssey’ was released, directed by Stanley Kubrick. American civil rights campaigner Martin Luther King Jr. was assassinated by lifelong criminal James Earl Ray in Memphis, Tennessee. The ambitious American Apollo space program got underway with the first manned flight aboard Apollo 7. The program ended in 1972 with Apollo 17.
1969	Supersonic passenger flight became possible with the introduction of the Anglo‑French Concorde airliner. The cult classic counter-culture movie ‘Easy Rider’ was released, starring Dennis Hopper (also directing) and Peter Fonda. American Senator Ted Kennedy  drove his car off a bridge on Chappaquiddick Island in Massachusetts, killing 28‑year old Mary Jo Kopechne, a former aide to Senator Bobby Kennedy. Police raided the Stonewall Inn in New York City, sparking demonstrations and the start of the gay civil rights movement in the United States. Followers of the cult leader Charles Manson carried out a series of 9 brutal murders including that of actress Sharon Tate. American manned space mission Apollo 11 successfully landed on the Moon. Astronauts Neil Armstrong and Buzz Aldrin became the first humans to walk on the Moon’s surface, with Armstrong proclaiming, “That’s one small step for man, one giant leap for mankind”. Republican politician Richard Nixon was elected as the 37^th U.S. president. Infamously, he remains the only American President to have resigned from office, following the Watergate scandal. The United Kingdom abolished the death penalty substituting it with a mandatory sentence of life imprisonment.

Musical Genre Development 1960-1969

The ‘Swinging Sixties’ were particularly important and memorable for music in America and Europe. The musical revolution that began with rock ‘n’ roll in the previous decade rapidly morphed and diversified on both sides of the Atlantic. By the end of the decade, rock and pop were firmly established as major commercial genres that continue to flourish and adapt to the current day. The 1960s was also a time in which large outdoor music festivals flourished, especially towards the end of the decade, with major events like Newport, Monterey and Woodstock in America and Hyde Park and the Isle of Wight in the UK. In addition, the 1960s saw the introduction of the music compact cassette, which made music not only cheaper but also more portable. As the famous quote, probably attributed to American comedian Charles Fleischer (1950-) goes, ‘if you remember the ‘60s, you weren’t really there’. If that is the case, this article might just serve as a timely reminder.

R&B, gospel, and jazz started to evolve into urban African American soul music, made popular by record companies specialising in the genre. One of these labels was Motown in Detroit, Michigan featuring artists such as Diana Ross & the Supremes, The Four Tops, and Smokey Robinson & the Miracles. Another record label that was hugely influential at the time was Stax Records based in Memphis, Tennessee which was significant for its racially integrated production of southern soul and blues music, including house band Booker T & the M.G.’s and artists like Otis Redding. Atlantic Records which began in New York also promoted soul artists such as Aretha Franklin, Ray Charles and Wilson Pickett. Some other popular soul and R&B artists of the 1960s include The Temptations, Stevie Wonder, Marvin Gaye, The Isley Brothers and the Jackson Five. Racial segregation was a major hurdle for aspiring black musicians and soul is often seen as being closely associated with the American civil rights movement.

Surf music originated in the early 1960s on the west coast of America, particularly around the surfing culture of Orange County in southern California. It was influenced by instrumental rock ‘n’ roll artists like Link Wray, The Ventures and Duane Eddy. Surf is, however, distinct from rock ‘n’ roll and was important in the formation of modern rock music. Surf music tended to fall either into instrumental tunes performed by the likes of Dick Dale & The Deltones or harmonised vocal songs characterised by The Beach Boys. The musical style is heavily based around reverb‑drenched electric guitar sounds often making use of a guitar’s vibrato and the amplifier’s tremolo effect. Lyrics focused on, unsurprisingly, surfing, girls, cars and sunny west coast beach culture. Surf was relatively short‑lived and was taken over by many other American and European genres from the mid‑1960s onwards.

Up to the early 1960s, British artists were in the shadow of American acts and were often playing catch‑up. While not a genre in its own right, the so‑called ‘British Invasion’ began around 1963 with many artists from Britain becoming massively popular in the United States. UK artists sometimes took American songs and gave them a British sound. Perhaps the most significant phenomenon was coined ‘Beatlemania’, when Merseybeat pop group The Beatles broke onto the American music scene circa 1963 and spearheaded the export of UK music to the USA. Other British artists included The Rolling Stones, The Animals, Cream, The Hollies and The Who. By the end of the decade American artists had largely regained their homeland audiences. Various attempts to recreate the phenomenon have only been partially successful, for instance Britpop in the 1990s with artists like Oasis, the Spice Girls and Robbie Williams.

By the mid‑1960s, there was a strong revival of folk music, notable especially for songs with a social and moral conscience, widely articulating the feelings and messages of the various turbulent protest movements of the time. Songs encompassed issues such as poverty, class, the Vietnam War, social injustice and racial segregation. Songs also began to exhibit a stronger leaning towards the emerging rock oriented music scene. Perhaps the most significant artist of the period was Bob Dylan who controversially and ultimately successfully fused acoustic folk and electric rock genres.

Pop music is a diverse genre that attracts a lot of debate. It developed not from the broader traditional popular music of previous decades but from rock ‘n’ roll in the late 1950s and ‘pop’ became a commonly used term since the 1960s to describe non‑classical highly commercial and easily accessible youth‑oriented music. From about 1967, there was a clear divergence between rock music and pop music. Rock became harder edged and played by ‘real’ musicians recording albums while pop was refined into short catchy radio friendly ‘singles’ that were largely industry driven, highly produced, easily packaged, widely marketable and hugely profitable. Musically and lyrically, pop songs are generally uncontroversial and tended not to challenge the listener to any significant degree. Pop artists would sometimes appear and disappear overnight, as it was the songs, sales and chart position that mattered more to the record companies, rather than the performer. The term ‘one‑hit‑wonder’ is often associated with the throwaway appeal of pop music consumption. Conversely, the corporations assert that profits enable investment in new artists. Successful pop artists from the 1960s included The Monkees, The Shadows, Herman’s Hermits, The Dave Clark Five, The Everly Brothers, The Bee Gees and The Lovin’ Spoonful. Pop music continues to evolve and has had a number of peaks since the 1960s including in the early 1980s with artists like Michael Jackson and Madonna and late 2000s including the likes of P!nk, Lady Gaga and Katy Perry. Pop therefore represents considerable mainstream economic business to the industry.

Experimental psychedelic rock was popular during the late 1960s and is often associated with the hippie/flower power counterculture. It is also associated with the widespread use of cannabis and manufactured hallucinogenic drugs such as LSD (acid). Song lyrics frequently referenced drugs and altered/elevated states of consciousness. Songs were often long and comprised extended instrumental extemporisation and improvisation (often called jamming). Musicians regularly used esoteric instruments like the sitar, tabla vibraphone and organ, much of it influenced by Asian, Indian and oriental music. Psychedelic rock and folk rock became closely associated with simple messages of peace and love that began with 1967’s ‘Summer of Love’ phenomenon and reached a climax at the Woodstock festival in 1969. Many rock bands of the period stretched the boundaries of the genre, including the Grateful Dead, The Velvet Underground, Janis Joplin, The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, The Moody Blues, Gong, Hawkwind and early Pink Floyd.

Ska is a genre that originated in Jamaica in the late 1950s and came to popular prominence in the early 1960s. Ska was influenced by Caribbean calypso and Latin music combined with American jazz and R&B. Ska developed heavy basslines and offbeat accents producing a distinctive up‑tempo dance rhythm. Jamaican producers began recording ska on their own labels which were then played on DJ sound systems. Ska became popular not only in Jamaica but also in Britain, being associated with the decade’s mod and skinhead sub‑cultures. Importantly, ska was the precursor to rocksteady and reggae. Key players in the genre were Prince Buster, Clement ‘Coxsone’ Dodd and Duke Reid. Ska experienced a major revival in Britain in the late 1970s and early 1980s on the back of the punk rock boom through Two Tone Records and artists like The Specials, Madness, Bad Manners, The Selecter, and The Beat.

Classic rock music, or simply just rock, really came into its own as a separate broad genre during the 1960s deriving from America and the UK. Rock’s origins stem from rock ‘n’ roll, blues, folk, country and R&B. Experimentation with sound and composition mean that there are many, many sub‑genres and crossover styles of rock music. Rock is predominantly performed by a band with vocals, one or more electric guitars, bass and drums played in an un‑syncopated 4/4 rhythm and comprising a verse and chorus structure. Rock became distinct for increasing use of volume and distorted electric guitar sounds. Classic rock was the starting point for the various offshoots that followed including hard rock, psychedelic rock, blues rock, folk rock, progressive/contemporary rock, heavy metal, glam rock, soft rock, AOR, roots rock, jazz rock, punk rock, new wave, post‑punk, grunge, alternative rock and indie. Many of these styles of rock music remain popular to the current day. Culturally, rock music has often been connected with political activism as well as changes in social attitudes to race, sex, crime and drug use, and is often seen as an expression of young people’s rebellious rejection of adult uniformity and conformity. Artists associated with classic rock include The Kinks, Small Faces, Free, Bad Company and Jeff Beck.

Hard rock split from pop and rock during the latter half of the 1960s. As rock music was beginning to define itself throughout the 1960s, an offshoot rapidly developed that had its own distinctive sound. Hard rock took commercial rock and gave it a heavier and more aggressive style. Hard rock vocals tended to be in the higher registers and were often raspy and guttural. The hard-edged, loud, distorted guitar‑heavy music was influenced by blues, rock and garage. Hard rock could often be identified by catchy ‘power chord’ riffs and impressive lead guitar solos. Hard rock quickly became associated with excluded and defiant young people and the lyrics frequently had a distinctly anti‑authoritarian slant. This sometimes hostile approach to the mainstream was characterised by some acts destroying their instruments on stage, for instance by Pete Townsend of The Who and Jimi Hendrix. The hedonistic rock lifestyle went hand in hand with the music, resulting in musicians reportedly partying as hard as they played, regularly destroying property. Many rock artists developed drug and alcohol dependencies, which resulted in some high profile deaths, including Jim Morrison and Jimi Hendrix. Notable hard rock bands from the 1960s include The Who, Deep Purple, Led Zeppelin, Steppenwolf and The Rolling Stones and later in the early 1970s by bands like Rainbow, Whitesnake, Aerosmith, Kiss, Queen, AC/DC, Alice Cooper and Van Halen.

Musical Facts 1960-1969

Michael Stipe (REM)

Day	Month	Year	Music Fact
4	January	1960	American singer, songwriter, producer, artist and former frontman of indie rock band R.E.M. Michael Stipe was born in Decatur, Georgia.
22	January	1960	Australian singer, songwriter and co-founder of rock band INXS, Michael Hutchence was born in Sydney, New South Wales.
9	February	1960	Legendary American singer Elvis Presley received his first star on the Hollywood Walk of Fame at 6777 Hollywood Boulevard.
3	March	1960	American rock ‘n’ roll singer and now soldier, Sargent Elvis Presley set foot in the UK for the first and only (confirmed) time while his forces plane was refuelled at Prestwick Airport in Ayrshire, Scotland.
13	March	1960	British/Irish bass guitarist, best known as a member of rock band U2, Adam Clayton was born in Chinnor, Oxfordshire, England.
31	March	1960	American blues rock guitarist, Popa Chubby (a.k.a. Theodore ‘Ted’ Horowitz) was born in The Bronx, New York City.
4	April	1960	Legendary American rock ‘n’ roll singer Elvis Presley recorded his classic hit single, ‘Are You Lonesome Tonight?’ at RCA studios in Nashville, Tennessee.
6	April	1960	American guitarist and member of blues/rock groups The Allman Brothers Band, Gov’t Mule and The Dead, Warren Haynes was born in Asheville, North Carolina.
17	April	1960	American rock ‘n’ roll singer and guitarist Eddie Cochran died tragically following a car accident in Wiltshire, UK, at the age of just 21.
23	April	1960	English guitarist, singer, songwriter and key member of heavy rock band Def Leppard, Steve Clark (1960-1991, 30) was born in Hillsborough, Sheffield.
10	May	1960	Irish singer and songwriter Paul Hewson, a.k.a. Bono, front man of massive rock band U2 was born in Dublin.
1	June	1960	Great English bass guitarist with indie rock icons The Cure, Simon Gallup was born in Duxhurst, Surrey.
6	June	1960	American virtuoso rock guitarist, singer, songwriter and producer, Steve Vai was born in New York.
20	June	1960	English bass guitarist and co-founder of new romantic band Duran Duran, John Taylor was born in Solihull, Warwickshire.
27	October	1960	American soul singer Ben E. King recorded his first songs as a solo artist after leaving The Drifters, the classics, ‘Spanish Harlem’ and ‘Stand By Me’.
7	November	1960	American guitarist and songwriter with rock band KISS from 2002, Tommy Thayer, nicknamed ‘The Spaceman’ was born in Portland, Oregon.
8	February	1961	After changing their name from The Quarrymen, English pop band The Beatles made their debut appearance at Liverpool’s Cavern Club, their first of 292 performances at the venue.
7	May	1961	Welsh guitarist and long-term member of hard rock band Motörhead, Phil Campbell was born in Pontypridd.
12	May	1961	English guitarist, songwriter and member of post-punk band, The Cult, Billy Duffy was born in Manchester.
29	May	1961	Award-winning American singer, songwriter and guitarist, Melissa Etheridge was born in Leavenworth, Kansas.
3	June	1961	English guitarist and founding member of psychedelic rock bands Ozric Tentacles and Nodens Ictus, Ed Wynne was born in London.
10	June	1961	American bass guitarist, singer and songwriter, former member of alternative rock band Pixies and currently fronting The Breeders with her twin sister, Kim Deal was born in Dayton, Ohio.
10	June	1961	American guitarist and member of The Breeders with her twin sister, Kelley Deal was born in Dayton, Ohio.
23	July	1961	Multi-talented award-winning English singer, songwriter, guitarist, producer, DJ and co-founder of Depeche Mode, Martin Gore was born in Dagenham, Essex.
8	August	1961	Irish guitarist and songwriter with rock band U2, The Edge (a.k.a. David Evans) was born in Barking, Essex, England to Welsh parents.
13	September	1961	American guitarist, singer, songwriter and co-founder of thrash metal rock band Megadeth, Dave Mustaine was born in La Mesa, California.
16	September	1961	English guitarist, singer and songwriter with indie rock band My Bloody Valentine, Bilinda Butcher was born in London.
3	October	1961	The Country Music Hall of Fame in Nashville, Tennessee welcomed its first inductees, Jimmie Rodgers, Fred Rose and Hank Williams.
10	October	1961	English bass guitarist and actor best known as member of new wave/pop group Spandau Ballet, Martin Kemp was born in London.
10	February	1962	American bass guitarist and songwriter, best known as a member of heavy rock band Metallica, Cliff Burton (1962-1986, 24) was born in California.
11	February	1962	Talented American singer, songwriter and multi-instrumentalist, including guitar, bass and drums, Sheryl Crow was born in Kennett, Missouri.
2	March	1962	American singer, songwriter, founder and front man of the rock band that bears his name, Jon Bon Jovi was born in Perth Amboy, New Jersey.
8	April	1962	American guitarist, co-founder and ex-member of rock band Guns N’ Roses, Izzy Stradlin (a.k.a. Jeffrey Dean Isbell) was born in Lafayette, Indiana.
2	August	1962	American folk singer, songwriter and guitarist Robert Allen Zimmerman formally changed his name to… the one and only Bob Dylan.
25	August	1962	Northern Irish guitarist who has been a member of hard rock bands Def Leppard, Dio and Whitesnake, Vivian Campbell was born in Belfast, County Antrim.
11	October	1962	English pop group The Beatles had their song ‘Love Me Do’ reach no. 4 in the UK singles chart, their first record to do so.
16	October	1962	Australian/American bass guitarist and co-founder of rock band, Red Hot Chili Peppers, Michael Balzary (a.k.a. Flea) was born in Melbourne, Victoria, Australia.
17	October	1962	English newcomers, The Beatles made their first regional television appearance playing 2 songs live on Granada’s ‘People And Places’ show.
18	November	1962	Great American guitarist, songwriter and long-time member of metal rock band Metallica, Kirk Hammett was born in San Francisco, California.
24	November	1962	English guitarist and songwriter with the Stone Roses and The Seahorses, John Squire was born in Altrincham, Cheshire.
8	December	1962	American guitarist, well known for his 10-year stint with heavy metal band Megadeth, Marty Friedman was born in Washington D.C.
9	January	1963	English drummer, Charlie Watts joined the rock band The Rolling Stones, starting a long-term membership of the group.
19	January	1963	English pop/rock band, The Beatles made their first recorded UK TV appearance on the ITV/ABC show, ‘Thank Your Lucky Stars’.
2	February	1963	American singer, songwriter and guitarist, the ‘songbird’, Eva Cassidy (1963-1996, 33) was born in Washington D.C.
22	March	1963	Emerging English pop group The Beatles released their debut studio album ‘Please Please Me’ in the UK. Merseybeat had well and truly arrived.
27	May	1963	American folk singer, songwriter and guitarist, Bob Dylan released his classic 2^nd studio album, ‘The Freewheelin’ Bob Dylan’.
30	June	1963	Impressive, prolific Swedish virtuoso neoclassical heavy rock guitarist Yngwie Malmsteen was born in Stockholm.
3	August	1963	American guitarist, singer, songwriter and co-founder of heavy metal rock band Metallica, James Hetfield was born in Downey, California.
9	August	1963	Popular British weekly pop music television show, ‘Ready Steady Go!’ was first broadcast by ITV. The show ran until December 1966.
9	August	1963	Multi-award-winning American soul/R&B singer and actress, Whitney Houston was born in Newark, New Jersey.
30	August	1963	Dutch technology company Philips introduced the Compact Cassette to Europe at the Berlin Radio Show, followed by an American launch in November the same year.
13	October	1963	Emerging English pop band The Beatles made their first major TV appearance on ITV’s famous variety show, ‘Sunday Night At The London Palladium’.
31	October	1963	English guitarist, singer, songwriter, ex-member of post‑punk rock band The Smiths, as well as a successful solo artist and collaborator, Johnny Marr was born in Manchester.
31	December	1963	American guitarist, singer and founding member of thrash metal rock band Anthrax, Scott Ian was born in Queens, New York.
1	January	1964	The BBC’s popular chart music television programme ‘Top Of The Pops’ (TOTP) was first broadcast in the UK. The show ran for over 42 years until July 2006.
13	January	1964	American folk singer Bob Dylan released his 3^rd studio album ‘The Times They Are A-Changin’’, which became a political anthem for social change in 1960s America.
5	February	1964	American bass player and ex-member of rock bands, Guns N’ Roses, Velvet Revolver, Loaded and Jane’s Addiction, Duff McKagan was born in Seattle, Washington state.
7	February	1964	‘Beatlemania’ struck America when The Beatles landed at New York’s JFK Airport on their first visit to the USA.
9	February	1964	‘Beatlemania’ struck again when English pop band The Beatles made their American TV debut on ‘The Ed Sullivan Show’.
11	February	1964	English pop band The Beatles made their debut live performance in America at the Washington Coliseum in front of 8,000 screaming fans.
26	May	1964	American rock guitarist, singer, songwriter, producer and actor, Lenny Kravitz was born in New York City.
30	May	1964	Great American guitarist with rock bands Rage Against The Machine and Audioslave, as well as several solo projects, Tom Morello was born in New York.
3	June	1964	Great American guitarist with thrash metal rock band Slayer, the formidable Kerry King was born in Los Angeles, California.
19	June	1964	English rock band, The Animals, released their seminal hit single, ‘House Of The Rising Sun’.
10	July	1964	English pop/rock group The Beatles released their 6^th studio album ‘A Hard Day’s Night’ in the UK.
24	July	1964	The Newport Folk Festival in Rhode Island, U.S.A. descended into controversy when Bob Dylan performed an electric rather than acoustic set.
13	November	1964	English rock band The Rolling Stones released their cover of the classic Willie Dixon blues song, ‘Little Red Rooster’ as a single in the UK.
23	December	1964	American guitarist, singer, songwriter and long-time member of rock band Pearl Jam, Eddie Vedder was born in Evanston, Illinois.
20	January	1965	The self-proclaimed ‘father of rock ‘n’ roll’, legendary American DJ Alan Freed died from uraemia and cirrhosis in hospital in Palm Springs, California at the age of 43.
28	January	1965	Emerging English rock band, The Who made their debut television appearance in the UK on the ITV music show ‘Ready Steady Go!’
14	February	1965	Australian/French multi-instrumentalist, including guitar, known for working with alternative rock bands Nick Cave & The Bad Seeds and Grinderman, Warren Ellis was born in Ballarat, Victoria, Australia.
8	March	1965	Legendary American folk guitarist, singer and songwriter Bob Dylan released his first top 40 hit single, ‘Subterranean Homesick Blues’ in the U.S.
12	May	1965	English rock band The Rolling Stones recorded their trademark song ‘(I Can’t Get No) Satisfaction’ at RCA’s studio in Hollywood.
17	May	1965	Prolific composer, singer, songwriter, guitarist, producer and founder of industrial rock band Nine Inch Nails, Trent Reznor was born in New Castle, Pennsylvania.
16	June	1965	Legendary American folk singer and guitarist Bob Dylan recorded his classic song, ‘Like A Rolling Stone’ at Columbia studios in New York.
23	June	1965	English guitarist and founding member of rock band Oasis, Paul ‘Bonehead’ Arthurs was born in Manchester.
23	July	1965	British/American guitarist, member of hard rock bands Guns N’ Roses and Velvet Revolver, as well as a successful solo artist, Saul Hudson (a.k.a. Slash) was born in London.
29	July	1965	The full-length film ‘Help!’, featuring a certain English pop quartet, The Beatles, was premiered in London.
6	August	1965	English pop group The Beatles released their 5^th studio album, ‘Help!’ in the UK, which was also the soundtrack to their film of the same name.
15	August	1965	English pop band The Beatles broke the (then) record for an audience of 55,600 at Shea Stadium in New York City.
20	August	1965	English rock band The Rolling Stones released their massive hit single, ‘(I Can’t Get No) Satisfaction’.
28	August	1965	Canadian country music singer, songwriter and guitarist, Shania Twain, the ‘Queen of Country Pop’ was born in Windsor, Ontario.
30	August	1965	American folk guitarist, singer and songwriter Bob Dylan released his classic 6^th studio album, ‘Highway 61 Revisited’ in the UK.
13	October	1965	English rock band The Who recorded their classic single ‘My Generation’ at Pye Recording Studios in London, UK.
21	October	1965	Pioneering American rock ‘n’ roll bass player, forever associated with singer Elvis Presley, Bill Black died of a brain tumour in Memphis, Tennessee, at the age of 39.
26	October	1965	HM Queen Elizabeth II presented members of the English pop band The Beatles with MBEs at Buckingham Palace in London.
29	October	1965	English rock band, The Who released the single ‘My Generation’ in the UK, reaching number 2 in the British singles chart.
12	November	1965	Emerging young English singer, songwriter and guitarist Marc Bolan performed his first single, ‘The Wizard’ on national UK TV music programme ‘Ready Steady Go!’
12	November	1965	American rock band Velvet Underground performed their debut live performance at Summit High School in New Jersey.
19	November	1965	English guitarist, songwriter and lead man for alternative rock band Spiritualized, Jason Pierce was born in Rugby.
21	November	1965	Avant-garde Icelandic singer, songwriter, producer and actress, Björk Guðmundsdóttir was born in Reykjavík.
25	November	1965	American guitarist, singer, songwriter and producer, a member of punk rock bands Rancid and Transplants, Tim Armstrong was born in Albany, California.
3	December	1965	English pop/rock group The Beatles released their 6^th studio album ‘Rubber Soul’ in the UK.
3	December	1965	English rock band, The Who, released their classic debut studio album, ‘My Generation’ in the UK.
10	December	1965	American singer, songwriter and guitarist, front man of alternative rock band Dinosaur Jr., the great J. Mascis was born in Amherst, Massachusetts.
4	March	1966	Member of The Beatles, John Lennon, made his infamously controversial statement that the band was “…more popular than Jesus…”.
18	March	1966	American guitarist and founder of heavy rock band, Alice In Chains, Jerry Cantrell was born in Tacoma, Washington.
25	March	1966	Renowned Canadian blues rock guitarist, Jeff Healey (1966-2008, 41) was born in Toronto.
5	April	1966	American guitarist and co-founder of rock band, Pearl Jam, Mike McCready was born in Pensacola, Florida.
22	April	1966	English garage rock band The Troggs released their version of the Wild Ones’ song, ‘Wild Thing’, which became a classic hit single of its time.
1	May	1966	English pop/rock band, The Beatles performed their final UK live appearance at the NME Poll Winners’ Party, held at the Empire Pool, Wembley in London.
13	May	1966	English rock band, The Rolling Stones released their dark and sinister hit single, ‘Paint It, Black’ from the album ‘Aftermath’ (U.S. release).
16	May	1966	Original American surf pop/rock band, The Beach Boys released their best-selling classic 11^th studio album, ‘Pet Sounds’ in the U.S.
16	May	1966	American folk singer, songwriter and guitarist, Bob Dylan originally scheduled the release date of his classic 7^th studio double album, ‘Blonde On Blonde’. It didn’t actually become available until early June.
26	May	1966	English pop/rock band, The Beatles recorded ‘Yellow Submarine’ at Abbey Road Studios in London.
30	May	1966	American singer, songwriter, guitarist and co-founder of alternative rock bands Pavement and the Jicks, Stephen Malkmus was born in Santa Monica, California.
16	July	1966	British music icons Eric Clapton, Jack Bruce and Ginger Baker formed the short-lived blues/rock super group Cream.
5	August	1966	English pop/rock group, The Beatles released their classic 7^th studio album, ‘Revolver’ in the UK.
20	August	1966	American guitarist, songwriter and founder of heavy metal rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Lance Abbott (1966-2004, 38) was born in Arlington, Texas.
12	September	1966	Featuring an American/British pop-rock band, The Monkees show premiered on American TV network NBC.
20	September	1966	Portuguese/American guitarist, singer, songwriter, producer and member of rock band Extreme, Nuno Bettencourt was born in Terceira, Azores.
23	October	1966	Anglo-American rock trio, The Jimi Hendrix Experience recorded ‘Hey Joe’, their debut single, which peaked at number 6 in the UK chart.
2	November	1966	American blues guitarist Mississippi John Hurt died of a heart attack in a hospital in Grenada, Mississippi at the age of 73.
6	November	1966	American virtuoso rock guitarist, member of rock bands Mr Big and Racer X, as well as successful solo artist, Paul Gilbert was born in Carbondale, Illinois.
17	November	1966	American surf band, The Beach Boys had a number one hit in the UK singles chart with the classic song, ‘Good Vibrations’.
17	November	1966	Talented American singer, songwriter and guitarist, the graceful Mr Jeff Buckley (1966-1997, 30) was born in Orange, California.
25	November	1966	The Jimi Hendrix Experience played their debut live performance in the UK at the Bag O’Nails Club in Soho, London.
7	December	1966	English guitarist and songwriter who has worked with bands Oasis, Beady Eye and Noel Gallagher’s High Flying Birds, Gem Archer was born in Durham.
9	December	1966	English blues/rock super group Cream, comprising Eric Clapton, Jack Bruce and Ginger Baker, released their debut studio album, ‘Fresh Cream’ in the UK.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience, made their UK TV debut on popular music programme ‘Ready Steady Go!’.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience recorded their classic track, ‘Foxy Lady’ (a.k.a. ‘Foxey Lady’ in the U.S.), released as a single in May 1967.
16	December	1966	Anglo-American rock band, The Jimi Hendrix Experience released their debut single in the UK, ‘Hey Joe’, reaching no. 6. It failed to chart in the U.S.
23	December	1966	After 3 years on air, UK TV network channel ITV broadcast the final episode of the popular music programme, ‘Ready Steady Go!’ following a Musicians’ Union ban on miming on television.
29	December	1966	Anglo‑American rock trio, The Jimi Hendrix Experience made their first UK TV appearance on the BBC’s ‘Top Of The Pops’, performing their single, ‘Hey Joe’.
4	January	1967	American rock band, The Doors, released their classic self-titled debut studio album, ‘The Doors’.
11	January	1967	Anglo‑American rock trio, The Jimi Hendrix Experience recorded their classic song, ‘Purple Haze’ at De Lane Lea Studios in London. It took 3 takes in 4 hours to complete.
14	January	1967	American heavy metal guitarist, singer and songwriter, founder of heavy metal band Black Label Society, Zakk Wylde was born in New Jersey.
17	January	1967	English rock guitarist, singer, songwriter, producer, solo artist and session musician, Richard Hawley was born in Sheffield.
3	February	1967	Pioneering English record producer and studio engineer, Joe Meek murdered his landlady and then committed suicide in London at the age of 37.
17	February	1967	English Blues rock band John Mayall and the Blues Breakers released their 2^nd studio album, ‘A Hard Road’ with Peter Green replacing Eric Clapton as guitarist.
20	February	1967	American singer, songwriter and guitarist with grunge rock band Nirvana, Kurt Cobain (1967-1994, 27) was born in Aberdeen, Washington state.
12	March	1967	American rock band, The Velvet Underground released their debut studio album, ‘The Velvet Underground & Nico’, with iconic cover art by pop artist Andy Warhol.
17	March	1967	American singer, songwriter, guitarist and co-founder of alternative rock band Smashing Pumpkins, Billy Corgan was born in Chicago, Illinois.
12	May	1967	Anglo‑American rock band, The Jimi Hendrix Experience released their debut studio album, ‘Are You Experienced’ in the UK.
29	May	1967	English singer, songwriter and guitarist with rock bands Oasis and High Flying Birds, Noel Gallagher was born in Manchester.
1	June	1967	English pop/rock band, The Beatles released their classic 8^th studio album, ‘Sgt. Pepper’s Lonely Hearts Club Band’ in the UK.
1	June	1967	Aspiring English singer David Bowie released his eponymous debut studio album, ‘David Bowie’ in the UK.
7	June	1967	American guitarist, singer, songwriter and founding member of alternative rock band Jane’s Addiction as well as former member of Red Hot Chili Peppers, Dave Navarro was born in Santa Monica, California.
16	June	1967	The ‘Summer of Love’ officially arrived with the start of the legendary 3-day Monterey Pop Festival in California. Artists included The Animals, Simon & Garfunkel and Sly & The Family Stone.
16	June	1967	English psychedelic/progressive rock band Pink Floyd released their classic single, ‘See Emily Play’, written by Syd Barrett.
17	June	1967	The ‘Summer of Love’ continued with the 2^nd day of the 3-day Monterey International Pop Festival in California. Artists included Canned Heat, Jefferson Airplane, Otis Redding, Steve Miller Band and The Byrds.
18	June	1967	The ‘Summer of Love’ continued with the 3^rd and final day of the Monterey International Pop Festival in California. Artists included Buffalo Springfield, Grateful Dead, Ravi Shankar, The Jimi Hendrix Experience and The Who.
24	June	1967	German guitarist with Industrial Metal rock band Rammstein, Richard Z. Kruspe was born in Wittenberge.
12	July	1967	Great American guitarist and founding member of heavy rock band Dream Theater, John Petrucci was born in New York.
4	August	1967	English psychedelic progressive rock group, Pink Floyd released their debut studio album, ‘The Piper at the Gates of Dawn’.
25	September	1967	American rock band The Doors released their all-time classic 2^nd studio album, ‘Strange Days’.
30	September	1967	English broadcaster the BBC aired their pop music channel Radio 1 for the very first time in the UK. The first record played by DJ Tony Blackburn was, ‘Flowers in the Rain’ by The Move.
3	October	1967	American singer, songwriter and guitarist Woody Guthrie died from Huntington’s Disease in New York City at the age of 55.
9	November	1967	The brainchild of Jann Wenner, the very first issue of Rolling Stone music magazine was published in the USA, featuring a photo of John Lennon on the front cover.
10	November	1967	English blues/rock super group Cream released their classic 2^nd studio album, ‘Disraeli Gears’ in the UK.
1	December	1967	Anglo-American rock trio, The Jimi Hendrix Experience released their sophomore studio album, ‘Axis: Bold as Love’ in the UK.
7	December	1967	Shortly before his tragic death, American soul singer Otis Redding recorded his classic single, ‘(Sittin’ On) The Dock Of The Bay’.
10	December	1967	American soul singer, Otis Redding was killed tragically when the plane in which he was travelling crashed into Lake Monona near Madison, Wisconsin, at the age of 26.
16	December	1967	English rock band, The Who, released their 3^rd studio album, ‘The Who Sell Out’ in the UK.
27	December	1967	Canadian singer, songwriter and guitarist, Leonard Cohen released his classic debut studio album, ‘Songs of Leonard Cohen’.
13	January	1968	American country music legend Johnny Cash performed two live shows at the notorious Folsom State Prison in California.
21	January	1968	Anglo-American rock trio, The Jimi Hendrix Experience recorded their cover version of Bob Dylan’s, ‘All Along The Watchtower’ at Olympic Studios in London.
30	January	1968	American psychedelic rock band, The Velvet Underground released their classic sophomore studio album, ‘White Light/White Heat’.
8	March	1968	The famous New York live music venue Fillmore East opened its doors at 105 Second Avenue and East 6^th Street in Manhattan. It closed 3 years later on 27 June 1971.
6	April	1968	English progressive rock band Pink Floyd announced that guitarist and singer Syd Barrett had left the band he helped to found.
15	April	1968	English guitarist, singer, songwriter and original member of alternative rock band Radiohead, Ed O’Brien was born in Oxford.
20	April	1968	After changing their name from Roundabout, English hard rock band Deep Purple played their first live concert as Deep Purple in Tastrup, Denmark.
24	May	1968	English rock band, Small Faces released their classic 4^th studio album ‘Ogdens’ Nut Gone Flake’.
24	May	1968	English rock band, The Rolling Stones released their massive hit single, ‘Jumpin’ Jack Flash’.
28	May	1968	Multi-talented Australian singer, songwriter, actress, entrepreneur and sex symbol, Kylie Minogue was born in Melbourne, Victoria.
5	June	1968	Marc Bolan’s band Tyrannosaurus Rex released their debut album, ‘My People Were Fair And Had Sky In Their Hair… But Now They’re Content To Wear Stars On Their Brows’ in the UK.
15	June	1968	Acclaimed American jazz guitarist Wes Montgomery died of a heart attack at his home in Indianapolis at the age of 45.
28	June	1968	English progressive rock group Pink Floyd released their sophomore studio album, ‘A Saucerful Of Secrets’ in the UK. It was the only Pink Floyd album to feature both Syd Barrett and David Gilmour.
29	June	1968	The first Hyde Park Free Concert was held in London, UK, featuring Pink Floyd, Jethro Tull, Tyrannosaurus Rex and Roy Harper.
5	July	1968	The legendary San Francisco live music venue Fillmore West opened its doors at 10 South Van Ness Avenue. It stayed at this location until 4 July 1971.
10	July	1968	English guitarist Eric Clapton announced that the blues/rock super group Cream were splitting up, after just 3 studio albums.
13	July	1968	Under their original name, Earth, English heavy metal pioneers, Black Sabbath played their first live concert at The Crown pub in Birmingham.
17	July	1968	The unique psychedelic animated film ‘Yellow Submarine’, featuring characters based on The Beatles premiered in London.
5	August	1968	Influential American country guitarist and principal sideman for Johnny Cash, Luther Perkins, one of the famed ‘Tennessee Three’, died tragically in a fire accident in Hendersonville, Tennessee at the age of 40.
9	August	1968	English blues/rock super group Cream released their 3^rd studio album, ‘Wheels Of Fire’.
6	September	1968	English blues/rock guitarist Eric Clapton recorded the guitar solo on The Beatles’ song, ‘While My Guitar Gently Weeps’.
7	September	1968	English rock band The New Yardbrids, later to become Led Zeppelin performed their live concert debut at Gladsaxe, near Copenhagen in Denmark.
14	September	1968	The animated series based around a fictional pop band, ‘The Archies’, from the original comic strip, premiered on CBS TV in America.
20	September	1968	English Heavy rock band, Led Zeppelin started recording their ground-breaking debut album ‘Led Zeppelin (I)’ in London, to be released in 1969.
7	October	1968	English singer, songwriter and guitarist with alternative rock band Radiohead, Thom Yorke was born in Wellingborough, Northamptonshire.
14	October	1968	English psychedelic folk rock duo Tyrannosaurus Rex released their 2^nd studio album, ‘Prophets, Seers & Sages: The Angels of the Ages’.
25	October	1968	Nine days after its American launch, The Jimi Hendrix Experience released their final studio album ‘Electric Ladyland’ in the UK.
9	November	1968	English hard rock band Led Zeppelin performed their debut London concert at The Roundhouse, Chalk Farm. Members’ tickets cost 16 shillings.
21	November	1968	English bass guitarist and songwriter, principally with Britpop band Blur, Alex James was born in Bournemouth.
22	November	1968	English group, The Beatles released their highly regarded 9^th studio double album, ‘The Beatles’, a.k.a. the ‘White Album’ in the UK.
26	November	1968	Aside from their 2005 reunion gigs, English blues/rock super group, Cream played their final ‘Farewell Concert’ at the Royal Albert Hall in London.
29	November	1968	Emerging British/American blues/rock band Fleetwood Mac released their classic instrumental hit single ‘Albatross’.
6	December	1968	British rock band, The Rolling Stones released their classic 7^th studio album, ‘Beggars Banquet’ in the UK.
24	December	1968	American blues/rock guitarist, singer, songwriter, producer, prolific musical collaborator as well as solo artist, Doyle Bramhall II was born in Dallas, Texas.
5	January	1969	Controversial American rock singer and songwriter, Brian Warner, better known as the artist Marilyn Manson, was born in Canton, Ohio.
12	January	1969	British rock band Led Zeppelin released their self‑titled debut studio album, ‘Led Zeppelin’ on Atlantic Records in the UK.
13	January	1969	English band The Beatles released their studio album ‘Yellow Submarine’ as a soundtrack to the psychedelic animated film of the same name featuring the Fab Four.
14	January	1969	American singer, songwriter, drummer and guitarist with rock bands Nirvana and Foo Fighters, Dave Grohl was born in Springfield, Virginia.
22	January	1969	Legendary Canadian singer, songwriter and guitarist, Neil Young released his eponymous debut album, ‘Neil Young’.
30	January	1969	English rock band The Beatles made their final live public performance, filming their famous unannounced rooftop gig atop the Apple Studio building in London for the film ‘Let It Be’.
21	February	1969	Welsh singer, songwriter, guitarist and producer with rock band Manic Street Preachers, James Dean Bradfield was born in Pontypool.
22	February	1969	Legendary English pop/rock band The Beatles started recording their classic studio album, ‘Abbey Road’ at the famous London recording studio of the same name.
24	February	1969	Anglo-American rock trio, The Jimi Hendrix Experience performed their final UK live indoor concert at The Royal Albert Hall in London.
12	March	1969	English singer, songwriter, guitarist and founder of indie rock/britpop band Blur, Graham Coxon was born in Rinteln, Germany where his father was stationed with the British Army.
7	April	1969	Legendary Canadian singer, songwriter and guitarist, Leonard Cohen released his classic sophomore studio album, ‘Songs From a Room’.
9	April	1969	American folk rock guitarist, singer and songwriter Bob Dylan released his change of direction 9^th studio album, ‘Nashville Skyline’.
13	May	1969	Prolific and inventive American rock guitarist, Buckethead (a.k.a. Brian Carroll) was born in Pomona, California.
14	May	1969	Canadian guitarist, singer and songwriter, Neil Young with his band Crazy Horse released their sophomore studio album, ‘Everybody Knows This Is Nowhere’.
16	May	1969	Before pioneering glam rock, English singer, songwriter and guitarist Marc Bolan with Tyrannosaurus Rex released their 3^rd studio album, ‘Unicorn’.
23	May	1969	English rock band, The Who released their ground breaking epic rock opera double album, ‘Tommy’ in the UK.
26	May	1969	John Lennon and Yoko Ono promoted world peace through an 8-day ‘bed-in’ in Canada proclaiming ‘Give Peace a Chance’.
4	June	1969	American country artist Johnny Cash released his classic live album, ‘At San Quentin’, recorded at the (in)famous high security prison in California.
20	June	1969	Emerging English singer David Bowie recorded his first hit single ‘Space Oddity’ at Trident Studios, London.
3	July	1969	English guitarist, multi-instrumentalist and founder of The Rolling Stones, Brian Jones drowned in his swimming pool at his home in Hartfield, East Sussex at the age of 27.
11	July	1969	Emerging English rock singer and songwriter David Bowie released his classic debut single, ‘Space Oddity’ in the UK.
1	August	1969	The point at which aspiring rock band Earth changed their name to Black Sabbath, announced at a concert held at the Pokey Hole Club in Lichfield, Staffordshire, UK.
5	August	1969	American singer and songwriter Iggy Pop launched his long and varied music career, with or without The Stooges, with the release of his/their debut studio album, ‘The Stooges’.
15	August	1969	The legendary hippie counter-culture Woodstock Festival ‘Aquarian Exposition: 3 Days of Peace and Music’ Arts Fair began at Max Yasgur’s dairy farm near Bethel, New York, attended by over 400,000 people. Tickets were priced at $6 per day. Artists included Melanie, Arlo Guthrie and Joan Baez.
16	August	1969	The second day of the legendary Woodstock Festival took place in upstate New York. Artists included Canned Heat, Grateful Dead, Janis Joplin, Sly & the Family Stone, The Who and Jefferson Airplane.
17	August	1969	The third and (sort of) final day of the legendary Woodstock Festival took place on Max Yasgur’s 600-acre farm 43 miles south west of the town of Woodstock, New York state. Artists included Ten Years After, The Band, Johnny Winter, Blood, Sweat & Tears and CSN&Y.
18	August	1969	As the last of 32 acts, American guitar legend, Jimi Hendrix closed the fabled Woodstock Festival by playing a 2-hour set at 9:00 in the morning with a temporary band.
30	August	1969	After changing their name from Earth, English heavy metal pioneers, Black Sabbath played their first live concert as Black Sabbath at a local pub in Workington, Cumbria.
5	September	1969	Talented American guitarist, son of Frank and carrying on the formidable family legacy, Dweezil Zappa was born in Los Angeles, California.
7	September	1969	English guitarist, best known as a member of Britpop group Cast and his work with alternative rock artist Robert Plant, Liam ‘Skin’ Tyson was born in Liverpool.
22	September	1969	Canadian/American roots/folk/country rock artists, The Band released their classic self-titled 2^nd studio album, ‘The Band’.
25	September	1969	American guitarist, songwriter, producer and one-time member of rock band Guns N’ Roses (2006-2014), Ron ‘Bumblefoot’ Thal was born in Brooklyn, New York.
26	September	1969	Legendary English pop/rock band The Beatles released their classic final studio album with the iconic zebra crossing cover photograph, ‘Abbey Road’ in the UK.
3	October	1969	Influential American delta blues singer and guitarist Skip James died in Pennsylvania at the age of 67.
10	October	1969	American rock guitarist and composer Frank Zappa released his outstanding, classic career-peak studio album, ‘Hot Rats’.
10	October	1969	English progressive rock band King Crimson released their classic studio album, ‘In the Court of the Crimson King’ in the UK.
16	October	1969	Anglo‑American rock trio the Jimi Hendrix Experience released their 3^rd and final studio album, the classic ‘Electric Ladyland’ in the U.S.
18	October	1969	American music family, The Jackson 5 made their debut on American TV, appearing on ABC’s ‘Hollywood Palace’.
22	October	1969	English hard rock group Led Zeppelin released their classic multi-million-selling 2^nd studio album, ‘Led Zeppelin II’ on Atlantic Records in the U.S.
28	October	1969	Award-winning multi-genre American guitarist, singer and songwriter Ben Harper was born in Pomona, California.
4	November	1969	English singer and songwriter David Bowie released his 2^nd studio album, ‘David Bowie’ (also released as ‘Space Oddity’ after the hit single from the album).
7	November	1969	English progressive rock group, Pink Floyd released their 4^th part live, part studio experimental double album, ‘Ummagumma’, with cover art by Hipgnosis.
14	November	1969	Cartoon bubblegum pop group, The Archies began the longest ‘one hit wonder’ UK singles chart-topping streak (8 weeks), with their classic song, ‘Sugar, Sugar’.
27	November	1969	American guitarist, singer and songwriter, a member of heavy rock band Alter Bridge, as well as pursuing many side projects, Myles Kennedy was born in Boston, Massachusetts.
29	November	1969	English rock band, The Rolling Stones, released their classic 11^th studio album, ‘Let It Bleed’ in the UK.
6	December	1969	A man was stabbed to death by a member of the Hells Angels during The Rolling Stones set at the infamous Altamont Free Festival in California.
14	December	1969	American music family, The Jackson 5 made their American Network TV debut, appearing on ‘The Ed Sullivan Show’.

