28 Nov 2023

November 2023 – Musical Machinations

by Tony Drew | posted in: History, Introduction, Observations, Opinion | 0

Prelude

WELCOME ONCE MORE to CRAVE Guitars’ unhurried cruise through the planet’s turbulent waters this November 2023. While there has been much to protest about in the rapid disintegration of the prevailing ‘world order’ during the 2020s thus far, one has to grasp onto any positive prospects that may present themselves. Arising from the debris and carnage of grinding attrition, the poppies of opportunity are optimistic symbols for hope and prosperity, albeit fleeting. That’s basically all flowery language for carpe diem (from Roman lyric poet, Horace’s work, ‘Odes’ in 23 BCE – literal meaning ‘pluck the day’, commonly interpreted as ‘seize the day’).

“While we speak, envious time will have fled: seize the day, to the least extent possible trusting in the next one.” Quintus Horatius Flaccus (Horace, 65-8 BCE)

I recognise that there has been little in the way of exciting news on CRAVE Guitars core ‘business’ for many reasons outlined in the previous article (October 2023). It has been slow but it hasn’t been a total wipe‑out though and I’ll come back to that on another occasion. Here, I’m focussing purely on recorded music and principally a persistent quest to unearth something a little bit different.

Once again, no AI was used to research or write this article, only the author’s meagre cranial capacity and a bit of old school pre‑AI technology.

Context

The one upside of recent times has been an opportunity to embark on an intentional journey to explore off‑the‑beaten‑track modern music. As in physics, the musical micro‑universe is continuously expanding. The challenge is that the musical catalogue since the 1950s is absolutely massive and, with each passing day, becomes even bigger – far too much to begin with, let alone keep up with. While, on the basis that one’s knowledge is inherently extremely limited, it means that any adventure has plenty of scope for discovery, even if it is only vainly scratching the surface of the iceberg’s tip (there I go mixing metaphors again!).

“I know nothing except the fact of my ignorance.” Greek philosopher Socrates (c.470-399 BCE)

On this particular excursion into the unknown, music discovery means expanding the author’s knowledge and appreciation across many aspects of contemporary music. The exercise is about not only consolidating existing music but also about travelling lands un‑trod for new music, which may mean older music that is new to me as well as recently released music that is new to everyone.

Fortunately, 21^st Century explorations are sedate experiences. No longer do we have to fear ‘hic sunt dracones’ in ‘Terra incognita’ (here be dragons in unknown land). Note: The former derives from the Hunt‑Lenox Globe (1504), the latter from Ptolemy’s Geography (c.150).

Over far too many years than I would care to contemplate, I have been buying and listening to music. Nothing unusual about that. For many reasons (space, funds, etc.), music was largely revolved around established genre preferences. Fair enough; isn’t that what it’s all about, buy what you like and don’t bother with everything else? However, such an exercise becomes largely self‑perpetuating and insular. This I was aware of and felt that there was much more to be revealed. Where to start?

During CRAVE Guitars’ 3‑year hiatus (see last month’s article, ‘Return to and from Obscurity’), I became fascinated by exposure to ‘new’ music, rather than the habitual repetitive listening to a small repertoire of familiar choons. This is no new epiphany. When much younger, I made a point of listening to BBC Radio 1 DJ John Peel (1939‑2004) and valued his nonconformist approach towards exciting new bands and their music, especially but not solely during the punk rock era. The late John Peel may not be familiar to readers outside the UK. It was because of John Peel that I bought my very first LP album – ‘Meddle’ by Pink Floyd (1971), after he debuted it in its entirety on his late night radio show.

While so many other things were getting in my way, I consciously elected to spread my musical wings again, mainly because it is something I had wanted to do and it was actually eminently do‑able, especially economically (at first!). I engaged in the hobby of ‘crate digging’ or simply ‘digging’ in the Internet age, i.e. searching anywhere for content, online suppliers and auction sites, charity shops, second hand record shops, brick‑and‑mortar retailers, etc. Buying used albums makes the exercise much more economic, fun and sustainable.

“Music is an important part of our culture and record stores play a vital part in keeping the power of music alive.” Chuck Berry (1926-2017)

Alternative sources include ‘recommendations’ from other music aficionados and using the Shazam app on a smart phone to identify something unfamiliar and interesting that pops up wherever one might be at the time.

