28 Aug 2023

August 2023 ‑ Dub Reggae Revelation

by Tony Drew | posted in: History, Introduction, Observations, Opinion | 0

Prelude

It has been far, far too long since I wrote a CRAVE Guitars’ article. At some point, I may (or may not) go into the whys and wherefores behind the near 3‑year hiatus. I may also look into a brief résumé of what has happened to CRAVE Guitars during that period (hint… given Covid lockdowns, the cost‑of‑living crisis, etc., not a massive amount!). I am a bit out of practice.

In the meantime, I thought I would divert my attention a little, away from vintage guitars. The topic of this article is to present a few thoughts on one of my favourite music genres… dub reggae. It has allegedly been summertime in the UK, so I immersed myself in the crucial vibes of dub and that spawned the idea to write, which inspired me to listen to more dub, and write more. And so on. Although not particularly guitar oriented, I believe it is still worthy of exploration. As one might imagine, dub is often overlooked and misunderstood, even though it is a complicated branch of mainstream reggae. I hope that it may be of interest to someone out there and maybe, just maybe, there is something new to learn.

My passion for dub reggae was ignited in the mid‑1970s in a time before CDs when a friend introduced me to a specific vinyl LP, ‘Garvey’s Ghost’ by Burning Spear (1976). This particular studio album is the dub version of the vocal roots reggae album, ‘Marcus Garvey’ (1975), also by Burning Spear. For those not familiar with Burning Spear, Winston Rodney is a Rastafarian roots reggae artist, born in Saint Ann, Jamaica in 1945. As a youngster at the time, I hadn’t heard anything like it before and it made such an impact that it remains my favourite dub album and a reference against which others may be judged. I visited Jamaica back in 2008, although it wasn’t deemed safe for, especially white, tourists to move around freely.

This article looks at what dub reggae is, where it came from, why it became influential, who was involved and when it mattered. Despite some extensive research, I want to stress that this is my personal interpretation of the subject matter and should not be regarded in any way as definitive.

I would dearly like to illustrate the article with more images. However, copyright restrictions and CRAVE Guitars’ zero budget precludes relevant illustration. So… the words will have to suffice as a 1,000^th of a picture.

Reggae, roots and dub, as music genres, should be viewed as a fundamental fragment of Jamaica’s fascinating geography, history, demographics, politics, economics, culture and religion.

Right… Time, then, to spark up the chalwa and feel the righteous vibration…

A brief history of Jamaica

It is quite astounding that such a prolific genre of music could arise in – and be sustained by – such a small island in the Caribbean. In order to understand the context into which such unbound creativity emerged, perhaps there is something in Jamaica’s past that may explain it.

Jamaica is the third largest island of the Greater Antilles in the Caribbean Sea, after Cuba and Hispaniola (a.k.a. Haiti and the Dominican Republic), at 4,244 square miles. It has a tropical climate with hot and humid weather and high annual rainfall. Flora and fauna are also diverse with many species only found on the island, many in the Blue and Crow Mountains National Park. Jamaica lies in the hurricane belt of the Atlantic Ocean and has experienced significant storm damage on a number of occasions in its past.

Humans have inhabited Jamaica from as early as 4000‑1000 BCE, although there is little known about their ancient society. The main pre‑colonial inhabitants were the Taino who may have originated from South America around 800AD. The indigenous Taino called their home Xaymaca. Most of the Taino people disappeared following the arrival of Europeans, although some may have sought safe sanctuary in the island’s mountainous and forested interior.

Italian explorer Christopher Columbus, under the sponsorship of Spain, first sighted the island in 1494 and called it Santiago. Columbus spent a year shipwrecked on the island from 1503 to 1504. Jamaica was not considered strategically important by the Spanish.

Spain ruled Jamaica from 1494 to 1655. The capital was established in what is now known as Spanish Town. The Spanish were the first to introduce African slaves to the island. Over time, the Spaniards changed the name of the island from the native Xaymaca to Jamaica.

In 1655 Britain captured and colonized Jamaica by force and formally gained possession of the island from Spain in 1670.

Following the British takeover, the island’s governor actively offered safe harbour to pirates and buccaneers in Port Royal in south eastern Jamaica in return for defending the town from Spanish attack. Some of these mercenaries and renegades became legal privateers operating in the name of the King of England. The pirates focused on attacking and plundering mainly Spanish ships on the trade route between Spain and Panama. Perhaps the most famous privateer of the 17^th Century was Welshman Henry Morgan, who also became a plantation owner and governor of Jamaica. The legendary pirate captain Blackbeard (Edward Teach) was also believed to live in Port Royal c.1700. By the end of the 17^th Century, Port Royal was known as a Pirate Utopia and its pervasive corruption, prostitution and lawlessness earned it the nickname of ‘Sodom of the New World’. Even though piracy was outlawed in 1681, it wasn’t until around 1730 that pirate numbers disappeared after action from the British navy. Piracy still occurs in the Caribbean in the present day.

‘The wickedest city on earth’, Port Royal, was destroyed by a devastating 7.5 magnitude earthquake and tsunami in 1692 (when part of the town sank into the sea), by fire in 1703 and by hurricanes in 1712, 1722, 1726 and 1744. It almost seems that the destruction of Port Royal was nothing short of divine retribution, with the hand of God smiting a modern‑day Sodom and Gomorrah. After that onslaught, Port Royal was effectively abandoned.

In the middle of the 17^th Century, the Dutch introduced sugarcane to the British West Indies. Sugar rapidly began to replace cotton and tobacco as the main crop.

Britain set about increasing both the European and the African slave population throughout the 18^th Century, as the sugar plantation industry spread across Jamaica. Success of the plantation system relied upon exploiting African slaves for labour. Many Jamaicans with slave origins can trace their ancestry back to the West African countries of Ghana and Nigeria. The British government abolished the transatlantic slave trade in 1807 and the practice of slavery itself in 1834. Consequently, the island’s plantation system collapsed. Descendants of African slaves who fled the plantations for the interior of the island set up their own communities and are still known today as Jamaican Maroons.

Britain made Jamaica a Crown Colony in 1866 and the capital was moved just 11 miles from Spanish Town to Kingston in 1872. Long‑term strife, through rebellions, resistance, skirmishes, riots and uprisings were commonplace throughout the 19^th Century, causing significant social, economic and political unrest. Toward the end of the 19^th Century, the demand for sugar waned significantly, creating severe economic decline.

The Jamaican government is based on a parliamentary democracy and the two main parties are the right‑wing JLP (Jamaica Labour Party) and left‑wing PNP (People’s National Party). A long‑standing feud between the two opposing parties has led to considerable political violence since they were formed in 1943.

Following the end of World War II, large‑scale emigration from Jamaica to the UK, USA and Canada occurred during the 1950s and 1960s when the country was still under British rule. Internally, political and racial tensions continued to grow and force change. Jamaica established internal self‑government in 1959 and became an independent island country on 6^th August 1962. Jamaican Independence Day is celebrated annually as a national holiday. The independent Jamaica is part of the Commonwealth of Nations with the British monarch as head of state, at least for now. The Jamaican government is seeking further constitutional change from 2025.

Political conflict, economic instability and widespread gang‑related disorder were major issues that plagued Jamaican society during the remainder of the 20^th Century and into the 21^st. Jamaica experiences high levels of crime and violence, and has one of the highest murder rates in the world. Organised crime and gang violence are rife especially in deprived areas. An intense street culture developed with disaffected, violent and discontented youths often known originally as ‘rude boys’ and latterly, ‘yardies’. The street subculture became widespread, associated with Jamaican ska and rocksteady music, even spreading to the UK as part of the mod and skinhead trends of the 1960s where it became known as boss reggae’.

Reggae artists were sadly not immune from violence and gun crime. Among the artists tragically murdered include Prince Far I (1983), Hugh Mundell (1983), Peter Tosh (1987), Carlton Barrett (1987), King Tubby (1989), Junior Braithwaite (1999), Henry ‘Junjo’ Lawes (1999), Lucky Dube (2007) and Winston Riley (2012). Famously, in 1976 seven armed men invaded Bob Marley’s home in Kingston in a failed assassination attempt. Marley was shot in the chest and arm and his wife, Rita Marley, was shot in the head. Both survived the politically motivated attack.

The Jamaican white population decreased drastically during the 19^th Century. According to census figures, in 1662, 87% of the population was white while by 2011, it was just 0.16%. This dramatic decline was a result of the end of slavery, the decline of the sugar industry with the abandonment of plantations, and a blending of racial boundaries.

Today, Jamaica currently has a total population of approximately 2.8m, with over 92% being of black African origin. The major religion, by far, is Christianity at over 72% of the population, principally Protestant. The official language is English, while the main spoken language is a creole Jamaican Patois based on English. Jamaica’s national motto is, “Out of Many, One People.”

Over half the Jamaican economy relies on tourism and services, with an estimated 4.3 million foreign tourists visiting Jamaica every year. Sugar remains the main crop grown in Jamaica followed by bananas, cocoa and coffee. Mining, oil refining and manufacturing also make up a proportion of its GDP by sector:

Services – 58.22%
Industry – 20.93%
Agriculture – 8.34%
Other – 12.51%

The spiritual context behind reggae

This is where things begin to get interesting. Jamaica is a diverse multi‑ethnic, multi‑cultural and multi‑faith country. However, the distinguishing religion that contributed significantly to the home‑grown music industry of the country, particularly reggae, is Rastafarianism. Below are a few notable individuals and some of the ritual symbolism that have helped to define Rasta from the 1930s to the current day.

Haile Selassie I (1892‑1975) – Haile Selassie was Emperor of Ethiopia from 1930 until his death. Selassie’s pre‑imperial name was Ras Tafari Makonnen. Rastafarians adopted his name and believe in the incarnate divinity of Selassie as the messiah who will lead the peoples of Africa and the African diaspora to freedom. Haile Selassie visited Jamaica on 21^st April 1966, attended by approximately 100,000 black Jamaicans and Rastafarians from all over the island. Selassie reportedly respected Rastafarian beliefs even though he was a devout Christian. Selassie died in Ethiopia at the age of 83.

Marcus Garvey (1887‑1940) – Marcus Mosiah Garvey Jr. was born in St. Ann’s Bay, Jamaica. Garvey was a Jamaican political activist and black nationalist. He was the founder and first President‑General of the Universal Negro Improvement Association and African Communities League, commonly known as UNIA from 1914. Garvey was a key influence on the Rastafarian movement from the 1930s. Many Rastas regard Garvey as a prophet, although the reverence was not necessarily reciprocated, as Garvey was a Catholic, not a Rastafarian.

The principal tenet of Garveyism is the ideology of unification and empowerment of African‑descended people and the repatriation of the descendants of enslaved Africans to the African continent.

Garvey was responsible for the establishment of the short‑lived Black Star Line from 1919 to 1922, a shipping company created to facilitate the transportation of goods and Africans throughout the global economy. The company used the Ghanaian Black Star of Africa flag, as a symbol of the ‘Back to Africa’ movement and of anti‑colonialism. The line’s name was a rejection of the competing British White Star Line.

Marcus Garvey and the UNIA were responsible for the Pan‑African flag created in 1920 comprising three horizontal stripes of red, black and green. The colours represent red for the blood that unites all people of Black African ancestry and shed in the name of liberation, black for the colour of the people, and green for the abundant natural wealth of Africa.

Garvey died in London at the age of 52. When Jamaica gained independence in 1962, the new government hailed Garvey as a hero. In 1969, he was posthumously conferred with the Order of the National Hero by the Jamaican government.

Leonard Howell (1898‑1981) – Howell, along with peers Joseph Hibbert and Robert Hinds, was one of the first preachers of the Rastafarian movement. Howell is regarded by many as ‘The First Rasta’, following the coronation of Ethiopian Emperor Hailie Selassie in 1930. Howell died in Kingston, Jamaica at the age of 83.

Rastafarianism – While the predominant religion of Jamaicans in Christianity, Rastafarians make up only 1.1% of the Jamaican population. Rastafarianism is an unstructured religious movement originating in Jamaica in the 1930s and has now become established globally. Rastafarianism takes elements from the Christian Bible and combines them with the ideology of Marcus Garvey and the belief that Haile Selassie was the second advent of the Messiah. Many theologians question the legitimacy of the Rasta doctrine as a true religion in its own right, regarding its philosophy and beliefs as more of a pseudo‑religion.