Tailpiece

Well there you go… that’s the 1960s in a proverbial (and quite sizeable) nutshell. An appreciation of music genre development and music facts from the 1960s catalogues the seemingly sudden eruption of creativity that took place against the background of momentous global events. The vibrancy and liberalism of the 1960s was exploratory, liberating and empowering for many, mostly young people at the time. Much of the optimistic idealism was, perhaps in hindsight, naively transient and disappointingly ephemeral. All good things come to an end and things were about to change quite fundamentally all over again.

How the heck do you follow the decade of decadence? Well, that will be the fascinating story of the 1970s, which will unfold in all its hedonistic, nihilistic grime and glory. Intrigued? Why not come back for the next enthralling episode of the ‘History of Music’. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “I’m glad I’m alive. What else would I do?”

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28 Jul 2019

July 2019 – The Story of Modern Music in 1,500+ Facts – Part V

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Okeydokey guitar and music fans out there. If you are reading this 5^th part of the series of articles, I hope you know the routine by now, so I won’t bore you with any further preamble and we can get on with the latest episode.

If you would like to (re)visit the first four parts (covering 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

Before we delve in to the Fifties, I was asked a very good question following the last article, which was…

Question(s): “A young Elvis Presley sang ‘Old Shep’ in a talent contest… he came 2nd. I would dearly like to know who beat the future ‘King’ of rock and roll. Do you happen to know if it was a fellow pop star?”

Answer: Many reports say that the young Elvis came 2^nd. However, in a later interview, Presley said that he came 5^th. The photograph of the prize giving presentation suggests that Presley may be correct in his recollection as three others are holding prizes while the young Presley, standing on the far right of the photo below wearing glasses, is standing empty-handed. The winners, as far as anyone knows, did not go on to become famous.

This also raises the point of illustrating the facts. I actually have some interesting images for each and every fact listed in these articles. While a picture can convey many words, to add that many photos, each publication would become humongous to wade through. I know people like to see pictures, rather than read volumes of sometimes repetitive narrative. On this occasion, it is probably better not to illustrate each fact. Apologies to all the picture loving people out there.

Once again, so much happened in the course of the 1950s that the decade demands a discrete article to itself. Let’s go…

The Story of Modern Music Part V 1950-1959

For many people, the birth of rock ‘n’ roll heralded a whole new era of popular music. So, as we get to the 1950s, this article will cover what was going on in the world that enabled such a musical revolution to take place and the fundamental cultural changes that went along with it. The world would never be the same again. It is worth remembering that, at the time, not everyone was excited about change and many conservative traditionalists fiercely rejected and resisted such a rebellious and irreversible transformation.

Historical Context 1950-1959

For most developed economies, the 1950s was a period of slow recovery from the severe consequences of WWII. However, the world was not without conflict and warfare in many other regions including in Asia, Africa and South America. The Cold War continued to fester, fuelled by intense competition between the democratic United States and communism Soviet Russia. The bitter rivalry included reciprocal nuclear weapons testing, military escalation and the start of the ‘space race’. The McCarthy ‘witch hunts’ of communist subversive and treasonous American citizens fuelled bitter political conspiracy and widespread public paranoia. The threat of mutually assured destruction maintained a fragile stalemate between west and east. By the end of the decade, as employment and income levels began to improve, individual freedoms and opportunities would lead to a paradigm shift in civilised countries including radical social, political, technological and cultural change that would set the dynamic scene for following decades.

Year	Global Events
1950	The Korean War started between the communist North supported by Russia and China, and the capitalist South supported by America – the war lasted until 1953 when the Korean Demilitarized Zone was implemented to separate North and South.
1951	The precursor to the European Union, the European Coal and Steel Community (ECSC), was formed when six countries signed the Treaty of Paris.
1952	British monarch, King George VI died and Elizabeth II became Queen of the United Kingdom. Republican politician and army general Dwight D. Eisenhower was elected 34^th President of the U.S.A.
1953	New Zealand mountaineer Sir Edmund Hillary and Nepalese Sherpa Tenzing Norgay became the first people to reach the summit of the world’s highest mountain, Mount Everest. One of the first films to depict youthful rebellion and which would become a reflection on American social tensions, ‘The Wild One’ was released, directed by Laslo Benedek and starring Marlon Brando. The scientific paper describing the double-helix structure of DNA was authored by Britain Francis Crick and American James Watson.
1954	The term rock ‘n’ roll was coined by DJ Alan Freed and the associated teen culture became hugely popular, particularly in America and Britain. British athlete Roger Bannister becomes the first man to run the four minute mile.
1955	Renowned German physicist Albert Einstein died in Princeton, New Jersey, America in 1955 at the age of 76. The Warsaw Pact defence treaty between Russia and seven neighbouring Eastern Bloc states was signed during the ‘Cold War’ standoff. The classic film drama of teen alienation, ‘Rebel Without A Cause’ was released, directed by Nicholas Ray and starring James Dean. The phenomenally successful MacDonald’s fast food chain was established in America by Ray Kroc. The Vietnam War between the Communist North and the Capitalist South started, which lasted until 1975.
1956	The Suez Crisis erupted following Egyptian nationalisation of the Suez Canal, creating conflict in the Middle East.
1957	Russia launched the Sputnik 1, the first artificial Earth satellite into space, effectively triggering the space race. The European Economic Community (EEC) was established when six countries signed the Treaty of Rome.
1958	The American National Aeronautics and Space Administration (NASA) was set up in Washington D.C.
1959	Marxist leader Fidel Castro established the long‑standing communist dictatorship in Cuba after overthrowing the Batista regime. The British Motor Corporation launched the revolutionary and hugely successful small family car, the Mini, designed by Sir Alec Issigonis. The original model stayed in production until 2000. Alaska and Hawaii formally become an integral part of the United States of America.

Musical Genre Development 1950-1959

The 1950s was a decade of innovation that saw the massive explosion of musical creativity across many genres, fusing influences and generating many new musical styles. Arguably, it was during the 1950s that modern music ‘grew up’ and any suggestions that the popular music crazes of the time were ephemeral ‘fads’ were finally dispelled. Country music remained popular with artists such as Johnny Cash and Hank Williams at the forefront of a revival.

Possibly not a genre in itself but easy listening music became popular in the 1950s and lasted until the 1970s. A form of middle‑of‑the‑road (MOR) music, it found popularity on radio and then extended into various styles of background music, elevator music or ‘muzak’. Easy listening music was often instrumental or vocal interpretations of past popular music standards, rather than anything new in its own right. Some major artists tapped into the appeal, including Burt Bacharach, Henry Mancini, Herp Alpert, The Carpenters and Richard Clayderman.

In the post‑war years, modernistic music, broadly also encompassing experimental and avant‑garde music was being explored by many composers wishing to push boundaries either within existing traditions or by introducing original elements outside prevailing styles. The aim of many composers was to break rules, reject established conventions and challenge audiences in a creative, if frequently alienating, way. Practitioners included Arnold Schoenberg and John Cage.

During the 1950s rhythm and blues music, often shortened to R&B, became popular, being a more upbeat form of blues music. R&B emanated from mainly African‑American music that was widespread during the late 1940s. Record companies promoted R&B toward predominantly urban African American audiences. R&B’s popularity was based on a fusing many influences such as jazz, blues, country and gospel to create strongly rhythmic, beat‑based songs. R&B would, in turn, influence the emergence of rock ‘n’ roll and soul of the late 1950s and 1960s. In response to other influences, R&B changed to include other styles such as doo‑wop. Famous R&B artists of the time included Ray Charles, The Drifters, Sam Cooke, The Platters and the Coasters.

By the mid‑1950s, the cultural clash of blues, jazz and country combined to create a new phenomenon in the United States, rock ‘n’ roll, a phrase popularised by radio disc jockey Alan Freed in 1954. Bill Haley (And His Comets) is often credited as the catalyst although many other artists were instrumental in creating the new youth musical revolution, including Elvis Presley, Jerry Lee Lewis, Fats Domino, Carl Perkins, Chuck Berry and Little Richard. Rockabilly was a very close relation to rock ‘n’ roll at the time popularised by artists such as Buddy Holly and Gene Vincent. Classic rock ‘n’ roll is essentially based on a backbeat dance rhythm performed on electric guitar, bass, and drums, replacing the piano and saxophone as lead instruments. The cultural importance of rock ‘n’ roll cannot be underestimated and its impact went far beyond just a musical genre, influencing lifestyle, film & TV, art, fashion, attitudes, and language. Although its roots can be traced back to the 1930s, it was in the 1950s that rock ‘n’ roll began to pervade modern society, coming as it did at a time of immense post‑war technological, economic, social and political change. On the back of radio coverage, the 45rpm single record would provide a massive boost to sales of rock ‘n’ roll songs to America’s urban counterculture youth. Rock ‘n’ roll began to decline by the early 1960s as other forms of popular music began to dilute its impact.

Musical Facts 1950-1959

During the Fifties, many more household names that we take for granted today came into the world. Modern music began the transition from the traditional forms to more contemporary genres. As younger artists born in the 1930s and 1940s began to create the ‘new’ music, the shift in the balance of ‘facts’ from births, through achievements, to deaths are just beginning to become apparent.