One of the first steps was to identify what I had and where there were obvious gaps. I had already created a Microsoft Access database so that I could scrupulously catalogue the albums, EPs and singles in my possession. That soon ran into the application’s upper limit of 2 GB per database, so had to be split into multiple databases. Now that I readily know what I have (little), what I haven’t (massive). It also enabled me to log what I might want (a continuously growing ‘most wanted’ list). The systematic categorisation was reinforced by importing everything I had from source onto Apple iTunes. Between these two key resources, it became relatively straightforward to keep track of things. Then, it was on to, thankfully dragon‑free, pastures new.

My investigations are basically limited to modern contemporary music from the early‑mid 1950s – basically from the emergence of rock ‘n’ roll – to the current day. It also includes going back further into the history of some long‑standing top‑tier genres such as blues, country and jazz that were direct predecessors to, and influences on, everything from rock ‘n’ roll onwards, as well as continuing to evolve in their own right.

There have to be boundaries or I would go insane just collecting for collecting’s sake, which is not only unrealistic but also pointless. American rapper and entrepreneur Dr. Dre once stated that he accumulated 80,000 albums and kept them in storage, before realising just that basic error. I’m sure that somewhere out there is a comprehensive British Library‑esque collection of music releases over the last 100 or so years, catalogued for historical posterity. That would be one heck of a monumental task. My endeavours are, unsurprisingly, much, much more modest.

One has to enjoy, as well as feel that an avocation is worthwhile, or there is no worth in doing it. It is for this reason that I have to exclude classical music. For some reason, classical music leaves me stone cold dead. Always has done. I’ve tried repeatedly to get into it but to no avail. However, in contemporary music, there are styles of modern classical and minimalist music that blend, fuse or crossover into contemporary electronic sensibilities with classical instrumentation that I can grasp but I’m afraid that’s it. The likes of Max Richter, Tim Hecker, Philip Glass, Jóhann Jóhannsson, Walter/Wendy Carlos and Isao Tomita I can engage with, otherwise, meh. I genuinely apologise to classical music fans. I’m sure it’s fabulous n’all but it just doesn’t do anything for me and going down that particular rabbit hole is an experience I don’t want to pursue… so I won’t. My choice.

Here are just a few figures relevant to the 3‑year hiatus to bandy about. During that period, I’ve purchased circa 3,000 albums along with a (large) handful of EPs and the odd single. That equates to around 90 per month (averaging c.3‑ish per day). I dread to think of the gross expense but at least it is little and often, unlike buying vintage guitars. It’s also relatively quick and easy to do, filling those occasional idle moments. The last 3 years has basically doubled the hoard. The ‘most wanted’ (for want of a better term) list hovers around 1,500‑2,000 depending on timing and motivation. The ‘find out more’ about list of artists is, by comparison, relatively short at around 200‑250. The conclusion is that there is plenty of scope for improvement. Additions to the hoard cover about 100 genres with the largest proportions being mainstream ones.

I haven’t ventured into the realms of rare music collection – most albums I have been looking for are relatively available with patience and digging. Indeed, many have been from bargain bins. I can’t justify or afford two expensive artefact hobbies! Neither has this mission been to create any sort of ‘standout albums of the last 75 years’ or so. I don’t think anyone could possibly agree on what that might comprise.

Right, let’s get down to the business at hand; colouring in the sketch of the musical landscape, so to speak.

“Though this be madness, yet there is method in’t.” From ‘Hamlet’ (c.1600) by English playwright William Shakespeare (1564‑1616)

Genre gap‑filling

Like most people, one has favourite genres, so‑so ones, and disliked ones. However, to rule music out just because it belongs to a hitherto underappreciated genre tends to limit one’s exposure to some highly regarded music. As an example, I was never very keen on country music. Then I watched an 8‑part documentary called, unsurprisingly, ‘Country Music’ which first aired on American TV channel PBS in 2019. I was struck by a whole bunch of music that I was completely unaware of and had summarily discounted out‑of‑hand because of what it was labelled. I was fascinated by the documentary and what it portrayed. PBS also produced another documentary series called ‘Jazz’ from 2001 that opened my eyes to what that genre also had to offer. Both PBS series were directed by Ken Burns. Actually, finding out more about the cultural history that surrounded the genres provided a context that enhanced the experience of the music greatly. This observation reinforces the (perhaps) blindingly obvious fact that societal change and musical development are both interdependent and co‑dependent. Having fired my imagination, I extrapolated the concept to other genres as well. Sometimes, ‘various artists’ genre compilations can provide a suitable entrée to a musical world less wandered.