Jah – Jah is a term widely used by Rastafarians as their name for God. Jah is a shortened form of YHWH (Yahweh, Yehovah, or Jehovah), translated as ‘lord’, as used by the ancient Israelites. The word Jah appears literally in the King James Bible (Psalm 68:4), “Extol him that rideth upon the heavens by his name JAH, and rejoice before him”. However, even though Rasta faith draws elements from the scriptures, the Jah of Rastafarians should not be regarded as synonymous with the God of the Christian Bible. The expression of Jah as spoken by Rastafarians is “I and I”, where the first “I” is the Almighty and the second “I” refers to oneself. A goal of Rastafarian meditation is to maintain or raise awareness of the unity of I and I.

Zion – Rastafarians regard Africa as their Promised Land, or ‘Zion’, specifically Ethiopia, due to the reverence held for Emperor Haile Selassie. Zion is another Biblical reference and an idealisation of Jerusalem. Zion may refer to Africa, Ethiopia or Jamaica, as well as an individual’s state of mind. Rastas commonly believe that Black Africans are descended from one of the Twelve Tribes of Israel through the lineage of the Ethiopian royal family. Neutral commentators might suggest that Zion has become a nostalgic, semi‑mythological and metaphorical paradise in the way it is idealised by Marcus Garvey and the Rastafarian movement. Furthermore, it may be argued that Zion is used more as a motivational symbol rather than an objective critical reality.

Babylon – Rastafarianism is strongly Afrocentric and proclaims that the African diaspora is oppressed and suffering in exile within Western society, which they refer to as ‘Babylon’. Rastas compare the exile of African people displaced outside Africa to the imprisonment of the Biblical Israelites in Mesopotamia. A frequent mantra for Rastas is to “chant down Babylon”, advocated by Marcus Garvey as the ultimate goal of Rastafarianism; to overcome oppression, bring an end to suffering, and act as a powerful anthem for social change.

Livity – Livity is seen as the ideal lifestyle for Rastafarians, comprising prayer and meditation, a righteous – often vegetarian – diet (ital), and the same positive love for everything (one love). Livity is about Rastafarians living a natural lifestyle, including a focus on the growth of natural hair and a rejection of alcohol, tobacco and synthetic medicines. Furthermore, the concept of livity incorporates a belief that the energy or life force of Jah exists within, and flows through, all living things (positive vibration). The word irie can mean anything from good, fine and OK to a powerful, pleasing and all‑encompassing quality.

Dreadlocks – While dreadlocks date back as far as 1600‑1500 BCE in Europe, the distinctive hairstyle, often called ‘dreads’, has been adopted by many Rastafarians. Dreadlocks in Rasta tradition are symbolic of the Lion of Judah, inspired by the Nazarites of the Bible and representing male inner strength and courage. The Lion of Judah is depicted at the centre of the Imperial Flag of Haile Selassie of Ethiopia. Natty Dread is a common term that refers to a Rastafarian with dreadlocks. In addition to the symbolic colours of red, black and green of the Pan‑African flag, the yellow stripe of the imperial flag is said to signify the historical rebellion against colonial rule and those who stole Jamaica’s wealth. The four colours – red, black, green and yellow – are collectively known as the Rasta colours. Since the 1970s, dreadlocks have become a popular fashion statement of choice worldwide, even among non‑Rastafarians.

Ganja – Marijuana/cannabis is colloquially referred to as ganja, callie weed, kaya and the herb. For many, although not all, Rastafarians, smoking of ganja is considered a sacrament and a key component of their belief system. Rastas contend that the use of ganja is promoted in the Bible, literally in Exodus, Psalms, Isiah, Jeremiah and Ezekiel. For instance, in the Book of Exodus, God gave Moses instructions to build the tabernacle (the Tent of the Congregation that was the portable earthly dwelling of Yahweh), “Then the Lord said to Moses, take the following fine spices, 500 shekels of liquid myrrh, half as much of fragrant cinnamon, 250 shekels of fragrant calamus [cannabis], 500 shekels of cassia – all according to the sanctuary shekel – and a hin of olive oil”. NB. One shekel equates to approximately 13g. For Rastas, the use of ganja is believed to have healing properties, is used an incense to ward off bad spirits, promotes peace and love, and provides introspection or meditation that enables them to discover their internal divinity. Ganja is smoked either in the form of a hand‑rolled spliff (joint) or through a ‘wisdom’ chalice or chalwa, a smoking pipe, also referred to as a kutchie. Ritual use of ganja is often used in communal meetings called ‘groundings’ or ‘groundations’ (depending on size) with ganja traditionally circulated in an anti‑clockwise direction. Rastas have long advocated for the legalisation of cannabis in those parts of the world where possession and use are illegal. Use of ganja became widely associated with Jamaican reggae music when performed by Rastafarians, especially during the 1970s.

Reggae music variants and timeline

Mento – Mento is a Jamaican acoustic folk music that melds West African and European influences into a distinct style. Calypso music, which emerged from Trinidad and Tobago far to the south east of Jamaica, had tended to become a generic term for West Indian music. However, while mento is similar to calypso, it should not be confused with it. Jamaican mento was particularly popular in the 1940s and 1950s and is closely associated with Jamaican rhythm & blues (R&B). A mento band generally used acoustic guitar, banjo, hand drums and a rhumba box used for basslines. Mento lyrics were a commentary on Jamaican social life and issues experienced by Jamaican citizens. Mento is still played today, mainly for tourist entertainment. Mento is important because it is regarded as a necessary precursor of ska, rocksteady and, ultimately, reggae, roots and dub.

Notable mento artists included Louise Bennett, Count Lasher, Lord Flea and, most famously, Harry Belafonte, an American star born in Jamaica.

Nyabinghi – Nyabinghi is one of the oldest and most traditional ‘orders’ of Rastafarianism. For instance, on 23 July each year, a Nyabinghi groundation is held to celebrate the birth of Emperor Haile Selassie I. In musical terms, Nyabinghi comprises African inspired drumming rhythms, often accompanied by chanting in a sacred art and form of worship that can last for days. Nyabinghi is essentially a pre‑reggae Rasta musical form that heavily influenced ska, rocksteady, reggae, roots and dub that followed it. There are three types of Nyabinghi drums, thunder, funde and repeater.

Notable Nyabinghi artists included Count Ossie & The Mystic Revelation Of Rastafari, Bongo Herman and Ras Michael & The Sons Of Negus.

Ska – Ska is a lively and energetic popular dance music and is seen as the forerunner of reggae. Ska combined elements of Caribbean mento, calypso, American jazz and rhythm & blues. Early ska from the first half of the 1960s was also known as bluebeat. The word ‘ska’ first appeared in a 1964 news article, despite the genre having been around since the late 1950s. The term ska is possibly a contraction of ‘skavoovie’, a greeting used by musician Cluett Johnson. Alternatively, ‘ska’ was used by Jamaican musician and producer Byron Lee to differentiate ska from mento.

Jamaican ska music is characterised by a 4/4 rhythm with drum accent on the 3^rd beat of the bar and a guitar chop on the 2^nd and 4^th beats, known as an upstroke or ‘skank’. Skanking is also an indigenous dance style that accompanied ska music. One of the earliest ska tracks was, ‘Easy Snappin’’ by Theo Beckford (recorded in 1956 and released in 1959), made popular by producer Clement ‘Coxsone’ Dodd and his Downbeat Sound System. ‘My Boy Lollipop’ (1964) by Millie Small is widely regarded as the first international ska hit single.

Special mention should be made of Laurel Aitken, a Cuban/Jamaican singer, often referred to as the ‘Godfather of Ska’. A legacy of ska, known as boss reggae, became very popular in the UK, as the skinhead trend cottoned on to high energy ska through their association with Jamaican youths in the late 1960s and early 1970s. Ska has had roughly three incarnations; original Jamaican ska from the late 1950s and early 1960s, British 2‑Tone in the post‑punk late 1970s and the so‑called ska revival of the 1980s and 1990s.

Notable ska artists include Desmond Dekker, The Skatalites, Byron Lee & the Dragonaires, Lorenzo ‘Laurel’ Aitken, The Melodians, Toots & the Maytals, Prince Buster, Jimmy Cliff, Derrick Morgan, Ernest Ranglin and The Pioneers.

In the UK, notable ska artists include The Specials, Madness, Bad Manners, The Beat, The Selecter, Judge Dread and Spunge.

Rocksteady – Rocksteady was a short‑lived but crucial musical link between ska and reggae. Rocksteady was essentially a slower tempo form of ska and was popular as a dance genre. It emerged around 1966 and was popular for only 2 years until 1968 when reggae became the predominant genre. The term rocksteady came from a song by Alton Ellis called, ‘Rocksteady’ (1967). Producer Clement ‘Coxsone’ Dodd continued to be a key character in rocksteady. Rocksteady was influenced by American soul, resulting in a focus on romance and love songs, which became known as ‘lovers rock’, a mainstream reggae sub‑genre in its own right. Rocksteady was also influential in the evolution of radio friendly pop reggae and Euro reggae.

Notable rocksteady artists included The Paragons, The Heptones, The Gaylads, Delroy Wilson, Ken Boothe, Phyllis Dillon, The Wailers, Jackie Mittoo, The Ethiopians, Tommy McCook, The Melodians and Hopeton Lewis.

Reggae – Rocksteady rapidly evolved into what we now know as mainstream reggae from around 1968. The word reggae first appeared on a single by Toots and the Maytals, ‘Do the Reggay’ (1968). It was around that time that Jamaican studio technology began to be upgraded and the role of producers and sound engineers became increasingly important. Reggae arrangements typically comprise vocals, drums/percussion, bass, guitar(s), keyboards and horns. Reggae bands tended to have fewer musicians, horns became less prominent, bass players tended to become more experimental, aided by the slower tempo that began with rocksteady.

Reggae retained the same 4/4 time signature as its predecessors, although its component parts now became more stylized. The drum pattern, usually snare and bass drum, retains its emphasis on the 3^rd beat of the bar. As there is no accent on the 1^st beat, it is ‘dropped’, hence what is called reggae’s ‘one drop’ rhythm. In addition, the slower ‘rockers’ rhythm uses a bass drum on every eighth note, while the even slower ‘steppas’ rhythm uses a bass drum on every quarter beat. Reggae also retains the guitar or keyboard staccato ‘skank’ on the offbeat 2^nd and 4^th beats. Reggae introduced the offbeat double‑skank, enabled by the slower, more laid back tempos of reggae rhythms. The rhythm part often uses melodic, syncopated basslines.

An important element of reggae and dub was the ‘version’. B‑sides of rocksteady and reggae singles were often instrumental with greater emphasis on drums and bass, and little or no vocals. Guitar and keyboards, as lead instruments, were ‘dubbed’ in and out of the mix with little studio manipulation.

The Jamaican sound system culture (effectively nightclubs) made great use of these ‘versions’ as a basis for a live artist or MC to talk, chant or rap over the rocksteady backing tracks. The practice became known as deejaying or toasting. Probably, the most famous deejay of the era was U‑Roy who used rhythms made by producer Osbourne Ruddock (a.k.a. King Tubby) as a backing for his distinctive ad‑libbed vocals. To keep things simple and cheap, many ‘riddim’ tracks, as they were known, were used over and over. The person choosing the music and operating the turntables for sound systems was called the ‘selector’, rather than a DJ. Many observers have suggested that American rap and hip hop had its roots in Jamaican deejay/toasting from the late 1960s and early 1970s.

At the same time, the Rastafarian movement became increasingly popular and Rasta traditions became a key, if not core, part of reggae culture. Rastafarian artists’ influence led to reggae lyrics that gave greater prominence to black consciousness, politics and protest. In turn, reggae, to a lesser or greater extent, became a vehicle for Rastafarian messages and provided a platform for Rastafarian visibility. Ironically, while Rastas saw Babylon as the oppressor, they actively used Babylon to spread their Afrocentric gospels.

While ska and rocksteady were popular, reggae became a mainstream global phenomenon in the first part of the 1970s, helped largely by Jamaican reggae’s iconic ambassador, Bob Marley. Marley has sold more reggae records than any other artist in history. ‘Legend: The Best Of Bob Marley & The Wailers’ (1984) is the biggest‑selling reggae album of all‑time with over 28 million copies sold since its release. There is so much written about the legend that is Robert Nesta Marley (1945‑1981) that I won’t retell his story here. Suffice it to say that no‑one from Jamaica has had the impact that Marley had through his music, his image and his Rastafarian beliefs

Another key factor in the globalisation of reggae music was the Jamaican crime film, ‘The Harder They Come’ (1972), starring reggae star Jimmy Cliff. The soundtrack to the film became commercially successful in many countries outside the Caribbean, greatly raising awareness of reggae on the international stage.