Day	Month	Year	Music Fact
5	January	1950	American guitarist, producer, photographer and co‑founder of punk/new wave/pop band Blondie, Chris Stein was born in Brooklyn, New York.
12	February	1950	English guitarist, former member of progressive rock band Genesis and now a successful solo artist, Steve Hackett was born in London.
13	February	1950	English solo singer, songwriter and ex-member of progressive rock band Genesis, Peter Gabriel was born in Chobham, Surrey.
19	February	1950	English singer, songwriter, guitarist and founder of rock group Wishbone Ash, Andy Powell was born in London.
20	February	1950	American bassist, guitarist, songwriter and co‑founder of jazz rock band Steely Dan, Walter Becker (1950-2017, 67) was born in New York City.
24	February	1950	American singer, songwriter, guitarist and perennial rocker George Thorogood was born in Wilmington, Delaware.
22	April	1950	English born American singer, songwriter and guitarist, Peter Frampton was born 1950 in Bromley, Kent.
13	May	1950	Legendary American soul singer, songwriter, keyboard player and producer, Stevie Wonder was born in Saginaw, Michigan.
13	May	1950	English guitarist, singer, songwriter and member of Anglo‑American rock group Fleetwood Mac from 1968 to 1972, Danny Kirwan (1950-2018, 68) was born in London.
3	June	1950	Pioneering American singer, songwriter, bass guitarist and actor, Suzi Quatro was born in Detroit, Michigan.
18	July	1950	English business entrepreneur and founder of the Virgin empire including Virgin Records and Virgin record stores, Richard Branson was born in London
2	August	1950	English guitarist and singer, best known for his work with rock band Wishbone Ash, Ted Turner was born in Sheldon, Birmingham.
30	August	1950	English guitarist with, amongst others, Whitesnake and Snafu, Micky Moody was born in Middlesbrough, North Yorkshire.
10	September	1950	American guitarist, singer, songwriter and member of rock band Aerosmith, Joe Perry was born in Lawrence, Massachusetts.
14	September	1950	Great English guitarist and co-founder off blues/rock band Free, Paul Kossoff (1950-1976, 25) was born in London.
2	October	1950	English guitarist, bass guitarist and founding member of progressive rock bands Genesis and Mike + The Mechanics, Mike Rutherford was born in Portsmouth, Hampshire.
5	October	1950	Great English guitarist and one-time member of rock band Motörhead, ‘Fast’ Eddie Clarke (1950-2018, 67) was born in London.
20	October	1950	Legendary American singer, songwriter, guitarist, producer and bandleader of The Heartbreakers, Tom Petty (1950-2017, 66) was born in Gainesville, Florida.
22	November	1950	American guitarist, actor and member of Bruce Springsteen’s E. Street Band, Steven Van Zandt was born in Winthrop, Massachusetts.
22	November	1950	American bass guitarist and co-founder of post-punk alternative rock bands Talking Heads and Tom Tom Club, Tina Weymouth was born in Coronado, California.
9	December	1950	Award-winning British singer, songwriter and guitarist, Joan Armatrading was born in Basseterre, Saint Kitts in the Caribbean.
31	January	1951	English guitarist, producer and former member of art rock bands Roxy Music, 801 and Quiet Sun, Phil Manzanera was born in London.
1	February	1951	Great American blues guitarist and skilled slide guitarist, Sonny Landreth was born in Canton, Mississippi.
4	March	1951	Highly accomplished English pop, rock and blues guitarist, singer and songwriter, Chris Rea was born in Middlesbrough.
6	March	1951	Terrific American blues/rock guitarist, singer and songwriter, Walter Trout was born in Ocean City, New Jersey.
17	March	1951	American guitarist, best known as co-lead guitarist with rock bands Thin Lizzy and more recently, Black Star Riders, Scott Gorham was born in Glendale California.
20	March	1951	American blues/rock guitarist, singer, bandmate and older brother of the late Stevie Ray, Jimmie Vaughan was born in Dallas, Texas.
27	April	1951	American guitarist, songwriter, co-founder and former member of hard rock group, KISS, nicknamed ‘Spaceman’, Ace Frehley was born in The Bronx, New York City.
7	May	1951	Formidable Puerto Rican/American rock guitarist, who frequently played with David Bowie and James Brown, Carlos Alomar was born in Ponce.
7	May	1951	Prolific English guitarist and former member of heavy rock band Whitesnake, Bernie Marsden was born in Buckingham, Buckinghamshire.
21	June	1951	American rock guitarist, often seen as sideman to ‘The Boss’, as well as a solo artist, Nils Lofgren was born in Chicago, Illinois.
30	June	1951	Amazing American jazz fusion bass guitarist, composer and founding member of Return to Forever, Stanley Clarke was born in Philadelphia, Pennsylvania.
2	August	1951	English guitarist and member of psychedelic progressive rock band Gong and founder of electronic dance band System 7, Steve Hillage was born in London.
19	August	1951	Retired English bass guitarist for the rock/pop band Queen, John Deacon was born in Leicester.
21	August	1951	English bass guitarist, solo artist, one time member of hard rock band Deep Purple and currently with super group Black Country Communion, Glenn Hughes was born in Cannock, Staffordshire.
7	September	1951	American singer, songwriter, guitarist and founder of post‑punk rock/pop group The Pretenders, Chrissie Hynde was born in Akron, Ohio.
18	September	1951	American punk rock pioneer, bass guitarist and member of the Ramones, Dee Dee Ramone (1951-2002, 50) was born in Fort Lee, Virginia.
2	October	1951	English singer, songwriter, bass guitarist, actor, ex‑member of rock band The Police and successful solo artist, Gordon Sumner CBE, a.k.a. Sting, was born in Wallsend, Northumberland.
3	October	1951	Award-winning American blues guitarist, singer and songwriter Keb’ Mo’ was born in Los Angeles, California.
26	October	1951	Flamboyant American bass guitarist and singer with funk/soul artists James Brown and Funkadelic/Parliament, the illustrious Bootsy Collins was born in Cincinnati, Ohio.
1	December	1951	Influential virtuoso American jazz bass guitarist who worked with Weather Report, Pat Metheny and Joni Mitchell, as well as a solo artist, the incomparable Jaco Pastorius (1951-1987, 35) was born in Norristown, Pennsylvania.
4	December	1951	American guitarist and founding member of Southern rock band Lynyrd Skynyrd, Gary Rossington was born in Jacksonville, Florida.
16	December	1951	Influential American jazz, blues and rock guitarist Robben Ford was born in Woodlake, California.
26	December	1951	Talented American jazz/rock guitarist who has collaborated with many great musicians over the course of his career, John Scofield was born in Dayton, Ohio.
11	January	1952	American contemporary jazz session and solo guitarist, Lee Ritenour was born in Los Angeles, California.
20	January	1952	American guitarist, singer, songwriter, artist and long‑term member of iconic rock band KISS, nicknamed ‘The Starchild’, Paul Stanley was born in New York City.
7	March	1952	The influential and popular weekly music magazine, The New Musical Express (NME), was launched in the UK.
7	March	1952	American guitarist (as well as bassist and drummer), singer, songwriter and member of funk band The Isley Brothers, Ernie Isley was born in Cincinnati, Ohio.
17	March	1952	Irish guitarist and member of heavy rock bands Gillan and Ozzy Osbourne, Bernie Tormé (1952-2019, 66) was born in Dublin.
2	April	1952	American bass guitarist with southern rock band Lynyrd Skynyrd, Leon Wilkeson (1952-2001, 49) was born in Newport, Rhode Island.
4	April	1952	Legendary Northern Irish blues and rock guitarist extraordinaire, Gary Moore (1952-2011, 58) was born in Belfast.
14	May	1952	Scottish/American singer, songwriter, guitarist founder of alternative rock band Talking Heads and solo artist, David Byrne, was born in Dumbarton, Scotland.
15	July	1952	American guitarist, singer, songwriter and member of proto punk rock band New York Dolls, Johnny Thunders (John Genzale, 1952-1991, 38) was born in Queens, New York.
19	July	1952	American guitarist and member of southern rock band Lynyrd Skynyrd, Allen Collins (1952-1990, 37) was born in Jacksonville, Florida.
21	August	1952	Hugely influential English guitarist, singer, songwriter, actor and co-founder of punk rock bands The Clash and The Mescaleros, the great Joe Strummer (1952-2002, 50) was born in Ankara, Turkey.
19	September	1952	Legendary American guitarist, songwriter, producer and co‑founder of funk/disco/dance band Chic, Nile Rodgers was born in New York.
1	October	1952	Great American rock guitarist and sideman extraordinaire, Earl Slick was born in Brooklyn, New York.
8	November	1952	The UK’s first ever popular music singles chart was introduced by The New Musical Express (NME) magazine. At Number 1 was Al Martino with ‘Here In My Heart’.
14	November	1952	Versatile and prolific American guitarist and songwriter, Johnny A (a.k.a. John Antonopoulos) was born in Malden, Massachusetts.
1	January	1953	American country singer, songwriter and guitarist, Hank Williams died of drug and alcohol-related heart failure in Oak Hill, West Virginia at the age of 29.
6	January	1953	Scottish-born guitarist and co-founder of Australian rock band AC/DC, Malcolm Young (1953-2017, 64) was born in Glasgow.
10	January	1953	American jazz guitarist who has played with Blood, Sweat & Tears, Billy Cobham and Miles Davis, as well a successful solo artist, Mike Stern was born in Boston, Massachusetts.
20	February	1953	American guitarist and co-founder of psychobilly rock band, The Cramps, Poison Ivy (Kristy Wallace) was born in San Bernardino, California.
19	March	1953	American bass player who has played with many great musicians and has a successful solo career, Billy Sheehan was born in Buffalo, New York.
28	April	1953	American bassist, guitarist, and vocalist of alternative rock band Sonic Youth, Kim Gordon was born in Rochester, New York.
5	May	1953	Highly respected English folk singer, songwriter and guitarist, Martin Simpson was born in Scunthorpe, Lincolnshire.
15	May	1953	English multi-instrumentalist, composer and talented guitarist, the man behind ‘Tubular Bells’ in 1973, Mike Oldfield was born in Reading, Berkshire.
16	May	1953	Mercurial Belgian-born French gypsy jazz guitarist and composer, Django Reinhardt died from a brain haemorrhage in Fontainebleau, France at the age of 43.
29	July	1953	Influential Canadian singer, songwriter and bass guitarist with rock band Rush, Geddy Lee was born in North York, Ontario.
1	August	1953	Award-winning American blues guitarist, singer and band leader, Robert Cray was born in Columbus, Georgia.
27	August	1953	Hugely influential Canadian guitarist and co-founder of rock group Rush, Alex Lifeson was born in Toronto, Ontario.
27	September	1953	Great Jamaican reggae riddim ‘n’ dub bass guitarist and producer, Robbie Shakespeare, best known as half of Sly & Robbie was born in Kingston.
18	December	1953	American guitarist and singer, well known for his work with The Cars up to 1988, Elliott Easton was born in Brooklyn, New York.
27	February	1954	American guitarist and member of rock groups Santana, Journey and Bad English, Neal Schon was born in Tinker Air Force Base, Oklahoma.
16	March	1954	American singer, songwriter, guitarist and core member of the rock band Heart, Nancy Wilson was born in San Francisco, California.
12	April	1954	Canadian guitarist and singer who has collaborated with many artists over the years and is bandleader of the Pat Travers Band, Pat Travers was born in Toronto, Ontario.
10	May	1954	American rock ‘n’ roll pioneers, Bill Haley And His Comets originally released ‘(We’re Gonna) Rock Around The Clock’. The world wasn’t ready yet and it didn’t hit the charts until 1955.
12	July	1954	19‑year old American singer, Elvis Presley left his job and signed his first recording contract with producer Sam Phillips at Sun Records in Memphis, Tennessee.
19	July	1954	American record label, Sun Records released the debut single by aspiring American rock ‘n’ roll singer, Elvis Presley, ‘That’s All Right’.
22	July	1954	Virtuoso American jazz fusion/Latin rock guitarist Al Di Meola was born in Jersey City, New Jersey.
28	July	1954	Multi-talented American guitarist and member of hard rock band Deep Purple since 1994, Steve Morse was born in Hamilton, Ohio.
12	August	1954	Influential American virtuoso progressive jazz fusion guitarist, Pat Metheny was born in Lee’s Summit, Missouri.
17	August	1954	Award-winning American virtuoso instrumental rock guitarist Eric Johnson was born in Austin, Texas.
25	August	1954	English punk, pop and alternative rock singer, songwriter, guitarist and producer, Declan MacManus (a.k.a. Elvis Costello) was born in London.
3	October	1954	Legendary American blues/rock guitarist, singer, songwriter and producer, Stevie Ray Vaughan (1954‑1990, 35) was born in Dallas, Texas.
1	December	1954	Australian-born British guitarist, singer and songwriter with punk rock band The Slits, Viv Albertine was born in Sydney.
18	December	1954	German guitarist, known for his work with Scorpions and the innovator behind the Sky Guitar, Uli Jon Roth was born in Düsseldorf.
7	January	1955	The classic hit song, ‘Rock Around The Clock’ was re‑released by Bill Haley & His Comets, entering the UK singles chart. Rock ‘n’ roll had truly arrived.
10	January	1955	German guitarist, best known as a member of rock bands Scorpions and UFO, as well as a successful solo career with his own band, Michael Schenker was born in Sarstedt.
24	January	1955	English pianist, singer, songwriter, bandleader, TV presenter and former member of Squeeze, Jools Holland was born in London.
26	January	1955	Dutch/American guitarist, singer, songwriter and producer Eddie Van Halen was born in Amsterdam, Netherlands.
5	March	1955	American singer Elvis Presley made his American television debut on the KWKH TV show ‘Louisiana Hayride’ broadcast from Shreveport, Louisiana.
31	March	1955	Australian guitarist and co-founder of hard rock band AC/DC, Angus Young was born in Glasgow, Scotland, UK.
13	April	1955	American bass guitarist with funk masters Brothers Johnson, Louis Johnson (1955-2015, 60) was born in Los Angeles, California.
31	May	1955	Australian virtuoso session musician and solo guitarist, Tommy Emmanuel was born in Muswellbrook, New South Wales.
26	June	1955	English guitarist and co-founder of punk rock band The Clash and Big Audio Dynamite, Mick Jones was born in London.
1	September	1955	English bass guitarist, singer and songwriter, best known for his work with punk rock band, The Jam from 1972 to 1982, Bruce Foxton was born in Woking, Surrey.
3	September	1955	English guitarist and ex-member of punk rock band Sex Pistols, Steve Jones was born in London.
12	November	1955	Hugely influential Canadian singer, songwriter and guitarist, former member of Buffalo Springfield, CSN&Y, as well as a phenomenal solo artist, the incomparable Neil Young was born in Toronto, Ontario.
15	December	1955	English bass guitarist best known as a member of punk rock icons The Clash and more recently collaborating with Damon Albarn in The Good, The Bad & The Queen, Paul Simonon was born in Croydon.
4	January	1956	English singer, songwriter, guitarist, producer and founding member of post-punk rock bands Joy Division and New Order, Bernard Sumner was born in Salford.
10	January	1956	The ‘King of Rock ‘n’ Roll’, Elvis Presley made his first recordings for RCA/Victor, including the classic hit single, ‘Heartbreak Hotel’.
27	January	1956	Legendary American singer, Elvis Presley released his classic breakout single for RCA, ‘Heartbreak Hotel’.
28	January	1956	American rock ‘n’ roll singer Elvis Presley made his first national television appearance in America on the CBS TV programme, the ‘Dorsey Brothers Stage Show’.
31	January	1956	English singer and member of punk rock bands Sex Pistols and Public Image Ltd, John Lydon (a.k.a. Johnny Rotten), was born in London.
3	February	1956	American guitarist, singer, songwriter, producer, artist and co-founder of alternative rock band Sonic Youth, Lee Ranaldo was born in Long Island, New York.
12	February	1956	Scottish guitarist and one-time member of rock bands Thin Lizzy and Motörhead, Brian Robertson was born in Clarkston.
13	February	1956	English bass guitarist, best known as member of post‑punk rock bands Joy Division and New Order, Peter Hook was born in Salford.
18	February	1956	Renowned American master luthier, innovator, entrepreneur, guitar maker extraordinaire and founder of PRS Guitars since 1985, Paul Reed Smith was born in Stevensville, Maryland.
12	March	1956	English bass guitarist and founder of heavy metal band Iron Maiden, Steve Harris was born in Leytonstone, Essex.
23	March	1956	American singer Elvis Presley released his eponymous debut album, ‘Elvis Presley’, a milestone that heralded the unstoppable explosion of the rock ‘n’ roll era.
4	June	1956	American guitarist, songwriter and producer, known for playing with David Bowie, Tin Machine and indie rock band The Cure, Reeves Gabrels was born in New York City.
26	June	1956	American singer, songwriter, rock (‘n’ roll) guitarist and actor, Chris Isaak was born in Stockton, California.
15	July	1956	Influential American virtuoso instrumental rock guitarist, Joe ‘Satch’ Satriani was born in Westbury, New York.
27	August	1956	English bass guitarist, songwriter and original member of punk rock band Sex Pistols, Glen Matlock was born in London.
29	September	1956	The rock ‘n’ roll era had clearly arrived when Bill Haley & His Comets had 5 songs in the UK Singles Chart Top 30 including the all-time classic hit, ‘Rock Around The Clock’.
4	November	1956	English guitarist and co-founding member of rock band The Pretenders, James Honeyman-Scott (1956-1982, 25) was born in Hereford, Herefordshire.
6	December	1956	Hugely talented American heavy rock guitarist who played with Ozzy Osbourne and Quiet Riot, Randy Rhoads (1956-1982, 25) was born in Santa Monica, California.
6	December	1956	American guitarist, songwriter and co-founder of rock band R.E.M., Peter Buck was born in Berkeley, California.
23	December	1956	English guitarist, songwriter and long-term member of heavy metal rock band Iron Maiden, Dave Murray was born in London.
16	January	1957	The legendary Liverpool live music venue, The Cavern Club opened its doors for business. The Beatles appeared there an impressive total of 292 times.
27	January	1957	English guitarist with heavy rock bands Gillan and latterly Iron Maiden, Janick Gers was born in Hartlepool.
27	February	1957	English guitarist, songwriter and member of heavy metal band Iron Maiden, Adrian Smith was born in London.
17	March	1957	American singer, Elvis Presley bought the famous 23‑room Graceland mansion at 3764 Elvis Presley Boulevard in Memphis, Tennessee for $102,500.
28	April	1957	English guitarist, composer, producer and member of Bristol‑based trip‑hop group Portishead, Adrian Utley was born in Northampton.
10	May	1957	English bass guitarist with the Sex Pistols, John Simon Ritchie, a.k.a. Sid Vicious (1957-1979, 21) was born in London.
27	May	1957	American rock ‘n’ roll band The Crickets, featuring the late Buddy Holly, released their debut hit single, ‘That’ll Be The Day’ in the US.
2	August	1957	American record producer Butch Vig was born. Vig has worked with many famous rock bands including Nirvana, Sonic Youth and The Smashing Pumpkins.
12	September	1957	Acclaimed German film composer and producer, Hans Zimmer was born in Frankfurt.
22	September	1957	Australian alternative/indie rock singer, songwriter, multi-instrumentalist and band leader of The Bad Seeds, Nick Cave was born in Warracknabeal, Victoria.
24	September	1957	American rock ‘n’ roll legend Elvis Presley released his massively popular hit single ‘Jailhouse Rock’ in the U.S.
10	October	1957	American country music legend Johnny Cash released his debut studio album on Sun Records, ‘Johnny Cash With His Hot and Blue Guitar!’
21	October	1957	American guitarist, singer, songwriter, producer, session musician and a founding member of rock band Toto, Steve Lukather was born in San Fernando Valley, California.
1	November	1957	Award-winning American country singer, songwriter, guitarist and actor, Lyle Lovett was born in Klein, Texas.
8	November	1957	English guitarist and artist best known as a member of the original line up of indie/alternative rock band The Cure, Porl (now Pearl) Thompson was born in Surrey.
8	December	1957	English guitarist and long-time member of heavy rock band Def Leppard – one half of ‘The Terror Twins’ – Phil Collen was born in London.
20	December	1957	American rock ‘n’ roll singer Elvis Presley was served with his U.S. Army draft notice while at his home at Graceland in Memphis, Tennessee.
20	December	1957	English guitarist, protest singer, songwriter, charity founder and political activist, Billy Bragg was born in Barking, Essex.
21	February	1958	The very first ‘modernist’ Flying V guitar, designed by the legendary Ted McCarty, was shipped from the Gibson factory in Kalamazoo, Michigan.
24	March	1958	American rock ‘n’ roll singer Elvis Presley was inducted into the U.S. Army in Memphis, Tennessee.
27	March	1958	CBS Records announced the invention of the stereophonic record, ensuring that they were backwards compatible with the mono record players of the time.
31	March	1958	American rock ‘n’ roll legend, Chuck Berry released his all‑time classic hit single, ‘Johnny B. Goode’. 2 min. 30 sec. of pure magic.
19	April	1958	London’s (in)famous music venue, The Marquee Club first opened its doors at 165 Oxford Street, its original site before moving to 90 Wardour Street in 1964.
25	May	1958	The ‘modfather’ of post-punk rock, member of The Jam, The Style Council and solo artist, Paul Weller was born in Woking, Surrey.
7	June	1958	Legendary singer, songwriter and guitarist, Prince Rogers Nelson (1958-2016, 57) was born in Minneapolis, Minnesota.
8	July	1958	The Recording Industry Association of America awarded the first official ‘Gold’ album to the soundtrack of the hit film, ‘Oklahoma’.
9	July	1958	After leaving Sam Phillips at Sun Records, country music legend Johnny Cash signed a lucrative contract with Columbia Records, a successful association that lasted for three decades.
25	July	1958	American guitarist, singer and songwriter with alternative rock band Sonic Youth, Thurston Moore was born in Coral Gables, Florida.
7	August	1958	English singer and on-off-on member of heavy metal band Iron Maiden, Bruce Dickinson was born in Worksop, Nottinghamshire.
14	August	1958	American blues singer, songwriter and guitarist, Big Bill Broonzy died from cancer in Chicago, Illinois at the age of 55 or 65, depending on who you believe.
16	August	1958	American singer, songwriter, actress and entrepreneur, Madonna Louise Ciccone, or as we know her, Madonna, was born in Bay City, Michigan.
29	August	1958	American singer, songwriter and member of the Jackson Five, as well as successful solo artist, nicknamed the ‘King of Pop’, Michael Jackson was born in Gary, Indiana.
19	September	1958	English/American rock guitarist, ex-member of The Runaways and successful solo artist, Lita Ford was born in London.
22	September	1958	American singer and US Army conscript Private Elvis Presley sailed on the USS Randall to Friedberg, Germany to serve in the 1^st Battalion, 32^nd Armor Regiment, 3^rd Armored Division.
22	September	1958	American rock singer, songwriter, guitarist, founding member of the Runaways and Joan Jett & The Blackhearts, Joan Jett was born in Wynnewood, Pennsylvania.
20	October	1958	English bass guitarist, singer and co-founder of jazz/funk/pop band Level 42, Mark King was born in Cowes on the Isle of Wight.
28	October	1958	Scottish guitarist, composer and co-founder of indie/alternative rock band The Jesus And Mary Chain, William Reid was born in East Kilbride.
7	November	1958	American rockabilly/rock ‘n’ roll icon, Eddie Cochran had his first hit with the classic song, ‘Summertime Blues’. It reached number 18 in the UK singles chart.
11	December	1958	American bass guitarist, songwriter, producer and co‑founder of heavy rock band Mötley Crüe, Nikki Sixx (real name Frank Feranna, Jr.) was born in San Jose, California.
17	December	1958	American bass guitarist, singer, composer and founding member of alternative rock band R.E.M., Mike Mills was born in Orange County, California.
1	January	1959	American country music legend Johnny Cash performed his first live concert for inmates at the infamous San Quentin State Prison in California.
17	January	1959	American guitarist, singer, songwriter, actress and co‑founder of pop/rock band The Bangles, Susanna Hoffs was born in Los Angeles, California.
3	February	1959	American singer Buddy Holly and 3 others (including stars Ritchie Valens and The Big Bopper) died tragically in a plane crash in Iowa. Holly was just 22 years old. ‘The Day the Music Died’.
7	February	1959	American blues guitarist, Eddie ‘Guitar Slim’ Jones died of pneumonia in New York City at the age of 32.
7	February	1959	The funeral of American rock & roll singer, songwriter and guitarist Buddy Holly took place in Lubbock, Texas.
10	April	1959	American rockabilly/swing guitarist, songwriter and bandleader of Stray Cats and the Brian Setzer Orchestra, Brian Setzer was born in Massapequa, New York.
21	April	1959	English, guitarist, singer, songwriter, co-founder and main inspiration behind indie rock icons The Cure, Robert Smith was born in Blackpool, Lancashire.
4	May	1959	The first Annual Grammy Awards was held in two venues simultaneously, in Beverly Hills, California and in New York City. Winners included Ella Fitzgerald, Count Basie and Henry Mancini.
5	May	1959	American guitarist and songwriter, best known as guitarist for Billy Idol since the early 1980s, Steve Stevens was born in Brooklyn, New York.
22	May	1959	Controversial English singer, songwriter and former front man of indie rock band The Smiths, Steven Morrissey, was born in Davyhulme, Lancashire.
1	June	1959	The BBC broadcast the first celebrity music panel TV show ‘Juke Box Jury’ in the UK. Guests judged new record releases as a ‘hit’ or ‘miss’. It was hosted by presenter David Jacobs and ran until December 1967.
14	June	1959	American jazz fusion bass guitarist, famed for his work with Miles Davis and Herbie Hancock, Marcus Miller was born in Brooklyn, New York.
11	July	1959	American guitarist, singer, songwriter, producer and long‑term member of rock band Bon Jovi, Richie Sambora was born in Perth Amboy, New Jersey.
17	July	1959	Legendary American jazz singer Billie Holiday died of pulmonary oedema and heart failure caused by cirrhosis of the liver in New York at the age of 44.
29	July	1959	English guitarist, best known for playing with hard rock band Whitesnake, John Sykes was born in Reading, Berkshire.
19	August	1959	American country blues and ragtime guitarist and singer, Blind Willie McTell died from a stroke in Milledgeville, Georgia, at the age of 61.
16	October	1959	English guitarist and member of new wave/pop band Spandau Ballet, Gary Kemp was born in London.

Tailpiece

So… by the end of the 1950s, KABOOM! – Rock ‘n’ Roll had well and truly arrived and there was no going back. The significant influence of rock ‘n’ roll had set in motion further evolutionary strands that would continue to expand horizons in all sorts of different directions during a period of unprecedented creativity. New musical genres demanded technological developments in recording, distribution and consumption of music.

Things are only going to get even more interesting as we go forward. I hope you will return and see what happened in the 1960s and beyond. No cliff‑hanger required, just a touch of gentle encouragement to return here next month. In the meantime, I have plenty more vintage guitars that need some tender loving care, followed by some serious playing workouts. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Exercise your right to be you or regret the denial of yourself.”

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30 Jun 2019

June 2019 – The Story of Modern Music in 1,500+ Facts – Part IV

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Welcome once again all guitar and music aficionados. We are now half way through 2019 and not only are the evenings once again beginning to draw in but also the end of the ‘noughties’ is just a few months away. What a sobering thought. One wonders whether the 2020s will match the exhilarating heights (and lows) of the ‘Roaring Twenties’ of last Century. Sometimes, I doubt it and there are too many ‘harbingers of doom’ for optimism and hope to reign too strongly but perhaps it was ever thus – I hope I’m wrong. However, that sort of future speculation is for another place an time, as this month we are looking back to some 70‑80 years’ ago.

We are here in the midst of a series of articles chronicling the story of modern music by way of numerous guitar‑oriented facts and events. If you’ve been following the series so far, you’ll already know that, so I won’t bang on about it any longer.

If you would like to (re)visit the first three parts (and nearly 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part IV 1940-1949

There are so many facets to the 1940s that to cover the 1950s as well would make for an overlong article, so for the sake of our mutual sanity, let’s take it one step (and decade) at a time. So… this month, we concentrate solely on the 1940s, a watershed decade during which epochal change was increasing in both pace, scale and scope. Without further ado, assuming you know the routine and format by now, let us dispatch our ‘boots on the ground’ and get on with the show. Onward to the fascinating Forties…

Historical Context 1940-1949

The 1940s was known simply, and rather unimaginatively, as ‘The Forties’. During the first half of the decade the world was dominated by major conflict and brutal warfare. As if the world had not already seen enough, almost as soon as WWII ended, the Cold War began, again raising international political and military tensions between the capitalist west and communist eastern blocs, a struggle that would last for several decades. Ordinary people in many countries suffered on‑going economic austerity, adversity and disadvantage for many years as a consequence of WWII. Socially, concerns over the possibility of widespread post‑war friction sat at odds with hopes for long‑term peace. Technological progress was closely linked to competitive military advances and many major innovations spawned during the 1940s would ultimately benefit future generations.

Year	Global Events
1940	Conservative MP Winston Churchill became British Prime Minister and would remain in power to lead Britain to victory in WWII. The mass evacuation of more than 330,000 allied soldiers from the beaches of Dunkirk in northern France to England took place during WWII. In WWII, the German Luftwaffe carried out the ‘Blitz’, the massive air bombardment of London, UK. The WWII aerial Battle of Britain took place in the skies over Britain and Europe.
1941	Russia entered WWII when German‑led Axis forces crossed the area covered by the German–Soviet Nonaggression Pact, thereby effectively invading the Soviet Union. The classic motion picture film, ‘Citizen Cane’ directed by and starring Orson Welles was released. After 14 years of labour, the Mount Rushmore National Memorial in Black Hills, South Dakota was opened to the public, depicting the massive sculptures of four American presidents; George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln. America joined WWII after the Japanese attacked Pearl Harbor in Hawaii.
1942	The classic movie, ‘Casablanca’ was premiered, starring Humphrey Bogart and Ingrid Bergman.
1943	The world’s largest office building and headquarters of the United States Department of Defense, The Pentagon, was completed in Virginia.
1944	Operation Overlord (commonly known as ‘D-Day’) saw 150,000 allied troops successfully storm the beaches of Normandy in France against German defences.
1945	Germany surrendered to the allied forces, effectively ending WWII in Europe. U.S. atomic weapons testing was undertaken at the Trinity nuclear test site in New Mexico as part of the research & development programme known as the Manhattan Project. Two American atomic bombs were dropped on Hiroshima and Nagasaki in Japan leading to unconditional surrender and the formal end of WWII. Over 60 million people were killed during the conflict. The United Nations (UN) organisation was formed, with a mission to maintain international peace and security. Democrat Harry S. Truman became 33^rd President of the U.S.A. following the death of Franklin D. Roosevelt. The Nuremburg Trials began; a military tribunal established to prosecute the most prominent political and military leaders of Nazi Germany for war crimes during WWII.
1946	ENIAC (Electronic Numerical Integrator and Computer), the first programmable electronic computer was unveiled at the University of Pennsylvania.
1946/ 1947	The Cold War between Russia with its neighbouring Eastern Bloc states and America with its western allies started and lasted until the collapse of Communism and the Soviet Union between 1889 and 1991. The transistor semiconductor was developed by American technology company, Bell Labs in New Jersey.
1947	Italian motor company Ferrari started production of luxury sports cars in Modena. American test pilot Captain Chuck Yeager became the first person to break the sound barrier in level flight in a rocket-propelled Bell X-1 aircraft that he nicknamed ‘Glamorous Glennis’, achieving a recorded top speed of Mach 1.06 (807.2mph) at an altitude of 45,000 ft.
1948	British author George Orwell wrote his prophetic dystopian novel, ‘1984’. The independent state of Israel was established after the British pulled out of Palestine. The British National Health Service (NHS) was founded and would become the model for universal health care in the country. The NHS was part of the wider liberal welfare state system reforms that were implemented the UK.
1949	The Communist People’s Republic of China was proclaimed by Chairman Mao Zedong. The North Atlantic Treaty Organisation (NATO) was formed comprising 29 independent member states committed to mutual defence in response to an attack by any non‑member countries.

Well that is where the world was at, at the time. Now to refocus our attention onto the matter in hand, musical history.

Musical Genre Development 1940-1949

Music of the 1940s built on the sustained popularity of jazz, bebop and swing/big band music to provide upbeat positivity against the background of WWII, as played by Duke Ellington, Count Basie and Artie Shaw. Electric blues had spread to the west coast of America, particularly California, performed by artists such as T-Bone Walker and B.B. King. Chicago also became a vital locus for electric blues, as played by Buddy Guy, Howlin’ Wolf and Muddy Waters, as did Detroit with the likes of John Lee Hooker, and Indiana with Albert King and Jimmy Reed. Blues remained strong in the southern states, including artists like Lightnin’ Hopkins and Freddie King. Country and western music also became popular again with ‘singing cowboys’ such as Gene Autry and Roy Rogers. Wartime songs would feature across many musical genres and many entertainers helped to support the allied forces at home and abroad, including Vera Lynn, Gracie Fields and The Andrews Sisters. It was also during the 1940s that the influence of Latin music began to be felt across other genres, popularised by the likes of ‘The Brazilian Bombshell’, Carmen Miranda brought to western cinemagoers by film director Busby Berkeley.

Around 1945, bluegrass began to make its mark. Bluegrass fused many American, European and African roots styles culminating in a unique blend of country, folk, traditional and Appalachian mountain music incorporating blues and jazz influences. The music is usually played on acoustic string instruments including fiddle, five-string banjo, guitar, mandolin, and upright bass. Bluegrass was particularly popular for dancing, including dance styles such as buckdancing, flatfooting and clogging. The term ‘bluegrass’ arose not only from a type of grass in the region near Kentucky but also from the name used by pioneers of the genre, Bill Monroe and the Blue Grass Boys. Monroe is often called the ‘Father of Bluegrass’ and his band notably featured Earl Scruggs on banjo and Lester Flatt on guitar. In the early days, bluegrass was categorised along with country & western, hillbilly and folk music before being defined as a discrete genre that remains popular today.

Traditional popular music is generally defined as having broad appeal for a wide audience and has existed throughout time and across the globe. While the ‘pop song’ originated in the 1920s, modern popular music is largely accepted to be Anglo‑American in origin and arose during the 1940s as the big bands declined and before rock & roll music took off in the mid‑1950s. Popular music was notable for structured song writing, often comprising repeated verse and chorus with a middle bridge section. Popular music was often based on musical standards, sung by ‘crooners’. In addition, popular music was also often composed by professional songwriters, which was then performed by a vocalist accompanied by a backing band or orchestra. Success was characterised by record sales and chart position as a measure of achievement. Perhaps the most famous popular music artists of the early popular music era were Frank Sinatra and Bing Crosby who achieved enormous commercial success. The familiar term ‘pop music’ actually appears to have its origins in Britain in the mid‑1950s. Popular music is often referred to as, but not synonymous with, ‘pop’ music; however, pop music developed as a major separate genre during the 1960s and has largely remained so to the current day. Another characteristic is that popular music is constantly evolving into many different formats and styles to keep pace with social and cultural changes, including aging western populations. Traditional popular standards were being released well into the 1950s by the likes of Perry Como, Tony Bennett, Nat King Cole and Dean Martin.

During the late 1940s, there was already indicative evidence of the sounds that would coalesce and become what we now call rock ‘n’ roll during the 1950s, particularly by blues/R&B artists such as Sister Rosetta Tharpe. That fundamental step-change is now for the next article.

Musical Facts 1940-1949

Many legendary artists that we now take for granted as part of today’s musical landscape were not yet born or still mere fledglings yet to make their indelible mark on our collective consciousness. As with last month’s article, a large proportion of the musical facts relate to births of future stars.

Looking down the long list of nearly 200 musical events during the 1940s, it could quickly become repetitive, e.g. American/English blah‑de‑blah was born in blah, blah. However, just a scan of the names and places gives a sense about what these youthful individuals were experiencing as teenagers during the ‘big bang’ of rock ‘n’ roll and the tsunami of the ‘British Invasion’, just a few years later. Just think of the exposure they had to sweeping new music crazes and how the fads might have inspired and stimulated these curious youngsters on to great music careers that they could never have foreseen. Some of these fabulous flames would burn brightly and briefly, while others would endure as wizened veterans still working hard and influencing today’s generations. As time passes, the balance between births, lifetime achievements and, sadly, deaths will shift considerably.