Are there any contemporary genres that are considered out of bounds? On the whole, other than aforementioned classical, generally no. I am up for pretty much anything, while still retaining my core preferences, which include reggae/dub, IDM/EDM, ambient electronica, downtempo/chillout, dreampunk/vaporwave, indie, alternative, heavy metal, gothic, dream pop, drone, rap/hip‑hop, shoegaze, grunge, punk, garage, funk/disco, deep house, blues, rock and neo‑psychedelia. That’s a pretty broad spectrum.

My two recent articles on ‘Dub Reggae Revelation’ and ‘Adventures in Ambient’ (August and September 2023 respectively) I think adequately demonstrate the potential of genre gap‑filling. That was just breaking down two genres.

One ‘genre’ that sits outside the normal categories is the Original Soundtrack (OST). Film and TV soundtracks tend to fall into two types, one camp compiles existing music brought together to accompany what happens on screen, while the other camp employs music composed (scored) specifically for the medium. Both camps can be helpful when discovering new music.

“I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection.” Quentin Tarantino (1963‑)

There are only so many genres (my database lists over 140 of them!) but when you consider the bewildering multiplicity of sub‑genres and micro‑genres within the umbrella of, say, heavy metal, dance or electronica, there seems no end to what can be achieved. One great thing about music is that there is always something out there somewhere to match one’s prevailing mood. Genre gap‑filling actively opens doorways into finding a whole raft of ‘new’ artists, and the next task of filling in some of the blanks was added to the ‘to‑do’ list. One simple example was a brief dalliance with Cajun and zydeco music. These originated from the 20^th Century intermixing of French Canadian Acadian immigrants, native American peoples, African slaves, and freemen in Louisiana in the deep south of the USA. Fascinating. And, thus, the search goes on.

Artist gap‑filling

There were, as you might expect, quite a few artists already covered, while there were many more that I knew about or was curious enough about to complement existing artists with ones that I hadn’t previously coveted. Some of these artists work could best be exposed by buying ‘best of’ or compilation albums, especially when I wasn’t prepared to go all out and get multiple original albums. This worked well for some artists that I wasn’t overly keen on. The relative randomness of the ‘digging’ process led to many new artist discoveries, simply through browsing and taking a gamble on something that looked intriguing. ‘Digging’ is easier in brick‑and‑mortar shops than online. Although the latter works, it is definitely much less enjoyable. We need to support our mainstream and independent record shops or they will be lost forever (as in the case of Virgin Megastores, Tower Records and many others). We almost lost the HMV chain in the UK, which would have been disastrous for high street music retail. Artist gap‑filling is a never ending expedition with untold treasures to be uncovered beyond the famous big names. Along with the household headliners, there is a multitude of lesser and unknown artists producing some fantastic music. An open mind unlocks entire vistas begging to be perused.

I soon realised that my personal favourite artists are actually few and far between, many of which have had long, consistent careers. During any artist’s long‑term output, there would inevitably be good, average and poor albums. Picking out the wheat from the chaff became an integral part of my newfound preoccupation.

Surprisingly, there are some very famous artists that simply do not resonate with me, including (believe it or not) respected giants like The Beatles and The Who. Yup. Heretical I know. I have tried over and over to get into them but without success.

There are many lesser known artists that I really like at the moment and only time will tell whether they create any sort of lasting legacy. I came across many great artists that I hadn’t even heard of, many with surprisingly extensive back catalogues. They are all out there, just waiting to be found. I realised that artist gap‑filling was the simplest way to stretch one’s listening goal posts. And, thus, the search goes on.