The extraordinary success of Jamaican reggae helped to sustain international demand for pop reggae and lovers rock for radio playlists and singles charts. The phenomenal popularity of reggae, including commercial songs produced by non‑Jamaican artists for non‑Jamaican audiences, boomed particularly in the USA and UK. This cross‑pollination and fusion with other musical genres led to the vastly increased diversity of reggae styles, while its heritage still remained instantly recognisable.

Reggae was also influential in the British punk rock/post‑punk/new wave era including works by artists such as The Clash, the Ruts, The Police, Jah Wobble, Don Letts, Blondie and The Slits.

Notable reggae artists across its hugely diverse catalogue include (in no particular order) Bob Marley & The Wailers, Peter Tosh, Gregory Isaacs, Culture, Black Uhuru, Israel Vibration, The Itals, Dennis Brown, Horace Andy, Sly & Robbie, U‑Roy, Jacob Miller/Inner Circle, John Holt, Third World, Don Carlos, Freddie McGregor, Dennis Alcapone, Sugar Minott, Beres Hammond, Junior Reid, Maxi Priest, Linton Kwesi Johnson, Aswad, Dillinger, I‑Roy, Trinity, Junior Murvin, Marcia Griffiths, Althea & Donna, Big Youth, Junior Byles, Susan Cadogan, Dr Alimantado, Clint Eastwood & General Saint, Matumbi, Eddy Grant, Jah Cure, Lone Ranger, The Maytones, Musical Youth, Dawn Penn, Ranking Dread, Ranking Joe, Garnett Silk, Twinkle Brothers, The Upsetters, The Wailing Souls, The Hippy Boys, I Wayne, Mikey Dread, Morgan Heritage, Tapper Zukie, Boris Gardiner, Lucky Dube, and UB40.

Notable reggae producers include Clement ‘Coxsone’ Dodd, Lee “Scratch” Perry, Duke Reid, Joe Gibbs, Bunny ‘Striker’ Lee, Harry J, King Tubby and Dandy Livingstone.

Notable international reggae record labels responsible for bringing the genre to the global masses include Island Records, Greensleeves, Virgin Frontline, Trojan Records, Jamaican Recordings and VP Records.

Roots Reggae – The lines between reggae and roots are blurred. Perhaps it is better to see them as ends of a continuum with artists leaning more to one end or the other, rather than being discrete or derivative. Roots evolved at the same time as reggae in the late 1960s. Many reggae artists attracted by commercial success, fame and international recognition also crossed over into roots with its more serious and authentic style and vice versa. The likes of Bob Marley, Peter Tosh and Bunny Wailer were prime examples of reggae artists tapping into the ‘vibration’ of Rastafarian black pride and African roots.

The visit of Ethiopian Emperor Haile Selassie to Jamaica in 1966 led directly to a growth of the Rasta movement and the idea of black liberation and the spiritual connection to God (Jah). Rastafarian transcendent themes and the unrest of Jamaican political violence were integral to roots, engendering it with a more ‘gritty’, socially conscious and down‑to‑earth style than its more popular, more acceptable, and marketable counterpart. Even the word, roots, referred to the origins – roots – of West African slave descendants. The hard‑hitting messages of roots were seen as revolutionary, fuelling urban conflict and resistance in Jamaica. Roots became particularly popular in the UK and Africa. Roots, like mainstream reggae, was overtaken in popularity by dancehall by the early 1980s.

Notable roots reggae artists include Burning Spear, Bob Marley & The Wailers, Peter Tosh, Misty in Roots, Steel Pulse, The Congos, Linval Thompson, Prince Far I, Bunny Wailer, Max Romeo, The Mighty Diamonds, The Abyssinians, The Gladiators, Luciano, Johnny Clarke, Keith Hudson, Prince Lincoln Thompson, Alpha Blondy, Junior Murvin, Winston Holness, Michael Prophet, Hugh Mundell, The Revolutionaries, Morwell Unlimited, Roots Radics, Pablo Moses, Cornell Campbell, The In Crowd, Bushman and Yabby You.

Dub reggae – At last… getting to the root (sic!) of this article. The sublime (and occasionally ridiculous) dub reggae.

Dub reggae is quite difficult to define and is perhaps best described by the sum of its parts. Essentially dub comprises the remixing of existing recordings, at least that’s how it began. Producers and sound engineers extensively manipulated the original track by (usually) removing the main vocal content, resulting in largely instrumental arrangements. Studio effects such as reverb and echo are used widely on pretty much all but the earliest dub recordings. The drum and bass parts – providing the ‘riddim’ – are the heavy driving centrepiece of dub tracks. On top of the sparse rhythm base, lead instruments, vocal extracts and/or other, often seemingly random, sounds are dubbed in and out of the mix. These basic components give dub a very distinctive and recognisable sound. Dub tracks mixed on the then new analogue multi‑track recording desks made isolating different musical elements far simpler and creating multi‑layered arrangements much easier. Modern dub is usually composed as dub from scratch.

The word dub derived from early film soundtracks of the 1920s and the copying – doubling – of a sound recording from one medium to another. Jamaican dub emerged in the late 1960s, roughly at the same time as reggae and roots. The purely accidental omission of the vocal track for a ‘version’ of The Paragons hit, ‘On The Beach’ (1967) by sound engineer Byron Smith proved highly popular and extremely fortuitous, as it basically spawned a genre. After that simple error, instrumental ‘versions’ of reggae songs were ‘dubbed’ onto acetate discs. Over time, dub came to describe the method used to create the distinctive style as much as the music itself. The term ‘dubwise’, coined by ace rhythm duo Sly & Robbie, has come to mean using a strong drum‑led bassline in dub.

Studio sound engineers and producers treated the mixing desk as an experimental instrument in its own right and essential to the creation of the dub sound. Some studio staff attracted an almost legendary reputation, well beyond that of the musicians actually providing the music. Producers such as Osbourne Ruddock (King Tubby), Lee “Scratch” Perry, Joe Gibbs and Errol Thompson were the pioneers of what we now know as dub, with many apprentices such as Scientist following in their footsteps. The authentic sound of dub has been attributed to the use of analogue recording studios of the 1970s when there were no digital effects or tracking. While many artists release both vocal and instrumental dub ‘versions’, some are associated more with dub. Some key figures, like Lee Perry and Augustus Pablo, were both artists and producers.

A dubplate is an acetate disc usually of 10” diameter, traditionally used by studios after mixing and prior to mastering. However, dubplates were pioneered by producer King Tubby for reggae sound systems as a way to distribute and play exclusive music. Special one‑off ‘versions’ would be cut for crews from different sound systems to compete head‑to‑head in what was called a sound clash. These unique discs were known as ‘dubplate specials’ and attracted high demand. The aim of a reggae sound clash is to go song‑on‑song (“dub fi dub”) and beat or ‘kill’ their opposition. The sound clash craze spread to London in the 1970s with the likes of Jah Shaka’s Mighty Jah Shaka Sound System being one of the first. The British film drama, ‘Babylon’ (1980) focused on London, urban Brixton’s sound systems and its sound clash culture.

Then there is the extended 12” Reggae Discomix. These have nothing to do with mirror balls or Travolta‑esque dance moves. A Reggae Discomix is the original, usually roots, vocal track immediately followed by a dub version, mixed together in heavy style. For some, the Discomix provides the best of both worlds.

As dub crept up on Jamaican audiences, there has been much debate over who released the first dub album, especially as local administrative record‑keeping was not seen as important at the time. Rather than try to credit any specific release it is, perhaps, better just to celebrate the quality of the early dub albums.

The pre‑dub release of ‘The Undertaker’ by Derrick Harriott and the Crystallites (1970), engineered by Errol Thompson was one of the first instrumental rocksteady albums. Another proto‑dub album was Bob Marley & The Wailers’ instrumental rhythm ‘Soul Revolution 2’ (1971), also called, ‘Upsetter Revelusion Rhythm’, produced by Lee Perry.

Competing for the first legitimate dub album were, ‘Blackboard Jungle Dub’ / ‘Upsetters 14 Dub Black Board Jungle’ (released 1973) mixed in stereo by King Tubby and Lee Perry. A further contender for first dub album was ‘Java Java Java Java’ (recorded c.1972, released 1973) by Impact All Stars featuring melodica maestro, Augustus Pablo and produced by Errol Thompson. ‘Aquarius Dub’ by Herman Chin Loy (recorded c.1971‑1973, released c.1975) with a stripped back, largely instrumental sound without much studio trickery was also one of the first. All of these recordings were seminal and proved highly influential. Certainly worth checking out, if nothing else.

The mid‑1970s was the peak creative period for dub and, just like reggae and roots, dub gave way to dancehall in the early 1980s. Over time, dub has developed its own style that extended way beyond its original traditional roots influences, many in the sub‑genre underground. Dub, has endured and has seen a resurgence in the 21^st Century, not only in its original form but in many contemporary forms as well. Dub’s influence has spread far and wide over the years, and not just in reggae.

Some notable dub reggae artists and producers include King Tubby, Prince/King Jammy, Scientist, Niney The Observer, Lee “Scratch” Perry, The Upsetters, Herman Chin Loy, Dennis Bovell/Blackbeard, The Aggrovators, Augustus Clarke, Bunny ‘Striker’ Lee, Alpha & Omega, Gaudi, Mad Professor, Augustus Pablo, Sly & Robbie, Linval Thompson, Roots Radics, Alborosie, Errol Brown, Joe Gibbs, Yabby You, Ossie Hibbert, Dub Syndicate, Soul Syndicate and Errol ‘E.T.’ Thompson.

Notable Jamaican sound systems include King Tubby’s Hometown Hi‑Fi, Winston Blake’s Mighty Merritone, Clement ‘Coxsone’ Dodd’s Downbeat, Duke Reid’s The Trojan, Noel ‘Papa Jaro’ Harper’s Killamanjaro (intentionally misspelled) and Tom Wong’s Tom The Great Sebastian.

Dancehall – Dancehall is a departure from traditional reggae both in style, content and production. Faster riddims were often constructed digitally and vocals were once again rapped. Dancehall evolved as a product of political turbulence, economic uncertainty and extensive social change in Jamaican communities during the early 1980s.

While reggae has never really fallen out of fashion, its mainstream reach had become ever more diluted and its popularity declined in the early 1980s. Another factor was the death of Bob Marley in 1981. This tragic event seemed to symbolise the ‘end of reggae’ as we know it. Thirdly, studio recording technology in Jamaica was transitioning from the old analogue desks to more modern digital equipment, thereby changing the intrinsic sound and techniques of recordings from rough‑and‑ready to slick, clean and sharp. Electronic instruments were also increasingly digital. Lyrics tended to be about partying, dancing, violence and sexuality, rather than the now‑outdated Rasta messages of social injustice, suffering and oppression.

All these factors, among others, led to the emergence of dancehall. Initially, dancehall music was not widely played on radio and was seen by many Jamaicans as the people’s music of the 1980s and 1990s. The legacy of dancehall is helped by the growth of digital reggae since the 1980s. Producer Philip ‘Fatis’ Burrell and his Xterminator record label was a key factor in establishing dancehall’s longevity.

Notable dancehall artists include Eek‑A‑Mouse, Buju Banton, Beenie Man, Yellowman, Barrington Levy, Sean Paul, Cocoa Tea, Prince Jazzbo, Shabba Ranks, Tenor Saw, Sizzla, Anthony Johnson, Josey Wales, Charlie Chaplin and General Echo.

Ragga – Ragga, a contraction and bastardisation of ‘ragamuffin’, used as a pejorative term by white colonists, became associated with scruffy and unkempt Jamaican ghetto dwellers. Jamaican youths appropriated the insult with the intentionally misspelled Raggamuffin music or, more commonly, Ragga in the early‑mid 1980s. Ragga emerged in Jamaica during the 1980s as a subgenre of dancehall and reggae music fused with hip hop and digital electronica. With its ‘gangsta’ leanings, some ragga is much closer to hip hop than reggae. Ragga has its origins in the late 1960s and, like deejaying/toasting before it, is distinguished by a DJ that improvises lyrics over a sampled or electronic backing track. Like dancehall, the musical style is quite different from reggae.

One of the earliest ragga tracks was, ‘Under Mi Sleng Teng’ (1985) by Wayne Smith, produced by King Jammy. Ragga is often seen by many as synonymous with dancehall and therefore has a lower profile despite its rich history. Ragga heavily influenced early jungle and dubstep music.