Day	Month	Year	Music Fact
–	–	1940	American blues/rock guitarist, singer and songwriter, Seasick Steve was born c.1940 or 1941 (date not disclosed) in Oakland, California.
27	July	1940	Billboard magazine published its first Music Popularity Chart. Topping the chart at No. 1 was Tommy Dorsey with his hit song, ‘I’ll Never Smile Again’.
9	October	1940	Massively influential of English singer, songwriter, guitarist, former member of The Beatles and successful solo artist, John Lennon MBE (1940-1980, 40) was born in Liverpool.
26	November	1940	Hugely influential English folk guitarist, Davey Graham (1940-2008, 68) was born in Market Bosworth, Leicestershire.
21	December	1940	Prolific genius, American guitarist, singer, songwriter and composer, the one and only Mr Frank Vincent Zappa (1940-1993, 52) was born in Baltimore, Maryland.
9	January	1941	Legendary perennial American folk/protest singer, songwriter, guitarist, and political activist, Joan Baez was born in Staten Island, New York.
15	January	1941	Influential American rock singer, songwriter and musician, Don Van Vliet (better known as Captain Beefheart) was born in Glendale, California.
24	January	1941	Acclaimed American singer, songwriter, guitarist and actor Neil Diamond was born in Brooklyn, New York.
24	January	1941	English folk singer, songwriter and guitarist Michael Chapman was born in Leeds, Yorkshire.
14	February	1941	Prolific English studio session guitarist Big Jim Sullivan (1941-2012, 71) was born in Uxbridge, Middlesex. Sullivan appeared on about 750 chart singles including 54 chart toppers.
24	April	1941	Australian virtuoso classical and contemporary guitarist, as well as one-time member of instrumental fusion rock group SKY, John Williams was born in Melbourne.
24	May	1941	Nobel prize-winner for literature, American folk/rock singer, songwriter and guitarist, Bob Dylan was born in Duluth, Minnesota.
18	July	1941	Influential country/blues/rock guitarist and singer songwriter, Lonnie Mack (1941-2016, 74) was born in West Harrison, Indiana.
14	August	1941	American singer, songwriter and guitarist, founder of The Byrds and Crosby, Stills & Nash, Hall of Famer, David Crosby was born in Los Angeles, California.
20	August	1941	The ‘grandfather of space rock’, English guitarist, singer, songwriter and co-founder of psychedelic rock band Hawkwind, Dave Brock was born in Isleworth, Middlesex.
13	October	1941	Living legend, American singer, songwriter, guitarist, formerly half of Simon & Garfunkel and a successful solo artist, Paul Simon was born in Newark, New Jersey.
21	October	1941	Multi-Hall of Famer, American guitarist, songwriter, record producer and member of Stax Records’ house band Booker T. & the MG’s, Steve Cropper was born in Dora, Missouri.
28	October	1941	English guitarist, singer and songwriter, best known for his uniquely distinctive work with The Shadows, Hank Marvin was born in Newcastle upon Tyne.
2	November	1941	English guitarist, singer, songwriter and producer, best known as an original member of instrumental pop/rock band The Shadows, Bruce Welch OBE was born in Bognor Regis, West Sussex.
20	November	1941	Great American singer, songwriter, pianist and occasional guitarist Dr John was born in New Orleans, Louisiana.
4	January	1942	English jazz/rock fusion guitarist, composer, solo artist and member of Mahavishnu Orchestra, John McLaughlin was born in Doncaster, South Yorkshire.
28	February	1942	English guitarist and founding member of rock band The Rolling Stones, Brian Jones (1942-1969, 27) was born in Cheltenham, Gloucestershire.
2	March	1942	Legendary American virtuoso jazz guitarist Charlie Christian died from tuberculosis in New York at the age of just 25.
2	March	1942	American singer, songwriter and guitarist with The Velvet Underground and as a successful solo artist, Lou Reed (1942-2013, 71) was born in Brooklyn, New York.
24	April	1942	Oscar-winning American singer, songwriter, actress and film maker Barbra Streisand was born in New York City.
17	May	1942	Hugely influential American blues guitarist, singer and songwriter, Taj Mahal (a.k.a. Henry Saint Clair Fredericks, Jr) was born in Harlem, New York.
1	June	1942	Highly influential virtuoso Spanish flamenco guitarist, Paco Peña was born in Cordoba.
18	June	1942	English bass guitarist, singer, songwriter and former member of pop/rock bands The Beatles and Wings, as well as a successful solo artist, Sir Paul McCartney MBE was born in Liverpool.
13	July	1942	American singer, songwriter, guitarist and co-founder of rock band The Byrds, Roger McGuinn was born in Chicago, Illinois.
1	August	1942	Influential American singer/songwriter and guitarist with Grateful Dead, Jerry Garcia (1942-1995, 53) was born in San Francisco, California.
27	November	1942	A true music legend, American rock guitarist, singer and songwriter, the one and only James Marshall Hendrix (1942-1970, 27) was born in Seattle, Washington.
31	December	1942	English guitarist, composer, member of rock band The Police and successful solo artist, Andy Summers was born in Poulton-le-Fylde, Lancashire.
10	January	1943	American folk/rock singer, songwriter and guitarist, Jim Croce (1943-1973, 30) was born in Philadelphia, Pennsylvania.
19	January	1943	Legendary American psychedelic blues/rock singer Janis Joplin was born in Port Arthur, Texas.
25	February	1943	English singer, songwriter, guitarist and member of The Beatles, George Harrison (1943-2001, 58) was born in Liverpool.
22	March	1943	Influential American jazz/soul/R&B guitarist, singer and songwriter, George Benson was born in Pittsburgh, Pennsylvania.
2	April	1943	American jazz guitarist, the ‘Godfather of Fusion’, Larry Coryell (1943-2017, 73) was born in Galveston, Texas.
14	May	1943	Scottish bass guitarist, singer, songwriter and former member of blues rock super group Cream, Jack Bruce (1943-2014, 71) was born in Bishopbriggs, Lanarkshire.
5	July	1943	Canadian guitarist, songwriter, composer, producer and former member of Americana rock group The Band, Robbie Robertson was born in Toronto, Ontario.
26	July	1943	English singer, songwriter and occasional guitarist, a founding member of rock band the Rolling Stones, Mick Jagger was born in Dartford, Kent.
28	July	1943	Renowned American blues guitarist and Hall of Famer, Mike Bloomfield (1943-1981, 37) was born in Chicago, Illinois.
24	August	1943	American guitarist and founder of west coast rock bands Quicksilver Messenger Service and Copperhead, John Cipollina (1943-1989, 45) was born in Berkeley, California.
6	September	1943	English bass guitarist, singer, songwriter and co-founder of progressive rock band Pink Floyd, Roger Waters was born in Great Bookham, Surrey.
5	October	1943	American guitarist, singer, songwriter and bandleader, Steve Miller was born in Milwaukee, Wisconsin.
3	November	1943	Sublimely talented Scottish guitarist and founding member of folk revival band Pentangle, Bert Jansch (1943-2011, 67) was born in Glasgow.
7	November	1943	Highly influential Canadian folk, jazz, rock and pop guitarist, singer and songwriter Joni Mitchell was born in Fort Macleod, Alberta.
28	November	1943	Highly acclaimed American singer, songwriter and composer of numerous film scores, Randy Newman was born in Los Angeles, California.
8	December	1943	Iconic American singer, poet, counter-culture rebel and front man of rock band, The Doors, Jim Morrison was born in Melbourne, Florida.
12	December	1943	American guitarist, singer, songwriter, composer and founding member of rock band The Allman Brothers Band, Dickey Betts was born in West Palm Beach, Florida.
18	December	1943	Legendary English guitarist, singer, songwriter and co-founder of rock band The Rolling Stones, Keith Richards was born in Dartford, Kent.
21	December	1943	Hugely talented English guitarist and songwriter known for his country/rock hybrid picking style, Albert Lee was born in Lingen, Herefordshire.
31	December	1943	American singer, songwriter, guitarist and producer, John Denver (1943-1997, 53) was born in Roswell, New Mexico.
9	January	1944	English musical innovator and legendary guitarist, best known for his work with hard rock band Led Zeppelin, the highly influential Jimmy Page OBE was born in Heston, Middlesex.
23	February	1944	Great American blues guitarist and Blues Hall of Famer, Johnny Winter (1944-2014, 70) was born in Beaumont, Texas.
1	March	1944	English singer, actor, founder and long-term front man of rock group The Who, Roger Daltrey was born in London.
23	March	1944	Trailblazing English guitarist and founder of blues/rock band Groundhogs, Tony McPhee was born in Humberston, Lincolnshire.
15	April	1944	Welsh rock guitarist, singer, songwriter and producer Dave Edmunds was born in Cardiff.
28	May	1944	American Motown legend and award-winning ‘Empress of Soul’, the formidable Gladys Knight was born in Atlanta, Georgia.
7	June	1944	American bluegrass and country rock guitarist who was a member of rock band The Byrds and an accomplished session musician, Clarence White was born in Lewiston, Maine.
8	June	1944	American singer, songwriter and guitarist, former member of the Steve Miller Band and a successful solo artist, Boz Scaggs was born in Canton, Ohio.
17	June	1944	Respected, versatile and prolific English session guitarist, singer and producer, Chris Spedding was born in Staveley, Derbyshire.
21	June	1944	English singer, songwriter, guitarist and former front man of pop/rock band The Kinks, as well as solo artist, Sir Ray Davies CBE was born in London.
24	June	1944	Outstanding and prolific English instrumental guitar genius, as well as former member of blues/rock band The Yardbirds, Jeff Beck was born in Wallington, Surrey.
8	August	1944	Renowned English guitarist and songwriter, known for his work with Bert Jansch and folk revival group Pentangle, John Renbourn (1944-2015, 70) was born in London.
16	August	1944	English singer, songwriter and guitarist with psychedelic rock band Soft Machine, as well as a successful solo artist, Kevin Ayers (1944-2013, 68) was born in Herne Bay, Kent.
9	October	1944	Legendary English bass guitarist with rock band The Who, nicknamed ‘The Ox’, John Entwistle (1944-2002, 57) was born in London.
19	October	1944	Jamaican reggae guitarist, singer and songwriter, a member of Bob Marley & The Wailers and a successful solo artist, Peter Tosh was born in Grange Hill, Jamaica.
15	December	1944	Famous American big band leader and musician Glenn Miller was killed when the plane in which he was flying disappeared in bad weather over the English Channel during WWII at the age of 40.
18	December	1944	British guitarist, best known as member of progressive rock band Man, Deke Leonard (1944-2017, 72) was born in Llanelli, South Wales.
19	December	1944	Highly regarded English guitarist, singer, and member of blues/rock group Ten Years After, Alvin Lee (1944-2013, 68) was born in Nottingham.
3	January	1945	American guitarist, singer and songwriter, famous for his work with Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY), Stephen Stills was born in Dallas, Texas.
6	February	1945	A true legend as well as a great ambassador for Jamaica and reggae music with The Wailers, Rastafarian singer, songwriter and guitarist Bob Marley (1945-1981, 36) was born in Nine Mile, Jamaica.
9	March	1945	English blues/rock guitarist who came to fame as a member of rock band Procol Harum, before embarking on a long and successful solo career, Robin Trower was born in London.
11	March	1945	American guitarist, member of Canned Heat amongst others, and one of the first to popularise the two-handed tapping playing technique, Harvey Mandel was born in Detroit, Michigan.
30	March	1945	Highly renowned English blues/rock guitarist, singer, songwriter and Hall of Famer, Eric Clapton CBE was born in Ripley, Surrey.
13	April	1945	Great American guitarist, singer and songwriter with Little Feat, Lowell George (1945-1979, 34) was born in Hollywood, California.
14	April	1945	Hugely influential English guitarist and co-founder of hard rock bands Deep Purple and Rainbow, as well as folk rock duo Blackmore’s Night, Ritchie Blackmore was born in Weston-super-Mare, Somerset.
6	May	1945	American rock singer, songwriter, guitarist, pianist and leader of the Silver Bullet Band, Bob Seger was born in Detroit, Michigan.
19	May	1945	English rock guitarist, singer, songwriter and member of The Who, Pete Townshend was born in London.
28	May	1945	American rock singer, songwriter, guitarist and former member of Creedence Clearwater Revival, John Fogerty was born in Berkeley, California.
1	July	1945	American singer, songwriter, actress and founding member of rock band Blondie, Debbie Harry was born in Miami, Florida.
31	August	1945	Northern Irish rhythm & blues singer, songwriter and producer, Sir Van Morrison OBE was born in Belfast.
4	September	1945	Amazing American ‘Redneck Jazz’ guitarist, Danny Gatton (1945-1994, 49) was born in Washington D.C.
10	September	1945	Prolific Puerto Rican guitarist, singer and songwriter, José Feliciano was born in Lares.
11	September	1945	Extraordinary American multi-genre acoustic guitarist and a true master of his instrument, Leo Kottke was born in Athens, Georgia.
26	September	1945	English singer, songwriter and former front man of glam art rock band Roxy Music, Bryan Ferry CBE was born in Washington, County Durham.
3	October	1945	American singer Elvis Presley made his first public performance at the age of 10 when he sang ‘Old Shep’ at the Mississippi/Alabama Dairy Show talent competition. Reports say he came 2^nd and won $5, while Elvis later recollected coming 5^th and not winning a prize.
31	October	1945	English guitarist, singer, producer and one time member of rock band Argent, Russ Ballard was born in Waltham Cross, Hertfordshire.
26	November	1945	English bass guitarist with rock bands John Mayall’s Bluesbreakers and then Fleetwood Mac, John McVie was born in London.
30	November	1945	Welsh bass guitarist, songwriter and producer, best known as a member of heavy rock bands Deep Purple and Rainbow, Roger Glover was born in Brecon, Powys.
24	December	1945	English bass guitarist, singer, songwriter and founder of rock band Motörhead, Ian ‘Lemmy’ Kilmister (1945-2015, 70) was born in Stoke-on-Trent, Staffordshire.
25	December	1945	English bass guitarist and member of the Jimi Hendrix Experience, Noel Redding (1945-2003, 57) was born in Folkestone, Kent.
3	January	1946	English bass guitarist, songwriter, former member of hard rock band Led Zeppelin, solo artist as well as a member of Them Crooked Vultures, John Paul Jones was born in Sidcup, Kent.
6	January	1946	English singer, songwriter, guitarist and founding member of psychedelic/progressive rock band Pink Floyd, Syd Barrett (1946-2006, 60) was born in Cambridge.
8	January	1946	American guitarist, singer and songwriter, best known as a key member of rock band The Doors, Robby Krieger was born in Los Angeles, California.
19	January	1946	Larger-than-life American country music legend, successful business woman and actress, Dolly Parton was born in Pitman Center, Tennessee.
20	February	1946	American guitarist and leader of The J. Geils Band, John ‘J’ Geils (1946-2017, 71) was born in New York City.
6	March	1946	English guitarist, singer, songwriter, and former member of Pink Floyd, as well as a successful solo artist, the incomparable David Gilmour was born in Cambridge.
12	March	1946	Oscar-winning American singer and actress, Liza Minelli was born in Los Angeles, California.
1	April	1946	English bass player, singer, songwriter and founder of rock bands the Small Faces and the Faces, Ronnie Lane (1946-1997, 51) was born in Plaistow, Essex.
4	April	1946	English guitarist and member of pop/glam rock band Slade, Dave Hill was born in Holbeton, Devon.
16	May	1946	One of the great experimental English guitarists of our time and member of progressive rock band King Crimson, Robert Fripp was born in Wimborne Minster, Dorset.
26	May	1946	Great English rock guitarist and close companion of David Bowie, Mick Ronson (1946-1993, 46) was born in Kingston upon Hull.
7	June	1946	Welsh guitarist and co-founder of progressive/psychedelic rock band Man, Micky Jones (1946-2010, 63) born in Merthyr Tydfil.
15	June	1946	English guitarist and singer with glam pop/rock group Slade, Noddy Holder MBE was born in Walsall, Staffordshire.
6	August	1946	Extraordinarily talented English virtuoso fusion/rock guitarist Allan Holdsworth (1946-2017, 70) was born in Bradford.
23	August	1946	Influential and eccentric English drummer and member of rock band The Who, Keith Moon, was born in Wembley, Middlesex.
5	September	1946	Flamboyant English singer with rock/pop band Queen, Freddie Mercury (real name Farrokh Bulsara) was born in Stone Town in the Sultanate of Zanzibar (now Tanzania).
14	October	1946	English singer, songwriter and guitarist with rock band The Moody Blues, Justin Hayward was born in Swindon, Wiltshire.
29	October	1946	Highly acclaimed and influential English guitarist and co-founder of blues/rock band Fleetwood Mac, Peter Green was born in London.
5	November	1946	American country rock guitarist with The Byrds, Gram Parsons (1946-1973, 26) was born in Winter Haven, Florida.
17	November	1946	Great English guitarist, best known as a long-term member of rock band Jethro Tull, Martin Barre was born in Birmingham.
20	November	1946	Legendary American guitarist and co-founder of the Allman Brothers Band, nicknamed ‘Skydog’, Duane Allman (1946-1971, 24) was born in Nashville, Tennessee.
22	November	1946	Jamaican bass guitarist and producer who played with reggae bands Bob Marley & The Wailers and The Upsetters, Aston ‘Family Man’ Barrett was born in Kingston.
24	December	1946	Dutch progressive rock and jazz fusion guitarist best known for his work with rock band Focus, as well as a long solo career, Jan Akkerman was born in Amsterdam, Netherlands.
30	December	1946	Influential American singer, poet and activist, part of the vibrant New York punk movement, Patti Smith was born in Chicago, Illinois.
–	–	1947	American session guitarist and collaborator, best known for his work with Steely Dan, Elliott Randall was born (exact date not known).
8	January	1947	A true legend, English singer, songwriter, occasional guitarist and actor, the one and only David Bowie (1947-2016, 69) was born in London.
22	January	1947	English punk pioneer, the manager of New York Dolls and the Sex Pistols, as well as a solo music artist, Malcolm McLaren was born in London.
30	January	1947	English ‘mod’ guitarist with rock bands Small Faces and Humble Pie, Steve Marriott (1947-1991, 44) was born in London.
3	February	1947	English guitarist, singer and songwriter who, along with his older brother Ray, provided the driving force behind pop/rock band The Kinks, Dave Davies was born in London.
14	February	1947	American multi-genre singer, songwriter and guitarist, Tim Buckley (1947-1975, 28) was born in Washington D.C.
15	March	1947	American musician, composer, songwriter and phenomenal slide guitarist, Ry Cooder was born in Los Angeles, California.
25	March	1947	Flamboyant multi-award-winning English pop singer, songwriter and pianist, Sir Elton John CBE was born in Pinner, Middlesex.
8	April	1947	Great English guitarist, songwriter and producer best known as a long-time member of progressive rock group Yes, Steve Howe was born in London.
1	June	1947	English guitarist with rock band The Rolling Stones and previously the Faces and the Jeff Beck Group, Ronnie Wood was born in Hillingdon, Middlesex.
5	June	1947	American guitarist, singer, co-founder of funk band Sly And The Family Stone, and now a Christian pastor, Freddie Stone was born in Vallejo, California.
9	June	1947	English guitarist and long-time member of rock band Uriah Heep, Mick Box was born in Walthamstow, East London.
12	July	1947	Influential English guitarist, singer, songwriter and former member of pub rock band Dr. Feelgood, Wilko Johnson was born in Canvey Island, Essex.
19	July	1947	Award-winning English guitarist, astrophysicist, animal rights activist and co-founder of rock/pop band Queen, Dr. Brian May CBE was born in Hampton, Middlesex.
20	July	1947	Highly acclaimed Mexican/American guitarist, songwriter and main man for Latin/jazz/fusion/rock group Santana, Carlos Santana was born in Autlán de Navarro, Jalisco.
3	September	1947	Northern Irish blues/rock guitarist and founder of rock group Thin Lizzy, Eric Bell was born in Dublin.
30	September	1947	Massively influential English glam rock pioneer Marc Bolan of Tyrannosaurus Rex and then T.Rex (1947-1977, 29) was born in London.
1	October	1947	English bass guitarist, singer and founding member of rock band Wishbone Ash, Martin Turner was born in Torquay, Devon.
8	November	1947	English guitarist, singer, songwriter and former member of pop/rock bands The Move, Electric Light Orchestra (ELO) and Wizzard, Roy Wood was born in Birmingham.
10	November	1947	English bass guitarist, singer and songwriter, famous for his work with progressive rock bands King Crimson and ELP, as well as a successful solo artist, Greg Lake (1947-2016, 69) was born in Poole, Dorset.
10	November	1947	American guitarist best known for working with the original Alice Cooper band, Glen Buxton (1947-1997, 49) was born in Akron, Ohio.
12	November	1947	American guitarist with rock band Blue Öyster Cult since its formation in 1967, Buck Dharma (a.k.a. David Roeser) was born in Long Island, New York.
20	November	1947	Great American guitarist, singer, songwriter, solo artist and member of country rock band Eagles, Joe Walsh was born in Wichita, Kansas.
8	December	1947	American guitarist, singer, songwriter and co-founder of the Allman Brothers Band, Gregg Allman (1947-2017, 69) was born in Nashville, Tennessee.
21	December	1947	Highly influential Spanish virtuoso Flamenco guitarist, Paco de Lucíá (1947-2014, 66) was born in Cadiz.
12	January	1948	English jazz fusion guitarist supreme and long-term member of progressive rock band Soft Machine, John Etheridge was born in London.
15	January	1948	American singer and frontman of Southern rock band Lynyrd Skynyrd, the great Ronnie Van Zant was born in Jacksonville, Florida.
2	February	1948	American guitarist, songwriter, producer and ex-member of funk band Earth Wind & Fire, Al McKay was born in New Orleans, Louisiana.
4	February	1948	Theatrical American rock singer, songwriter, actor and presenter, Alice Cooper was born in Detroit, Michigan.
19	February	1948	English rock guitarist with Black Sabbath and the ‘Godfather of Heavy Metal’, Tony Iommi was born in Birmingham.
2	March	1948	Legendary Irish blues/rock guitarist, singer and songwriter Rory Gallagher (1948-1995, 47) was born in Ballyshannon, County Donegal.
2	March	1948	American jazz fusion guitarist, composer and prolific multi‑genre session musician, the great Larry Carlton was born in Torrance, California.
4	March	1948	Renowned English bass guitarist and co-founder of progressive rock band Yes, Chris Squire (1948-2015, 67) was born in London.
6	April	1948	Talented English multi-genre guitarist and composer, Gordon Giltrap was born in Brenchley, Kent.
30	April	1948	American guitarist, singer, songwriter, producer, composer and co-founder of rock band MC5, Wayne Kramer was born in Detroit, Michigan.
15	May	1948	Pioneering experimental English composer, producer, musician and founding member of glam rock band Roxy Music, Brian Eno was born in Melton, Suffolk.
18	June	1948	Columbia Records began mass producing the 33RPM long‑playing (LP) record. The original concept of the vinyl ‘album’ has endured and has undergone a retro revival in the digital age.
19	June	1948	Highly respected English singer, songwriter and guitarist, Nick Drake (1948-1974, 26) was born in Rangoon, Burma (now Myanmar).
20	June	1948	Scottish bass guitarist and founding member of 1970s pop group, The Bay City Rollers, Alan Longmuir (1948-2018, 70) was born in Edinburgh.
22	June	1948	American singer, songwriter, guitarist and producer, solo artist and founding member of progressive rock band Utopia, Todd Rundgren was born in Philadelphia, Pennsylvania.
17	July	1948	American guitarist and songwriter with Iggy Pop and the Stooges, Ron Asheton (1948-2009, 60) was born in Washington D.C.
2	August	1948	Welsh singer, songwriter, guitarist and founding member of rock band Amen Corner, Andy Fairweather Low was born in Ystrad Mynach.
24	August	1948	French electronic composer, instrumentalist and producer, Jean-Michel Jarre was born in Lyon.
31	August	1948	German rhythm guitarist, songwriter and founder of hard rock band Scorpions, Rudolf Schenker was born in Hildesheim.
11	September	1948	Hugely influential and innovative British singer, songwriter and guitarist, John Martyn (1948-2009, 60) was born in London.
8	October	1948	Pioneering American punk rock guitarist and songwriter with the Ramones, Johnny Ramone (1948-2004, 56) was born in New York.
12	October	1948	English guitarist and long-term member of rock band Status Quo, Rick Parfitt (1948-2016, 68) was born in Woking, Surrey. ‏
6	November	1948	American guitarist, singer, songwriter, actor and founding member of country rock band Eagles, Glenn Frey (1948-2016, 67) was born in Detroit, Michigan.
3	December	1948	English singer, songwriter, TV personality and member of heavy metal rock band Black Sabbath, nicknamed ‘The Prince of Darkness’, Ozzy Osbourne was born in Birmingham.
13	December	1948	American guitarist, best known for his work with Steely Dan, The Doobie Brothers and Spirit, Jeff ‘Skunk’ Baxter was born in Washington D.C.
13	December	1948	Controversial American singer, songwriter and guitarist, known for his ultra-conservative political views, the ‘Motor City Madman’, Ted Nugent was born in Redford, Michigan.
18	December	1948	English guitarist, singer, songwriter and producer best known for his work with experimental rock band Be-Bop Deluxe, Bill Nelson was born in Wakefield, Yorkshire.
22	December	1948	American guitarist, singer and songwriter with rock band Cheap Trick, Rick Nielsen was born in Elmhurst, Illinois.
17	January	1949	English guitarist and former member of blues/rock bands John Mayall’s Bluesbreakers and The Rolling Stones, Mick Taylor was born in Welwyn Garden City.
19	January	1949	English pop/rock singer and songwriter and member of rock bands Vinegar Joe and the Power Station, Robert Palmer was born in Batley, Yorkshire.
7	February	1949	English bass guitarist and founding member of pop/rock band Status Quo, Alan Lancaster was born in London.
31	March	1949	Record company, RCA Victor released their first 45RPM 7″ single, ‘Texarkana Baby’ by Eddy Arnold… on green vinyl.
3	April	1949	English guitarist, singer, songwriter, solo artist and former member of folk rock band Fairport Convention, Richard Thompson was born in London.
4	May	1949	Scottish guitarist, best known for his work with The Sensational Alex Harvey Band in the 1970s, Zal Cleminson was born in Glasgow.
17	May	1949	English guitarist, singer, composer and founder of progressive rock band Camel, Andrew Latimer was born in Guildford, Surrey.
19	May	1949	American bass guitarist and long-term member of southern blues/rock band ZZ Top, Dusty Hill was born in Dallas, Texas.
29	May	1949	English singer, songwriter and guitarist with rock/pop band Status Quo, Francis Rossi OBE was born in London.
17	July	1949	Great English bass guitarist with heavy metal rock band Black Sabbath, Terence ‘Geezer’ Butler was born in Aston, Birmingham.
12	August	1949	British guitarist, singer, songwriter, producer, composer and co-founder of rock band Dire Straits, Mark Knopfler OBE was born in Glasgow.
20	August	1949	Irish bass guitarist, singer, songwriter and founding member of rock group Thin Lizzy, Phil Lynott, (1949-1986, 36) was born in West Bromwich, Staffordshire, England.
25	August	1949	Israeli/American bass guitarist, singer, actor, businessman and co-founder of rock band KISS, Gene Simmons, nicknamed ‘The Demon’ was born in Tirat Carmel, Haifa, Israel.
28	August	1949	English guitarist, singer, songwriter and ex-member of punk rock pioneers, The Stranglers from 1974-1990, Hugh Cornwell was born in London.
5	September	1949	English guitarist with rock bands Colosseum, Humble Pie and a successful solo artist, Clem Clempson was born in Tamworth, Staffordshire.
14	September	1949	American guitarist with southern rock band Lynyrd Skynyrd, Steve Gaines (1949-1977, 28) was born in Seneca, Missouri.
14	September	1949	American guitarist and bass guitarist with southern rock band Lynyrd Skynyrd, Ed King (1949-2018, 68) was born in Glendale, California.
23	September	1949	American living legend that is ‘The Boss’, Mr. Bruce Springsteen was born in Long Branch, New Jersey.
3	October	1949	American guitarist, singer and songwriter primarily with rock band Fleetwood Mac and now solo, Lindsey Buckingham was born in Palo Alto, California.
8	November	1949	American blues, rock, Americana roots and with a hint of country guitarist, singer, songwriter and activist, Bonnie Raitt was born in Burbank, California.
6	December	1949	American blues/folk guitarist and singer, Lead Belly (Huddie William Ledbetter) died of motor neurone disease in New York at the age of 61.
7	December	1949	Prolific and hugely influential American singer, songwriter, composer and actor, Tom Waits was born in Pomona, California.
13	December	1949	American singer, songwriter and guitarist with alternative post-punk rock band Television, Tom Verlaine was born in Denville, New Jersey.
16	December	1949	American guitarist, singer and songwriter with blues/rock band ZZ Top and solo artist, Billy F. Gibbons was born in Houston, Texas.
23	December	1949	American guitarist and singer with a long solo career and known for his work with British progressive rock band King Crimson and a host of others including Frank Zappa, David Bowie and Talking Heads, Adrian Belew was born in Covington, Kentucky.

Tailpiece

Well, that’s it for another month – that is a veritable roll call of rock ‘n’ roll, all packed into just 10 years. The thing that struck me most about this article is the overwhelming focus on America and Britain as the drivers for musical change in the 20^th Century. Today, we readily accept a much more diverse, global infusion of styles and influences. One can pontificate that it had to start somewhere and these two countries largely made it happen bilaterally; maybe not exclusively but certainly predominantly. Unsurprisingly, perhaps given the period, it is also male dominated.

Just how quickly we proceed from here depends entirely on the volume of the content. At this rate, we could be at this for a while yet. I didn’t realise when I started, what a colossal exercise it was going to be. However, I have found it fascinating to focus on musical evolution through this lens and I hope that you have found something of interest along the way. Maybe the Forties were not a great deal of interest to you, they were certainly before my time. We will get around to other periods that may motivate your attention span in a different way, I promise… eventually.

We are now well past the chronological midway point but we haven’t yet reached half way in terms of content. The massive upsurge of musical events that took place over the latter part of the 20^th Century has still to unfold fully, raising the anticipation of plenty more to come… and, boy, is there plenty more! The ambitious effort to bring an interrelated bunch of musical factoids to life within the context of the broader human condition continues unabated. I hope you will join me on the rest of the journey, hopefully reconvening here‑ish next month. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Material things feed the vanity of the ego, while music nourishes the spirit and sustains the soul.”

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31 May 2019

May 2019 – The Story of Modern Music in 1,500+ Facts – Part III

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

Well, my, my, my… Here we are back again with spring just about to morph into balmy summer. I can’t believe that we are nearly half way through the last year of the 2010s already.

This means that we are now well into this year’s major music project with article number three of, well, who knows how many at the moment. Such a venture needs breaking down into digestible chunks or it would be colossal as just one bite at the proverbial cherry. The source data is immense, yet still only manages to brush the surface of a monumental subject matter. As always, if there are errors or omissions that I should consider including retrospectively, let me know via e‑mail or the web site’s contact form.

If you would like to pop in and (re)visit the first two parts of the story to‑date, you can do so here (each link opens a new browser tab):

The Story of Modern Music Part III 1920-1939

This month, we start at the beginning of the ‘Roaring Twenties’ and finish at the end of the ‘Dirty Thirties’ (the latter being a moniker apparently associated with the Dustbowl era rather than something inherently naughty – apologies for that!).

The world had never seen decades like these and hasn’t since. As such, they exhibit polar opposites in human endeavour. These twenty years stand a testimonial to the rapid progress of civilisation while also as a condemnation of the self‑destructive stupidity of the human condition. Hindsight, as ‘they’ say is a wonderful thing, so perhaps we should learn something profound from an examination of our collective past and build a better future for mankind. However, I digress…

This brings us to the format of this article, which follows the same tripartite structure for each 10‑year span as last month. Each decade is given a broad historical context outlining the sorts of global events – good and bad – that occurred, followed by examples of how music genres emerged and changed over the period and, finally, the whole point of this series, some music facts associated with the same years. As a whole, it hopefully provides an interesting insight into what went on. Here we go…

One noticeable trait that comes through strongly this month is the number of births occurring in the 1920s and 1930s of people who would go on to be significant musical icons in the 1950s and thereafter. This means that this month’s ‘facts’ are setting the foundation for future articles, while later ones will see a shift to the other, and rather more mortal, end of their illustrious lifetimes.

Historical Context 1920-1929

The 1920s was a paradigm shift in global affairs. The ‘Roaring Twenties’ and were characterised by post‑WWI optimism, individualism, industrial and economic growth, as well as social, artistic, and cultural dynamism. However, underlying the positivity was an omnipresent political paranoia, fuelled by conspiracy and corruption that stood a portent of the looming storm clouds that were gathering. The rise of radical political doctrines including communism and fascism would ultimately lead to further international conflict. Women were experiencing greater emancipation as a result of the suffragette movement, paving the way for later equalities movements.

Year	Global Events
1920	The United States introduced national legislation to ban the production, transport and sale of alcohol, widely known as the prohibition.
1921	The Irish Revolution led to the partitioning of Ireland into Northern Ireland which is part of the United Kingdom and the South, which is now the Republic of Ireland.
1922	The Union of Soviet Socialist Republics (USSR) was created and existed until c.1991 when the political confederation collapsed. Georgian revolutionary and Soviet politician Joseph Stalin became leader, and later dictator, of the USSR. Danish physicist and philosopher Niels Bohr won the Nobel Prize for his work on atomic structure and quantum theory. Fascist leader Benito Mussolini became Prime Minister in Italy and proceeded to seize power as dictator espousing an ideology of ‘revolutionary nationalism’.
1923	Egyptian pharaoh King Tutankhamun’s tomb was opened by British archaeologist Howard Carter. The first Le Mans 24 Hours Grand Prix of Endurance motor race took place in France. It remains the world’s oldest endurance sports car racing event.
1924	The first international Winter Olympic Games were held in Chamonix, France.
1925	Author Franz Kafka wrote the novel, ‘The Trial’, the same year that F. Scott Fitzgerald wrote ‘The Great Gatsby’. The first successful black & white television transmission was made by Scottish engineer John Logie Baird in the UK, with the first public demonstration the following year.
1926	The first General Strike took place in Britain after the Trades Union Congress (TUC) called for widespread industrial action to support miners who were locked out by owners demanding longer hours for less pay. The famous U.S. Route 66 highway from Chicago, Illinois to Santa Monica, California was opened, with a total length of 2,448 miles (3,940 km).
1927	Aviator Charles Lindburgh made the first solo flight across the Atlantic Ocean in his plane The Spirit of St. Louis. The sprawling epic dystopian science fiction silent film, ‘Metropolis’, directed by Fritz Lang was released. Russian/American singer and actor Al Jolson starred in the first commercial feature length ‘talkie’ film, ‘The Jazz Singer’.
1928	Scottish biologist, Sir Alexander Fleming discovered the anti‑biotic penicillin, which would go on to revolutionise modern medicine. American animator Walt Disney introduced Mickey Mouse to the public in the short film, ‘Steamboat Willie’. Republican politician Herbert Hoover became the 31^st president of the United States of America.
1929	Notorious gangster Al Capone allegedly carried out the brutal Saint Valentine’s Day Massacre of 7 members of the North Side Gang in Lincoln Park, Chicago, Illinois. American astronomer Edwin Hubble demonstrated that the universe is expanding. The Vatican City became an independent and sovereign state located within Rome, Italy. The U.S. Stock Market collapsed, known widely as the Wall Street Crash, precipitating the worldwide Great Depression that lasted until the late 1930s.

Musical Genre Development 1920-1929

Blues and jazz continued to be popular during the 1920s, the latter sparking the ‘jazzmania’ craze. These twin pillars of modern musical culture also began to spawn new genre styles and to influence a diverse range of musical expression. Record, radio and film companies started to search out new artists and music to bring to a wider audience. It was in 1925 that the electrical recording and the 78rpm vinyl record became standard, the same year that television began, thereby opening up a whole new market for musicians.

In the 1920s, two separate musical forms emerged from Louisiana in the deep south of the United States, cajun and zydeco. The Cajuns were French colonists, called Acadians, from North Eastern America (Canada and Nova Scotia) who migrated to Louisiana in the late 18^th Century, bringing with them Cajun musical traditions. The creole were people descended from the inhabitants of French colonial Louisiana and who developed their own distinct musical style called zydeco. Although often regarded as similar, the two forms developed in parallel and have different cultural origins and styles. Cajun music is often played on accordion and fiddle, while zydeco is usually played on accordion and washboard. Both forms became popular outside insular local communities from the late 1920s when early recordings became available. Stylistic origins derived from blues, jazz, spirituals, traditional folk and country music, as well as regional influences from Europe, Africa, indigenous Americans and the Caribbean. Both cajun and zydeco are often used as dance music, including two‑steps and waltzes. Cajun and zydeco, in turn, influenced other forms of American roots music.

From the 1880s, musical theatre such as vaudeville and burlesque were common and very popular. From around 1920, commercial theatrical Broadway musicals originated in New York and London, becoming widespread and attracting big audiences before ‘talkie’ cinema movies began to adopt musical storytelling as a reflection of popular culture. Successful composers of the time included George & Ira Gershwin, Cole Porter and Irving Berlin. Prior to the 1920s most music distribution was by way of sheet music, piano rolls or live performance. It was during the 1920s that recording and distribution of popular music really took off, giving audiences much greater access to a wide range of music. However, the gramophone had strong competition from the proliferation of wireless radio and commercial radio stations during the 1920s, as well as motion pictures. In 1927, the first commercial feature length film to incorporate synchronised music, singing and speech, ‘The Jazz Singer’, starring Al Jolson was released. Broadway musicals reached their zenith in the 1940s with hits such as Oklahoma (1943). The convergence and crossover between Broadway and cinema musicals became a major launch pad for musical dissemination into the 1950s and beyond, including the development of soundtrack compositions for film and, later, television.

Country music was another genre that emerged from the Appalachian Mountain region of southern and eastern America during the 1920s, particularly in Tennessee but also Oklahoma and Texas. The roots of country music came largely from traditional genres such as folk, blues, hillbilly and western music, and was heavily influenced by Irish, English and wider European immigrants to the American east and south. Early popular country music, including cowboy songs, were often regarded as the music of the American rural working classes. Popular establishments for hillbilly music were the rowdy honky‑tonk bars of the period. Country music comprised of song ballads and dances normally constructed from simple arrangements, lyrics that told a story, and vocal harmonies. In addition country music accompaniment was usually provided by an array of acoustic string instruments such as banjos, guitars and fiddles as well as harmonicas and Jews harps. Early pioneers of country music included Jimmie Rodgers and The Carter Family, followed by other famous artists such as Patsy Cline, Jim Reeves, Willie Nelson, Johnny Cash and Dolly Parton. Country music is a massive commercial industry, now largely centred on Nashville, Tennessee. Country music is a diverse musical form of expression and continues to evolve, having seen several resurgences of popularity since its early heyday.

Musical Facts 1920-1929

Bert Weedon

Day	Month	Year	Music Fact
10	May	1920	English guitarist and a guide for millions of fledgling guitarists the world over, Bert Weedon OBE (1920-2012, 91) was born in London.
29	August	1920	Legendary American jazz/bebop saxophonist and composer, Charlie ‘Bird’ Parker Jr. was born in Kansas City, Kansas.
7	June	1921	Virtuoso American jazz guitarist, Tal Farlow (1921-1998, 77) was born in Greensboro, North Carolina.
4	August	1921	Influential and highly renowned American jazz guitarist Herb Ellis (1921-2010, 88) was born in Farmersville, Texas.
7	August	1921	French virtuoso gypsy flamenco guitarist Manitas de Plata (1921-2014, 93) was born in Sète.
3	April	1922	American singer and Hollywood actress Doris Day was born in Cincinnati, Ohio.
22	April	1922	Hugely influential American jazz double bass player and bandleader Charles Mingus was born in Nogales, Arizona.
10	June	1922	Famous American actress, singer and dancer Judy Garland was born in Grand Rapids, Minnesota.
5	January	1923	Legendary American producer and founder of Sun Records, Sam Phillips was born in Florence, Alabama. Phillips signed artists including Elvis Presley, Jerry Lee Lewis, Roy Orbison and Johnny Cash.
6	March	1923	Legendary and hugely influential American jazz guitarist, Wes Montgomery (1923-1968, 45) was born in Indianapolis, Indiana.
25	April	1923	Legendary guitarist and one of the ‘Three ‘Kings’ of blues guitar, the one and only Albert King (1923-1992, 69) was born in Indianola, Mississippi.
29	July	1923	One of the world’s great innovators in modern music, nicknamed ‘The Father Of Loud’, Dr Jim Marshall OBE (1923-2012, 88), founder of Marshall Amplification PLC, was born in London.
17	October	1923	Great American jazz guitarist Barney Kessel (1923-2004, 80) was born in Muskogee, Oklahoma.
27	March	1924	Highly acclaimed Grammy award winning American jazz singer Sarah Vaughan was born in Newark, New Jersey.
18	April	1924	American blues rock guitarist, Clarence ‘Gatemouth’ Brown (1924-2005, 81) was born in Vinton, Louisiana.
20	June	1924	Great American country guitarist and producer who established the Nashville sound, nicknamed ‘The Country Gentleman’ and ‘Mr. Guitar’, Chet Atkins (1924-2001, 77) was born in Luttrell, Tennessee.
6	July	1925	American guitarist, singer and Rock ‘n’ Roll pioneer Bill Haley (1925-1981, 55) was born in Highland Park, Michigan.
15	August	1925	Virtuoso Canadian jazz pianist and composer Oscar Peterson was born in Montreal, Quebec.
6	September	1925	American electric blues guitarist and Hall of Famer, Jimmy Reed (1925-1976, 50) was born in Dunleith, Mississippi.
16	September	1925	Legendary American blues guitarist, singer, songwriter and producer supreme, one of the ‘Three ‘Kings’ of blues guitar, Mr BB King (1925-2015, 89) was born in Itta Bena, Mississippi.
28	November	1925	The famous country music institution, the Grand Ole Opry was founded in Nashville, Tennessee by George D. Hay to promote country music and showcase its history.
8	December	1925	American singer, musician, dancer, actor, vaudevillian and comedian Sammy Davis Jr. was born in Harlem, New York.
2	January	1926	The first edition of the monthly popular music magazine ‘Melody Maker’ was published in the UK, priced at just 3 pence. It ran for over 74 years until 2000.
3	January	1926	English record producer, composer and conductor, Sir George Martin was born in London. He was well known for his pioneering collaboration with The Beatles.
26	April	1926	Hugely influential American blues guitarist J.B. Hutto (1926‑1983, 57) was born in Blackville, South Carolina.
26	May	1926	Legendary and hugely influential American jazz trumpeter and composer, Miles Davis was born in Alton, Illinois.
17	September	1926	American bass guitarist who played with Elvis Presley in the pioneering rock ‘n’ roll years, Bill Black (1926-1965, 39) was born in Memphis, Tennessee.
18	October	1926	Hugely influential pioneering American rock ‘n’ roll guitarist, singer and songwriter, the legendary Chuck Berry (1926‑2016, 90) was born in St. Louis, Missouri.
23	November	1926	Underrated American blues singer, songwriter and guitarist, the inimitable R.L. Burnside (1926-2005, 78) was born in Lafayette County, Mississippi.
10	December	1926	Pioneering New Orleans blues guitarist, Guitar Slim (real name, Eddie Jones, 1926-1959, 32) was born in Greenwood, Mississippi.
28	January	1927	English jazz saxophonist and founder of the famous Ronnie Scott’s Jazz Club situated in Soho, London in 1959, Ronnie Scott OBE was born in Aldgate, London.
–	January	1928	American country guitarist and member of Johnny Cash’s band, the Tennessee Three, Luther Perkins (1928-1968, 40) was born in Como, Mississippi.
19	April	1928	Influential English musician and pioneer of the British blues/R&B scene in the 1960s, Alexis Korner was born in Paris, France.
5	May	1928	One of the main men behind the ‘Man In Black’, American bass player with Johnny Cash’s band, the Tennessee Two, Marshall Grant (1928-2011, 83) was born in Bryson City, North Carolina.
6	August	1928	Famous American pop artist, manager of The Velvet Underground, producer, director and album artwork designer, Andy Warhol was born in Pittsburgh, Pennsylvania.
30	December	1928	Massively influential in the development of modern music, American guitarist, singer and songwriter Bo Diddley (1928-2008, 79) was born in McComb, Mississippi.
13	January	1929	American virtuoso jazz guitarist, Joe Pass (1929-1994, 65) was born in New Brunswick, New Jersey.
10	February	1929	Legendary American film and television music composer and conductor, Jerry Goldsmith was born in Los Angeles, California.
17	April	1929	German composer and big band leader of the James Last Orchestra, James Last was born in Bremen, Germany.
2	May	1929	Highly influential American rock ‘n’ roll guitarist, Link Wray (1929-2005, 76) was born in Dunn, North Carolina.
23	June	1929	American country singer, songwriter, actress, author, member of the famous Carter family and wife of Jonny Cash, June Carter Cash, was born in Maces Spring, Virginia.
19	December	1929	American blues and gospel guitarist, singer and songwriter, Blind Lemon Jefferson died from a reported heart attack in Chicago, Illinois, at the age of 36.