“For me, to turn people on to new music, on to things that are going on in the world, is important.” Nikki Sixx of Mötley Crüe (1958‑)

Release gap-filling

One logical method was to fill obvious gaps in some of the existing artists’ back catalogues or the solo careers by members of established bands. I would have some releases but not others, generally through an essentially arbitrary process, rather than any sort of systematic approach. Some additions were credible releases, while with others, there turned out to be an obvious reason why they weren’t there in the first place. Oops. Other avenues to explore in addition to studio albums include live albums, EPs, singles, compilations, dubs, remixes and various artist DJ mixes. This process wasn’t intended to be comprehensive – some releases simply weren’t/aren’t available, some have been long discontinued while others were obviously a waste of space anyway. Some albums were originally on limited release and have subsequently become rare and valuable. I know that there are plenty of collectors out there prepared to pay vast sums for some of these one‑offs. I’m not in that game and can’t afford to be. There are still plenty of missing pieces but broadly speaking the main bases have (possibly) been covered.

It would be all too easy to fall into the trap of ‘completism’, i.e. getting absolutely everything released by an artist. Given how prolific some artists are, completism would be a venture all unto itself. Frank Zappa has released over 50 studio albums, Brian Eno over 65, Johnny Cash over 75, Lee Perry over 80, Tangerine Dream over 100, and Willie Nelson over 130, not including live albums, EPs, singles, compilations, videos and bootlegs. From now on, release gap‑filling will be a case of diminishing returns, as the gaps decrease along with the overall quality of content.

One notable trend during the coronavirus pandemic was a proliferation of live music releases. Artists couldn’t get out on tour and many couldn’t access recording studios, so record labels scoured existing unreleased resources as a pragmatic stop gap during the lockdowns. Some of these live concert recordings are OK and many would normally be regarded as superfluous under ordinary circumstances. However, when needs must. One silver lining to arise out of the so‑called ‘Chinese Virus’ plague has been the rate and quality of subsequent studio releases once the ‘new normal’ was established. And, thus, the search goes on.

“I look forward to the future – and going into the studio to make new music.” Diana Ross (1944‑)

Record label gap‑filling

Some collectors also go for label gap‑filling but that’s a step too far for me, although there are some great independent labels worth giving a shout out to, such as Ninja Tune, Italians Do It Better, PIAS, Sub‑Pop, XL‑Recording, Jamaican Recordings, 4AD, Bella Union, Pressure Sounds, On‑U Sound, Ariwa Sounds and Hyperdub Records. Beyond the major corporations, there are thousands of record labels out there, so chasing artists and releases starting with a record label is neither quick nor easy. If it wasn’t for the small independent labels, though, we would be subject to commercially driven mainstream mediocrity. However, the method of looking at artists belonging to a certain label can prove promising for finding ‘new’ artists, which can then lead directly onto gap‑filling of their previous works.

“John Peel made his reputation with his radio show and his record label, Dandelion, by championing the underdog.” Jimmy Page (1944‑)

Musical discovery

There is much to be said for and against ‘taking a punt’ on something with which one is unfamiliar. Sometimes it works, sometimes it doesn’t but there is always some sense of eager anticipation involved in lucky dips. This intentionally random exercise can lead onto other artists, and so on, basically ad infinitum. Due to the finite number of listening hours in any given day, week, month, year, this means that some music can only be listened to once or twice, while others warrant repeated auditions. Buying one‑off listens is not really very productive but it happens. One day, they can be re‑used by going to someone who might appreciate them more than I do. Often, genuine appreciation or enjoyment can only be gained by listening multiple times, especially with more experimental, leftfield or avant‑garde music.

“What motivates us is always new music.” Nuno Bettencourt (1966‑)

While physical media has been a main source of content for at least the last 40 years, this is rapidly changing. According to Spotify in 2021, over 60,000 tracks are uploaded to their platform every day. One, perhaps, might wonder about the depth of quality behind such figures. I know I do but then again, I’m a sceptic. There is no shortage of music to discover and no hope of listening to even a tiny fraction of it all. Spotify is also the platform that boasts the most effective method of curated music discovery. Even so, there is still a lot of inherent chance to finding something that will stay with you over the years. One might think that genuinely new discoveries would be infrequent, especially as time goes on. Far from it in practice.

Just one example, I recently came across late Canadian composer, Mort Garson (1924‑2008), renowned for his album, ‘Mother Earth’s Plantasia’ (1976), tag lined, ‘warm earth music for plants… and the people who love them’. When looking more into him and his music, I felt that, somehow, I should have been more aware of him before now. There is plenty of info on him on the hinterwebby thingummy but our meandering paths had not crossed before now. This sort of experience, which many readers who are familiar with Garson will probably snicker at my evident naivety. Such experiences are annoyingly common.