Notable ragga artists include Chaka Demus & Pliers, Shaggy, The Bug, Frankie Paul, Ini Kamoze, Capleton, Wayne Smith and Bounty Killer.

Soca – Soca, a.k.a. Soul of Calypso, is a music genre that emerged in the 1970s as a result of Trinidadian Lord Shorty, the ‘Father of Soca’, who attempted to revive the spirit of untainted calypso music, which had declined in popularity compared to the rise of reggae. While soca is not reggae, it fuses calypso with African and East Indian influences, as well as elements of Jamaican reggae. Jamaican ska artists, Byron Lee & the Dragonaires also dipped their toes into the warm waters of soca.

Reggaeton – Another, arguably derivative, form of reggae developed in the 1980s in Panama, called reggaeton. Central American ‘big reggae’, or reggae grande, evolved from dancehall and combines reggae tropes with American hip hop, Latin American, and Caribbean music, with vocals sung or rapped, often in Spanish. Puerto Rican, Daddy Yankee is probably the best known reggaeton artist.

There are various other reggae sub‑genres not mentioned above, such as kumina, Niyabinghi, and reggae fusion, along with derivatives such as ska jazz and ska punk. No radical new sub‑genres have really appeared since the 1980s, perhaps suggesting a degree of creative stagnation. Reggae does, however, continue to produce new artists, including Ziggy Marley, Protoje and Chezidek.

The legacy of dub reggae

Jamaica’s musical legacy is massively disproportionate to its humble genesis. Dub reggae’s influence has grown over the years and continues to exert its presence, not only on reggae and its sub‑genres but also across many other music genres including dub poetry, hip hop, punk, dubstep, big beat, jungle, grime, trip hop, drum & bass, techno, ambient dub, future dub, UK garage, dubtronica, psydub, electro‑dub, post‑disco, EDM/IDM, rock and pop. It is fair to say that dub’s fingerprint is pervasive in modern music to some extent or other. Such diversions were orchestrated by alternative artists such as Adrian Sherwood, Jah Wobble, The Orb and Sound Iration.

(Dub) reggae’s geographical reach has also spread globally with artists from many countries getting involved with the dub bonanza, including Slamonella Dub, The Black Seeds and L.A.B. (New Zealand), Rebelution (Austria), Soul Revivers, Alpha Steppa, Steel Pulse, Linton Kwesi Johnson, Pato Banton, Aswad, Oku Onuora, Creation Rebel, Dennis Bovell/Blackbeard, Winston Edwards, Dreadzone, Hollie Cook, Dubkasm, Zion Train and Alpha & Omega (UK), Alborosie and Gaudi (Italy), Bush Chemists and Dubmatix (Canada), Dubblestandart (Austria), Brain Damage and Manudigital (France), 10 Ft. Ganja Plant, Groundation and Easy Star All‑Stars (USA), Ace Of Base (Sweden), Alpha Blondy, Colbert Mukwevho, Ismael Isaac and Lucky Dube (Africa), and Pressure Drop (Australia).

The current and future of reggae

The second decade of the 21^st Century has seen a renewed interest in reggae roots and dub in its many variants. Contemporary reggae, particularly with a heavy use of electronica, is often described as ‘digital reggae’ because of the type of instruments and recording methods used in modern studio production. Purists say that digital reggae lacks the raw emotion and earthy authenticity of analogue reggae, roots and dub. Techniques that were simply not possible in the past are now commonplace and the requirement for traditional brick‑and‑mortar studio space has reduced significantly with the widespread use of home recording. Cynics might suggest that ease of digital production has distorted established tropes to become clichéd or caricatures of the original; detached or at least dislocated from its Caribbean ghetto background. Perhaps it is better to celebrate success and accept the status quo as an ‘and’, rather than an ‘either or’.

By the late 2000s, dancehall reggae from the privileged districts of uptown Kingston and without connection to the generally disadvantaged areas of downtown Kingston, perhaps unsurprisingly, became known as uptown reggae, including artists like Sean Paul, Alex Marley and Marcus I.

The so‑called reggae revival is a trend that is likely to continue for the foreseeable future, even if it doesn’t regain the multinational dominance it had in reggae’s ‘golden era’ from 1968 to 1983. While its pedigree lies in the unique tapestry of Jamaican life, location and history, reggae and dub are now a global phenomenon, safe in the hands of enthusiasts keeping the traditions and influences alive and well. More importantly, opportunities for involvement in dub are available to all.

While Rastafarianism is reportedly in favour of gender equality, female artists have been woefully underrepresented in reggae generally and particularly in dub. In addition, several dancehall and ragga artists have been accused of homophobia, including targeted song lyrics, aimed at the LGBTQ+ community. Hopefully, these intolerant and prejudicial characteristics will be overcome in time.

Some great reggae and dub recording studios

The concentration of outstanding studio capacity into one small city (with a population of less than 2 million people) is truly extraordinary. The key studios, some famous and others less well known, are listed below in alphabetical order. These studios are all based in Kingston, Jamaica – the spiritual home of reggae – unless stated otherwise:

Aquarius – founded by Herman Chin Loy in the early 1970s
Ariwa – founded by Mad Professor in London, UK in 1979
Big Ship – founded by Freddie McGregor in 1995
Black Ark – founded by Lee “Scratch” Perry in 1973
Black Scorpio – founded by Maurice ‘Jack Scorpio’ Johnson in the early 1970s
Channel One – founded by Joseph ‘Jo Jo’ Hoo Kim in 1973
Digital B – founded by Bobby Digital Dixon in 1988
Dynamic Sounds – founded by Byron Lee in 1963
Federal – founded by Ken Khouri in 1961
Harry J – founded by Harry J in 1972
Hitmaker Studio – founded by Donovan Bennett in 2002
Jammy’s – founded by Prince/King Jammy in 1985
Joe Gibbs – founded by Joe Gibbs in 1975
King Tubbys – founded by Osbourne Ruddock in 1971
Music Works – founded by Augustus ‘Gussie’ Clarke in 1988
Penthouse – founded by Donovan Germain in 1987
Randy’s – founded by Vincent ‘Randy’ Chin in 1962
Studio One – founded by Clement ‘Coxsone’ Dodd in 1963
Treasure Isle – founded by Duke Reid in 1964
Tuff Gong – founded by Bob Marley in 1977
Wackie’s – founded by Lloyd ‘Bullwackie’ Barnes in New York, USA in 1973
Xterminator – founded by Philip Fatis Burrell in 1988

Some great dub reggae recordings

It would be remiss of me, after all of that exposition for me not to reveal my preferences for some dub reggae albums. This is purely subjective and based on my own personal favourites, rather than any form of recommendation. This is, hopefully obviously, only be the tip of an enormous iceberg. There are innumerable possibilities from which to choose and picking a top 20 was a tough job, albeit with perhaps a fairly predictable outcome. Apologies to all those I might have overlooked in making this, my ideal ‘desert island disc’ compendium.

Burning Spear – Garvey’s Ghost (1976)
Scientist – Scientist Rids The World Of The Evil Curse Of The Vampires (1981)
The Upsetters – Super Ape (1976)
Agustus Pablo – King Tubbys Meets Rockers Uptown (1977)
King Tubby – Dub From The Roots (1974)
The Upsetters – Blackboard Jungle Dub / 14 Dub Blackboard Jungle (1973)
Herman Chin Loy – Aquarius Dub (1975)
Linton Kwesi Johnson – LKJ In Dub (1980)
The Aggrovators – Dubbing At King Tubby’s (2016)
Niney The Observer – Sledge Hammer Dub In The Street Of Jamaica (1977)
Gaudi – Dub, Sweat And Tears (2004)
Gregory Isaacs – Slum In Dub (1978)
Horace Andy – In The Light / In The Light Dub (1995)
Yabby U – King Tubby’s Prophesy Of Dub (1976)
Keith Hudson – Pick A Dub (1974)
Mad Professor – Dub Me Crazy!! (1982)
Lee “Scratch” Perry – Heavy Rain (2019)
Johnny Clarke – Dread A Dub (2012)
Prince Far I & The Arabs – Dub To Africa (1979)
Dennis Brown – Dubbing At King Tubby’s (2016)

For dub newbies, exploring the list above would, I believe, serve as an excellent introduction to the genre. I certainly wish such an informative list had been around for me in my early days of dub epiphany. A righteous way to bring this digest to a conclusion, I think.

Tailpiece

There you have it, my return to writing (welcome or not) via a brief guide to mento, ska, reggae, roots, dub, dancehall and ragga. I hope you found something herein to enjoy.

As to THE crunch question of WHY such creativity exploded in the way that it did, when it did, in such a small island community in the West Indies, the answer frustratingly still eludes me. Serendipity? Chance? Coincidence? The quest continues.

One thing is certain, support for, and influence of, reggae’s diverse ecosystem is as healthy today as it has been for several decades, making it truly universal and multi‑generational. I believe that reggae can continue to be a positive force for change. One Love. Irie.

Finally… my appreciation for reggae isn’t just my personal passion. In November 2018, the ‘reggae music of Jamaica’ was added to the UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. The award was in recognition of reggae’s “contribution to international discourse on issues of injustice, resistance, love and humanity underscores the dynamics of the element as being at once cerebral, socio‑political, sensual and spiritual.” Nuff said (and much more succinctly!!!).

This article may be the start of exploration into other genres for which I have a passion. Let’s see how this one goes first.

Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Perfection isn’t good enough”

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30 Aug 2019

August 2019 – The Story of Modern Music in 1,500+ Facts – Part VI

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

So, here we are again, good people. Like the immortal rose‑tinted glasses of the ‘Summer of ‘69’, 50 years on, the summer 2019 is beginning to degrade and enter the memory banks while the evenings are inexorably drawing in again. Perhaps it is poignant to recount the past and reflect a little on how we got to where we are now.

If you would like to (re)visit any or all of the first five parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In the last article, the world of music transformed seemingly overnight with the rise of rock ‘n’ roll acting as a significant catalyst for American and British youth culture in the 1950s. Of course, it wasn’t quite like that in reality – so many different ingredients came together to create an irresistible phenomenon. If the 1950s wasn’t enough to challenge the traditionalists, things were about to get a whole lot more liberal and lively in the 1960s. Even greater social change compounded the consternation of the older, and typically more old-fashioned, conservative generation.

The Story of Modern Music Part VI 1960-1969

While rock ‘n’ roll now seems to be a permanent fixture in the minds of modern music lovers, in its purest form, it didn’t last that long before it became diluted and music evolution moved on rapidly. However, the influence of rock ‘n’ roll was pervasive, acting as a major stimulus to all other sorts of genre developments. The 1960s stood alone from previous and subsequent decades in terms of political, cultural, economic, technological climate and this was reflected in the distinctive music emerging over the same period. For many readers, the 1960s is now within ‘living memory’ – it is, just about, for me. Up to now, much of the chronology will be history, picked up second hand from written or pictorial records. From here on in, readers may well have some experience of these events for real. For a younger audience, be patient, we’ll get to your era soon. There is a lot to get through this month, so it focuses only on one decade with a few photos again.

Historical Context 1960-1969

Although fundamental human equality was still a pipedream for many in the west, freedom of expression and individual liberties probably characterised the ‘Swinging Sixties’ more than anything else, including the Sexual Revolution and civil rights movements. People felt able to say and do things that were unthinkable in previous decades. People were also able to protest against what they felt were moral injustices. Many families experienced benefits from improving economic prosperity and technological advancement. The Cold War and the space race dominated international relations, particularly between the capitalist ‘west’ and communist ‘east’. The latter part of the 1960s saw symbols of the peace & love movement, gaudy fashion and hippie ‘flower power’, all kaleidoscopically prevalent. If there was a decade that could live up to the description of ‘sex, drugs and rock ‘n’ roll’, the 1960s would be it.