Historical Context 1930-1939

After a period of relative peace during the 1920s, the ‘Dirty Thirties’ followed. The harshness of the global recession set in, resulting in widespread unemployment, hardship, deprivation and poverty. The catalysts for descent of the globe’s major industrialised countries into a second and even more destructive world war had been seeded and, despite progress in other areas of human civilisation such as science, technology and art, the political die was already cast. Expansionist agendas fuelled Fascism in Europe, which coalesced into the rise of the Third Reich in Germany and its Axis power allies, while communism was also on the rise.

Year	Global Events
1930	The first FIFA soccer World Cup was held in Uruguay; the home team beat Argentina in the final.
1931	The Empire State Building opened in Manhattan, New York, reaching 102 stories and 1,250 feet (381m) tall.
1932	English author Aldous Huxley published his famous futurist novel, ‘Brave New World’. American aviator Amelia Earhart became the first woman to fly solo across the Atlantic Ocean.
1933	Democrat Franklin D. Roosevelt was elected 32^ndPresident of the United States of America. After 13 years, the nationwide prohibition of manufacture, transportation, and sale of alcohol in America was ended. In Germany, Adolf Hitler, leader of the Nazi Party became Chancellor and subsequently Führer in 1934, establishing his one‑party dictatorship. Infamous American bank robbers Bonnie Parker and Clyde Barrow were shot and killed after being ambushed by a posse of law enforcement officers in Louisiana.
1934	The worst ever American drought led to severe dust storms that greatly damaged the ecology and agriculture of the American and Canadian prairies, known widely as the Dust Bowl. Alcatraz Federal Penitentiary, an American maximum security prison island located in San Francisco Bay, California, also known as ‘The Rock’, opened its cell doors for the country’s most notorious criminals.
1935	British publishing house Penguin Books was founded and introduced the first inexpensive paperback books.
1936	The massive art deco style Hoover Dam, spanning the Colorado River in Nevada became operational, with a height of 726 feet (221m) and a length of 1,244 feet (379m). British monarch King George V died. His successor, Edward VIII was crowned and soon abdicated, and George VI became King. The bitter Spanish Civil War started after the Spanish army in support of General Franco rebelled against the Republican presidency. The conflict lasted until 1939, resulting in Franco becoming nationalist dictator of Spain until 1975.
1937	The German passenger airship Hindenburg caught fire and was destroyed when attempting to dock with a mooring mast in Lakehurst, New Jersey, killing 36 people. Conservative Party MP Neville Chamberlain was elected British Prime Minister.
1938	Orson Welles’ infamous radio broadcast adapting H.G. Wells’ science fiction novel ‘The War Of The Worlds’ caused mass panic in America. The first comic book appearance of fictional superhero Superman was published by Action Comics.
1939	The classic ‘golden era’ Hollywood films ‘The Wizard of Oz’ and ‘Gone with the Wind’ were released. The first comic book appearance of fictional superhero Batman was published by Detective Comics (DC). The Second World War (WWII) began when Britain and France responded to Germany’s military invasion of Poland. The first successful flight of a jet-propelled aircraft was undertaken by a Heinkel He178, developed for the German Luftwaffe, in Rostock, Germany.

Musical Genre Development 1930-1939

Music of the 1930s was largely characterised by social events such as the Great Depression and the growth in popularity of radio and Hollywood cinema, which began to replace Broadway musical theatre. Established genres such as jazz continued to evolve to reflect changes in social culture, giving birth to swing and big band music. Jump blues music began to appear in the 1930s, adapting the grand swing and big band music for smaller venues, performed by small bands. The 1930s also saw the introduction of the electric guitar, which began to play a part in evolution of popular music of the decade.

Hawaiian music was popular with mainstream audiences in America during the 1930s, even though it had been a major genre in the mid-Pacific since the late 19^th Century. Hawaiian music was important because of its influence on country music, including the introduction of the lap steel guitar, often played horizontally and using a slide. It also helped to shape Polynesian music across the Pacific islands.

Traditional folk music has been an enduring form of musical expression throughout the centuries, in many nations and regions across the globe. Historically, folk music is often regarded as an oral tradition being handed down by word of mouth over many generations. During the 1930s, contemporary folk music, an Anglo‑American acoustic style, experienced a revival, often commenting about social issues including war, work, civil unrest, economic hardship, as well as love songs and non‑topical comedy themes. As the roots of folk music predate many modern musical genres, influences came from all over the world, imported by immigrants to America from Europe and Asia, as well as traditional songs used by African slaves. During the Great Depression in the 1930s, America in particular experienced a booming folk scene. The record industry began to exploit folk songs as an alternative to other popular genres. One of the most significant folk singer/songwriters of the generation was Woody Guthrie, whose work in the 1930s and 1940s was often seen as a protest against rural injustice, and which has influenced many artists since. Other famous artists from the 1940s to the early 1960s included Pete Seeger, Joan Baez and Bob Dylan in America, Donovan, Ralph McTell and Martin Carthy in the UK, as well as Leonard Cohen, Joni Mitchell, and Buffy Sainte-Marie in Canada.

Swing music is a close relative of jazz and has its roots as early as the 1920s, becoming a dominant genre during the 1930s and 1940s, predominantly in urban cities such as Chicago, New York and Kansas City. It is notable because music with a strong ‘swing feel’ became popular dance music, especially in lively clubs that could accommodate swing ensembles. Swing was popularised by big band swing orchestras such as that led by Benny Goodman. Other famous swing artists included Glenn Miller and Tommy Dorsey. The ‘swing era’ lasted for about 10 years from 1935 to 1946, when popularity began to fade during and after World War II. Swing was also hugely influential in popular music with artists like Ella Fitzgerald, Billie Holiday, Nat King Cole and Frank Sinatra. Dance crazes of the swing era included the jitterbug and the shag, which would evolve into dances later associated with genres such as R&B and rock ‘n’ roll. Swing and its derivatives have experienced a number of revivals in subsequent years.

Musical Facts 1930-1939

Day	Month	Year	Music Fact
15	January	1930	American Chicago blues guitarist working either solo or with other artists, Earl Hooker (1930-1970, 40) was born in Quitman County, Mississippi.
17	June	1930	American rock ‘n’ roll guitarist who played with Gene Vincent and His Blue Caps in the 1950s, Cliff Gallup (1930-1988, 58) was born in Norfolk, Virginia.
3	July	1930	Highly regarded, prolific American session guitarist, Tommy Tedesco (1930-1997, 67) was born in Niagara Falls, New York.
30	August	1930	American entrepreneur, musician and innovator of guitar equipment, Ernie Ball (1930-2004, 74) was born in Santa Monica, California.
29	April	1931	Scottish singer, songwriter and guitarist, often referred to as the ‘King of Skiffle’, Lonnie Donegan (1931-2002, 71) was born in Glasgow.
17	September	1931	Record company RCA-Victor first demonstrated the 33¹/₃rpm Long Playing (LP) record. Astoundingly, the vinyl ‘album’ is still going strong, even now.
5	November	1931	Controversial American R&B/soul guitarist, songwriter, producer and rock ‘n’ roll innovator, Ike Turner (1931-2007, 76) was born in Clarksdale, Mississippi.
16	November	1931	Influential American blues guitarist, singer and long-term member of Howlin’ Wolf’s band, Hubert Sumlin (1931-2011, 80) was born in Greenwood, Mississippi.
27	December	1931	Influential rock ‘n’ roll legend, American guitarist Scotty Moore (1931-2016, 84) who played with Elvis Presley in the early days was born in Gadsden, Tennessee.
26	February	1932	The great American country legend that is Mr Johnny Cash (1932-2003, 71) was born in Kingsland, Arkansas.
9	April	1932	Great American singer, songwriter and guitarist, Carl Perkins (1932-1998, 65) was born in Tiptonville, Tennessee.
1	October	1932	Legendary American blues/rock guitarist and singer, ‘the master of the Telecaster’ and ‘the ice man’, Albert Collins (1932-1993, 61) was born in Leona, Texas.
14	March	1933	Multi-award-winning American musician and record producer Quincy Jones was born in Chicago, Illinois.
29	April	1933	Legendary American outlaw country legend, guitarist, singer and songwriter, Willie Nelson was born in Abbott, Texas.
3	May	1933	Legendary American singer, songwriter and producer, often proclaimed as the ‘godfather of soul’, James Brown was born in Barnwell, South Carolina.
15	July	1933	English virtuoso classical guitarist and one of the very best musicians of his generation, Julian Bream was born in London.
3	November	1933	English composer of film and TV scores, including 11 James Bond film soundtracks and numerous theme tunes, John Barry OBE was born in York, Yorkshire.
29	November	1933	Legendary English blues/rock guitarist, singer, songwriter and founder of the Bluesbreakers, John Mayall OBE was born in Macclesfield, Cheshire.
7	February	1934	American blues singer, songwriter and guitarist, Earl King (1934-2003, 69) was born in New Orleans, Louisiana.
28	April	1934	Renowned American delta blues guitarist Charlie Patton died from a heart disorder in Sunflower County, Mississippi at the age of 43.
3	September	1934	Hugely influential American blues guitarist and one of the ‘Three Kings’ of blues guitar, Freddie King (1934-1976, 42) was born in Gilmer, Texas.
21	September	1934	Legendary Canadian guitarist, singer and songwriter, Leonard Cohen (1934-2016, 82) was born in Montreal, Quebec.
1	December	1934	American blues and ragtime guitarist Arthur ‘Blind’ Blake died from tuberculosis in Milwaukee, Wisconsin at the age of 38.
8	January	1935	American singer, guitarist and cultural icon that would become ‘The King’, Elvis Aaron Presley (1935-1977, 42) was born in Tupelo, Mississippi.
3	February	1935	Flamboyant American soul, blues and funk guitarist, singer and songwriter, Johnny ‘Guitar’ Watson (1935-1996, 61) was born in Houston, Texas.
29	April	1935	Influential American Chicago blues guitarist and singer, Otis Rush, (1935-2018, 84) was born in Philadelphia, Mississippi.
6	June	1935	American virtuoso jazz guitarist and composer Grant Green (1935-1979, 43) was born in St Louis, Missouri.
17	October	1935	English dairy farmer and founder of the world famous Glastonbury Music Festival from 1970 to date, Michael Eavis was born in Pilton Somerset.
22	April	1936	Great American singer, songwriter and guitarist, Glen Campbell (1936-2017, 81) was born in Billstown, Arkansas.
30	July	1936	Legendary and highly influential American Chicago Blues guitarist and singer, George ‘Buddy’ Guy was born in Lettsworth, Louisiana.
7	September	1936	Legendary American rock ‘n’ roll star, guitarist, singer and songwriter, Buddy Holly (1936-1959, 22) was born in Lubbock, Texas.
24	October	1936	English bass guitarist, singer, songwriter, producer, former member of rock band The Rolling Stones and bandleader with The Rhythm Kings, Bill Wyman was born in London.
6	April	1937	Acclaimed American country singer, songwriter and guitarist, Merle Haggard (1937-2016, 79) was born in Oildale, California.
4	May	1937	Influential American surf rock guitarist often referred to as ‘the king of the surf guitar’ Dick Dale (1937-2019, 81) was born in Boston, Massachusetts.
15	May	1937	Renowned American guitarist, singer and actor, Trinidad ‘Trini’ Lopez III was born in Dallas, Texas.
15	June	1937	Influential American country guitarist and singer, Waylon Jennings (1937-2002, 64) was born in Littlefield, Texas.
13	January	1938	Australian guitarist, singer, songwriter and co-founder of psychedelic rock bands Soft Machine and Gong, Daevid Allen (1938-2015, 77) was born in Melbourne, Victoria.
25	January	1938	Grammy award-winning artist and Hall of Famer, legendary American songstress, Etta James was born in Los Angeles, California.
26	April	1938	American rock ‘n’ roll guitarist who became famous for his signature ‘twang’ guitar sound, Duane Eddy was born in Corning, New York.
16	August	1938	Legendary American blues guitarist Robert Johnson died in mysterious circumstances in Greenwood, Mississippi at the age of 27. The bizarre mythology surrounding Johnson’s life and demise continues to deepen with time.
3	October	1938	Legendary American singer and guitarist, Eddie Cochran (1938-1960, 21) was born in Albert Lea, Minnesota.
5	December	1938	Highly influential American guitarist, singer and songwriter, J.J. Cale (1938-2013, 74) was born in Oklahoma City, Oklahoma.
18	December	1938	English bass guitarist with The Animals, record producer and manager of both Slade and Jimi Hendrix, Chas Chandler (1938-1996, 57) was born in Newcastle upon Tyne.
2	April	1939	American singer, Motown soul legend and multi-award winning artist, Marvin Gaye was born in Washington DC.
4	April	1939	Incomparable English double bass guitarist who has collaborated with artists like John Martyn and Richard Thompson to great effect, Danny Thompson was born in Teignmouth, Devon.
28	July	1939	American singer and actress, Judy Garland recorded the perennial all‑time‑favourite song, ‘Over The Rainbow’ from the classic feature film, ‘The Wizard Of Oz’.
21	August	1939	Hall of Famer and prolific American guitarist and collaborator extraordinaire, James Burton was born in Dubberly, Louisiana.
23	September	1939	Influential American blues/rock guitarist Roy Buchanan (1939-1988, 48) was born in Ozark, Arkansas.
26	November	1939	American-born Swiss soul/R&B/pop singer, songwriter and actress Tina Turner was born in (where else?) Nutbush, Tennessee.
26	December	1939	Famous but volatile American ‘Wall of Sound’ record producer Phil Spector was born in New York. He is currently serving a 19-year prison sentence in California for the murder of actress Lana Clarkson in 2003.

Tailpiece

Phew! That was a bit of a 20‑year roller coaster. However, this still hasn’t got us to point at which ‘modern music’ arguably really begins, i.e. from the emergence of rock ‘n’ roll and will ultimately bring us up‑to‑date. However, it is a fascinating insight into not only what the rapidly growing global population got up to but also how this was inextricably linked to how music was also progressing. Social culture and music are symbiotically interdependent – culture shapes and stimulates music and music reflects and influences culture. The 20 years covered in this article are therefore fundamental building blocks of the unstoppable development that will lead us to rock ‘n’ roll and beyond. The next article will, hopefully, bridge the gap from the start of WWII to the ground-breaking events that would take place in the 1950s.

Watch this space and make sure you tune in, same time same place next month. I can’t wait… can you? Until next time…

CRAVE Guitars ‘Quote of the Month’: “Don’t try to learn from geniuses how to be a genius. They are unique. Think for yourself and you are a genius, even if no-one else notices. That is also integrity.”

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28 Feb 2019

February 2019 – A General Update

by Tony Drew | posted in: News, Observations, Opinion | 0

Hello again guitar fans and welcome to anyone else who may be curious about the big wide world of guitar addiction and obsession. As the great Jimi Hendrix once proclaimed, “Music is a safe kind of high”, so I’m happy to admit my perennial affliction. I trust that 2019 is treating you all well as we begin the move from dreary winter into nascent springtime.

I don’t have any particular theme for this month, so apologies in advance are probably due for what seems to be a generally incoherent rambling round up of various bits and pieces thrown together. One beneficial consequence is that this is a shorter tome than some.

State of Guitarville 2019

In the grand scheme of things, the guitar‑centric sector of the wider music industry is a relatively small but vibrant arena. While the general shrinking and decline of the ‘business’ continues well into the post‑recession era, the core elements seem in fairly good health overall. There is cautious optimism out there within the context of an unpredictable and challenging operating environment. There has been some progress since this time last year but not as much as many commentators might have wished.

Even though I wasn’t at the event, Winter NAMM 2019 held at the end of January in Anaheim, California saw a lot of activity and relatively good business was done. There were few ground‑shaking announcements at the convention but there was the usual excitement about shiny new gear from established brands. It was reassuring to see Gibson back at NAMM after their absence in 2018 and their new CEO is making all the right noises about what to expect from the company. Let’s hope that good intentions translate into achieving the right balance between quality and price, along with appropriate innovations alongside traditional instrument manufacturing. It is interesting that some of the more contentious technologies that were being used to reposition Gibson as a lifestyle company are now likely to be jettisoned in order to re‑establish confidence about, and a focus on, what really matters to their customers.

It is hardly a surprise that digital continues to make significant inroads into the analogue domain that has been the bedrock for so many generations of musicians across the globe. With the influx of ever more convincing digital inventions, one really does have to wonder how long analogue will remain the force it has been up to now. At some point, even the most hardened of luddites will be lured to make the jump either by the metaphorical lure of the carrot or the fear of the stick. There is still some way to go before all the components in a guitarist’s signal chain provide everything that the working professional musician needs for writing, rehearsal, live and recording settings.

The advantage for CRAVE Guitars and many other vintage enthusiasts is that we generally don’t need to worry about learning the operational demands and subtleties of this new‑fangled complex digital stuff and we can stick with what worked for us when we started out, complete with all its charming analogue idiosyncrasies (?!?!). One day, soon, digital will be the default and vintage gear will become a bit like vinyl records in there will be a market for it, even if it ultimately becomes a niche for nerdy specialists. For up‑and‑coming musicians who may not know any different, though, the current‑day smorgasbord of choice is phenomenal and, although the value‑for‑money equation on some equipment can be debated, the benefits are there to be discovered and exploited.

My sense, at the beginning of 2019 is that there is a degree of consolidation in design, manufacturing, marketing and distribution. The on‑going battleground between ‘brick & mortar’ retail and Internet business is still bitterly being fought out. At some point, an equilibrium will be reached where both channels will co‑exist, even if it means that the retail experience will be different from how it is now. Many consumers still greatly value going into a physical store, looking at, trying out and talking about equipment, so they will endure, even if those establishments have to offer other value‑added services on top of the traditional mainstay of shop floor sales. Companies that rely heavily on Internet operations will find overheads increasing, margins tightening and profitability harder to come by, thereby impacting sustainability and beginning to level the playing field a bit.

As far as guitars are concerned, as mentioned above, Gibson is poised for resurgence and Fender seem to be on their game and producing some very competent and attractive models at all price points. PRS are on a creative stretch of their own and doing OK judging by headlines. Gretsch, Rickenbacker and Danelectro also seem to be faring well, perhaps needing a bit of additional cool vibe to secure their future. Rejuvenated brands like Supro and Harmony are aiming to join the ranks as ‘go to’ guitars, while many other familiar names are managing to stay afloat. Acoustically, Martin and Taylor are both actively vying for top dog status with new innovations, which ultimately means some great guitars for the consumer. The last 12 months has seen some small‑scale luthiers go under or simply disappear, which is regrettable but, sadly, not surprising given the volatile international economics of the industry.

In the amp arena, there are three major directions of travel; a) the relentless digital onslaught from the likes of Fractal, Kemper and Line6 among others, b) ranges of very good valve and solid amps from the mainstream names such as Fender, Marshall, Vox, Orange and others, including some faithful reissues of classic models, and c) the continued rise of boutique builders catering for individual tastes in small numbers. We guitarists are, though, a conservative breed. It seems that the valve is dead, long live the valve!

One area where digital is revolutionising sound is on the pedalboard, which is a current ‘big thing’. There are some astoundingly inventive ways of mangling your guitar tone, both in variations of established FX types and some intriguing all‑new creations that take advantage of digital technology. Some exciting products are appearing from the likes of Catalinbread, Strymon, Eventide, Fulltone, Thorpy, Keeley, Electro‑Harmonix and Wampler, to name just a few. If you prefer multi‑effect pedals, then you are likely to have stalwarts like Line6, Boss and Zoom in your sights. Then there are pedalboard switching systems to help you organise your complex myriad of stompers, e.g. the Gig Rig 2 and Headrush. Likewise, the ever‑improving pedalboard power supplies derive from companies such as Truetone, Voodoo Labs and MXR. Looking from the outside, there are some tremendous bits of alluring kit becoming available, way beyond the vision of manufacturers and musicians back in the 20^th Century when digital was just starting out. Whatever your budget, the choice, it seems, is yours.

Music publications across the board, including the trade press, are still suffering a seemingly unstoppable shrinkage of their market. Sales of paper magazines continue to dwindle and digital subscriptions are not filling the gap. As a result, high street transactions along with the advertising revenue streams they need to survive are decreasing. As the absolute size of the readership reduces, the risk of becoming uneconomic goes up disproportionately. Strategically, there are few options available and quite what will remain once an inevitable shake‑out occurs remains to be seen. The consequence of this is that the quality of content is likely to suffer in the long term. Music industry journalism needs to adapt, although there are major challenges ahead as people find alternative ways of acquiring the information they need (or, perhaps more worryingly, not bothering at all). Although referring to something slightly different, one is reminded of a whimsical quote from Frank Zappa who suggested that, “Most rock journalism is people who can’t write interviewing people who can’t talk for people who can’t read.” Discuss…

Another area of stagnancy appears to be in the quality of music pervading distribution channels. Video/TV, radio and physical media sales are stagnant at best, while digital streaming is becoming the dominant force. This re‑jigging of supply channels, though, isn’t the issue. Although a sweeping generalisation, it seems that since the turn of the millennium music output has increased in volume and decreased in quality. While this is a highly subjective observation, it is borne out by (vaguely) reliable anecdote across generational divides. There is no doubt that there is some extremely good music being made. However, finding the glittering gems amongst the deluge of dross is difficult and, as a result, the good stuff is constantly battling to reach a mass market, thereby making success a tough task for genuine aspiring talent (rather than vacuous celebrity wannabees!). Financial rewards for artists from streaming services is a travesty and needs addressing before it’s too late. Quite how the tide can be turned to reveal new genre twists and identify the next swathe of outstanding musicians will be a challenge for the 2020s. One can hope that something will happen, as it has always has, it just remains to be seen who, what, when and where it will pop up. Another consequence of generic music produced by generic people is that the desire for genuine instruments will decrease, thereby ultimately affecting sales of guitars.

Getting back to the point, core consumer demand for music gear continues to be resilient, although customers are understandably more discerning and, as a result, potentially more fickle. Reliance on past sales and brand loyalty are continually being chipped away at by targeted marketing and tough rivalry. However, strong competition and the downward pressure on street prices can prove to be a double‑edged sword for price sensitive customers. On the whole, one thing I can easily predict is that the popularity of the guitar will persist no matter what, despite regular prognoses that ‘guitar music is dead’. Quite what the musical landscape will be like in years to come is best left for others to forecast. Whatever happens, it’s going to be an exciting time in Guitarville.

As CRAVE Guitars is based in the UK, it is incumbent on me to mention ‘Brexit’ at this point. There are NO scenarios where leaving the European Union can benefit the country or its citizens. Prices are already increasing, not only because of increased costs and perceptions of risk but also as a result of exploitative selling practices by the unscrupulous trying to secure and bank revenue before the catastrophe strikes. Things are bad enough as they are (remember ‘Rip off Britain’?) and we don’t need any further unnecessary pecuniary pressures. After the severance has occurred and whatever the outcome is of the disastrous ‘deal or no deal’ shenanigans, import barriers, tariffs and currency speculation will affect Britain’s international trade relationships without question. The risk of further recession and national isolation rank high on the concerns of many British businesses. Given the fragile nature of the UK music industry, any weaknesses and threats will be heightened and only those that are able to adapt will survive. Hypocritical UK politicians, pedalling their own prejudices while protecting their personal interests should be ashamed of the damage that will result in the short‑term and aftershocks will continue to impact on the prosperity of the country for generations to come. What is regrettable is that there will be recourse to hold the inept self‑seeking minority accountable for engineering this chaos in the first place and having no idea about how to deliver it successfully. On this basis, I am not optimistic in the slightest. I hope, however, that I am proved wrong. Personally, my view is that there can be no backtracking and we need to get on with making the most of a bad situation. End of whinge!

Repatriation Update

I covered the long‑overdue reunion of a significant proportion of CRAVE Guitars’ vintage instruments in the last article. What I didn’t do is say much about what actually came back. So… if only for completeness, here is the full list of the (42) returnees:

1966 Epiphone Olympic
1966 Fender Coronado II
1965 Fender Duo-Sonic II
1965 Fender Jaguar
1965 Fender Jazzmaster
1965 Fender Musicmaster II
1966 Fender Mustang
1972 Fender Mustang Competition
1977 Fender Precision Fretless Bass
1977 Fender Stratocaster
1983 Fender Stratocaster Dan Smith Era
1972 Fender Telecaster Thinline
1973 Fender Telecaster Deluxe
1974 Fender Telecaster Custom
1988 Fender Telecaster
1983 Gibson Corvus II
1963 Gibson ES-330 TDC
1985 Gibson ES-335 Dot
1982 Gibson Explorer E2
1983 Gibson Explorer
1984 Gibson Explorer
1984 Gibson Explorer Custom Shop Edition
1984 Gibson Explorer ‘Union Jack’ Graphic
1966 Gibson Firebird III
1976 Gibson Firebird Bicentennial
1980 Gibson Flying V2
1975 Gibson Les Paul Standard
1977 Gibson Les Paul Deluxe Gold Top
1989 Gibson Les Paul Custom
1998 Gibson Les Paul Standard DC
2002 Gibson Les Paul Standard
1961 Gibson Melody Maker D
1964 Gibson Melody Maker
1982 Gibson Moderne Korina Heritage
1981 Gibson RD Artist
1965 Gibson SG Junior
1968 Gibson SG Standard
1962 Gretsch 6120 Chet Atkins Double Cutaway Hollowbody
1965 Gretsch 6135 Corvette
1978 Music Man Stingray Bass
1974 Rickenbacker 480
1964 Silvertone 1449 ‘Amp in Case’

Some of the guitars have only been ‘stored’ for a short period of time but many have been incarcerated for nearly 8 years!!! It is these ‘long‑termers’ to which I will probably need to pay most attention in the coming weeks and months. While they were safe and secure, a domestic loft space is definitely not an ideal environment in which to keep vintage guitars for any length of time. The fluctuations in temperature and relative humidity over an extended period are far too great to do them any good at all. Given the circumstances at the time (back in 2011), it was a necessary urgent solution borne out of a severe predicament and I had no practical alternative. I never anticipated that it would take over 7 years to get them all back – I was clearly naïvely deluded in thinking that it would take ‘about’ 6 months at the most to sort things out! Essentially, completely rebuilding one’s entire life from scratch took considerably longer and it has been an extremely arduous journey. Still, we are where we are, none of us can turn the clock back, so one has to be positive, forward looking and take it from here. At least the precious cargo has been rescued and they are now finally back where they belong and, primarily, that is what really matters.

At the moment, the only tangible evidence of the little treasure trove listed above is several stacks of dusty guitar cases. Excitement about the potential is also tinged with an element of guarded apprehension about what will be found when the contents are properly ‘exhumed’ and examined for need of repair and sensitive renovation. If at all possible, any replacement parts needed during restoration will be of the appropriate vintage. That presents a major quandary in 2019-2020. For instance, finding and procuring period‑correct components will be both time consuming and costly. While one could be practical and use modern replacement parts, I prefer to conserve these precious historically significant instruments with genuine components that are as close as possible to the originals as I can find (and afford). Only if that approach fails will I resort to pragmatic use of new stock items. Back in the pre‑recession boom, there was little difficulty in sourcing these useful bits and pieces. Now, however, it has become considerably more difficult.

Not only are vintage spare parts and accessories hard enough to find on the usual hinterwebby platforms, decent vintage guitars and amps also seem to be increasingly scarce, at least in the UK. I’m not sure why this should be. Perhaps people are hanging onto their instruments, perhaps there’s a mistrust/dislike of the usual web sites and the way they are run, or perhaps the post‑recession/pre‑Brexit uncertainty is still suppressing supply. The laws of economics dictate that continued demand combined with a shortage of (finite) supply means only one thing… increased prices. Wading through eBay is bad enough at the best of times but UK sourcing is particularly hard work at the moment. Disadvantageous exchange rates with the USA now seem to be a permanent fixture and, on top of that, CITES is a real bane. In addition, eBay searches are flooded with Japanese items that you just know are bogus. All round it’s not much as much fun as it should be when hunting down scarce ‘most wanted’ artefacts.

I am not treating the repatriation project with any sort of hysterical urgency. The guitars have been exiled for so long that a few more weeks in their new home before I get round to them won’t do any harm. In the first month, I have only attended to 2 out of 42 guitars (1964 Gibson Melody Maker and 1966 Fender Coronado) and I have to be cautiously optimistic that there is no lasting compromise to their integrity. Phew! I hope I don’t get any nasty surprises lurking in the remaining 40 to be uncovered.

Vintage guitars really need to be played. That may be ‘stating the bleeding obvious’ but the difference after a bit of TLC and playing for a few days is phenomenal. There is a transformational change in their playability, sound, feel and looks. I wonder if this may be one reason why some people pick up a (possibly neglected) vintage guitar and find it dull, lifeless and uninspiring. When they magically come back to life again, it is both a relief and a delight. The journey of rediscovering these instruments may well explain why I’m taking my time and not getting very far very quickly. Well, that and the fact that there isn’t a local guitar tech on whom I can rely when more extensive remedial works are required. I know my limitations and any attempt on my part to mess around with repairs and adjustments that are best left to experts would almost certainly be a regrettable mistake.

Another interesting observation is that, while I wasn’t overly attached to some of the guitars all that time ago – a proportion were originally intended to become the staple of a start‑up business – I have now developed an emotional connection to them because of everything I and they have been through over the intervening years. That may be a good thing because I now value them more for what they are than what they may be worth. Also, I simply wouldn’t be able to afford many of them on today’s market, so I’m just glad to have them now. However, it means that I may well have a struggle with my conscience if CRAVE Guitars does become an economic entity and I have to break those newfound relationships. Until that time, the guitar ‘collection’ is an integral part of the family and they are definitely not for sale in the short to medium‑term. My philosophy and attitude mean that the guitars still represent a not‑for‑profit conservation of the musical heritage, rather than any sort of potential gold mine.

As previously mentioned, a pressing priority over the next few months is to provide them with proper accommodation. This means that I need a competent builder to ‘tank’ the cellar and make a suitable home for the guitars. After that, I can possibly start thinking positively about what the future of CRAVE Guitars might one day become. One step at a time.

New in at CRAVE Guitars

So that I don’t fall into the same trap as last year, here’s a quick ‘new arrival’ section. As I predicted back in December 2018, things got off to a slow start this year. In fact, there has been only one purchase in the first 2 months of 2019. Surprisingly, it was an item that was actually on the ‘wanted in 2019’ shortlist.

CRAVE Effects is a relatively modest side venture that runs alongside the guitars and amps. The Cool & Rare American Vintage Electric’ acronym doesn’t actually work 100% in this context because CRAVE Effects comprises a diverse selection of stomp boxes from around the world. Whatevs! I can break my own rules.

One of the ‘classic’ effect pedals that was notably absent was the venerable Ibanez TS‑808 Tube Screamer Overdrive Pro from Japan. This was partly because availability of both the right pedal and the resources needed to acquire it were in short supply. Good ones are few and far between and, when they do come up, they go for silly money. So when an original 1981 TS‑808 turned up on eBay UK for an aforementioned silly price, but arguably not exorbitantly so, it had to be pounced upon. Thus, the notable gap has at long last been duly filled. To think that I could have added another ‘budget’ vintage guitar for the same price as the Tube Screamer puts things into perspective.