“I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.” Mark Knopfler (1949‑)

So, after all that preparatory exposition, you might well be wondering, just who the heck has been ‘discovered’? Here are just a few artists that I came across during the last 3 years. Some of which readers may know, some not. I might, though, challenge anyone to tick them all off so as to expose, pour scorn and ridicule my raw ignorance for what it is, sheer witlessness. Time to position the currency where my oral cavity is (lol!). The following list covers any genre and is in alphabetical‑ish order (Note: These are indicative only and should not be regarded as recommendations)…

*Shels, 100 Gecs, 2814, 9 Lazy 9, A.M.P. Studio, A Winged Victory for the Sullen, Agnes Obel, AK/DK, Aggrolites, The Airborne Toxic Event, The Album Leaf, Arms And Sleepers, Atoms For Peace, Autechre, Be, Benis Cletin, Bent, Big Thief, Blue In Tokio, The Burning Of Rome, Burnt Friedman, Cave In, Chezidek, Clark, Cloud Control, Craven Faults, Creation Rebel, Deadbeat, Deptford Goth, Desire, Devics, Dirty Loops, Divination, Dubkasm, Dynamic Syncopation, Ekoplekz, Ethel Cain, Fink, Flanger, Fragile State, Gallows, George Faith, Girls In Synthesis, Glass Candy, Goblin Cock, Helium, Hint, How To Dress Well, Hybrid, I. Benjahman, The Irresistible Force, Ital Tek, King Creosote, Konx‑Om‑Pax, Labradford, Laurel Halo, Lemonade, Lindsheaven Virtual Plaza, Loop Guru, LoveTrio, Machinedrum, Male Bonding, Man With No Name, Martyn, Midnight Juggernauts, My Sleeping Karma, ott, Plastikman, PreCog, Pretty Girls Make Graves, Psychonauts, Pure Bathing Culture, Purity Ring, The Qemists, Rakoon, Red House Painters, Rhombus, RJD2, Romare, Scrapper Blackwell, SkyTwoHigh, Sleep Token, The Slew, Sentre, Some Girls, Sparklehorse, StarOfAsh, Steve Roach, Suckle, Sunda Arc, Sundara Karma, Sunmonx, Swayzak, Symmetry, The Syncope Threshold, T e l e p a t h, Temu, Trembling Blue Stars, The Vacant Lots, Vessels, Wooden Shjips, Yellowcard and Yppah.

… plus many, many, many more. Phew! Some amazing, some good, some interesting, a few less so, etc. One may wonder how many of these artists – regardless of how ‘good’ they are – may attain the superstar status of, say, another Rolling Stones or The Beatles from the ‘good old days’. Not many, I’ll wager. And, thus, the search goes on.

“The times, they are a‑changin’” Bob Dylan (1941‑).

Physical media

From the beginning of recording and playback in 1877 (although there were earlier experiments dating back to 1857), with Thomas Edison’s phonogram, first through wax cylinders and then shellac discs, followed by vinyl discs with the advent of the gramophone, people have been collecting music. For decades, vinyl was really the only practical medium for collectors. Collecting became more popular by the late 1970s with magazines dedicated to the hobby and suggesting values for some rarer releases. Magnetic recording technology added to, rather than replaced, vinyl and became popular with reel‑to‑reel, eight track (remember that?) and audio cassettes.

Portable music was made possible for the masses by the Sony Walkman (TPS‑L2), introduced in 1979, using the then‑ubiquitous analogue compact cassette. Perhaps the most significant portent for the demise of physical media was the introduction of the Apple iPod way back in 2001, sadly now no longer made, which led into the convenient access to music on the go, now with today’s smart phones.

Digital music, mainly through the introduction of digital music Compact Discs (CDs) in 1982 led to a revolution in collecting. CD sales peaked in 2000 at over 2.5 billion worldwide accounting for 91% of the market. By 2020 sales had fallen 95% and accounted for only 5% of global sales. However, CD sales increased again in 2021, although it is too early to predict a revival. The introduction of downloads and streaming has significantly impacted CD sales, precipitating a dramatic decline in physical album sales, as more and more consumers switched to digital streaming services.