Year	Global Events
1960	America launched the first satellite navigation geo‑positioning system into space, called Transit for use by the U.S. Navy, entering operational service in 1964. The oral contraceptive pill was approved for use by married women in America followed by Britain in 1961. The classic great American novel, ‘To Kill A Mockingbird’, written by author Harper Lee was published. The classic and ground breaking psychological horror film, ‘Psycho’, directed by Alfred Hitchcock and starring Anthony Perkins was released.
1961	Democrat politician John F. Kennedy became the 35^th President of the U.S.A. JFK’s election heralded a new wave of hope and optimism set against the background of the Cold War. The American‑backed military invasion of the Bay of Pigs in Cuba intended to topple Fidel Castro failed, thereby escalating political tensions. The infamous Berlin wall separating east and west Germany was constructed. It remained until 1989 when it was symbolically destroyed by the German people. Russian cosmonaut Yuri Gagarin became the first man in space aboard the Soviet Vostok 1 capsule. Astronaut Alan Shepard became the first American to go into space aboard a Mercury spacecraft.
1962	The Cuban Missile Crisis between United States and the Soviet Union narrowly avoided escalation into a full‑scale nuclear world war. American actress and cultural icon Marilyn Monroe died of a drug overdose at the age of 36. Her death was ruled controversially as probable suicide. Marvel’s fictional super hero Spider‑Man made his first comic book appearance. The first satellite television transmission and telephone calls took place over the Atlantic ocean from Europe to North America, relayed by the American Telstar communication satellite.
1963	American president John F. Kennedy was assassinated in Dallas, Texas. Former U.S. Marine, Lee Harvey Oswald was accused of the murder only to be killed while in police custody by local night club owner, Jack Ruby, fuelling many conspiracy theories. Democrat politician Lyndon B. Johnson became 36^th President of the U.S.A. following the assassination of John F. Kennedy. The infamous Alcatraz Federal Penitentiary in San Francisco Bay was closed as a prison. The island is now a museum and tourist attraction run by the U.S. National Park Service.
1964	Sidney Poitier became the first African American actor to win an Academy Award (Oscar) for his role in the film ‘Lilies of the Field’. South African anti‑apartheid campaigner Nelson Mandela was jailed, having been charged with sabotage and conspiracy to overthrow the government.
1965	America joined the Vietnam War by sending U.S. Marines into battle supporting the South Vietnamese against the Chinese‑backed North Vietnamese National Liberation Front (the Viet Cong). American space missions took a significant step forward with the launch of manned Gemini low Earth orbiting capsules. The successful programme ended in 1966. Soviet cosmonaut Alexei Leonov became the first person to make a spacewalk, lasting 12 minutes after exiting the Voskhod 2 spacecraft. Renowned British Fashion designer Mary Quant launched the iconic mini skirt in London, encouraging young women to dress to please themselves.
1966	The Chinese Cultural Revolution began, led by Chairman Mao Zedong, intended to preserve Chinese Communism and purge capitalism from its society. The oppressive campaign lasted until Mao’s death in 1976. The Black Panther Party for Self-Defense was founded in Oakland, California in 1966, intended to patrol African American neighbourhoods and protect residents from acts of police brutality. It ceased operation in 1982. The classic, ground breaking science fiction TV series Star Trek was first broadcast, created by American producer and screenwriter, Gene Rodenberry.
1967	British sailor Sir Francis Chichester became the first person to circumnavigate single‑handedly around the globe in his yacht the Gypsy Moth IV. Argentinian Marxist revolutionary and guerrilla leader Ernesto ‘Che’ Guevara, a major figure in the Cuban Revolution, was executed while in military detention in Bolivia at the age of 39. His death secured his status as a political martyr and counter‑culture rebel icon. The first successful human heart transplant took place, carried out by Dr Christiaan Barnard in South Africa. The first American Football Super Bowl took place between the Kansas City Chiefs and the Green Bay Packers. Green Bay won.
1968	Russia brutally crushed the Prague Spring uprising in Czechoslovakia, forcing the country to subordinate its national interests to those of the ‘Eastern Bloc’. The classic science fiction film, ‘2001: A Space Odyssey’ was released, directed by Stanley Kubrick. American civil rights campaigner Martin Luther King Jr. was assassinated by lifelong criminal James Earl Ray in Memphis, Tennessee. The ambitious American Apollo space program got underway with the first manned flight aboard Apollo 7. The program ended in 1972 with Apollo 17.
1969	Supersonic passenger flight became possible with the introduction of the Anglo‑French Concorde airliner. The cult classic counter-culture movie ‘Easy Rider’ was released, starring Dennis Hopper (also directing) and Peter Fonda. American Senator Ted Kennedy  drove his car off a bridge on Chappaquiddick Island in Massachusetts, killing 28‑year old Mary Jo Kopechne, a former aide to Senator Bobby Kennedy. Police raided the Stonewall Inn in New York City, sparking demonstrations and the start of the gay civil rights movement in the United States. Followers of the cult leader Charles Manson carried out a series of 9 brutal murders including that of actress Sharon Tate. American manned space mission Apollo 11 successfully landed on the Moon. Astronauts Neil Armstrong and Buzz Aldrin became the first humans to walk on the Moon’s surface, with Armstrong proclaiming, “That’s one small step for man, one giant leap for mankind”. Republican politician Richard Nixon was elected as the 37^th U.S. president. Infamously, he remains the only American President to have resigned from office, following the Watergate scandal. The United Kingdom abolished the death penalty substituting it with a mandatory sentence of life imprisonment.

Musical Genre Development 1960-1969

The ‘Swinging Sixties’ were particularly important and memorable for music in America and Europe. The musical revolution that began with rock ‘n’ roll in the previous decade rapidly morphed and diversified on both sides of the Atlantic. By the end of the decade, rock and pop were firmly established as major commercial genres that continue to flourish and adapt to the current day. The 1960s was also a time in which large outdoor music festivals flourished, especially towards the end of the decade, with major events like Newport, Monterey and Woodstock in America and Hyde Park and the Isle of Wight in the UK. In addition, the 1960s saw the introduction of the music compact cassette, which made music not only cheaper but also more portable. As the famous quote, probably attributed to American comedian Charles Fleischer (1950-) goes, ‘if you remember the ‘60s, you weren’t really there’. If that is the case, this article might just serve as a timely reminder.

R&B, gospel, and jazz started to evolve into urban African American soul music, made popular by record companies specialising in the genre. One of these labels was Motown in Detroit, Michigan featuring artists such as Diana Ross & the Supremes, The Four Tops, and Smokey Robinson & the Miracles. Another record label that was hugely influential at the time was Stax Records based in Memphis, Tennessee which was significant for its racially integrated production of southern soul and blues music, including house band Booker T & the M.G.’s and artists like Otis Redding. Atlantic Records which began in New York also promoted soul artists such as Aretha Franklin, Ray Charles and Wilson Pickett. Some other popular soul and R&B artists of the 1960s include The Temptations, Stevie Wonder, Marvin Gaye, The Isley Brothers and the Jackson Five. Racial segregation was a major hurdle for aspiring black musicians and soul is often seen as being closely associated with the American civil rights movement.

Surf music originated in the early 1960s on the west coast of America, particularly around the surfing culture of Orange County in southern California. It was influenced by instrumental rock ‘n’ roll artists like Link Wray, The Ventures and Duane Eddy. Surf is, however, distinct from rock ‘n’ roll and was important in the formation of modern rock music. Surf music tended to fall either into instrumental tunes performed by the likes of Dick Dale & The Deltones or harmonised vocal songs characterised by The Beach Boys. The musical style is heavily based around reverb‑drenched electric guitar sounds often making use of a guitar’s vibrato and the amplifier’s tremolo effect. Lyrics focused on, unsurprisingly, surfing, girls, cars and sunny west coast beach culture. Surf was relatively short‑lived and was taken over by many other American and European genres from the mid‑1960s onwards.

Up to the early 1960s, British artists were in the shadow of American acts and were often playing catch‑up. While not a genre in its own right, the so‑called ‘British Invasion’ began around 1963 with many artists from Britain becoming massively popular in the United States. UK artists sometimes took American songs and gave them a British sound. Perhaps the most significant phenomenon was coined ‘Beatlemania’, when Merseybeat pop group The Beatles broke onto the American music scene circa 1963 and spearheaded the export of UK music to the USA. Other British artists included The Rolling Stones, The Animals, Cream, The Hollies and The Who. By the end of the decade American artists had largely regained their homeland audiences. Various attempts to recreate the phenomenon have only been partially successful, for instance Britpop in the 1990s with artists like Oasis, the Spice Girls and Robbie Williams.

By the mid‑1960s, there was a strong revival of folk music, notable especially for songs with a social and moral conscience, widely articulating the feelings and messages of the various turbulent protest movements of the time. Songs encompassed issues such as poverty, class, the Vietnam War, social injustice and racial segregation. Songs also began to exhibit a stronger leaning towards the emerging rock oriented music scene. Perhaps the most significant artist of the period was Bob Dylan who controversially and ultimately successfully fused acoustic folk and electric rock genres.

Pop music is a diverse genre that attracts a lot of debate. It developed not from the broader traditional popular music of previous decades but from rock ‘n’ roll in the late 1950s and ‘pop’ became a commonly used term since the 1960s to describe non‑classical highly commercial and easily accessible youth‑oriented music. From about 1967, there was a clear divergence between rock music and pop music. Rock became harder edged and played by ‘real’ musicians recording albums while pop was refined into short catchy radio friendly ‘singles’ that were largely industry driven, highly produced, easily packaged, widely marketable and hugely profitable. Musically and lyrically, pop songs are generally uncontroversial and tended not to challenge the listener to any significant degree. Pop artists would sometimes appear and disappear overnight, as it was the songs, sales and chart position that mattered more to the record companies, rather than the performer. The term ‘one‑hit‑wonder’ is often associated with the throwaway appeal of pop music consumption. Conversely, the corporations assert that profits enable investment in new artists. Successful pop artists from the 1960s included The Monkees, The Shadows, Herman’s Hermits, The Dave Clark Five, The Everly Brothers, The Bee Gees and The Lovin’ Spoonful. Pop music continues to evolve and has had a number of peaks since the 1960s including in the early 1980s with artists like Michael Jackson and Madonna and late 2000s including the likes of P!nk, Lady Gaga and Katy Perry. Pop therefore represents considerable mainstream economic business to the industry.

Experimental psychedelic rock was popular during the late 1960s and is often associated with the hippie/flower power counterculture. It is also associated with the widespread use of cannabis and manufactured hallucinogenic drugs such as LSD (acid). Song lyrics frequently referenced drugs and altered/elevated states of consciousness. Songs were often long and comprised extended instrumental extemporisation and improvisation (often called jamming). Musicians regularly used esoteric instruments like the sitar, tabla vibraphone and organ, much of it influenced by Asian, Indian and oriental music. Psychedelic rock and folk rock became closely associated with simple messages of peace and love that began with 1967’s ‘Summer of Love’ phenomenon and reached a climax at the Woodstock festival in 1969. Many rock bands of the period stretched the boundaries of the genre, including the Grateful Dead, The Velvet Underground, Janis Joplin, The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, The Moody Blues, Gong, Hawkwind and early Pink Floyd.

Ska is a genre that originated in Jamaica in the late 1950s and came to popular prominence in the early 1960s. Ska was influenced by Caribbean calypso and Latin music combined with American jazz and R&B. Ska developed heavy basslines and offbeat accents producing a distinctive up‑tempo dance rhythm. Jamaican producers began recording ska on their own labels which were then played on DJ sound systems. Ska became popular not only in Jamaica but also in Britain, being associated with the decade’s mod and skinhead sub‑cultures. Importantly, ska was the precursor to rocksteady and reggae. Key players in the genre were Prince Buster, Clement ‘Coxsone’ Dodd and Duke Reid. Ska experienced a major revival in Britain in the late 1970s and early 1980s on the back of the punk rock boom through Two Tone Records and artists like The Specials, Madness, Bad Manners, The Selecter, and The Beat.

Classic rock music, or simply just rock, really came into its own as a separate broad genre during the 1960s deriving from America and the UK. Rock’s origins stem from rock ‘n’ roll, blues, folk, country and R&B. Experimentation with sound and composition mean that there are many, many sub‑genres and crossover styles of rock music. Rock is predominantly performed by a band with vocals, one or more electric guitars, bass and drums played in an un‑syncopated 4/4 rhythm and comprising a verse and chorus structure. Rock became distinct for increasing use of volume and distorted electric guitar sounds. Classic rock was the starting point for the various offshoots that followed including hard rock, psychedelic rock, blues rock, folk rock, progressive/contemporary rock, heavy metal, glam rock, soft rock, AOR, roots rock, jazz rock, punk rock, new wave, post‑punk, grunge, alternative rock and indie. Many of these styles of rock music remain popular to the current day. Culturally, rock music has often been connected with political activism as well as changes in social attitudes to race, sex, crime and drug use, and is often seen as an expression of young people’s rebellious rejection of adult uniformity and conformity. Artists associated with classic rock include The Kinks, Small Faces, Free, Bad Company and Jeff Beck.