As is often the case with vintage Tube Screamers, this example shows typical signs of use (good) but not abuse (bad), so it has just the right amount of mojo, otherwise known as ‘wear and tear’, needed to be confident that it was a safe purchase. Thankfully, apart from a replacement battery snap, it is in all‑original condition and it works very well indeed for a 38‑year old pedal, which is testament to their durability.

As anyone acquainted with my opinionated drivel (or should that be overdrivel in this case?) will know, my heretical views don’t always accord with those of the self‑appointed ‘establishment’. The original TS‑808 is good but I don’t believe it really deserves its insanely elevated and almost mythological status in the minds of many guitarists. Like numerous effects from the late 1970s and early 1980s, it can sound great or grim depending on how it’s used. It is player, guitar, effect and amp dependent, so it needs to be carefully matched in order to make it sound its best. Although new TS‑808 and TS9 reissues are not the same as the old ones, they are still very good overdrive effects. Therein lies a fundamental truth that applies equally for any stomp box made at any time – you pays your money and make your choice. Regardless of my biased view, the much‑imitated and often re‑issued Tube Screamer has become the de facto benchmark for overdrive pedals and there is no getting away from it.

The web site feature on the TS‑808 has already been prepared but, like most gear purchases over the last year, it hasn’t yet been published on the web site. Sigh! Yet another job waiting in the pipeline. Watch this space…

Sign‑off

That’s about it for February 2019. This has been a necessarily short soliloquy compared to many of my verbose outpourings. Inspiration, motivation and time have been in limited supply so far this year and articulating much of any interest at all has been a bit like hard work. Therefore, there is no point in proverbially flagellating a deceased dobbin and it is probably best to stop here for now.

That means that I can get back to the immediate task in hand, which is looking after a few vintage guitars and, hopefully, playing some of them along the way. I’m sure there will be more on this particular topic in coming months. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Conscience dictates that we understand right from wrong. Imagine what mankind might achieve if we could work together rather than conflict, and what good could be done if we stopped the immense and irreparable harm we cause.”

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30 Jan 2019

January 2019 – Old and New In at CRAVE Guitars

by Tony Drew | posted in: Event, News, Observations, Opinion | 0

Intro

Well, here we are at the beginning of 2019. Wonders will never cease. We made it to the start of a new year in the history of the universe, as measured by mankind. For what it’s worth, it feels just like the universe did a human month ago but, heh, what do I know what’s been happening in the infinity of existence we call home since I last put finger to keyboard in the quest for guitar nirvana?

At the beginning of a new year, I would normally pontificate over a ‘state of the village’ observation covering what’s going on out there in guitar land. Not this year, at least not yet. I will mention that, Gibson now has a new President and CEO in James ‘JC’ Curleigh and the company was at winter NAMM in January 2019, so that’s a positive start. Here in the UK, Brexit is about to throw the country into further turmoil and mayhem that can do absolutely no good for the British music industry which is already very fragile after more than a decade of recessionary pressures. What a pathetic mess. Anyhoo… to preserve my vulnerable sanity I’m not going to expound on that any further and it’s time to get down to this month’s business‑as‑usual…

I mentioned in my end‑of‑year roundup in December 2018 that there had been a few acquisitions during the year. I also commented that the CRAVE Guitars web site hadn’t been updated for ages and things were mightily out‑of‑date. Therefore, this month, it seems time to start putting things right. Before I start, I would normally add links to the relevant web site features for the ‘new in’ gear. However, this article has been prepared ahead of publishing the features, so there is currently nothing to link to. Ggrrr. As soon as the features are in place (heck, I took the photos and wrote the narratives months ago, so no excuses!), I’ll add the links in here where they should be.

The Guitars (listed in order of acquisition)

1988 PRS Standard – First to arrive, way back in February 2018 was a stunning 1988 PRS Standard. I had been mulling over the idea of trying to get hold of an early PRS without breaking (into) the bank. I had actually been looking at a fetching early PRS CE in metallic Electric Blue when this pretty baby came to find me, purely by chance. She was local too, so no hassles over importation, couriers and all the risks that go with it.

While many punters might go for the flashy PRS Custom with figured maple cap and fancy bird fretboard inlays, I was really taken with the lovely grain of the all‑mahogany body and the understated but very attractive moon neck inlays. More importantly, it was relatively affordable compared to its more flamboyant relative (the Custom). OK, so it doesn’t have the collector‑requisites of an original case or the case candy but that made owning one achievable. More importantly, it is a very good guitar indeed with 24‑fret Brazilian rosewood fingerboard (pre‑CITES regulations and before PRS voluntarily stopped using it other than on their top‑end models). Everything that is significant, i.e. the guitar itself, is just as it should be and she plays and sounds terrific. She is also in remarkably good condition too, having been used but very well looked after. Result!

PRS guitars was founded by luthier and musician Paul Reed Smith in 1985 and this is one of the early guitars delivered from the original factory in Maryland and before PRS introduced CNC manufacturing. It may not be one of the pre‑company hand‑made instruments but they are very scarce and scarily expensive. While 1988 is modern for CRAVE Guitars, it was still early days for the fledgling PRS. I am very happy with this lovely piece of guitar history, now aging very gracefully at a mere 31 years old.

1988 PRS Standard

1978 Fender Musicmaster – Second to arrive in August 2018 was a cute little 1978 Fender Musicmaster. While this may not be everyone’s first choice as a vintage collectable, it appeared on my radar while looking for a different Fender offset (see below). The reason that this one appealed was simply that the CRAVE Guitars’ family already has Musicmasters from 1959 and 1965, so it was about adding a late example from a different decade.

By the late 1970s, the Musicmaster, like many other budget ‘Made in U.S.A.’ Fenders, was really pared down to its basics. However, it is still a very cool guitar and compares favourably to, although different from, the same model from previous decades. Presented in simple black and white, it represents a degree of purity of purpose that other, more familiar, ‘classics’ don’t exude. The covered single coil neck pickup is the same as the other ‘student’ models and has that funky sound that is characteristic of the ‘baby’ Fender lines. Good guitars from the late 1970s and early 1980s are still relatively affordable but I predict that won’t be the case for long.

All in all, I think she deserves her pride of place in the CRAVE Guitars’ clan and is a great guitar to pick up and play without having to think too much about the controls, meaning one can focus on playing. Regular readers will know that I have a thing for simple, single pickup guitars and also underrated, underdog guitars, so this modest 1978 Musicmaster scores on several fronts.

1978 Fender Musicmaster

1989 Gibson Les Paul Standard – August 2018 was a busy (-ish) time for buying. Third to arrive was a very pleasing wine red 1989 Gibson Les Paul Standard. It may seem strange to go for such a relatively ‘modern’ guitar at just 30 years old this year and right at the upper end of CRAVE Guitars’ criteria for age (pre‑1990). So what was the story here? Well… there are three reasons. The first is that one of the first ‘proper’ guitars I played was a 1970s wine red Les Paul Custom and I’ve wanted one in that gorgeous colour ever since, taking me c.40 years to achieve! The second was pure serendipity, it came up on eBay as an auction and I set a limit simply because guitars like this rarely come up for auction these days. I didn’t think that I’d win it but, lo and behold, although it reached my limit, I won and for a reasonable price too. Another result! I think that the seller was disappointed but that’s the way the cookie crumbles. The third reason is a little more intriguing. The dual humbucking pickups in this guitar are the original short‑lived Bill Lawrence‑designed HB‑L and HB‑R ‘circuit board’ pickups, which Gibson used only in 1988 and 1989. Some may criticise them but to me that is a reason to see what the fuss was about and to try them out for myself.

She certainly isn’t in museum condition but that doesn’t matter to me. I prefer a guitar to be used for its intended purpose, which inevitably means a few signs of being played. She hasn’t been abused, so no big deal, especially given that it wasn’t the most expensive Les Paul out there and certainly cheaper than a new one. A bonus is that she is very light for a Les Paul, which is refreshing. As for those pickups, well, the design is largely cosmetic. Although this guitar is not wired for it, the pickups have 4 conductors so in theory the coils could be split for added tones. To be honest, as she is, she doesn’t sound hugely different to most 1970s humbucker‑equipped Les Pauls. However, what is surprising is that I found that she plays in a different way to other Les Pauls. For some strange reason, it is one to play in a much more relaxed and laid back style. Perhaps it’s the pickups, perhaps not but, to me, it is a guitar to chill out with, rather than to thrash. All in all, it’s a great value‑for‑money guitar that’s only going to get better with age.

1989 Gibson Les Paul Standard

1971 Fender Bronco – Last but not least to arrive, also in August 2018, is a natty little bright red 1971 Fender Bronco. The Bronco was the last of the offset ‘student’ models introduced by Fender in the 1960s. As such, it is often disregarded compared to the Mustangs, Duo‑Sonics and Musicmasters. However, that fact alone makes it of interest to me. OK, so it only has a single pickup but, unlike the Musicmaster, it is located near the bridge, giving it more bite and a distinctive gnarly tone of its own. Like the Mustang, it has a vibrato bridge but unlike its older brother, it is a unique system not used on any other Fender. In my view, the Bronco deserves objective re‑appraisal within its historical context.

The backstory with this one is that it spent some time in Russia before being imported into the UK by the previous owner. That may account for the crazing in the finish that gives it a vintage mojo that suits it down to the ground. She needs a little TLC to get her back up to optimum playability including some careful work on the electrics. One feature that doesn’t affect the sound one iota is the cool use of black and silver control knobs that only appeared between 1967 and 1971. Overall, it’s not a bad little guitar for a 48‑year old. The Fender Bronco was to some extent popularised by Alex Turner of indie band Arctic Moneys, which has tended to attract the attention of collectors and push up vintage prices accordingly. It also tends to distract from the fundamentals of what is a very good, simple guitar.

1971 Fender Bronco

So, 2018 saw the acquisition of two budget Fenders from the 1970s and a Gibson and a PRS from the late 1980s. This outcome was dictated not only by a limited budget but also by space and personal circumstances during the year. In order to get the most out of them, the two Fenders really need some sensitive conservation. Despite the fact that they may not be to everyone’s taste or even qualify for what vintage snobs might consider to be ‘collectable’, I don’t care. I cannot help but express my admiration for all four of them, each in their own way. Apologies for mixing metaphors but I’ve always been one to buck a trend and swim against the tide. On reflection, it wasn’t a bad outcome at all for what was otherwise a demure year.

The Amp

The CRAVE Amps family has seen only one humble ‘new’ arrival during 2018. It may only be modest but it is as welcome as any other adoption.

1978 Fender Champ – you may ask why go for a 1970s ‘silverface’ Champ, especially when there is already a Vibro Champ from the same era in the family? The answer is partly one of keeping things as simple as possible (spot the trend here?) and, once again, opportunity. One came up on eBay and, completely unable to resist temptation, it just had to be mine! Even better, it’s a UK model wired for 240V mains. After not being used for a couple of months, it’s crackling a bit, so it may be in need of a service.

I rate these dinky little Class A valve amps and believe they deserve a much stronger reputation than the unwarranted perception of a beginner’s ‘toy’ amp, when compared to Fender’s bigger ‘classic’ amps. They are light, take up hardly any room and are fine for practice, it breaks up into distortion beautifully and works well as a good platform for effect pedals, particularly in a practice or studio environment. All‑in‑all, a solid little vintage valve amp. What’s not to like?

The Champ is clearly part of the Fender family both sonically and visually, just more compact and, in my view, cuter in all respects. Its simplicity doesn’t mean that it should be overlooked. For information, despite what the purists may assert, the ‘silverface’ Champ retains the electronic design of its predecessors and only the aesthetics changed. The point is that, where it really matters, this is a worthy little amp with quality fundamentals that are now beginning to be appreciated and much emulated by modern high‑end boutique amp builders. That Leo Fender bloke certainly knew what he was doing, even if he was running Music Man when this particular Champ was born in Fullerton, CA.

1978 Fender Champ

The Effect Pedals

Also ‘new in’ at CRAVE Effects in 2018 were a number of vintage (and, as it turns out, not so vintage) analogue effect pedals. I’ve tended to go for the popular brands to which I was exposed as a teenager, so the focus is very much on two American brands – Electro‑Harmonix and MXR Innovations – and two Japanese brands – BOSS and Ibanez. The era of interest is essentially but not exclusively from the mid‑1970s to the mid‑1980s.

Given the choice, the ‘Made in U.S.A.’ effects have always been my favourites, especially the whacky Electro‑Harmonix stomp boxes. This doesn’t mean that I’m not open to other brands, e.g. Maestro, Dod, etc. They are just the ones which I have more knowledge about and experience of using. There are so many options out there, one has to have some sort of rationale to limit the obsession.

The advantage of effects is that they are often relatively cheap to acquire and they don’t take up much room. To keep things brief, I will summarise by brand in alphabetical order.

Boss

1979 BOSS PH-1 Phaser – I already have a green PH-1 but it is ‘player’ grade, so there was an element of upgrading involved here. The incumbent worked fine but it wasn’t in totally original condition, so a slightly better and older one was found. I’ve previously written about the PH-1 and this was essentially a direct replacement, so I won’t repeat that here. Expect the old one to appear on eBay UK at some point.

1979 BOSS PH-1 Phaser

1980 BOSS CE-2 Chorus – The sky blue CE‑2 is a highly regarded ‘classic’ pedal by those in the know and it was a notable gap in the ‘collection’, so a nice one was procured. For once, I followed the trend and found a desirable ‘long dash’, silver screw, black ‘Made in Japan’ label version. Needless to say, it lives up to its envious reputation with a lovely analogue warmth and is simplicity itself to use. It is one of those that cost more than it is worth but, in this case, it was just about justifiable.

1980 BOSS CE-2 Chorus

1986 BOSS PSM-5 Power Supply & Master Switch – The red PSM‑5 is a bit of an oddity in that it isn’t an effect at all. It actually serves two functional purposes for other effects. The first is as a PSA power supply for a number of pedals. This isn’t much use to me, as most of the BOSS pedals are the earlier ones requiring an ACA supply (which actually provide up to 12V, rather than 9V). The second is as a simple effect loop, which can be of use in a basic multi‑pedal setup. It was also a cheap impulse purchase in a weak moment, so here it is.

1986 BOSS PSM-5 Power Supply and Master Switch

Electro-Harmonix

1998 Electro Harmonix Small Stone Phase Shifter – Now this is an anomaly. For one thing, it isn’t strictly vintage and it is outside CRAVE Guitars’ usual age criteria, i.e. up to but not beyond 1989. Electro‑Harmonix failed in c.1984 and part of its revival was to set up operations in Russia in 1990. The main two pedals made in the former USSR were the Small Stone phaser and the Big Muff fuzz (see below). They were based on the original American circuit boards but were constructed in a very different way. The rationale for these pedals piqued my curiosity enough to track them down. Operationally, the Small Stone is very similar to its American predecessor and it sounds as you might expect. The main draw, though, is the distinctly OTT soviet military aesthetic in sinister black and red finish. I thought it was cool enough to live alongside its vintage counterparts.

1998 Electro-Harmonix Small Stone (Russian)

1999 Electro-Harmonix Big Muff ϖ – This is the other non‑vintage pedal from the resurrected Russian incarnation of Electro‑Harmonix. This one isn’t one of the early tank‑like khaki versions, mainly because the soviet manufacturer used proprietary parts that can be a devil to maintain. EHX learnt from this and released the smaller black and yellow version which used more standard components. Crucially, this Big Muff is aurally very different from its American forebears, much more polite and with a different tone altogether. Some say that is modelled more on the Bass Muff, which may explain its tamer timbre. As such, it remains a curiosity in the EHX canon so, as with its eastern bloc comrade above, the black Russian Big Muff gets a look in.

1999 Electro-Harmonix Big Muff π (Russian)

1980 Electro-Harmonix Zipper Envelope Follower – Now we are talking the genuine article. Back in the day when I was playing psychedelic/space rock guitar, I used a Zipper alongside the Electro‑Harmonix Memory Man (echo) and Electric Mistress (flanger). While I have other envelope followers in the ‘collection’, there is nothing before or since quite like the ‘Made in NYC’ Zipper for creating touch sensitive filter sweeps. A vintage Zipper just had to (re‑)join the family and I am glad to say that it is as fantastic as I remember. Far out, man.

1980 Electro-Harmonix Zipper Envelope Follower

Ibanez

1982 Ibanez AD9 Analog Delay – here is another replacement pedal. The existing one works fine but has an unpredictable tendency to lose repeats, which can be irritating. Whether there is a fault I don’t know but I had to find out. The ‘new’ one is much better and works as anticipated. I can now appreciate why the AD9 has become a desirable classic analogue delay on the vintage market. I still prefer my EHX Memory Man but this one almost gives it a run for its money. I’m glad to have it along for the ride. I see the outgoing AD9 as a ‘player’ grade example that may well appear on eBay in due course for someone not so fussy to play with.

1982 Ibanez AD9 Analog Delay

1981 Ibanez AF-201 Auto Filter – My quest to find a creditable challenger to the EHX Zipper led to me track down the rare and collectable ‘0’ series AF-201. It is truly an intriguing little beast with a lot more controllability over the analogue filter’s parameters. Lots of sliders and switches but no rotary knobs at all. Therein lies its weakness for me. Finding just the right combination of controls can take a bit of exploration and it can be hard to recall a particular setting. What it does, it does well and it is a fascinating pedal to experiment with. The AF‑201 takes a different approach to other envelope filters.

1981 Ibanez AF 201 Auto Filter

1981 Ibanez GE-601 Graphic Equalizer – To be honest, I have never been a fan of graphic equalizers either in hi‑fi or guitars – very 1970s. However, I admit that the ability to tweak EQ can be useful in certain circumstances. After acquiring the MXR version also in 2018 (see below), I thought I would try the Ibanez ‘0’ series equivalent. They both do the same job and the Ibanez has the major advantage of a foot switch, so instant tonal variation can be applied, which also means that it doesn’t have to be ‘always on’. The downside for me is that it doesn’t have the boost/cut range of the MXR and therefore doesn’t work so well as a creative tool. I guess you pays your money and takes your choice depending on what you want to use it for.

1981 Ibanez GE-601 Graphic Equalizer

1983 Ibanez SD9 Sonic Distortion – Anyone with a solid grounding in guitar lore will be aware of the ‘holy grail’ of overdrive pedals for many, the venerable Ibanez TS‑808 Tube Screamer Pro. Well, the snot green SD9 takes the basic template and pumps it up with a shed load of steroids. A subtle pedal this is not. The ‘9’ series superseded the ‘0’ series, so it is both visually and tonally a very different animal compared to the ‘classic’ Tube Screamer. If you want more ‘meat on the bone’ without the OTT fuzziness of, say, an EHX Big Muff, the SD9 may fit the bill.

1983 Ibanez SD9 Sonic Distortion

MXR

1975 MXR Blue Box – here is another ‘upgrade’ pedal. The existing 1977 ‘script’ logo Blue Box was a bit of a bitsa. Again, it worked (if you can call what it does as working!) but it wasn’t exactly a pretty example, with a changed footswitch and baseplate. I paid well over book for the new one from a London dealer on the grounds that it was all‑original and, as is always the risk buying on the hinterwebby thing, this one arrived, also with a changed footswitch. Argh! A clear case of caveat emptor (buyer beware) if ever there was one. Other than that, it is original and in better condition. The Blue Box is a weird device combining a fuzz and an octave generator, and it sounds just as crazy as the other one – if you want manic aural chaos, this is a pedal to seek out. The outgoing one is likely to make an appearance on eBay at some point.

1975 MXR Blue Box

1976 MXR Phase 45 – The original ‘script’ logo MXR Phase 90 has become deservedly legendary over the decades. The ‘collection’ already has a vintage 1977 ‘block’ logo Phase 90, so this all‑original ‘script’ logo Phase 45 was seen as a complementary purchase. It is subtler and smoother than its big brother and, to my ears just as flattering. If you want soft swooshes, the Phase 45 is perfect and, like the Phase 90, is simplicity itself to use, just one control knob to grapple with.

1976 MXR Phase 45

1980 MXR Six Band Graphic Equalizer – I was generally scouting around for other offbeat pedals when I came across this diminutive little pedal. At the time, I didn’t have a graphic equalizer and was content to use guitar and amp controls. Then I got to thinking about what it might be able to do and the rest, as they say, is history. I took the plunge in a susceptible moment and here is the little blue SBGE (for short). It is always on, so no footswitch, which may be a limiting factor for many. However, when the cut/boost sliders are pushed to extremes (i.e. other than for basic EQ adjustment), the tonal abilities are quite fascinating. I now think of the pedal not as a glorified active tone control but as a creative utensil to transform an ordinary guitar’s limited tonal range into something else altogether. A little blue miracle worker.

1980 MXR Six Band Graphic Equalizer

Other

1970s Colorsound Swell (volume pedal) – I’m not quite sure of the age of this swell pedal without dismantling it, so for now it is just ‘1970s’. It works fine, is in very good condition and does just what it says on the tin. Volume pedals are nothing particularly exciting but they can add an extra bit of flexibility to proceedings. To be upfront, I got this one as it works better than the VOX (see below).

1970s Colorsound Swell

1960s VOX Volume/Expression – here’s another pedal that I bought on a whim, fancying a bit of the old violin‑type swell that a volume pedal could provide and I didn’t have one lying around. This one came up and, while being ergonomically modified (they originally were designed for use with VOX keyboards and came with a captive output lead), it seemed an interesting purchase. Some of these early 1960s effects are now becoming quite rare and collectable, so I couldn’t let it pass. The issue with this one is an overly scratchy potentiometer and I’m now in that dilemma of whether to replace it with a modern reliable pot or leave it for someone to decide at some point in the future. I’m still mulling that predicament over.

1960s VOX Volume

So… have any of these purchases made a great deal of difference and have they changed my opinion about vintage effects? Not really. In my view, the American pedals are just so much better suited to what I’m looking for than their Japanese and European counterparts. This is a very subjective value judgement and it should not be seen as America = good, elsewhere = bad. The far eastern pedals are very good. It’s just the way things have panned out for me personally.

The CRAVE Effects’ ‘collection’ is now much broader (although not by brand) and I have learned a lot from the experience. Sadly for the bank account, I feel the topic as a whole needs further investigation. The guitars remain the primary focus but these old analogue pedals certainly play their part in the grand scheme. Modern effect units have become, generally, far too complicated for my poor brain to comprehend, so I’ll stick with the pure and simple. No real surprise there.

There is no ‘magic’ to old/vintage gear and it won’t transform anyone into the next Van Halen. Modern tech is wonderful and that’s where the future of mainstream music production lies. The magic stems from the musician and the equipment is simply there to shape the tone that the musician hears and wants to communicate with the listener. My fascination in the ‘old school’ technology is on one hand personal preference and on the other to act as a steward of these gems the future.

Guitar Repatriation News

OK, so that’s the ‘new in’ at CRAVE Guitars from 2018. The really BIG news is actually of major significance to the enterprise and could come under a strange heading of ‘old in’ in 2019.

Now… here’s the thing… I may not have explained a particular episode from the past, so it is time to put things in context. Due to life changing events back in 2010, the majority of CRAVE’s guitars had to go into enforced exile in 2011 for as long as it would take to get things back in order. Some of them have been kept in less than ideal (but thankfully safe) storage for nearly eight years. Others have been stored on a more temporary basis having been swapped in and out over the years.

At this point, I have to give a very special shout out to my close friend Pete who looked after them for me and without his compassion (and loft space), who knows what would have happened to them. I am immensely grateful to him for doing it and putting up with me over the years. I never expected it to take as long as it has but that, I guess, is how life goes.

The major change since last month’s article is that on 21^st January 2019, a total of 42 guitars – 40 of them vintage, ranging from 1961 to 1989 – were reunited with me and the other guitars that were already here. While it is a massive relief to have them all in the same place again, their arrival presents two specific challenges that now must be addressed during 2019.

Repatriation Guitar Cases

The first is to work through the guitars, evaluate their condition and assess what remedial work needs to be done. I am certain that some major TLC will be required to get them all back into good playing order. At best, this will mean a general setup, cleaning and pampering, checking electrics and all the variables associated with corrosion, restringing them all, and playing them back to health. Guitars should be played to keep them in tip top condition, so that is one particular task that I’m looking forward to.

As Cheap Trick guitarist Rick Nielsen said, “Guitars are meant to be played, and they’re happiest when they’re making music”. The improvement in the Melody Maker after a few days of being used was proof positive.

Note: I hate re‑stringing guitars at the best of times but this will be a mammoth trial of endurance, a test of patience and a pitting of my strength of will against bits of wire. I am convinced that guitar strings are a risk to health and potentially downright lethal!

I was encouraged by the first guitar out of its case, my cute 1964 Gibson Melody Maker. The strings were rusty and she wouldn’t get/stay in tune, a few frets choke out (easily sorted) and the volume pot is scratchy (I can’t recall if it was like that before). The finish looks a bit dull and the metalwork a bit tarnished but nothing serious. After 3‑4 days, the benefits of being played were immense; it feels like it is coming back to life and sustains beautifully. The electrics need sorting out but it looks promising and not too bad for a 55‑year old. If the other 41 are no worse, I will be utterly amazed and truly delighted. As ‘they’ say, expect the worst and hope for the best. Fingers crossed.

The second challenge, I actually alluded to back in December 2017 in my end‑of‑year roundup. The ‘new’ house has a dark, damp, grotty cellar that I was hoping to make into a suitable home for the guitars during 2018. Unfortunately, this did not happen, as other priorities had to be undertaken first, e.g. a new roof! Converting the cellar into a usable space means ‘tanking’ it to keep the space and the rest of the structure dry, as well as some means of controlling temperature, humidity, ventilation and security.

As with all good intentions, this major project was meant to be completed prior to the guitars’ repatriation. However, as most of these things go in my life, it has happened the wrong way round. It may, though, spur me onto getting the ‘guitar room’ appropriately reconditioned in 2019, resources permitting of course. I should mention that this is not some luxurious mansion with an extensive basement area, it is very small, built into a cliff, with no natural light or ventilation and, unless one is naturally vertically challenged there is no headroom, as it is only about 5 feet (1.5 metres) high, and that is before any work is done on it. Also, access to it is far from easy to put right and will never be ideal. Nevertheless, it is better than nothing and, once it is finished, it should provide safe and secure accommodation for the instruments, amps and effects. In the meantime, I’m sleeping amongst a few piles of dusty guitar cases. Still, as a self‑confessed guitar nut, there are worse things I can think of.

CRAVE Guitars – Cellar

You never know, having a wider choice of vintage guitars to play may even improve my musicianship, as they are inspiring to pick up and use – God knows, my playing needs to improve and not just to do justice to these fine instruments!

There are other benefits of reuniting the ‘collection’, other than getting to play them. I should be able to take new photographs (and perhaps even videos?!) to populate the web site. New images can accompany the revised narrative that has already been partially prepared. There may also be an opportunity to liven up social media output as, frankly, I’m bored of posting the same old pictures from a decade ago.

I have long wanted to share my passion with others who may have a similar persuasion and it would be good to feature some or all of them in some sort of publication. If anyone is interested, give me a while to spruce them up and let me know. I think they are ‘cool & rare’ and just may be of interest to a wider audience.

I am hopeful that, despite the many setbacks that have led to where things are today, this may just be the turning point in the evolution of CRAVE (Cool & Rare American Vintage Electric) Guitars that I’ve been waiting for and a launch pad to better things. One day, maybe.

Outro

I think that has caught up with most developments taking place at CRAVE Guitars over the last year. While the ‘Potted History of the Guitar’ series was a great thing to do, it’s also good to get back to the personal ethos underpinning CRAVE Guitars. The prematurely trailed follow up to the ‘Potted History’ series is having to be put back, as I haven’t yet done the background research to get started. The reintegration work associated with the no‑longer‑exiled guitars will also take up considerable time and effort in coming weeks and months, so who knows what will appear here next month. Why not come back at the end of February and find out?

The invigorating prospect of having so many great vintage instruments to hand will hopefully act as a catalyst for change and progress. I’m still not tempted to set up CRAVE Guitars as a business; I just don’t have the ‘killer instinct’ to trade and, anyway, the sentimental connection has become strong. So, it looks like the not‑for‑profit mission to conserve this particular aspect of popular music heritage will continue, at least for the foreseeable future. Whatever transpires, the venture will certainly keep me busy for a while and that has to be seen as a positive.

Just in case you didn’t know this already, vintage guitars are AWESOME!

Now… where on Earth do I start with the ‘old in’? I think it might just be a case of, ‘eenie meenie miney mo…’ and see what happens. Until next time…

CRAVE Guitars ‘Quote of the Month’: “I would rather fail at being great than succeed at being mediocre”

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31 Dec 2018

December 2018 – What A [Deleted] Year That Was

by Tony Drew | posted in: Opinion | 0

Welcome to the 50^th monthly article and the inevitable end-of-year roundup and a look back at the last 12 months. As usual with retrospective roundups, it’s a time for lists and reflective hindsight. As one year ends, another is about to kick off, so it is also an opportunity for a tentative look forward. I hope all readers had a great 2018 and have the opportunity to look forward to a positive 2019.

Overall, 2018 was a very difficult and challenging year for CRAVE Guitars. I’m not about to go into personal circumstances; suffice to say that it was immensely testing and an experience I never want to repeat. That said and out of the way, let’s get onto the end‑of‑year summary.

2018 departures:

As is forlornly inevitable, all things come to pass and this year, like every other before it, has seen the demise of some truly inspirational musicians. At this time of year it is customary to take a few moments to contemplate those guitarists that we have lost in 2018 and recall what musical treasures they have left us. Their talents will be sorely missed and it is sad to think that there will be no more distinctive music from these guys (no gals this year). Rest in Peace and forever rock the big stage in the sky. Sad losses over the last 12 months include:

‘Fast’ Eddie Clarke (Motörhead), on 10^th January, aged 67
Danny Kirwan (Fleetwood Mac) on 8^th June, aged 68
Alan Longmuir (Bay City Rollers) on 2^nd July, aged 70
Ed King (Lynyrd Skynyrd) on 22^nd August, aged 68
Otis Rush on 29^thSeptember, aged 83
Pete Shelley (Buzzcocks) on 6 December, aged 63

Plus, there were many notable non-guitarists who are no longer with us, including:

Dolores O’Riordan (The Cranberries) on 15^th January, aged 46
Mark E. Smith (The Fall) 0n 24^th January, aged 60
Aretha Franklin on 16^th August, aged 76

While nothing to do with music, I also wanted to mention that the great granddaddy of comic books, Mr. Marvel himself, Stan Lee passed away on 12^th November at the age of 95. We also lost one of the world’s foremost scientists when Stephen Hawking died on 14^th March, aged 76.

2018 arrivals at CRAVE Guitars

This may come as a bit of a surprise but, in the background, there were actually a number of music gear purchases during 2018. Normally, I would have covered these under ‘New In at CRAVE Guitars’ articles during the year as they happened. However, with the ‘Potted History of the Guitar’ series dominating the output, coverage of their arrival got side‑lined. Depending on how things pan out in early 2019, I may give the new arrivals a bit more of a deserved coverage. In the meantime, here is a flavourless list of what came in over the last 12 months.

Gear purchases:

Guitars (4)…

1971 Fender Bronco
1978 Fender Musicmaster
1989 Gibson Les Paul Standard
1988 PRS Standard

Amps (1)…

1978 Fender Champ

Effects (12)…

1980 BOSS CE-2 Chorus
1986 BOSS PSM-5 Power Supply & Master Switch
1970s Colorsound Swell (volume pedal)
1998 Electro Harmonix Small Stone Phase Shifter (Russian)
1999 Electro-Harmonix Big Muff p (Russian)
1980 Electro-Harmonix Zipper Envelope Follower
1981 Ibanez AF-201 Auto Filter
1981 Ibanez GE-601 Graphic Equalizer
1983 Ibanez SD9 Sonic Distortion
1976 MXR Phase 45
1980 MXR Six Band Graphic Equalizer
1960s VOX Volume/Expression

Plus… 3 pedals were also replaced during the year:

1979 BOSS PH-1 Phaser
1982 Ibanez AD9 Analog Delay
1975 MXR Blue Box

The last two years of planned and unplanned purchases seems to indicate that CRAVE Guitars is increasingly specialising in 1960s to 1980s gear. The 1960s are getting increasingly expensive for me, hence the lack of recent purchases from that particular decade. The 1970s and 1980s are often seen as an unpopular period for vintage guitars, so… for me, that’s a very good reason to focus on this period and prove the naysayers wrong. There are plenty of VERY good guitars to be had from both the 1970s and 1980s. The spotlight still accords very closely with the principle of ‘Cool & Rare American Vintage Electric’ Guitars, so I’m happy with that as a modest ambition. I’m still not running it as a business, so it is still very much a not‑for‑profit enterprise about conserving the heritage for the future.

I haven’t sold any guitar equipment this year, as is perfectly normal with a deep‑seated guitar‑affliction. However, the plan is that if planned plans go to plan, I will be selling some equipment to reinvest in the heritage, either by trading up to older/better guitars/amps/effects or perhaps just getting something new and unanticipated. Watch this space…

2018 Live concerts (2):

2018 was a sparse year for live music, so the list is short…

BST Hyde Park (The Cure, Interpol, GoldFrapp, Editors, Slowdive, The Twilight Sad, Pale Waves)
Looe Saves The Day music festival (various)

That’s it. Still, better than nothing at all.