Some alternative digital formats arrived in the wake of CD but didn’t survive for long, including Sony’s Mini Disc and DAT (Digital Audio Tape), as well as Philips’ DCC (Digital Compact Cassette). HDCD (High Definition Compatible Digital) and SACD (Super Audio CD) were promising but ultimately failed to supersede CD.

By the 1990s, I had disposed of my collection of then‑seemingly redundant vinyl LPs and singles (and my turntable) and embarked on collecting CDs, starting off with replacing what I had on vinyl and then adding new content over time. Ditching vinyl was something I might have regretted, but don’t. Vinyl represents nostalgia to me and I’m not going back. It is neither practical, desirable nor possible to embark on such a regressive approach now. At the time of writing, my music hoard of CDs comprises well over 6,000 releases by over 2,500 artists. This conglomeration has recently been organised into over 50 crates packed to the gills with the little silver discs. That equates to around 85,000 tracks on iTunes and counting. I don’t know whether this is a lot or not, with all things being relative. Currently, CD remains my main medium of choice. I predict that CDs will not become totally extinct and will experience a resurgance at some point.

The advent of CD was a catalyst to the long‑running analogue versus digital debate. For what it’s worth, my view is the debate is not about encoding, it’s about something far more subjective. Vinyl reproduction flatters music in a way that digital doesn’t and that appeals to us. Digital is technically superior but not as warm and cuddly as vinyl. Simples. Fans of analogue still swear that digital is a poor representation of real music. Fans of digital swear that analogue (and even digital CD) is outmoded and obsolete. That’s a lot of swearing. Streaming has added further fuel for opposing viewpoints with the compressed versus lossless argument. The truth is, does it really matter? As long as we enjoy the music, that’s what counts, isn’t it? Focus on the content, not the carrier. If we have a preference, make the most of it. I do think that the audiophile press is somewhat hypocritical in only going along with the latest tech after having criticised it before it became commercially established. That way, we all keep buying new kit. That is a personal opinion. Ain’t hindsight great?

“The digital world is so convenient and nice, but just playing back a vinyl record is a much warmer, hotter, more present feeling.” Steve Miller (1943‑)

Music streaming

A brief recap of developments may be in order, so a short diversion first. Let us rush past the short‑lived phenomenon of downloads, which have largely been superseded by streaming (which includes off‑line listening). The storage problem associated with physical media has led to the next revolution in listening, which is to dispense with physical media altogether and access music on remote servers held in huge data centres somewhere. This marks a watershed where the listener no longer owns a tangible product but only purchases the right to listen to it. You cannot easily donate tracks to charity or sell purchased music on to other people. Mixtapes? A thing of the past. How unromantic. All this is, to me, a major drawback. I like having something tangible that I can pick up, look at, read the liner notes, view the artwork and so on. Somehow, the old‑school ownership of a physical item is something I value. Streaming just seems like an ephemeral audition of someone else’s music, rather than something personal, bestowed by genuine ownership. Is this simply a transitional symptom? Probably, maybe.

Although streaming was introduced in the early 1990s, it wasn’t until the launch of Napster in 1999, using the new compressed MP3 digital format and exploiting new Internet‑based Broadband services, that downloads and streaming became widely popular. The licensed subscription music service Spotify was launched in 2008, rising from the ashes of the flirtatious fleeting dalliance with illegal downloads. Once again, the industry ‘big boys’ have found a way to re‑assert their dominance over us. Digital streaming now accounts for more than 80% of global music industry revenues.

The Internet and the major music streaming platforms (Spotify, Apple Music, Tidal, Deezer, Qobuz, Amazon Music, YouTube Music, etc.) have facilitated exploratory listening greatly while, at the same time, enabling artists to gain exposure in a way that they couldn’t previously through the traditional studio/record label system. Streaming generally can be on demand, through curated playlists or via Internet radio stations. All are valuable resources for the curious listener. The streaming platforms often state that they have 100,000,000 (100m) or more tracks available to customers. In practice, this is both a mind‑boggling and meaningless figure. There is such a thing as too much choice. It also gives some sense of scale, although it may call into question the balance between volume and quality. Suddenly, my meagre 85,000 tracks seems somewhat miniscule in comparison. I do, however, find it a sign of progress when more than 50 crates of CDs can be stored on an SSD (Solid State Disc) that’s less than half the size of a cigarette packet (remember those too?).