Hard rock split from pop and rock during the latter half of the 1960s. As rock music was beginning to define itself throughout the 1960s, an offshoot rapidly developed that had its own distinctive sound. Hard rock took commercial rock and gave it a heavier and more aggressive style. Hard rock vocals tended to be in the higher registers and were often raspy and guttural. The hard-edged, loud, distorted guitar‑heavy music was influenced by blues, rock and garage. Hard rock could often be identified by catchy ‘power chord’ riffs and impressive lead guitar solos. Hard rock quickly became associated with excluded and defiant young people and the lyrics frequently had a distinctly anti‑authoritarian slant. This sometimes hostile approach to the mainstream was characterised by some acts destroying their instruments on stage, for instance by Pete Townsend of The Who and Jimi Hendrix. The hedonistic rock lifestyle went hand in hand with the music, resulting in musicians reportedly partying as hard as they played, regularly destroying property. Many rock artists developed drug and alcohol dependencies, which resulted in some high profile deaths, including Jim Morrison and Jimi Hendrix. Notable hard rock bands from the 1960s include The Who, Deep Purple, Led Zeppelin, Steppenwolf and The Rolling Stones and later in the early 1970s by bands like Rainbow, Whitesnake, Aerosmith, Kiss, Queen, AC/DC, Alice Cooper and Van Halen.

Musical Facts 1960-1969

Michael Stipe (REM)