2018 Album releases purchased (20):

2018 has proved relatively moribund at times and searching out great new music seemed harder than it should have been. There was, though, a diverse range of music from all sorts of genres. I’m always looking for cool new music to sit alongside the greats (and not so greats). Quality is variable, which is to be expected in this day and age, but there is much fun to be had discovering music both old and new, good and bad – after all, how do we recognise the greats if we don’t have the rest to compare them to? Here are the new albums from the last 12 months gracing CRAVE Guitars’ iTunes:

Courtney Barnett – Tell Me How You Really Feel
Black Label Society – Grimmest Hits
Buddy Guy – The Blues Is Alive And Well
Confidence Man – Confident Music For Confident People
Gaz Coombes – The World’s Strongest Man
The Cure – Mixed Up (Deluxe Edition – original standard release in 1990)
Editors – Violence
Tommy Emmanuel – Accomplice One
Ghost – Prequelle
Goat Girl – Goat Girl
Jon Hopkins – Singularity
Lance Lopez – Tell The Truth
Low – Double Negative
Nightmares On Wax – Shape The Future
Dan Patlansky – Perfection Kills
The Prodigy – No Tourists
Ry Cooder – The Prodigal Son
Shame – Songs Of Praise
Various Artists – This Is Trojan Dub (reggae)
Wilko Johnson – Blow Your Mind

Plus… Black Stone Cherry – Black To Blues (E.P.)

These weren’t the only purchases. They are only the 2018 album releases – I also bought quite a few albums from previous years, not included above.

Social Media

Over the last 4 years, CRAVE Guitars has posted almost 29,000 posts on social media. On 12^th September 2018, CRAVE Guitars reached (and exceeded) 4,000 followers on Twitter (4,515 at the time of writing), which has taken an immense amount of hard work doing the research and building up reputation and credibility.

A big shout out to everyone who has shown an interest in the lighter entertainment side of CRAVE Guitars’ social media output. THANK YOU all! In addition to Twitter, CRAVE Guitars also has guitar‑related content on Google+, Facebook, LinkedIn, Instagram, YouTube, Pinterest, Flickr and Tumblr. Check it out.

Here are some genuine comments from Twitter followers that made me think that all the effort has been worthwhile…

“I love Crave Guitars !!!”

“… there are many who greatly appreciate your expertise and your encyclopaedic knowledge around your calling. Thank you for sharing your passion.”

“… thanks for the inspiration CRAVE Guitars.”

“Thank you for sharing your knowledge & all the beautiful guitars”

“… you post great stuff. Thanks, makes my day”

Plus… there are the usual dicks that populate the various platforms. They go with the territory I guess.

Over the year, CRAVE Guitars has showcased guitars by over 200 different guitar manufacturers working hard every day and from around the globe. The brands covered range from the famous global brands right down to individual luthiers who you may not have heard of because they make very small numbers of guitars in home workshops. I will continue to highlight the diverse range of craftsmen and women, all of whom deserve exposure in today’s highly competitive and challenging economic climate.

‘A Potted History of the Guitar’ Articles

The ‘Potted History’ series of articles took over the blog in 2018, using up 9 of the 12 months, leaving little room for other ramblings. Still, it was different from previous years and probably unlike future ones too. Variety is good.

During the year, I got some really nice unprompted testimonials on the series, so a big “Thank You” to everyone who read the blog articles and made all the research and writing meaningful. In addition, I learned a lot from doing it too. Here are some genuine comments received – thanks for your feedback…

“Thanks a million for the personal gift of your writing and pics of gorgeous guitars… You’re cool. Thanks!”

“Brilliant article, I have learnt so much.”

“Really epic article.”

“Finally read the whole series yesterday. You should turn this into a book… It was certainly worthwhile, one of those reads when you’re sorry when it ends. Hat off to you Sir for the effort.”

The ‘Potted History’ was originally intended as an entertainment piece for those that might have an interest in the general subject matter, while also having enough detail for the keen enthusiast but not so dry that it would only appeal to the clinical expert (whimsically described as ‘someone who knows more and more about less and less’). It wasn’t a forensic academic thesis, so it may not have had the requisite degree of nerd‑fodder for some. I didn’t allow comments on the articles, as I simply couldn’t cope with the interaction needed to respond to them properly.

In order to make the series more accessible and coherent, I may try to turn them into a feature on the web site. I don’t have the resources to publish them as a ‘book’, so that seems the best format, at least for the time being.

CRAVE Guitars Web Site

The CRAVE Guitars’ web site has, unfortunately been neglected this year and has hardly been updated at all, a failing that really needs to be rectified. About 15%-20% of the content needs something entirely new and about another 60% of it warrants considerably updated material. In most instances, most of the basic feature narrative has already been written and just requires finessing and the time to do it. New photos are needed for around 50% of the guitars but that requires them firstly to be relocated to ‘here’ and secondly, many of them will require essential refurbishment after a prolonged period of storage. That’s before I even begin to think about creating exciting new and creatively different ways of doing things. It’s all on the ‘to do’ list for 2019.

[Deleted] Whinge

Now that the web site is generating a lot more traffic and social media is picking up, I am getting overwhelmed by [deleted] idiots deluging my CRAVE Guitars’ e‑mail inbox with [deleted] spam and other [deleted] rubbish. I don’t [deleted] care who the [deleted] you are, if you are not interested in Cool and Rare American Vintage Electric Guitars and you are just trying to sell me your [deleted] rubbish, I will not even acknowledge your pathetic [deleted] existence so, if you [deleted] are stupid enough to read this, you know who you are, [deleted] stop wasting my life you [deleted] [deleted]. I have one very short message to you all, [deleted] off!

*Insert your profanities of choice to suit.

Home renovation

As 2018 was an extremely difficult year, no progress was made on converting the dark, damp and grotty cellar into a safe and secure home for CRAVE’s guitars. Most of the other serious structural work has, however, now been completed, so improving the cellar is the next major job on the priority list, funds permitting of course. Converting the cellar into a ‘guitar room’ is still an intention, so maybe in 2019 some headway can be made.

Looking forward to 2019

Overall prospects for 2019, sadly, look even bleaker than for 2018 with little in the way of ‘light at the end of the tunnel’. Quite what this means for CRAVE Guitars, I have no idea and, frankly, I do not wish to speculate. I will, however, endeavour to continue as long as possible and trust that things will one day turn around.

On a more positive note, what music gear tops CRAVE Guitars’ affordable vintage ‘most wanted’ list for 2019? This coming year, I will once again have to go for something modest and realistic on a tight budget. I don’t expect to get what’s on the list but, just for the sake of putting it out there, it includes…

Guitars:

1960s Danelectro (no specific model)
1970s Fender Stratocaster
1960s Gibson Melody Maker (type 3)

Effect Pedals:

1970s Electro-Harmonix Bad Stone
1980s Ibanez PT9 Phaser
1980s Ibanez TS-808 Tubescreamer Pro
1970s MXR Micro Chorus

Amps:

1970s ‘silverface’ Fender Princeton (with or without reverb)

I may have to sell one or more existing bits of gear in order to fund any purchases in 2019, which looks like it’s going to be another financially challenging 12 months.

Perhaps more importantly, many of the guitars in the ‘collection’ have been stored with a close friend for far too long while I got our act together. I am hoping that the ones that are not already here may get repatriated very soon. Even if the cellar may not be ready for them yet, the intention is to bring them home and reunite the ‘family’ again early in 2019.

Music

For 2019, I have managed to secure tickets to see Bob Dylan and Neil Young co‑headlining at Hyde Park in London for July 2019, assuming that it will be possible to go. I’ve seen Neil Young before, and very impressive he was too, but this will be my first time for Bob Dylan. The pair may be rock’s ‘old guard’ but it should still be a unique event worth witnessing.

There are no specific albums that are eagerly anticipated for 2019, so let’s just see what happens.

Musings

Much depends on capacity and resources but I am still contemplating an appropriate companion piece to the ‘Potted History’ series for 2019. All will, I hope, be revealed at some point in the New Year, ceteris paribus (but I’m not committing to exactly which New Year!). Such endeavours take up an incredible amount of time and effort. Is it really worth it? I really don’t know and it is probably not up to me to judge. The prospective audience is very limited, not only in total numbers who might read and get something from it but also whether it is pitched at the right level on the right medium to make it popular.

Conclusion

So, that just about wraps it up for another year of CRAVE Guitars’ enthusiastic and obsessive approach to conserving underdog vintage heritage guitars and generally promoting the world’s favourite instrument. It was, on the whole, a [deleted] year but one has to remain thankful for what one does have and make the most of it. Wishing you all a healthy and prosperous 2019.

If you and I are still around and still interested in 12 months’ time, why not pop back this time next year to find out if there’s been anything noteworthy to report.

I really ought to spend more time playing guitars, so perhaps it’s time to pick one up and make some noise. Until next time/next year…

CRAVE Guitars ‘Quote of the Month’: “What is so wrong about believing that peace, love and music are essential ingredients for ensuring humanity’s successful future?”

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30 Oct 2018

October 2018 – A Potted History of the Guitar Part VIII

by Tony Drew | posted in: History, Introduction, Observations | 0

Welcome to what is, for now at least, the final part in this series of articles on the history of the world’s most popular musical instrument.

If you wish to recap on any or all of the previous seven posts before starting with this one, the whole ‘Potted History of the Guitar’ series, can be accessed here (each part opens in a new browser tab):

Part I – The ancient world up to the early Renaissance
Part II – The Renaissance up to the end of the 19^th Century
Part III – The late 19^th Century up to the 1930s
Part IV – The 1920s and 1930s
Part V – 1930s up to the 1950s
Part VI – 1950s and 1960s
Part VII – 1960s to date
Part VIII – The current day and into the future. Read on below…

Having pretty much reached the present day, all that remains is to summarise where we are now and to take a somewhat flippant and imaginative look ahead. The ‘current day’ is a tricky subject, as ‘now’ is at best ephemeral. The future, on the other hand, can only ever be guesswork, even if it can be informed by the past. Perhaps the best way to predict the future is to help to create it, so that means that what happens to the next chapter of the guitar is in our hands. Can we be trusted to behave as responsible guardians of the guitar’s destiny? As Mahatma Gandhi (1869‑1948) said, “The future depends on what we do in the present”. This suggests that what will happen is not predetermined and individually or collectively, we can take action to shape the future.

There are not many images again supporting this article so, apologies to those who like pictures to speak a thousand words. Anyway, without further ado, on with the last part of the chronicle…

The guitar has come a very long way in the last 3,500 years or a road slightly less travelled in the preceding 350 years depending on whose version of the facts you want to believe. The story has finally reached that pivotal moment that lies between the past, which is, on the whole, pretty well documented and the future, which of course isn’t. There is much to be played for and the stakes are certainly high.

It is hopefully of little surprise that the future of the acoustic and electric guitar, as well as all its derivatives and distant relations, is probably well‑assured, at least for the foreseeable future. Whether it survives in the (very) long term or not, the world’s favourite musical instrument is undeniably going to be a hard act to follow, let alone surpass.

As with many industrial and technological revolutions, predictions have proved variable in terms of accuracy. As time passes, change tends to accelerate in both pace and scope. While progress may be inexorable, there is an unseen ‘force’ that tends to counteract unbridled advances and which acts as a bit of a restraint. That set of reins is the very human tendency to hold onto what is familiar while resisting change until it is either inescapable or desirable. This natural ‘drag’ effect has laid waste to many grand ideas and great inventions. Numerous well‑marketed ‘next big things’ have fallen at the hurdle of persuading the general public to take up something new or unfamiliar, especially if one’s respected peers haven’t bitten the bullet of early adoption either. Mankind’s flawed history is littered with countless failed marvels. This phenomenon isn’t, I hasten to add, just a trait of idiosyncratic musicians; it appears to be a fundamental characteristic of the human condition.

Anyway, as usual, I digress. It is time to get back to the point which is basically that whatever you read from here on has absolutely no basis whatsoever in fact and is highly likely to be extremely wrong! My consolation is that few people will regard it as portent or look back to judge its accuracy in a century’s time. There is nothing genuinely prescient here in the vein of Da Vinci or Nostradamus. Apologies if you were hoping for more in the way of a profound visionary insight. Unfortunately, my stock of that ran out last week.

General indicators of change

It is fair to suggest that popular music is often representative of, and in turn is dependent on, broader social, cultural and political movements, and guitars follow in their footsteps. Whether we like it or not, music is integral to our everyday lives, so it is not surprising that it is also inherently powerfully evocative. As a result, it can dramatically affect the way we identify with past events.

One of the key factors that drove guitar evolution has been the trends in popular music, so perhaps musical trends may provide a much generalised hint at parallel guitar developments. Let’s start by considering the (very simplistic) genre movements and the types of instrument used over the last century. Starting with the post‑classical era, there was jazz (Gibson archtops) and blues (National & Dobro resonators) in the 1930s and 1940s, country and rock ‘n’ roll in the 1950s (Gretsch & Gibson hollowbodies), pop and rock in the 1960s (Fenders and Rickenbackers), progressive and heavy metal (Gibson solid bodies) and then punk (pawn shop guitars) and hair metal (pointy super Strats) in the 1970s. Then we get to the guitar doldrums of electronica, new age and rap in the 1980s, followed by revitalised guitar music of alternative, grunge in the 1990s, and indie (retro guitars) nu‑metal (PRS) and dance in the 2000s, etc. I struggle to think of a musical genre that so far defines the 2010s or perhaps many distinctive guitars to go with them. So there is some kind of link going on here. Google has attempted to map the progression of musical genres from 1950 to the current day (take from it what you will).

The type of guitars de jour used by famous musicians, including artist associations, during these epochs often reflected the style of contemporary music they played and these have largely been well covered in previous parts of the story. Just think of Chet Atkins with his Gretsch 6120, Buddy Holly with his Fiesta Red Fender Stratocaster, The Beatles with their Rickenbacker 300s, or Jimmy Page with his Gibson Les Paul Standard and EDS-1275 double neck. The various interconnections are manifold and too many to mention here, and many have been captured in photographs to become iconic in the annals of rock history.

Cinema and television music regularly use key songs to catapult us back in space and time without the need for narrative exposition to describe what’s happening. Just think about classic movies such as American Graffiti, Stand By Me, Almost Famous, Saturday Night Fever, The Breakfast Club or 8 Mile among many, many others. Those random examples don’t include the numerous biopics (e.g. Sid & Nancy, Walk The Line, The Doors) and musicals (e.g. West Side Story, Grease) or original scores (e.g. Paris Texas) that use familiar, memorable and/or popular music to transport us to another ‘reality’. Then there are the one‑offs like the mockumentary, This Is Spinal Tap. TV programmes also picked up the strategy for domestic viewing since the 1960s and often featured manufactured artists such as The Monkees or The Archies. The lists of relevant examples are endless. Music is used to draw the viewer into the director’s vision of a certain bygone era. Many of the sound tracks of our lives rely heavily on evocative (guitar) music to manipulate us emotionally and, more importantly, intentionally.

The way that environmental factors affect local communities may spark a genre direction that is then promulgated more widely. For example, one could point to the rise of electric blues in Chicago, soul in Detroit, Mersey beat in Liverpool, punk in New York and London, rap in Los Angeles/Philadelphia, or grunge in Seattle, etc. What we cannot predict is what or where any future musical revolutions (if any) may emerge, from where, and what step‑change responses guitar builders may then make.

As with many other aspects of our 21^st Century lives, the nature of music, how it is made, distributed and accessed suggests that anything genuinely ‘new’ will find it much harder to stand out from the mainstream. What is already there will continue in some form and anything new will simply be added to it, often at the margins of existing genres, hence the proliferation of sub‑genres, e.g. thrash or nu-metal in rock; house and techno in dance; raga and dancehall in reggae; dubstep and grime in urban music, etc. One only has to compare and contrast the mind boggling varieties of heavy metal music and then consider how they continuously diverge, converge and cross‑fertilise in order to keep it fresh and vibrant.

While some technological change may be more predictable, social change and the music that characterises it is certainly more unpredictable. When one looks at something as specific and tangible as the guitar, it becomes increasingly risky to anticipate with any certainty what change may occur over an extended period of time, say the next century or so.

One view is that we are powerless and don’t need to think about it, as what will be, will be. Another is that we wait passively and be subject to what transpires with little or no influence over it. A third way may be not to accept the status quo and take positive action to stimulate change, which can happen in oddly random ways. Being of an opinionated sort, I tend to fall into the latter camp. Apologies, that probably actually doesn’t help much!

Perhaps the biggest challenge to the guitar’s supremacy is likely to lie in the digital revolution that really started to make an impression in the 1970s and 1980s. Part of the reason for the guitar’s seemingly unassailable success has been that it is a hugely expressive and flexible instrument, which actually makes its nuances extremely difficult to replicate in a world constructed entirely of binary 0s and 1s. We shall see whether digital advances can fully overcome the difficulties in recreating the subtleties provided by a very analogue instrument in the hands of discriminating (and generally quite conservative) musicians.

The evidence so far suggests that digital is making ever increasing inroads into the analogue guitar’s dominance and the discernible gap between analogue and digital output is decreasing all the time. How long will it be before even the most ardent luddites finally admit that they can’t really tell the difference (despite what they may say outwardly)? However, it isn’t just the sound of guitars that appeals to guitarists; it is also the feel and the look of them that matters, as well as how they allow musicians to communicate with each other in unspoken ways.

New generations of guitarists, however, may be looking for something very different from their predecessors. What form will ‘the shape of things to come’ take? Will it be all hyper‑modernistic and crammed with tech and flashing lights and built from materials we cannot yet imagine, or will it be the same old bits of tree wood crafted into the familiar shapes of Telecasters, Stratocasters, Precisions, Les Pauls, ES‑335s and SGs that we covet today? Only time will tell how things pan out and it will be for future authors to use the convenient assistance of hindsight to determine and document what path the history of the guitar takes from here on.

Looking and learning from the past, one might simply extrapolate forward. Future guitarists may well be like their ancestors and pragmatically seek to mix the best of the past with the best of what’s to come, regardless of whether it is analogue or digital. My personal prediction is a typically ambiguous ‘sit on the fence’ one, in that guitars will probably become increasingly hybrid if they are to keep ahead of other comparable instruments. Let’s face it, there are not really any threats` to the guitar’s dominant popularity at the time of writing and it has always been a continuously evolving instrument, so it would be of little surprise if this were to continue. While the 1980’s temporary trend for synth and electronica attempted to eradicate guitar music in the minds of popular listeners, the guitar has proved very resilient and difficult to displace.

Since the 1970s, the guitar has been used to trigger digital electronics. However, while both signal tracking and polyphony still present problems, these barriers are gradually being overcome. There have been several attempts to introduce effective guitar synths over the years but they have really been analogue or digital filters activated by either an ordinary guitar pickup or by discrete signals from a hexaphonic pickup. Hex pickups, which output a separate signal for each string, were often added to an existing guitar and used to transform it into a MIDI (Musical Instrument Digital Interface) controller while still able to be used as an ordinary guitar. MIDI was a standard specification published in August 1983 by Japanese electronics giant Roland and American synthesizer company Sequential Circuits, and is commonly used to control electronic audio equipment. While attempting to revolutionise guitar music, Roland’s excursions into guitar synths since the 1980s have still relied on a standard guitar as its starting point.

Other Japanese companies specialising in electronics have also experimented with MIDI control of external synthesis engines, for instance guitars from Casio (DG20) and Yamaha (EZ-EG). It seems incredible to think that these early electronic instruments are now being considered as ‘vintage’. Today, there are now plenty of guitars on the market with MIDI capability built in. Technology has moved on and the fundamental concepts of a digital source are now ripe for being reinvestigation and improvement.

Other pioneering companies such as Line 6, now owned by another Japanese giant Yamaha, introduced their ground breaking digital modelling preamp (the Pod) and digital modelling guitar (the Variax) to indicate the direction in which development might go. Line 6’s philosophy inspired and influenced subsequent successful products such as the Kemper Profiler and the Fractal Audio Systems Axe-FX. Computer control of complex parameters, presets, firmware and downloads are commonplace for amps and effects in the 2010s and we can certainly expect this trend not only to become de facto but also to become a requirement in the near future, so a laptop at live gigs is already almost a necessity to keep your rig running smoothly – not a comfort zone for many analogue technophobe musos.

Guitar making cannot stand still and neither should it. Even the companies with a century or more of history, such as Gibson, Gretsch and Martin, have to keep moving forward or risk being overtaken. However, the tightrope of appealing to customers who appreciate the heritage is also key to the future success of long‑established manufacturers. Newer, smaller companies, though, are not constrained by the time capsule factor.

It is probably safe to say that the future is likely to be a practical symbiosis of both the familiar to satisfy the conservative traditionalists and the whizzy new gizmos to appeal to the technologically savvy experimentalists and neophytes… just as it always has been if fact. Even Gibson has been toying with the addition of digital features into its guitars, including the Les Paul HD.6X Pro and the Firebird X models. Intriguingly, Fender and other major brands have yet to declare their hands. It will be the fine balance between the opposing forces that will enable lasting incremental change, via ‘chimera’ guitars, rather than a number of fundamental radical shifts. That eventuality could prove a bit boring though, don’t you think? However, sadly, it also seems to mirror the way that modern popular music is going as well?

Leaps of unadulterated conjecture:

This next section is pure fantasy and should not be relied on as authentic in any way. It came from an idea that it can sometimes be fun to imagine what things might be like in some near or distant future. One hopes, though, that what follows doesn’t come to represent some form of self‑fulfilling prophecy.

It may be that the guitar itself could become superseded by something completely different from what musicians (rather than video game players) use today. Could it be possible that something along the lines of the PlayStation ‘Guitar Hero’ controller may someday make inroads into real instruments to create real music? I would anticipate that the majority of guitarists would sincerely hope not.

There are already some very modernistic looking instruments out there, such as the HTG Hyper Touch and the Misa Kitara (note the use of the Greek name kitara from Part I of this long story). Are these all‑electronic ‘guitars’ the sorts of instruments that will replace our beloved classic designs and become de rigeur in the near future? Alternatively, perhaps the electric guitar could somehow morph into some form of fully digital instrument via the route of hybridisation. As a logical conclusion, is the ‘Digital Guitar’ with analogue playability a holy grail and, if so, for whom? Here are some current digital guitar innovations from the 2010s…

So… suspend your disbelief for a few minutes and take a tentative look ahead to the scary world of AIs, AAs, AVs and AM (spoiler alert – these acronyms may seem familiar but in this context, they don’t mean what you think they mean today). You will be assimilated. Resistance is futile. Read on…

10 years’ hence (c.2028):

Analogue vs digital – Digital technologies will be used increasingly to enhance the analogue signal chain rather than usurp it completely. We have already seen many examples of this appearing in effects and amps, so there isn’t really any clever insight in mentioning it. Digital control of analogue signals is already becoming commonplace especially in delay and modulation effects where digital manipulation gives much more precise control over what happens in the analogue domain.

It remains unpopular to sample the original signal through an analogue to digital converter (ADC), mess around with it and then put it back through a digital to analogue converter (DAC) to turn it back into a signal for further processing. Many purists say that the act of conversion using today’s chips taints the original signal. It will be a while longer before we make that bold step of a fully digital signal chain from fingers to ears but it is getting ever closer. It will happen but possibly not by 2028, mainly because of the difficulty in engineering effective fully digital instruments and loudspeakers.

Research will continue to develop a truly digital guitar ‘pickup’ that could compare to current electromagnetic pickups and provide the first step to more complex processing in the future. Digital modelling using DSP (Digital Signal Processing) chips will continue to improve and will become almost indistinguishable from analogue electronics in effects, amps and digital audio workstations (DAWs). There will be a hardcore fan base that remains wedded to the old school stuff for many, many years to come. The guitar itself is highly unlikely to become fully digital in the next 10 years, if only because there are far too many dogmatic people invested in preserving the status quo. Auto‑Tune for the guitar anyone?

Guitar Making – In the near future, it is highly unlikely that wood will be superseded by any other material as the primary input for the majority of guitars. Wood has proved over millennia to be a very flexible, durable renewable material. Let’s face it, it can also look wonderful. One major advantage of wood is that it contributes towards the organic tone and touch of an individual musical instrument. Many alternative materials have been used in the construction of guitars since at least the 1920s, including plastics, metals, carbon fibre and a wide variety of composites. To‑date, though, wood has prevailed in terms of structural integrity allied to inherent musicality. What will change, though, is the shift away from the use of endangered exotic hardwood species such as rosewood, ebony and even mahogany to more sustainable species. For instance Pau Ferro (Libidibia Ferrea, a.k.a Bolivian rosewood) is rapidly replacing the CITES‑restricted rosewood (varieties of the genus Dalbergia) as a popular fingerboard material. Quite how fussy musicians will accept unfamiliar wood substitutes, will be determined in due course. What is clear is that guitarists really have no choice but to go with the ecologically acceptable flow in the long‑term.

Like their classical musical counterparts, the guitar itself (whether acoustic or electric) will remain very much a natural instrument for a good few years yet. The guitar will still be supremely popular and will be making great music all over the world. Guitars will be made by a broad range of entities from one man band local custom luthiers up to multinational mass manufacturers. Competition, particularly from China, will be a threat to many established western companies until their economic bubble bursts, which it eventually will at some point.

Recorded music – The vast majority of recorded guitar music will be produced on digital equipment with a few retro studios still using analogue equipment including valve preamps and tape machines. The relative accessibility of convenient digital recording equipment will continue to provide openings for all sorts of artists from the home musician to the professional mega bands using famous dedicated studio facilities such as the famous Abbey Road Studio in London. Recorded music will be increasingly distributed and accessed online, although legacy formats will maintain a solid niche popularity.

Live music – Live music will continue to grow in popularity to become the cornerstone for many successful artists, provided that they do not price themselves out of live appearances and that over‑zealous regulations don’t stop large live events from taking place. PA and monitoring systems will continue to improve significantly and sound pressure levels at venues will be severely restricted, removing some of the visceral excitement of the live music experience.

30 years’ hence (c.2048):

Analogue vs digital – Digital will be the primary domain in which music will be made, recorded, distributed and accessed. The guitar will remain analogue, although it is likely that the entire chain from the pickup onwards will be predominantly digital. However, as with current classical instruments and music, there will still be an important place for traditional analogue guitars. Amps and effects are likely to be almost totally digital. Successors to the analogue electromagnetic pickup and the loudspeaker will be introduced to a point that digital sound will be common if not universal. ‘Old fashioned’ guitars will remain very popular and will experience regular revivals and rejuvenations, even if the overall battle will be won by the digital technologies of the 2040s. New digital connectors will proliferate, as the currently ubiquitous USB port will long since have been superseded, and the jack pug/socket will be purely of vintage interest.

Guitar making – Most of the large manufacturers will be producing some sort of digital instrument as the norm, even if the vital interaction between fingers and strings will remain as it is now. All guitar tone woods will be derived from sustainable sources by strict regulation and use of rare species tightly controlled (outside the unavoidable black market). The use of alternative materials will be in full swing, reducing the reliance on today’s natural materials. New guitars will be built to be recyclable. Automated manufacturing will be the norm and the demand for traditionally made guitars will be catered for by numerous specialist guitar builders. Pure wooden analogue guitars will be vintage only and regarded with the same respect as classical instruments are now. Guitar development will be relegated to refinements around the margins, rather than core revolutions. Hybrid instruments will be fighting a rear‑guard action, with digital beginning to win the final battle. Competition to the guitar will continue but will not succeed… yet.

Recorded music – Digital will almost totally dominate recorded music production, distribution and access. Diehard analogue fans will be regarded as geeks and nerds. Vinyl albums will, however still persevere… just.

Live music – Like recorded music, live music will be, apart from the musicians themselves, almost universally digital. ‘Loud’ live music will be a thing of the distant past. Music venues will begin to disappear as discrete locations, with personalised performance content delivered direct to the individual.

50 years’ hence (c.2068):

Analogue vs digital – Analogue guitar music will be like classical music is today, a popular, niche and a largely historic pastime. All other aspects will be digital.

Guitar making – Standardisation and construction will be largely prescribed. Hybridisation will just about have peaked and on its way out. The majority of guitar production will move towards making AIs (Artificial Instruments). The focus will be on the technical facets of music making, rather than subjective, emotive ones. Guitars as we know them now will be of heritage interest.

Recorded music – Music will be manufactured in the digital domain with just a few maverick analogue‑obsessed musicians beavering away in the minority. The vast majority of contemporary recorded music will be created electronically, with few outmoded musical instruments as we know them now being used. Many artists will be AAs (Artificial Artists), rather than by artistically inclined human beings – the latter will concentrate on performing historic pieces from the golden heyday of guitar music.

Live music – There will no longer be a need to travel to a discrete venue where music is performed in person to a collective audience. ‘Live’ music will be created in computers, customised to an individual’s tastes and accessed in the home, in a domain known as an AV (Artificial Venue) giving the sight, sound and feel of a venue.

100+ years’ hence (c.2120):

Analogue vs digital – Analogue guitar music will be an historic vocation and largely a lifestyle pastime. All other aspects of ‘modern’ music will be entirely digital. Some authentic old‑style music will be recreated on historic instruments for research purposes, rather than as entertainment.

Guitar making – Even the last few old‑school luthiers will be migrating to alternative materials, automation and digital electronics. Hybrid instruments will be seen as a thing of the past. AIs will be commonplace and there won’t be a need for human musicians to learn the art or skills needed to make any type of contemporary music.

Recorded music – Popular music will be artificially created without the need for accomplished musicians. Music will be constantly morphing on a second‑by‑second basis, known as AM (Artificial Music).

Live music – Performance capture will be produced electronically and experienced direct by the listener’s visual and audio receptors, bypassing the unreliable eyes and ears altogether. Finally, the digital signal path from computerised source to the recipient’s brain will be complete and will require no human intervention whatsoever.

Alternative Reality

Or… in some alternative, perhaps more desirable dimension, the unwritten future could well be pretty much as it is today, with new generations doing just what we do now, rocking to good old electric guitar music. To many guitarists, the tactile and synergetic relationship between musician and his/her guitar in full flow with other musicians is unbreakable and simply cannot be usurped by some dystopian digital future scape.

One trusts that there will always be a place for creative artisans and a desire or the musically minded to enjoy the fruits of their vision for the guitar of the future. It is encouraging that many well‑known guitar makers are actually stepping back in time in order to move forward. This isn’t the paradox that it may first seem. Savvy guitar builders are investigating in great depth what made great guitars great in the first place and identifying what musicians actually want from their instruments today. Much of this current R&D is leading to a number of findings that indicate that what was important 100 and 200 years ago (and probably longer) is still important today but with modern consistency and reliability.

Perhaps the past masters did get it largely right in the first place and that is why their products, new or vintage, are still desirable artefacts today. While traditional manufacturers like C.F. Martin use modern production methods for some parts of the building process, they are also still using tools and equipment employed by successive cohorts of luthiers, as well as relying on many of the basic techniques and skills refined and passed down from one generation to the next. Most of the top flight guitar builders also work very hard to ensure long-term supplies of precious tone woods to make into future guitars. This focus on the best‑of‑the‑best perhaps suggests that guitars may well remain, for the large part, relatively familiar in 10, 30, 50 and 100 years from now but with improvements to the detail. Perhaps it takes that bold flight of fancy to realise that we already have what we and future generations of musicians actually need. Owning inspiring guitars inspires guitar playing and results in inspiring guitar music.

There really is no point in speculating any further ahead. The likelihood is that, even with advances in medical technology, most if not all of us reading this in 2018 will not be around to see anything beyond c.2020. The guitar is dead, long live the guitar. The passage of father time will inform just how accurate these flights of fantasy (or descents into nightmare) really are. Clearly, the further one looks into the future, the less precise any predictions become. Welcome to tomorrow’s very scary ‘brave new world’.

I, for one, am certainly not laying any bets. I’d like to think that there is something about our very personal instruments that will endure for many decades, if not centuries. If we lose that quintessential ‘something special’ about making guitars that make guitarists that make music, it will all have been for nothing. Watch this space.

Conclusion

So, that’s it. The long‑running and on‑going story of the guitar has finally reached a logical stopping off point, at least for now… However, it not the end of the story by any means. Somewhat disappointingly, the denouement to ‘A Potted History of the Guitar’ series seems to be a bit more of a whimper than some almighty bang. After so much history and so much personal investment in researching it, it seems a bit of a let‑down to leave the guitar’s evolution ‘hanging’ without some sort of definitive resolution to the script and with the various loose ends neatly tied up. Nevertheless, remember that this is not a fictional piece and let us not forget that this is definitely not the epilogue.

‘They’ say that a picture speaks a thousand words. So, to sum up the 3,500‑year, 8‑part journey in a single image that tells the story of the guitar from its origins to the possible near future, here is a fitting 27‑picture montage that possibly speaks approximately 50,000 words. Basically, I could have saved 9 months of my life and just posted this one composite picture. That, I guess, is one of the benefits of hindsight. I hope that you’ve enjoyed the expedition with me and that, like me, you have learned a little something about the guitar along the way. You wanted a potted history of the guitar? Well, how about…

From this point in time onwards is the start of the future and, whatever happens next. It will be fascinating to experience the on‑going next instalment of the long story and to observe with trepidation and excitement what is to unfold. Let us try to make it a bright and positive outcome for everyone who loves The Guitar and Great Guitar Music. Thank you for reading. Enjoy the future, whatever it holds for us guitar aficionados.