“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” John Cage (1912‑1992)

Another problem exposed by streaming is that there is now plenty of material that is not distributed or sold on physical media at all and is only available via the Internet. Streaming‑only releases are essentially simpler and cheaper than managing traditional physical distribution channels. It also pushes new customers towards expensive streaming subscriptions whereby they earn money whether they are used or not. Talk about milking a cash cow! This online‑only approach affects some genres more than others but it means that, in order to continue with this ambitious side project of mine, streaming has become a necessary additional resource. In effect, physical and virtual music has to co‑exist; being an ‘and’ rather than an ‘either/or’ approach. For info, after much deliberation, CRAVE Guitars subscribes to Apple Music.

Some streaming services provide high definition listening, such as Tidal, and they charge a premium for it. Others, such as Spotify are content to go for volume at low definition. The lesson to take from this is that streaming services are not all alike despite peddling similar wares to punters.

“You pays your money and take your choice” A British lexicographic irregular that first appeared in print in Punch magazine in 1846

Does streamed high definition music (i.e. better than CD quality) make a difference to most listeners? Big question. Well, apparently, not really. The evidence suggests that most average (i.e. non‑industry) people cannot tell the difference in blind listening tests conducted under ‘normal’ conditions. Trained listeners can, allegedly, differentiate formats but “If there’s any discernible difference, it’s so subtle and so slight, you’d have to be somebody who’s been in the business for decades like me to hear it.” (recording and mixing engineer, Prince Charles Alexander, Berklee Online study, 2019). A case of fidelity vs artistry vs money, always good for an argument. Why on Earth spoil music listening by teaching people to identify comparative digital encoding anomalies when they are so small as to be meaningless? Spotify’s strategic positioning seems to agree, while Tidal doesn’t. People who go down the high definition route are, perhaps, hedging their bets. If they have the best, it doesn’t matter whether they can hear a difference or not. No doubt there is some audiophile snobbery lurking in there too. For the sake of throwing my two penny worth into the ring, I can neither tell the difference nor can I be bothered to waste my time trying to spoil the enjoyment that music brings by attempting to do so. Time for some good ol’ fashioned snake oil to leech the contents from your bank account?

Does streaming stop me ‘digging’ for used CDs? NO. Does it stop me buying new CDs? NO. Does it encourage me to buy more CDs? Actually, YES. I still prefer to purchase and store music on CD, while recognising the inevitability of embracing the dark side of streaming culture. On the basis that vinyl and cassette have seen a popular resurgence, CD is not going away anytime soon. In practice, and probably being totally hypocritical in doing so, I tend to rip music from CD on iTunes and then stream (or rather cast) it to my music system. I know that this practice probably makes little sense but, for me, it is the best of both worlds, I have the physical media and the convenience of digital storage. Which leads neatly onto…

CRAVE Guitars’ ‘music room’

If you read my October 2023 article, ‘Return to and from Obscurity’, you will know of the sad loss of ‘mi media naranja’ (my better half) due to the vile and relentless ravages of cancer. Initially crestfallen, once accepting the loss, I set about repurposing the small ‘dining room’ which had been my wife’s bedroom into a dedicated ‘music room’, used for noodling on vintage guitars and listening to recorded music. NO TV or clock allowed! Having previously lost our home and the vast majority of our belongings (another story altogether!), I had to rebuild a hi‑fi from scratch which, in itself, was quite an exciting experience, along with uniquely decorating the room to provide a suitable listening/playing environment. It took a year of painful sacrifices involving the sale of some beloved A/V gear (I’m also a film & TV buff) to raise funds and some lengthy (re)searching for used ‘bargains’. I fully acknowledge that this indulgence seems an excess of a luxury, given everything else but other things had to be compromised to enable it. My choice.

The ‘music room’ is used every day for music listening. For those who are interested in the techy side of things, the main hi‑fi system comprises:

Naim Uniti Core music server with 2TB SSD storage
Naim ND5 XS2 music streamer
Naim CD5 Si CD player
Bryston BP17 pre-amplifier
Bryston 4BSST power amplifier
PMC Twenty.24 floor standing speakers

While this is neither a high‑end system nor a budget system, it has been carefully selected to meet the need for critical and enjoyable listening of both physical and streamed music (and within budget). My 500 or so most preferred CDs are immediately to hand in the room, as well as being stored in lossless digital form on the music server, thereby also making them available throughout the house via Wi-Fi (in due course). It’s certainly more than good enough for my tired, aging ears. Being pragmatic, the electronics are, after all, only a means to an end, which is to stimulate an emotional response through music.