Day	Month	Year	Music Fact
4	January	1960	American singer, songwriter, producer, artist and former frontman of indie rock band R.E.M. Michael Stipe was born in Decatur, Georgia.
22	January	1960	Australian singer, songwriter and co-founder of rock band INXS, Michael Hutchence was born in Sydney, New South Wales.
9	February	1960	Legendary American singer Elvis Presley received his first star on the Hollywood Walk of Fame at 6777 Hollywood Boulevard.
3	March	1960	American rock ‘n’ roll singer and now soldier, Sargent Elvis Presley set foot in the UK for the first and only (confirmed) time while his forces plane was refuelled at Prestwick Airport in Ayrshire, Scotland.
13	March	1960	British/Irish bass guitarist, best known as a member of rock band U2, Adam Clayton was born in Chinnor, Oxfordshire, England.
31	March	1960	American blues rock guitarist, Popa Chubby (a.k.a. Theodore ‘Ted’ Horowitz) was born in The Bronx, New York City.
4	April	1960	Legendary American rock ‘n’ roll singer Elvis Presley recorded his classic hit single, ‘Are You Lonesome Tonight?’ at RCA studios in Nashville, Tennessee.
6	April	1960	American guitarist and member of blues/rock groups The Allman Brothers Band, Gov’t Mule and The Dead, Warren Haynes was born in Asheville, North Carolina.
17	April	1960	American rock ‘n’ roll singer and guitarist Eddie Cochran died tragically following a car accident in Wiltshire, UK, at the age of just 21.
23	April	1960	English guitarist, singer, songwriter and key member of heavy rock band Def Leppard, Steve Clark (1960-1991, 30) was born in Hillsborough, Sheffield.
10	May	1960	Irish singer and songwriter Paul Hewson, a.k.a. Bono, front man of massive rock band U2 was born in Dublin.
1	June	1960	Great English bass guitarist with indie rock icons The Cure, Simon Gallup was born in Duxhurst, Surrey.
6	June	1960	American virtuoso rock guitarist, singer, songwriter and producer, Steve Vai was born in New York.
20	June	1960	English bass guitarist and co-founder of new romantic band Duran Duran, John Taylor was born in Solihull, Warwickshire.
27	October	1960	American soul singer Ben E. King recorded his first songs as a solo artist after leaving The Drifters, the classics, ‘Spanish Harlem’ and ‘Stand By Me’.
7	November	1960	American guitarist and songwriter with rock band KISS from 2002, Tommy Thayer, nicknamed ‘The Spaceman’ was born in Portland, Oregon.
8	February	1961	After changing their name from The Quarrymen, English pop band The Beatles made their debut appearance at Liverpool’s Cavern Club, their first of 292 performances at the venue.
7	May	1961	Welsh guitarist and long-term member of hard rock band Motörhead, Phil Campbell was born in Pontypridd.
12	May	1961	English guitarist, songwriter and member of post-punk band, The Cult, Billy Duffy was born in Manchester.
29	May	1961	Award-winning American singer, songwriter and guitarist, Melissa Etheridge was born in Leavenworth, Kansas.
3	June	1961	English guitarist and founding member of psychedelic rock bands Ozric Tentacles and Nodens Ictus, Ed Wynne was born in London.
10	June	1961	American bass guitarist, singer and songwriter, former member of alternative rock band Pixies and currently fronting The Breeders with her twin sister, Kim Deal was born in Dayton, Ohio.
10	June	1961	American guitarist and member of The Breeders with her twin sister, Kelley Deal was born in Dayton, Ohio.
23	July	1961	Multi-talented award-winning English singer, songwriter, guitarist, producer, DJ and co-founder of Depeche Mode, Martin Gore was born in Dagenham, Essex.
8	August	1961	Irish guitarist and songwriter with rock band U2, The Edge (a.k.a. David Evans) was born in Barking, Essex, England to Welsh parents.
13	September	1961	American guitarist, singer, songwriter and co-founder of thrash metal rock band Megadeth, Dave Mustaine was born in La Mesa, California.
16	September	1961	English guitarist, singer and songwriter with indie rock band My Bloody Valentine, Bilinda Butcher was born in London.
3	October	1961	The Country Music Hall of Fame in Nashville, Tennessee welcomed its first inductees, Jimmie Rodgers, Fred Rose and Hank Williams.
10	October	1961	English bass guitarist and actor best known as member of new wave/pop group Spandau Ballet, Martin Kemp was born in London.
10	February	1962	American bass guitarist and songwriter, best known as a member of heavy rock band Metallica, Cliff Burton (1962-1986, 24) was born in California.
11	February	1962	Talented American singer, songwriter and multi-instrumentalist, including guitar, bass and drums, Sheryl Crow was born in Kennett, Missouri.
2	March	1962	American singer, songwriter, founder and front man of the rock band that bears his name, Jon Bon Jovi was born in Perth Amboy, New Jersey.
8	April	1962	American guitarist, co-founder and ex-member of rock band Guns N’ Roses, Izzy Stradlin (a.k.a. Jeffrey Dean Isbell) was born in Lafayette, Indiana.
2	August	1962	American folk singer, songwriter and guitarist Robert Allen Zimmerman formally changed his name to… the one and only Bob Dylan.
25	August	1962	Northern Irish guitarist who has been a member of hard rock bands Def Leppard, Dio and Whitesnake, Vivian Campbell was born in Belfast, County Antrim.
11	October	1962	English pop group The Beatles had their song ‘Love Me Do’ reach no. 4 in the UK singles chart, their first record to do so.
16	October	1962	Australian/American bass guitarist and co-founder of rock band, Red Hot Chili Peppers, Michael Balzary (a.k.a. Flea) was born in Melbourne, Victoria, Australia.
17	October	1962	English newcomers, The Beatles made their first regional television appearance playing 2 songs live on Granada’s ‘People And Places’ show.
18	November	1962	Great American guitarist, songwriter and long-time member of metal rock band Metallica, Kirk Hammett was born in San Francisco, California.
24	November	1962	English guitarist and songwriter with the Stone Roses and The Seahorses, John Squire was born in Altrincham, Cheshire.
8	December	1962	American guitarist, well known for his 10-year stint with heavy metal band Megadeth, Marty Friedman was born in Washington D.C.
9	January	1963	English drummer, Charlie Watts joined the rock band The Rolling Stones, starting a long-term membership of the group.
19	January	1963	English pop/rock band, The Beatles made their first recorded UK TV appearance on the ITV/ABC show, ‘Thank Your Lucky Stars’.
2	February	1963	American singer, songwriter and guitarist, the ‘songbird’, Eva Cassidy (1963-1996, 33) was born in Washington D.C.
22	March	1963	Emerging English pop group The Beatles released their debut studio album ‘Please Please Me’ in the UK. Merseybeat had well and truly arrived.
27	May	1963	American folk singer, songwriter and guitarist, Bob Dylan released his classic 2^nd studio album, ‘The Freewheelin’ Bob Dylan’.
30	June	1963	Impressive, prolific Swedish virtuoso neoclassical heavy rock guitarist Yngwie Malmsteen was born in Stockholm.
3	August	1963	American guitarist, singer, songwriter and co-founder of heavy metal rock band Metallica, James Hetfield was born in Downey, California.
9	August	1963	Popular British weekly pop music television show, ‘Ready Steady Go!’ was first broadcast by ITV. The show ran until December 1966.
9	August	1963	Multi-award-winning American soul/R&B singer and actress, Whitney Houston was born in Newark, New Jersey.
30	August	1963	Dutch technology company Philips introduced the Compact Cassette to Europe at the Berlin Radio Show, followed by an American launch in November the same year.
13	October	1963	Emerging English pop band The Beatles made their first major TV appearance on ITV’s famous variety show, ‘Sunday Night At The London Palladium’.
31	October	1963	English guitarist, singer, songwriter, ex-member of post‑punk rock band The Smiths, as well as a successful solo artist and collaborator, Johnny Marr was born in Manchester.
31	December	1963	American guitarist, singer and founding member of thrash metal rock band Anthrax, Scott Ian was born in Queens, New York.
1	January	1964	The BBC’s popular chart music television programme ‘Top Of The Pops’ (TOTP) was first broadcast in the UK. The show ran for over 42 years until July 2006.
13	January	1964	American folk singer Bob Dylan released his 3^rd studio album ‘The Times They Are A-Changin’’, which became a political anthem for social change in 1960s America.
5	February	1964	American bass player and ex-member of rock bands, Guns N’ Roses, Velvet Revolver, Loaded and Jane’s Addiction, Duff McKagan was born in Seattle, Washington state.
7	February	1964	‘Beatlemania’ struck America when The Beatles landed at New York’s JFK Airport on their first visit to the USA.
9	February	1964	‘Beatlemania’ struck again when English pop band The Beatles made their American TV debut on ‘The Ed Sullivan Show’.
11	February	1964	English pop band The Beatles made their debut live performance in America at the Washington Coliseum in front of 8,000 screaming fans.
26	May	1964	American rock guitarist, singer, songwriter, producer and actor, Lenny Kravitz was born in New York City.
30	May	1964	Great American guitarist with rock bands Rage Against The Machine and Audioslave, as well as several solo projects, Tom Morello was born in New York.
3	June	1964	Great American guitarist with thrash metal rock band Slayer, the formidable Kerry King was born in Los Angeles, California.
19	June	1964	English rock band, The Animals, released their seminal hit single, ‘House Of The Rising Sun’.
10	July	1964	English pop/rock group The Beatles released their 6^th studio album ‘A Hard Day’s Night’ in the UK.
24	July	1964	The Newport Folk Festival in Rhode Island, U.S.A. descended into controversy when Bob Dylan performed an electric rather than acoustic set.
13	November	1964	English rock band The Rolling Stones released their cover of the classic Willie Dixon blues song, ‘Little Red Rooster’ as a single in the UK.
23	December	1964	American guitarist, singer, songwriter and long-time member of rock band Pearl Jam, Eddie Vedder was born in Evanston, Illinois.
20	January	1965	The self-proclaimed ‘father of rock ‘n’ roll’, legendary American DJ Alan Freed died from uraemia and cirrhosis in hospital in Palm Springs, California at the age of 43.
28	January	1965	Emerging English rock band, The Who made their debut television appearance in the UK on the ITV music show ‘Ready Steady Go!’
14	February	1965	Australian/French multi-instrumentalist, including guitar, known for working with alternative rock bands Nick Cave & The Bad Seeds and Grinderman, Warren Ellis was born in Ballarat, Victoria, Australia.
8	March	1965	Legendary American folk guitarist, singer and songwriter Bob Dylan released his first top 40 hit single, ‘Subterranean Homesick Blues’ in the U.S.
12	May	1965	English rock band The Rolling Stones recorded their trademark song ‘(I Can’t Get No) Satisfaction’ at RCA’s studio in Hollywood.
17	May	1965	Prolific composer, singer, songwriter, guitarist, producer and founder of industrial rock band Nine Inch Nails, Trent Reznor was born in New Castle, Pennsylvania.
16	June	1965	Legendary American folk singer and guitarist Bob Dylan recorded his classic song, ‘Like A Rolling Stone’ at Columbia studios in New York.
23	June	1965	English guitarist and founding member of rock band Oasis, Paul ‘Bonehead’ Arthurs was born in Manchester.
23	July	1965	British/American guitarist, member of hard rock bands Guns N’ Roses and Velvet Revolver, as well as a successful solo artist, Saul Hudson (a.k.a. Slash) was born in London.
29	July	1965	The full-length film ‘Help!’, featuring a certain English pop quartet, The Beatles, was premiered in London.
6	August	1965	English pop group The Beatles released their 5^th studio album, ‘Help!’ in the UK, which was also the soundtrack to their film of the same name.
15	August	1965	English pop band The Beatles broke the (then) record for an audience of 55,600 at Shea Stadium in New York City.
20	August	1965	English rock band The Rolling Stones released their massive hit single, ‘(I Can’t Get No) Satisfaction’.
28	August	1965	Canadian country music singer, songwriter and guitarist, Shania Twain, the ‘Queen of Country Pop’ was born in Windsor, Ontario.
30	August	1965	American folk guitarist, singer and songwriter Bob Dylan released his classic 6^th studio album, ‘Highway 61 Revisited’ in the UK.
13	October	1965	English rock band The Who recorded their classic single ‘My Generation’ at Pye Recording Studios in London, UK.
21	October	1965	Pioneering American rock ‘n’ roll bass player, forever associated with singer Elvis Presley, Bill Black died of a brain tumour in Memphis, Tennessee, at the age of 39.
26	October	1965	HM Queen Elizabeth II presented members of the English pop band The Beatles with MBEs at Buckingham Palace in London.
29	October	1965	English rock band, The Who released the single ‘My Generation’ in the UK, reaching number 2 in the British singles chart.
12	November	1965	Emerging young English singer, songwriter and guitarist Marc Bolan performed his first single, ‘The Wizard’ on national UK TV music programme ‘Ready Steady Go!’
12	November	1965	American rock band Velvet Underground performed their debut live performance at Summit High School in New Jersey.
19	November	1965	English guitarist, songwriter and lead man for alternative rock band Spiritualized, Jason Pierce was born in Rugby.
21	November	1965	Avant-garde Icelandic singer, songwriter, producer and actress, Björk Guðmundsdóttir was born in Reykjavík.
25	November	1965	American guitarist, singer, songwriter and producer, a member of punk rock bands Rancid and Transplants, Tim Armstrong was born in Albany, California.
3	December	1965	English pop/rock group The Beatles released their 6^th studio album ‘Rubber Soul’ in the UK.
3	December	1965	English rock band, The Who, released their classic debut studio album, ‘My Generation’ in the UK.
10	December	1965	American singer, songwriter and guitarist, front man of alternative rock band Dinosaur Jr., the great J. Mascis was born in Amherst, Massachusetts.
4	March	1966	Member of The Beatles, John Lennon, made his infamously controversial statement that the band was “…more popular than Jesus…”.
18	March	1966	American guitarist and founder of heavy rock band, Alice In Chains, Jerry Cantrell was born in Tacoma, Washington.
25	March	1966	Renowned Canadian blues rock guitarist, Jeff Healey (1966-2008, 41) was born in Toronto.
5	April	1966	American guitarist and co-founder of rock band, Pearl Jam, Mike McCready was born in Pensacola, Florida.
22	April	1966	English garage rock band The Troggs released their version of the Wild Ones’ song, ‘Wild Thing’, which became a classic hit single of its time.
1	May	1966	English pop/rock band, The Beatles performed their final UK live appearance at the NME Poll Winners’ Party, held at the Empire Pool, Wembley in London.
13	May	1966	English rock band, The Rolling Stones released their dark and sinister hit single, ‘Paint It, Black’ from the album ‘Aftermath’ (U.S. release).
16	May	1966	Original American surf pop/rock band, The Beach Boys released their best-selling classic 11^th studio album, ‘Pet Sounds’ in the U.S.
16	May	1966	American folk singer, songwriter and guitarist, Bob Dylan originally scheduled the release date of his classic 7^th studio double album, ‘Blonde On Blonde’. It didn’t actually become available until early June.
26	May	1966	English pop/rock band, The Beatles recorded ‘Yellow Submarine’ at Abbey Road Studios in London.
30	May	1966	American singer, songwriter, guitarist and co-founder of alternative rock bands Pavement and the Jicks, Stephen Malkmus was born in Santa Monica, California.
16	July	1966	British music icons Eric Clapton, Jack Bruce and Ginger Baker formed the short-lived blues/rock super group Cream.
5	August	1966	English pop/rock group, The Beatles released their classic 7^th studio album, ‘Revolver’ in the UK.
20	August	1966	American guitarist, songwriter and founder of heavy metal rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Lance Abbott (1966-2004, 38) was born in Arlington, Texas.
12	September	1966	Featuring an American/British pop-rock band, The Monkees show premiered on American TV network NBC.
20	September	1966	Portuguese/American guitarist, singer, songwriter, producer and member of rock band Extreme, Nuno Bettencourt was born in Terceira, Azores.
23	October	1966	Anglo-American rock trio, The Jimi Hendrix Experience recorded ‘Hey Joe’, their debut single, which peaked at number 6 in the UK chart.
2	November	1966	American blues guitarist Mississippi John Hurt died of a heart attack in a hospital in Grenada, Mississippi at the age of 73.
6	November	1966	American virtuoso rock guitarist, member of rock bands Mr Big and Racer X, as well as successful solo artist, Paul Gilbert was born in Carbondale, Illinois.
17	November	1966	American surf band, The Beach Boys had a number one hit in the UK singles chart with the classic song, ‘Good Vibrations’.
17	November	1966	Talented American singer, songwriter and guitarist, the graceful Mr Jeff Buckley (1966-1997, 30) was born in Orange, California.
25	November	1966	The Jimi Hendrix Experience played their debut live performance in the UK at the Bag O’Nails Club in Soho, London.
7	December	1966	English guitarist and songwriter who has worked with bands Oasis, Beady Eye and Noel Gallagher’s High Flying Birds, Gem Archer was born in Durham.
9	December	1966	English blues/rock super group Cream, comprising Eric Clapton, Jack Bruce and Ginger Baker, released their debut studio album, ‘Fresh Cream’ in the UK.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience, made their UK TV debut on popular music programme ‘Ready Steady Go!’.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience recorded their classic track, ‘Foxy Lady’ (a.k.a. ‘Foxey Lady’ in the U.S.), released as a single in May 1967.
16	December	1966	Anglo-American rock band, The Jimi Hendrix Experience released their debut single in the UK, ‘Hey Joe’, reaching no. 6. It failed to chart in the U.S.
23	December	1966	After 3 years on air, UK TV network channel ITV broadcast the final episode of the popular music programme, ‘Ready Steady Go!’ following a Musicians’ Union ban on miming on television.
29	December	1966	Anglo‑American rock trio, The Jimi Hendrix Experience made their first UK TV appearance on the BBC’s ‘Top Of The Pops’, performing their single, ‘Hey Joe’.
4	January	1967	American rock band, The Doors, released their classic self-titled debut studio album, ‘The Doors’.