End of Part VIII and the end of this series

Now… I need a break from the relentless rigmarole of the research and write routine, which has, for the best part of a year (or more), been on top of everything else. As mentioned previously, at some point, I might adapt the eight separate ‘Guitar History’ parts into a more coherent and accessible feature set on the CRAVE Guitars’ web site.

Very shortly, I will try and start to prepare for 2019’s (hopefully slightly less) epic partner piece to this year’s gargantuan opener. For the rest of this year, it is back to opinionated hum‑drum ‘normality’ with stand‑alone observations of a more topical and transient nature.

One thing I have noticed is that I haven’t been playing enough guitar in recent months, hardly any at all in fact, which is deplorable. So perhaps now that this particular endeavour is over for now, it’s time to practice what I preach, pick up a lovely vintage guitar and plink away for a bit of cathartic enjoyment. At least, in doing so within the context of the past, I now have an enhanced appreciation of the history that led to it coming into my hands and why it is so important to conserve the heritage for that future. Until next time…

CRAVE Guitars ‘Quote of the Month’: “Let’s be honest, the future is all we really have and it is the only thing we can do anything about”

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29 Sep 2018

September 2018 – A Potted History of the Guitar Part VII

by Tony Drew | posted in: History, Introduction, Observations | 0

Welcome back to the latest in a long series of articles chronicling the history of the world’s favourite musical instrument. Last time, we covered the advent of production solid body electric guitars during the guitar’s ‘golden era’ from c.1950-1965. That article also covered some relevant later events, but the essence was about a period of intense invention and creativity, hence why it deserved a separate article dedicated to it, even though much of the content would be familiar to many.

This month’s article mostly focuses on ‘what happened next’ between c.1965-1987, although it does also cover the subsequent period up to the current day, albeit in less depth than the earlier years. Depending on how the rest of the story is covered, this 7^th part is likely to be the penultimate episode.

If you’ve been following the various twists and turns along the way, you’ll know that I have tried very hard to strike a balance between light entertainment for the general reader and the level of detail that would appeal to the needs of the nerdiest of guitar geeks out there. As previously stated, this is not an academic thesis – I just don’t have the time or resources to reference every element along the way, so it probably will never make it into book form, which is a bit of a shame but ç’est la vie. However, once the 3,500 year history has been finished, I may try to bring it all together as a ‘box set’ feature on the web site, so it will be easier to find and come back to than monthly instalments. It also provides the opportunity to correct the content. I may also add a bit off the original longer version back in (!!) and to balance the various parts as a more coherent whole.

You may wish to recap on previous articles before starting here at Part VII. If so, the previous segments of ‘Potted History of the Guitar’ series, can be accessed here (each part opens in a new browser tab):

I hope that you’ve enjoyed the journey so far and will stick with it for just a little longer. For me, it has certainly involved a huge amount of hard work researching and learning along the way. There is an enormous amount of information that had to be excluded in order to make it digestible in an online format. As always, while I have been diligent, some errors and omissions will inevitably have crept in. Not only do I apologise if that is the case but also, I welcome feedback from readers in order to correct or clarify. I would also encourage readers who might wish to look at things either from a different perspective or with a different level of detail to explore the fascinating world of guitars for yourselves.

There are not many pictures this month, as the subject matter is largely narrative‑driven. Sorry about that, photo fans.

Post-Modern Reconfiguration, Rejuvenation and Consolidation

It has become generally accepted that the electric guitar’s so‑called ‘golden era’ started at the beginning of the 1950s with the introduction of Fender and Gibson’s solid body electric guitar models and ended in the mid‑1960s around the time that Leo Fender sold up in early 1965, followed by Gibson in 1969.

On the face of it, the years immediately after the mid‑1960s would appear to be of little historic interest, particularly as far as investors and ‘serious’ collectors are concerned. While the 1950s and early 1960s have been very well documented in countless learned tomes, the subsequent years have tended to be characterised by vociferous opinion and anecdote in a relative vacuum, rather than subject to objective scrutiny.

The Internet has, perhaps unsurprisingly, encouraged many already polarised opinions to become even more extreme. Assertive and often throwaway hyperbole of many self‑appointed ‘experts’ has possibly been consistently exaggerated to the point that they have gained some sort of historical validity. Widely read ‘unpopular opinion’ is often misinterpreted as indisputable definitive evidence. It isn’t gospel; there was more to it than what many would have you believe.

This version of the ‘facts’ is arguably simply that and, while every effort has been made to remain impartial, it should be read with a degree of realistic scepticism. This doesn’t mean that there wasn’t some ‘smoke without fire’, just that the flames may have been fuelled by circumstances and intensified by ill‑informed prejudgment.

The music industry wasn’t alone in coming in for acerbic over‑criticism; the American automotive industry was also subject to similar issues during 1960s and 1970s. The parallels extend beyond the superficial with the demise of many historic car brands and the inexorable rise of Japanese competition. As with guitars, some of these old models are now becoming highly sought after. The guitar industry during the latter part of the 20^th Century, it seems, was symptomatic of wider deep‑seated socio‑political problems in the world’s largest capitalist economy.

Actually, ‘what happened next’ is an equally fascinating tale and one that is worth spending a little while looking at. At the same time, it’s also worth standing back and looking at the bigger picture as events unfolded. While it’s all a matter of degree, what transpired was rife with intrigue and machination. The appeal of these transitional years is one of the reasons that CRAVE Guitars tends to focus on ‘forgotten underdog’ and quirky cool American electric guitars from between around 1960 and 1989, although not exclusively.

Was that all‑too‑brief 15‑year ‘golden era’ the end of the story? Will guitars built in the ‘dark ages’ between 1965 and 1987 remain ignored most as gross errors of judgement? Will there be another defining period of electric guitar evolution or will musicians spend their lives experiencing mediocrity by default while harking back to that unobtainable time viewed through rose‑tinted spectacles? Perhaps digital technology will deliver the next step‑change with some Darwinian mutation that future writers will look back upon and write about. OK, enough of the rant, on with the story…

The Catalysts

The trouble really started once both Fender and Gibson been acquired by faceless corporations used to running commercial businesses, rather than important customer‑led operations. Despite post‑war prosperity and growth, the period between the mid‑1960s and the mid‑1980s could possibly be described aptly as eventful and tempestuous. In hindsight, whichever way you look at it, the sale of the industry’s ‘big guns’ was a 20^th Century watershed for guitar building.

Firstly, let’s take a quick look at what actually happened immediately after the ‘golden era’ drew to a close circa 1965. The subsequent corporate merger & acquisition activity impacted directly on American musical instrument manufacturing up to the end of the 1980s. A few choice examples may help to illuminate the significant strife that befell the industry for a couple of decades (in rough chronological order)…

Rickenbacker – The only one of the major American brands that didn’t ‘sell out’ during the 1960s was Rickenbacker. They had, in some ways dodged that particular bullet, as Adolph Rickenbacker had already sold his company to music industry businessman Francis C. Hall in 1953. In retrospect, the move to transfer the undertaking and to keep it in safe hands seemed both pre‑emptive and positively prophetic. Arguably, the timing enabled Rickenbacker to capitalise on 1950s creative growth and become more resilient to what was to come. RIC (short for Rickenbacker International Corporation) has remained under the ownership of the Hall family since 1953 with John C. Hall as CEO at the time of writing.

Fender – After Rickenbacker, Fender was the first of the big names to capitulate to big business ambition. In 1965, Leo Fender sold his company to CBS (Columbia Broadcasting System) for just over $13m. The reason often given for the sale was Leo Fender’s health, although an injection of capital funding probably was also contributory. Other perspectives cite Leo Fender’s desire to pursue new ideas, which he possibly couldn’t do while running the company. CBS started making changes almost immediately and expanded capacity at Fullerton to increase supply. By agreement, Leo Fender was prohibited from setting up another music instrument company for 10 years, after which he went on to found Music Man (1974) and then G&L (1980). After 20 years under CBS control and on the brink of total collapse, division president William Schultz bought the company, forming Fender Musical Instruments Corporation (FMIC) in 1985. What followed was a period of intense restructuring, with guitar production temporarily moved to Japan for approximately two years before resuming full American manufacturing with the launch of the American Series guitars in 1987. U.S. manufacturing was moved from Fullerton to Corona, California and its headquarters were relocated to Scottsdale, Arizona. Fender was once again back on the path to success as an independent company and has remained so ever since.

Danelectro – Danelectro was originally formed by entrepreneur Nathan Daniel in 1947. Daniel built his business on the back of large scale, low cost department store and mail order demand for electric guitars, often branded as Silvertone and Airline. This enabled him to start building instruments under the Danelectro brand from 1954. By 1966, Daniel sold Danelectro to industry giant MCA (Music Corporation of America). MCA tried unsuccessfully to introduce the Coral brand and to restructure its distribution network. The outcome was that Danelectro ceased production altogether just 3 years later in 1969. The brand was resurrected by the Evets Corporation in the late 1990s and, after several faltering attempts to recapture market share, Danelectro remains in operation as a successful American company with overseas manufacturing based in China and Korea.

Gretsch – Gretsch was originally founded by Friedrich Gretsch in 1883. Two years after Fender and one year after Danelectro, Fred Gretsch sold the family business to the Baldwin Piano Company in early 1967. After many organisational troubles including relocation, factory fires, Chet Atkins withdrawing his endorsement, and misjudged model decisions, Baldwin finally ceased production of Gretsch instruments by 1981. Fred W. Gretsch acquired what little remained of the company in 1985, basically just the Gretsch name and rights ownership. After a number of abortive efforts, consistent output was eventually re‑established in Japan. Rockabilly guitarist Brian Setzer became a key endorsee for Gretsch in the 1990s and consumer interest in the brand was rekindled. Retaining family leadership, Gretsch has been under the patronage of Fender since 2002 and the famous brand is once again a significant player in the guitar industry.

Gibson – Gibson was really the last of the large American names to succumb to corporate ownership. Gibson’s parent company, Chicago Musical Instruments Ltd (CMI) followed the competition in 1969 when Gibson was taken over by a South American brewing company called ECL and then subsumed by Norlin Musical Instruments in 1974. Gibson survived cost‑cutting, relocation to Nashville and general mismanagement largely intact, although its hard‑earned reputation was severely tarnished. Gibson eventually returned to private ownership in 1986 through a consortium management buyout. Despite a major financial crisis and bankruptcy protection initiated in May 2018, there are signs of a positive future for the company.

These were just some of the big players who were able to weather the economic storms during the second half of the 1960s through the 1970s and into the 1980s. In addition to the big names, plenty of other well‑known American companies failed to survive, including:

Valco merged with Kay in 1967; a move that included familiar names such as Supro and Airline. However, the newly combined company went bust in 1968
National Dobro merged with Mosrite before the latter went bankrupt, also in 1968
Harmony lasted until 1975 before it ceased trading

Those that survived the volatility would continue to fight for survival at best. Overall, when viewed in hindsight, it proved a disastrous phase for American guitar making and collectively one that isn’t widely documented, other than in individual circumstances. The ‘golden era’ was, seemingly, definitely over.

As is often the case, the causes of American guitar manufacturing woes between the mid‑1960s and the mid‑1980s are quite complex, based on deep‑seated structural flaws. Looking at the circumstances strategically, there were probably, amongst many other contributory factors, five key issues…

Industry structure and stability – Inward investment and backing of large business should have provided a positive commercial injection to guitar companies who were either struggling with financial difficulties or were unable to grow quickly enough with existing management structures. What actually happened was that big businesses, as is their wont, were looking to cut costs and increase profit, seemingly unaware of the impact that they were having. The large companies tried to stimulate demand by experimenting and introducing new products without assessing whether what they were making was adequately meeting consumers’ needs. For small agile companies, risk taking was a vital part of the creative process, while the bigger firms focused on large scale, efficient production methods, conversely heightening the risks of failure. Remote and disconnected governing bodies tended to dictate business decisions based on balance sheets and shareholder return, rather than customer satisfaction. Arguably, though, the businesses were in dire need of ‘better’ rather than ‘different’ management both before and after takeover.
Industrial relations – Strict operational disciplines, controlled production processes and rigorously applied policies are a fundamental requirement of larger bureaucratic organisations. These management styles were generally not part of the music industry’s ‘way of doing things’ at the time. Companies needed to be managed effectively rather than efficiently and, unfortunately, the pendulum swang too far towards the latter. Business managers exhibited a flagrant disregard for the expertise and skills required to make consistent, high quality musical instruments. Production facilities were relocated, often giving long‑term highly experienced luthiers a ‘move or go’ ultimatum. In addition distribution and dealership networks were changed with little regard for what went before. Unhappy employees and belligerent trade unions led to heated industrial disputes (and worse), thereby causing significant leadership and management problems. Decades of accumulated knowledge, skills, expertise and, perhaps importantly, attitude were lost to the industry in a short space of time – something that would take years to rebuild. The outcome was that quality fell, exacerbating existing deficiencies elsewhere in the industry.
Industry culture – New corporate owners did not fully appreciate or take the time to understand why the guitar industry worked as it did, resulting in fundamental mistakes internally and externally. The latter disenfranchised those involved in the supply chain from distributors to dealers and, ultimately, impacting on paying customers. Crucially, working musicians’ requirements were not being met and, with that dissatisfaction, brand loyalty diminished as professional guitarists looked elsewhere for alternatives. In addition, musical tastes were rapidly changing and short‑lived fads required nimble organisations that knew how to adapt to changes quickly and appropriately. Smaller companies that were better‑tuned into what was going on could flex more easily. The larger corporations, however, were unable to spot change and respond, leading to mismatches and time lags between demand and supply. Many commentators suggest that it was because musicians weren’t running the show. However, guitarists don’t necessarily make good business people (or vice versa!), which might have contributed to the difficulties. Significantly, two of the most influential guitar innovators – Leo Fender and Ted McCarty – didn’t play the guitar at all. Nevertheless, they were effective leaders because they ensured that professional artists were closely involved with business decisions. Importantly, the time when musicians were listened to and relationships were actively cultivated had fallen by the wayside.
Supply problems – Availability of consistent materials, particularly the all‑important tone woods, created challenges for large‑scale American production. Variable density and therefore weight of some imported tone woods meant that it was difficult to manufacture to dependable standards. Depending on the combination of materials, the shortage of quality inputs affected builders to different degrees. Around the same time, sustainability and environmental factors were becoming an issue, leading to further supply issues. Manufacturers started looking to alternative materials including metal (e.g. Kramer, Travis Bean), plastics (e.g. Ampeg/Dan Armstrong) and composites (e.g. Gibson) that were intended to improve consistency and streamline manufacturing processes. Other moves included building guitars not from single pieces of difficult to acquire, expensive wood but from cheaper, smaller, more available cuts. Consumers saw such actions as negative and symptomatic of other perceived underlying problems. Unfortunately for the manufacturers, customers were not impressed by ‘good intentions’ and the changes were seen as cost‑cutting measures taken a step too far. Many consumers saw through superficial claims and resented the big companies for making what they felt were false marketing claims.
Far Eastern competition – Enterprising Japanese companies, revitalised by post‑WWII recovery and able to observe from outside, spotted that American labour and manufacturing costs were contributing to a combination of poor quality and high prices – an equation that would present opportunities to penetrate a previously U.S.‑dominated market. Companies such as Ibanez and Yamaha did two crucial things. The first was to use their structural advantages to make high quality instruments at lower cost, and to produce them in large enough numbers to compete with American products on their own ground. The second thing they did was to brazenly copy iconic American designs, presenting consumers with recognisable products built to (generally but not always) higher standards and sold more cheaply than the American ‘classics’. There is more on the Japanese competitive assault on American guitar makers below. They also used rapidly changing music trends to create openings for entirely new products, including their own designs, thereby beginning to build a strong and more ethical reputation of their own. When the inevitable backlash came (see below), the marketplace had already changed fundamentally.

Lawsuit Guitars and Trademark Protection

During the post‑1965 period, sales of major American brand guitars was in decline and the home industry was in disarray. This provides a broad background against which American companies had to contend. Generally speaking, the way in which the industry and marketplace was organised was not favourable for the likes of Fender, Gibson, Gretsch, Rickenbacker and many others.

The takeovers and general (mis-)management of American firms left the U.S. industry weakened and susceptible to aggressive business manoeuvres. American labour, tooling and material costs didn’t fall, so prices for finished instruments generally remained high for guitars that were increasingly poorly made. It is relatively easy to understand why the 20‑year period between approximately 1965 and 1985 was crucial to reshaping the global guitar making industry.

One particular Japanese guitar maker, Hoshino Gakki Gen, saw an ideal opportunity to enter the fragile American market. Cleverly, Hoshino recognised the potential animosity towards Japanese‑sounding products after WWII and adopted the Ibanez moniker. Incidentally, the Ibanez name was derived from Spanish guitar maker Salvador Ibáñez, who made classical guitars and sold them to Japan from the 1920s. When Ibáñez, failed during the Spanish Civil War (La Guerra 1936-1939), Hoshino acquired the rights to use the name, dropping the accents in the process. Hoshino’s next step was to take over an American company, Elger, which had already been importing Japanese guitars into the U.S. This move gave them ready access to the American territory, initially as Hoshino USA and then Ibanez USA. From 1970, Ibanez began systematically targeting and imitating popular American guitar models, particularly from Gibson, Fender, and Rickenbacker.

Initially, Fender and Gibson chose not to challenge these foreign copies unless they were identical to the originals, i.e. deliberate forgeries. Perhaps they didn’t see the early copies arriving in relatively small numbers as a significant threat and therefore not worth the lengthy and expensive battles through the American court system with no guarantee of success. Perhaps naively, they may have seen the copies as providing entry‑level experience that would lead consumers to trade up and purchase the ‘real thing’. Nobody really knows for sure. However, by taking their eye off the proverbial ball, the already struggling American brands were storing up a hornet’s nest of latent problems.

The relatively cheaply made Japanese copies often used bolt‑on necks, cheap materials and inferior hardware. Having said that, they were often reasonably well made for what they cost the consumer. The slavish copies appealed to many novice guitarists wishing to have guitars that, at least visually, looked like the more expensive American counterparts without the accompanying high price tags. Notably, and perhaps pertinently, Fender’s own low cost ‘student’ guitar lines (the Mustang ‘family’) and Gibson’s budget models (the Melody Maker) didn’t resemble their upmarket pro‑level instruments, further exacerbating the weaknesses in the eyes of customers.

The Japanese picture at the time is typically complex and confusing, particularly when trying to differentiate the production companies from the brands they made and the importers they used. Some of the companies such as Tokai, Greco, Yamaha and Suzuki followed Ibanez’s lead and jumped on the cloning bandwagon, making relatively faithful copies of American guitars.

The huge Kawai Teisco company was a mass producer that made guitars under many names, including Apollo, Domino, Kent, Randall, Sterling, Victoria and Winston. One brand, Antoria was actually a German company (Framus) that imported Japanese Guyatone (Suzuki) guitars that included replica Stratocaster copies. Others, such as British firm CSL (Charles Summerfield Limited) originally rebranded imported Ibanez guitars. Columbus was another brand that simply imported Japanese‑made guitars under its own name. Hondo was an American company that imported Japanese copies, giving them some home‑grown legitimacy. The Spanish‑sounding Fernandes, on the other hand, was a wholly owned Japanese company that also used the name Burny. Many companies made guitars for other companies, so the picture is further obscured. There were many, many Japanese manufacturers that were largely unknown outside the country but were indirectly contributory to the assault on America and Europe in the 1960s and 1970s, including Fujigen Gakki, the aforementioned Hoshino Gakki Gen (who also used the Tama brand), Matsumoku, Moridara and Tombo.

So… just what were all these Japanese companies actually targeting? In particular, Gibson’s Les Paul and SG models, as well as Fender’s Telecaster and Stratocaster came in for ubiquitous copying. Popular Martin, Guild and Gibson acoustics also came in for replication, as they were the world’s most recognisable acoustic instruments at the time. Acoustic copies including names like Takamine, Morris, Pro Martin and Ventura. Even the fonts used for headstock logos often mimicked the original American brand styles.

As volumes increased, the wave of imports understandably caused problems for the original manufacturers and it was only a matter of time before there was a defensive response. That reaction was based largely on Gibson’s famous Les Paul and particularly the outline shape of the headstock.

In June 1977, Gibson’s owners at the time, Norlin, filed a legal case against Ibanez/Hoshino for copying the Gibson ‘open book’ headstock outline. The case was settled out of court by February 1978, by which time Ibanez had already changed their headstock shape. However, since 1974, Ibanez had been astute enough to foresee the complication and had been developing and improving its own unique Artist guitar designs, thereby circumventing any further rights issues. From 1978, once the lawsuit was behind them, Ibanez focused purely on its own designs.

Despite appearances, there was, in fact, only one landmark lawsuit at the time and it only related to the design of the headstock on Gibson guitars. Presumably, other American manufacturers were watching and waiting for the outcome of the Gibson case. Not looking for potentially damaging confrontation in the courts, other Japanese companies sought to avoid the wrath of the American companies and changed their designs just enough so as not to fall foul of further litigation.

Ironically, some of the Japanese ‘lawsuit’ guitars have since become collectable in their own right. Although many copies that claim to be subject to the lawsuit aren’t, they are just guitars made during the ‘lawsuit era’ of the late 1970s. Generally speaking, Japanese guitar making – having made its mark for better or worse – went on to plough their own furrow in the multinational market, establishing a successful business model on which they could build.

The imitation game hasn’t gone away completely though. Many ‘knock off’ guitars in the 21^st Century are emanating from China, where there is little effective means of legal challenge. While some of the guitars originating from China replicate American designs and are produced in large volumes, some of the fakes are appearing in small quantities as very convincing forgeries of rare and valuable vintage instruments.

Also, somewhat ironically, the big American brands struck back by strategically shifting manufacture of lower cost instruments off‑shore. Fender made guitars in Japan from 1982, only later changing the name to Squier to differentiate them from the American originals. Similarly, Gibson started Far Eastern manufacture of Epiphone guitars in Japan in the early 1970s, then in Korea from 1983, before relocating production again in 2003 to a dedicated Epiphone factory in Qingdao, China.

In 1984, PRS guitars was established by luthier Paul Reed Smith and has since become one of America’s major guitar manufacturers. To cater for all price points, PRS also introduced Korean production facilities for its SE‑branded guitars in 2003. While on the subject of lawsuits, after PRS had released the PRS Singlecut in 2001, Gibson filed a trademark infringement claim against PRS for allegedly copying the Les Paul design. Gibson’s lawsuit failed at appeal and PRS resumed production of the Singlecut, albeit slightly altered, from September 2005.

Fender now actively defends its trademarks, which exist in perpetuity, unlike patents that have a limited duration. To illustrate the issues, Fender’s defence of its trademark headstock design reads as follows, “The headstock is the key source-identifying feature of the modern electric guitar. In particular, the shape of the headstock (which, in the types of guitars at issue here, is part of a single piece of wood that also includes the guitar neck) is nonfunctional and primarily serves to identify the brand and model of the guitar. Fender owns trademark rights and federal registrations for the shapes of its headstock designs. These marks are instantly recognizable to generations of musicians and music fans as indicators of the source of Fender’s products and of the immense history and goodwill associated with Fender.”

Furthermore, Fender lost a 2009 application to trademark its guitar designs retrospectively. Opponents stated that consumers had had decades of unopposed exposure to those shapes from a wide variety of other guitar makers. This particular ruling opened the door to many look‑alike guitars, bar the familiar and distinctive headstock shapes.

Rickenbacker, unlike many of its counterparts, trademarks its important designs and vigorously protects them through the courts, hence why there are generally fewer Rickenbacker copies on the market compared to Fender and Gibson clones.

The whole issue of who owns what and how owners’ rights can be protected in a global market rife with replicas is a hugely complex issue and the nuanced legal debates are not for this story, so it is time to close this particular case and move on.

The Fallout and Time for Objective Re-assessment?

The Gibson law suit was, however, a wakeup call for American guitar building, as it proved beyond doubt that they were vulnerable to competition. While it may seem a relatively small isolated incident, it was contributory to the way in which guitar making, distribution and sales had to change. It was time for a shake‑out. By getting back to the basics, the rebuilding of American production that took place from the mid‑1980s resulted in vastly improved fortunes, even though it would take years for several companies to return to prosperity. Gibson and Fender were back in private ownership, Rickenbacker had sustained its business and, although Danelectro and Gretsch would find success, it took some time to regenerate historic popularity.

Despite what naysayers, respected journalists and wealthy vintage guitar collectors will delight in telling anyone who will listen, not all guitars built between 1965 and 1987 (when Fender introduced the landmark American Standards) are bad. Yes, there are many examples of poor quality instruments produced during those ‘dark ages’ but, let’s be honest, that has always been the case. Just look at some of the cheap and nasty instruments from the 1950s and early 1960s produced during the ‘golden era’.

Being a bit provocative and controversial, it is the author’s considered belief that there were many very good instruments built in the 1970s but these tend to be overlooked and caught up in the sweeping generalisation that ALL instruments from that period are sub‑standard. Some unique and interesting models only appeared during the 1970s and 1980s as part of the drive for experimentation. Some of these experiments were often made for relatively brief periods before they disappeared again. As a result, many of these rare examples are highly likely to be of interest to collectors in the future. As vintage prices of 1950s and 1960s guitars are rapidly increasing beyond many enthusiasts’ ability to purchase them, 1970s and 1980s guitars are also creeping up in value and are likely to become the ‘next big thing’ in the vintage marketplace. When they do eventually become desirable, which they will, that critical labelling of ‘poor quality’ is likely to be conveniently forgotten as the wheat is separated from the chaff.

Generally speaking, with the introduction of automated and computer controlled construction technologies, instruments from c.1990 onwards are generally consistently well‑made. This means that poor quality instruments are fewer and further between. Value‑for‑money since the 1990s has never been better with some very good guitars available at relatively low prices compared to the past. Broadly categorising the ensuing years between, say, 1990 and 2000 as a period of rejuvenation, resurgence and consolidation in the face of significant and multifarious challenges including economic downturn. The dawn of the new millennium saw further change including diversification, growth and a degree of reconfiguration. The reality, perhaps obviously, isn’t simply a case of general classification though, so such broad descriptions may best be regarded as a bit of artistic licence on the author’s part.

It may seem strange but it was often the inherent manufacturing variations and inconsistencies that have led to the handmade ‘golden era’ guitars becoming so desirable in the first place. As the idiosyncratic traits of the past have been ironed out, consumers have had ready access to consistent, reliable and higher quality guitars at virtually all price points. However, the increase in standardisation means that many modern mass‑produced guitars are often described as ‘generic’, samey and bland. It is also that lack of variation that has led to the boom in boutique, custom and modded guitars in the 21^st Century.

Only time will really tell whether some of these maligned 1970s guitars will be re‑evaluated and achieve better recognition. Good examples will undoubtedly become increasingly sought after and collectable.

Recovery and Rejuvenation

Musical tastes continued to change and the 1980s and 1990s were no different. One trend was a move away from guitar music to highly produced electronic keyboard music. Japanese giant Roland (owner of BOSS effect pedals) tried to popularise the guitar synthesizers on the back of the electronica trend, as did consumer electronics company Casio who were more famous for calculators rather than guitars.

Another trend in musical taste was the explosion in popularity of glam, hard and ‘shred’ rock. Ironically, it was companies like Ibanez, once the scourge of copy guitars, which was ideally placed to cater for the trend with some cleverly designed genre‑appropriate instruments, such as their Destroyer, Iceman and Jem guitars.

Ibanez had cleverly repositioned themselves and continued to do so in order to sustain competitive advantage. In another canny move, Ibanez courted the new breed of virtuoso instrumental rock musicians, which proved successful. American guitarists such as Steve Vai and Joe Satriani were regularly seen using and advertising the Ibanez brand. Other Japanese companies followed suit, such as Yamaha and ESP/LTD. American brands such as Dean, Jackson and BC Rich also exploited the growing market for pointy rock alternatives to the old‑hat rock shapes such as Gibson’s Explorer and Flying V. Times had moved on and the traditional industry stalwarts were once again looking tired, on the back foot and at a strategic disadvantage.

By the time that some sort of equilibrium was restored from the late 1990s, the music and guitar landscape was very different from the end of the ‘golden era’. There was room for big music companies to grow, such as Peavey and Ernie Ball, the latter having bought out Leo Fender’s Music Man in 1984. The ‘big four’ brands were still there – Fender, Gibson, Rickenbacker and Gretsch, who continued to expand their ranges into high‑value custom shop as well as low‑priced models. In addition, once the barriers to entry were lowered, there were many small, opportunistic companies that sought to grow market share on their own terms, such as PRS. There was also a whole thriving boutique sub‑industry that focused heavily on producing custom instruments built to individual guitarists’ requirements; a healthy trend that continues to flourish well into the 21^st Century.

The 2000s saw a reversal of fortunes with synth‑based dance and pop music becoming clichéd and well‑worn. This change of fortune facilitated a major resurgence in guitar music across a whole range of musical genres but specifically the burgeoning indie/alternative music scene. Indie music also triggered a renewed interest in retro‑styled instruments often evoking quirky designs from the past. This revitalisation enabled many gone but not forgotten guitars to experience a new lease of life. In addition, metal, progressive/contemporary, alt‑country and blues/rock genres have also seen rejuvenation and/or revivals, together with relevant instruments to suit. Even the likes of Fender, Gibson, Gretsch, Danelectro and Rickenbacker have benefitted through reissues of previously defunct models. All in all, many guitar‑based musical styles continue to flourish and guitar sales benefit from the 21^st Century appetite for diversity.

Interestingly, in the 2000s and 2010s, with the renewed interest in both retro and vintage designs, many of the old American brand names that went out of business in the 1960s have since re‑emerged, including Supro, Valco, Airline, Harmony and Kay.

The global recession that started in 2008 has been the longest and deepest since the 1930s severely dampened demand for discretionary purchases such as musical instruments. However, the desire to own and play the world’s favourite instrument endures, despite regular proclamations of the ‘death of guitar music’.

Music Trades data shows that total guitar sales in America, either by number or value, have shown a general increasing trend per year since 2009:
Year    Number Value
2009    1.65m $924m
2010    1.74m $922m
2011    1.94m $921m
2012    2.34m $903m
2013    2.34m $821m
2014    2.50m $839m
2015    2.49m $935m
2016    2.47m $1,001m
2017    2.63m $1,070m

In comparison, the number of electric guitar sales in America has remained largely steady since the start of the recession. Where these figures will go in the future and whether sales will regain pre-crash levels anytime soon is a betting man’s game. The market is, judging by these indicators, likely to stay challenging for some time to come.

One very positive trend is that research by Fender in 2018 shows that 50% of new guitarists in the U.S. and the UK are females, suggesting that equality is finally making progress in the music industry.

Modern‑day guitarists have learned to become fickle and much more discerning. No longer could a few privileged brands expect musicians to be loyal or for their products to be accepted as the default ‘go‑to’ solution. While slower to adapt, the American ‘big four’ fought back and, although often constrained by their past, were forced to innovate and compete or die. Not all of those experiments have been successful but the point is that they are trying to adjust to the inevitability of the brave new world.

Looking at the bigger picture, the diverse structure of the guitar industry is healthy for both producers and consumers. While things will change again, the fragmented nature of the marketplace in the 2010s means that risks of major step change are reduced. For the long‑established brands, the asset value of the ‘classics’ is now cemented and, to some extent, can once again be relied upon in terms of quality and value. The reliance on industry standards also creates a problem for the likes of Fender, Gibson, Gretsch and Rickenbacker, as it inhibits what they can do in a way that consumers will accept, witness Gibson’s failed attempt to move into consumer and lifestyle electronics.

Ultimately, nothing is set in stone and there is very little that can be considered genuinely ‘new’. The only certainty is that change will be continuous and necessarily incremental. Digital music technology will continue to be both a threat to, and an opportunity for, manufacturers. The hybridisation of analogue instruments and digital technologies is still in its infancy and only time will tell, which companies will respond positively and which will fail to adapt and fall by the wayside (again).

That brings us pretty much up to the current day, at the time of writing (2018). As English punk rock pioneer Joe Strummer of The Clash once said, “The future is unwritten” and how true that is. We are nearing the end point of the guitar’s long story… except that the story will continue in perpetuity. All that is really left to do is to describe the current position (again at the time of writing) and to speculate, somewhat idly, about what that unwritten future may hold.

End of Part VII

Here we are at the end of yet another episode in the guitar’s extended tale. We are pretty much up‑to‑date and therefore almost at the end of the journey, with (I think) just one more article to go. I hope that you’ll join me, hopefully next month for the conclusion… as far as there can be one.

I am now beginning to deliberate about a companion series of articles for next year (2019). Before that happens, I need a rest from this massively resource intensive exercise. I can’t yet reveal what that new series is, as I am thinking about things I haven’t thought of yet (if you get my drift). I will have to consider how it might be done in a way that I haven’t seen elsewhere up to now – I need to bring something new to the subject matter, otherwise it is just regurgitating what others have already done. Watch this space… In the meantime, I have to start planning what I’m going to fixate upon for the remainder of this year.

Right now though, it’s time to stop writing about guitars and to start playing one of the darned things, so I’m off to plink my plank! Until next time…

CRAVE Guitars ‘Quote of the Month’: “Whatever was pre-modernism like?”

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