11	January	1967	Anglo‑American rock trio, The Jimi Hendrix Experience recorded their classic song, ‘Purple Haze’ at De Lane Lea Studios in London. It took 3 takes in 4 hours to complete.
14	January	1967	American heavy metal guitarist, singer and songwriter, founder of heavy metal band Black Label Society, Zakk Wylde was born in New Jersey.
17	January	1967	English rock guitarist, singer, songwriter, producer, solo artist and session musician, Richard Hawley was born in Sheffield.
3	February	1967	Pioneering English record producer and studio engineer, Joe Meek murdered his landlady and then committed suicide in London at the age of 37.
17	February	1967	English Blues rock band John Mayall and the Blues Breakers released their 2^nd studio album, ‘A Hard Road’ with Peter Green replacing Eric Clapton as guitarist.
20	February	1967	American singer, songwriter and guitarist with grunge rock band Nirvana, Kurt Cobain (1967-1994, 27) was born in Aberdeen, Washington state.
12	March	1967	American rock band, The Velvet Underground released their debut studio album, ‘The Velvet Underground & Nico’, with iconic cover art by pop artist Andy Warhol.
17	March	1967	American singer, songwriter, guitarist and co-founder of alternative rock band Smashing Pumpkins, Billy Corgan was born in Chicago, Illinois.
12	May	1967	Anglo‑American rock band, The Jimi Hendrix Experience released their debut studio album, ‘Are You Experienced’ in the UK.
29	May	1967	English singer, songwriter and guitarist with rock bands Oasis and High Flying Birds, Noel Gallagher was born in Manchester.
1	June	1967	English pop/rock band, The Beatles released their classic 8^th studio album, ‘Sgt. Pepper’s Lonely Hearts Club Band’ in the UK.
1	June	1967	Aspiring English singer David Bowie released his eponymous debut studio album, ‘David Bowie’ in the UK.
7	June	1967	American guitarist, singer, songwriter and founding member of alternative rock band Jane’s Addiction as well as former member of Red Hot Chili Peppers, Dave Navarro was born in Santa Monica, California.
16	June	1967	The ‘Summer of Love’ officially arrived with the start of the legendary 3-day Monterey Pop Festival in California. Artists included The Animals, Simon & Garfunkel and Sly & The Family Stone.
16	June	1967	English psychedelic/progressive rock band Pink Floyd released their classic single, ‘See Emily Play’, written by Syd Barrett.
17	June	1967	The ‘Summer of Love’ continued with the 2^nd day of the 3-day Monterey International Pop Festival in California. Artists included Canned Heat, Jefferson Airplane, Otis Redding, Steve Miller Band and The Byrds.
18	June	1967	The ‘Summer of Love’ continued with the 3^rd and final day of the Monterey International Pop Festival in California. Artists included Buffalo Springfield, Grateful Dead, Ravi Shankar, The Jimi Hendrix Experience and The Who.
24	June	1967	German guitarist with Industrial Metal rock band Rammstein, Richard Z. Kruspe was born in Wittenberge.
12	July	1967	Great American guitarist and founding member of heavy rock band Dream Theater, John Petrucci was born in New York.
4	August	1967	English psychedelic progressive rock group, Pink Floyd released their debut studio album, ‘The Piper at the Gates of Dawn’.
25	September	1967	American rock band The Doors released their all-time classic 2^nd studio album, ‘Strange Days’.
30	September	1967	English broadcaster the BBC aired their pop music channel Radio 1 for the very first time in the UK. The first record played by DJ Tony Blackburn was, ‘Flowers in the Rain’ by The Move.
3	October	1967	American singer, songwriter and guitarist Woody Guthrie died from Huntington’s Disease in New York City at the age of 55.
9	November	1967	The brainchild of Jann Wenner, the very first issue of Rolling Stone music magazine was published in the USA, featuring a photo of John Lennon on the front cover.
10	November	1967	English blues/rock super group Cream released their classic 2^nd studio album, ‘Disraeli Gears’ in the UK.
1	December	1967	Anglo-American rock trio, The Jimi Hendrix Experience released their sophomore studio album, ‘Axis: Bold as Love’ in the UK.
7	December	1967	Shortly before his tragic death, American soul singer Otis Redding recorded his classic single, ‘(Sittin’ On) The Dock Of The Bay’.
10	December	1967	American soul singer, Otis Redding was killed tragically when the plane in which he was travelling crashed into Lake Monona near Madison, Wisconsin, at the age of 26.
16	December	1967	English rock band, The Who, released their 3^rd studio album, ‘The Who Sell Out’ in the UK.
27	December	1967	Canadian singer, songwriter and guitarist, Leonard Cohen released his classic debut studio album, ‘Songs of Leonard Cohen’.
13	January	1968	American country music legend Johnny Cash performed two live shows at the notorious Folsom State Prison in California.
21	January	1968	Anglo-American rock trio, The Jimi Hendrix Experience recorded their cover version of Bob Dylan’s, ‘All Along The Watchtower’ at Olympic Studios in London.
30	January	1968	American psychedelic rock band, The Velvet Underground released their classic sophomore studio album, ‘White Light/White Heat’.
8	March	1968	The famous New York live music venue Fillmore East opened its doors at 105 Second Avenue and East 6^th Street in Manhattan. It closed 3 years later on 27 June 1971.
6	April	1968	English progressive rock band Pink Floyd announced that guitarist and singer Syd Barrett had left the band he helped to found.
15	April	1968	English guitarist, singer, songwriter and original member of alternative rock band Radiohead, Ed O’Brien was born in Oxford.
20	April	1968	After changing their name from Roundabout, English hard rock band Deep Purple played their first live concert as Deep Purple in Tastrup, Denmark.
24	May	1968	English rock band, Small Faces released their classic 4^th studio album ‘Ogdens’ Nut Gone Flake’.
24	May	1968	English rock band, The Rolling Stones released their massive hit single, ‘Jumpin’ Jack Flash’.
28	May	1968	Multi-talented Australian singer, songwriter, actress, entrepreneur and sex symbol, Kylie Minogue was born in Melbourne, Victoria.
5	June	1968	Marc Bolan’s band Tyrannosaurus Rex released their debut album, ‘My People Were Fair And Had Sky In Their Hair… But Now They’re Content To Wear Stars On Their Brows’ in the UK.
15	June	1968	Acclaimed American jazz guitarist Wes Montgomery died of a heart attack at his home in Indianapolis at the age of 45.
28	June	1968	English progressive rock group Pink Floyd released their sophomore studio album, ‘A Saucerful Of Secrets’ in the UK. It was the only Pink Floyd album to feature both Syd Barrett and David Gilmour.
29	June	1968	The first Hyde Park Free Concert was held in London, UK, featuring Pink Floyd, Jethro Tull, Tyrannosaurus Rex and Roy Harper.
5	July	1968	The legendary San Francisco live music venue Fillmore West opened its doors at 10 South Van Ness Avenue. It stayed at this location until 4 July 1971.
10	July	1968	English guitarist Eric Clapton announced that the blues/rock super group Cream were splitting up, after just 3 studio albums.
13	July	1968	Under their original name, Earth, English heavy metal pioneers, Black Sabbath played their first live concert at The Crown pub in Birmingham.
17	July	1968	The unique psychedelic animated film ‘Yellow Submarine’, featuring characters based on The Beatles premiered in London.
5	August	1968	Influential American country guitarist and principal sideman for Johnny Cash, Luther Perkins, one of the famed ‘Tennessee Three’, died tragically in a fire accident in Hendersonville, Tennessee at the age of 40.
9	August	1968	English blues/rock super group Cream released their 3^rd studio album, ‘Wheels Of Fire’.
6	September	1968	English blues/rock guitarist Eric Clapton recorded the guitar solo on The Beatles’ song, ‘While My Guitar Gently Weeps’.
7	September	1968	English rock band The New Yardbrids, later to become Led Zeppelin performed their live concert debut at Gladsaxe, near Copenhagen in Denmark.
14	September	1968	The animated series based around a fictional pop band, ‘The Archies’, from the original comic strip, premiered on CBS TV in America.
20	September	1968	English Heavy rock band, Led Zeppelin started recording their ground-breaking debut album ‘Led Zeppelin (I)’ in London, to be released in 1969.
7	October	1968	English singer, songwriter and guitarist with alternative rock band Radiohead, Thom Yorke was born in Wellingborough, Northamptonshire.
14	October	1968	English psychedelic folk rock duo Tyrannosaurus Rex released their 2^nd studio album, ‘Prophets, Seers & Sages: The Angels of the Ages’.
25	October	1968	Nine days after its American launch, The Jimi Hendrix Experience released their final studio album ‘Electric Ladyland’ in the UK.
9	November	1968	English hard rock band Led Zeppelin performed their debut London concert at The Roundhouse, Chalk Farm. Members’ tickets cost 16 shillings.
21	November	1968	English bass guitarist and songwriter, principally with Britpop band Blur, Alex James was born in Bournemouth.
22	November	1968	English group, The Beatles released their highly regarded 9^th studio double album, ‘The Beatles’, a.k.a. the ‘White Album’ in the UK.
26	November	1968	Aside from their 2005 reunion gigs, English blues/rock super group, Cream played their final ‘Farewell Concert’ at the Royal Albert Hall in London.
29	November	1968	Emerging British/American blues/rock band Fleetwood Mac released their classic instrumental hit single ‘Albatross’.
6	December	1968	British rock band, The Rolling Stones released their classic 7^th studio album, ‘Beggars Banquet’ in the UK.
24	December	1968	American blues/rock guitarist, singer, songwriter, producer, prolific musical collaborator as well as solo artist, Doyle Bramhall II was born in Dallas, Texas.
5	January	1969	Controversial American rock singer and songwriter, Brian Warner, better known as the artist Marilyn Manson, was born in Canton, Ohio.
12	January	1969	British rock band Led Zeppelin released their self‑titled debut studio album, ‘Led Zeppelin’ on Atlantic Records in the UK.
13	January	1969	English band The Beatles released their studio album ‘Yellow Submarine’ as a soundtrack to the psychedelic animated film of the same name featuring the Fab Four.
14	January	1969	American singer, songwriter, drummer and guitarist with rock bands Nirvana and Foo Fighters, Dave Grohl was born in Springfield, Virginia.
22	January	1969	Legendary Canadian singer, songwriter and guitarist, Neil Young released his eponymous debut album, ‘Neil Young’.
30	January	1969	English rock band The Beatles made their final live public performance, filming their famous unannounced rooftop gig atop the Apple Studio building in London for the film ‘Let It Be’.
21	February	1969	Welsh singer, songwriter, guitarist and producer with rock band Manic Street Preachers, James Dean Bradfield was born in Pontypool.
22	February	1969	Legendary English pop/rock band The Beatles started recording their classic studio album, ‘Abbey Road’ at the famous London recording studio of the same name.
24	February	1969	Anglo-American rock trio, The Jimi Hendrix Experience performed their final UK live indoor concert at The Royal Albert Hall in London.
12	March	1969	English singer, songwriter, guitarist and founder of indie rock/britpop band Blur, Graham Coxon was born in Rinteln, Germany where his father was stationed with the British Army.
7	April	1969	Legendary Canadian singer, songwriter and guitarist, Leonard Cohen released his classic sophomore studio album, ‘Songs From a Room’.
9	April	1969	American folk rock guitarist, singer and songwriter Bob Dylan released his change of direction 9^th studio album, ‘Nashville Skyline’.
13	May	1969	Prolific and inventive American rock guitarist, Buckethead (a.k.a. Brian Carroll) was born in Pomona, California.
14	May	1969	Canadian guitarist, singer and songwriter, Neil Young with his band Crazy Horse released their sophomore studio album, ‘Everybody Knows This Is Nowhere’.
16	May	1969	Before pioneering glam rock, English singer, songwriter and guitarist Marc Bolan with Tyrannosaurus Rex released their 3^rd studio album, ‘Unicorn’.
23	May	1969	English rock band, The Who released their ground breaking epic rock opera double album, ‘Tommy’ in the UK.
26	May	1969	John Lennon and Yoko Ono promoted world peace through an 8-day ‘bed-in’ in Canada proclaiming ‘Give Peace a Chance’.
4	June	1969	American country artist Johnny Cash released his classic live album, ‘At San Quentin’, recorded at the (in)famous high security prison in California.
20	June	1969	Emerging English singer David Bowie recorded his first hit single ‘Space Oddity’ at Trident Studios, London.
3	July	1969	English guitarist, multi-instrumentalist and founder of The Rolling Stones, Brian Jones drowned in his swimming pool at his home in Hartfield, East Sussex at the age of 27.
11	July	1969	Emerging English rock singer and songwriter David Bowie released his classic debut single, ‘Space Oddity’ in the UK.
1	August	1969	The point at which aspiring rock band Earth changed their name to Black Sabbath, announced at a concert held at the Pokey Hole Club in Lichfield, Staffordshire, UK.
5	August	1969	American singer and songwriter Iggy Pop launched his long and varied music career, with or without The Stooges, with the release of his/their debut studio album, ‘The Stooges’.
15	August	1969	The legendary hippie counter-culture Woodstock Festival ‘Aquarian Exposition: 3 Days of Peace and Music’ Arts Fair began at Max Yasgur’s dairy farm near Bethel, New York, attended by over 400,000 people. Tickets were priced at $6 per day. Artists included Melanie, Arlo Guthrie and Joan Baez.
16	August	1969	The second day of the legendary Woodstock Festival took place in upstate New York. Artists included Canned Heat, Grateful Dead, Janis Joplin, Sly & the Family Stone, The Who and Jefferson Airplane.
17	August	1969	The third and (sort of) final day of the legendary Woodstock Festival took place on Max Yasgur’s 600-acre farm 43 miles south west of the town of Woodstock, New York state. Artists included Ten Years After, The Band, Johnny Winter, Blood, Sweat & Tears and CSN&Y.
18	August	1969	As the last of 32 acts, American guitar legend, Jimi Hendrix closed the fabled Woodstock Festival by playing a 2-hour set at 9:00 in the morning with a temporary band.
30	August	1969	After changing their name from Earth, English heavy metal pioneers, Black Sabbath played their first live concert as Black Sabbath at a local pub in Workington, Cumbria.
5	September	1969	Talented American guitarist, son of Frank and carrying on the formidable family legacy, Dweezil Zappa was born in Los Angeles, California.
7	September	1969	English guitarist, best known as a member of Britpop group Cast and his work with alternative rock artist Robert Plant, Liam ‘Skin’ Tyson was born in Liverpool.
22	September	1969	Canadian/American roots/folk/country rock artists, The Band released their classic self-titled 2^nd studio album, ‘The Band’.
25	September	1969	American guitarist, songwriter, producer and one-time member of rock band Guns N’ Roses (2006-2014), Ron ‘Bumblefoot’ Thal was born in Brooklyn, New York.
26	September	1969	Legendary English pop/rock band The Beatles released their classic final studio album with the iconic zebra crossing cover photograph, ‘Abbey Road’ in the UK.
3	October	1969	Influential American delta blues singer and guitarist Skip James died in Pennsylvania at the age of 67.
10	October	1969	American rock guitarist and composer Frank Zappa released his outstanding, classic career-peak studio album, ‘Hot Rats’.
10	October	1969	English progressive rock band King Crimson released their classic studio album, ‘In the Court of the Crimson King’ in the UK.
16	October	1969	Anglo‑American rock trio the Jimi Hendrix Experience released their 3^rd and final studio album, the classic ‘Electric Ladyland’ in the U.S.
18	October	1969	American music family, The Jackson 5 made their debut on American TV, appearing on ABC’s ‘Hollywood Palace’.
22	October	1969	English hard rock group Led Zeppelin released their classic multi-million-selling 2^nd studio album, ‘Led Zeppelin II’ on Atlantic Records in the U.S.
28	October	1969	Award-winning multi-genre American guitarist, singer and songwriter Ben Harper was born in Pomona, California.
4	November	1969	English singer and songwriter David Bowie released his 2^nd studio album, ‘David Bowie’ (also released as ‘Space Oddity’ after the hit single from the album).
7	November	1969	English progressive rock group, Pink Floyd released their 4^th part live, part studio experimental double album, ‘Ummagumma’, with cover art by Hipgnosis.
14	November	1969	Cartoon bubblegum pop group, The Archies began the longest ‘one hit wonder’ UK singles chart-topping streak (8 weeks), with their classic song, ‘Sugar, Sugar’.
27	November	1969	American guitarist, singer and songwriter, a member of heavy rock band Alter Bridge, as well as pursuing many side projects, Myles Kennedy was born in Boston, Massachusetts.
29	November	1969	English rock band, The Rolling Stones, released their classic 11^th studio album, ‘Let It Bleed’ in the UK.
6	December	1969	A man was stabbed to death by a member of the Hells Angels during The Rolling Stones set at the infamous Altamont Free Festival in California.
14	December	1969	American music family, The Jackson 5 made their American Network TV debut, appearing on ‘The Ed Sullivan Show’.

Tailpiece

Well there you go… that’s the 1960s in a proverbial (and quite sizeable) nutshell. An appreciation of music genre development and music facts from the 1960s catalogues the seemingly sudden eruption of creativity that took place against the background of momentous global events. The vibrancy and liberalism of the 1960s was exploratory, liberating and empowering for many, mostly young people at the time. Much of the optimistic idealism was, perhaps in hindsight, naively transient and disappointingly ephemeral. All good things come to an end and things were about to change quite fundamentally all over again.

How the heck do you follow the decade of decadence? Well, that will be the fascinating story of the 1970s, which will unfold in all its hedonistic, nihilistic grime and glory. Intrigued? Why not come back for the next enthralling episode of the ‘History of Music’. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “I’m glad I’m alive. What else would I do?”

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