At this point, you may be wondering whether I actually listen to all that music. Fair question. Well, yes, is the answer. There wouldn’t be much point in writing about it if I didn’t experience the results of my labours. While I try very hard, there may be the odd track here or there that gets shunted down a listening list but I would hope that’s the exception, rather than the rule. Heck, it’s a tough job but someone’s got to do it!

“Don’t tell me baby you gotta go, I got the hifi high and the lights down low” from, ‘I Need Your Love Tonight‘ (1959) by Elvis Presley (1935‑1977)

Personal top 20 ‘desert island’ albums

Depending on mood, I do go back to long‑term favourites, simply for the comfort and familiarity of a ‘known quantity’. Like chatting with an old friend. At the outset, I said this wasn’t about compiling any sort of ‘best albums of the last 75 years’. That doesn’t mean that there aren’t some albums for which I hold a special affection and which have been part of the hoard for many years (so not ‘new’). Here are 20 of them, all pretty well known mainstream releases, and which I feel have stood the test of time. Regular readers will see no surprises here. This is very much a personal list, chosen at the time of writing – it would undoubtedly be different on different days/weeks/months. Some entries hold special meaning and are therefore highly evocative.

I call this my ‘desert island’ security list. That is, if I could only have 20 albums as a castaway, what would they be? Perhaps, more accurately, it could also be called ‘top 20 memories’ or ’20 comfort classics’. Now how’s all that for wistful nostalgia? For what it’s worth, here is today’s list:

The Cure – Disintegration (1989)
Black Sabbath – Black Sabbath (1970)
The Doors – L.A. Woman (1971)
Pink Floyd – Meddle (1971)
John Martyn – Solid Air (1973)
Steve Hillage – L (1976)
Talking Heads – Remain In Light (1980)
Lee “Scratch” Perry – Roast Fish, Collie Weed & Corn Bread (1977)
Rage Against The Machine – Rage Against The Machine (1992)
Burning Spear – Garvey’s Ghost (1976)
Bob Marley & The Wailers – Live! (live) (1975)
Deep Purple – Made In Japan (live) (1972)
Nick Cave & The Bad Seeds – Push The Sky Away (2013)
Depeche Mode – Violator (1990)
Massive Attack – 100^th Window (2003)
David Bowie – Let’s Dance (1983)
Burial – Untrue (2007)
Tangerine Dream – Rubycon (1975)
John Lee Hooker – Boom Boom (1993)
Beck – Sea Change (2002)

“Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.” Ludwig van Beethoven (1770-1827)

The future

OK, that’s the past, so now let’s take a brief, casual look at what may happen into the near future. While vinyl is doing remarkably well and CD is showing possible signs of life, it is clear that streaming is the future until something better comes along. It is certainly in the interests of the music industry to retain tight control over their valuable assets, although many artists say that the practice is detrimental to their income. However, this actually means little to the consumer. Better returns for the companies and artists simply mean higher prices for the public who have no say in the matter. The reality is that the few rich get much richer and the many poor get much poorer; sadly the dysfunctional norm of the modern capitalist world.

The commercial interests of multinational companies like Sony BMG, Universal, EMI and Warner Brothers rule their respective roosts. Interestingly, the major corporations don’t own the streaming companies, unlike in the parallel dimension of film and TV where the studios control all levels of vertical integration.

Mega‑artists with mega‑egos to match like Taylor Swift, Madonna, Adele, Jay‑Z/Beyoncé, U2, KISS, Dr. Dre, Timberlake and Ed Sheeran, along with many other big names in the lofty reaches of the higher socioeconomic hierarchy are laughing hysterically all the way to their already mega‑well‑stocked tax‑free offshore bank accounts. The industry ‘big four’ major record labels and powerful business artists together make up a resilient ‘pyramid of power’, that will continue to dominate the economics of the music biz for many years to come. Sadly, your ordinary talented hard working musicians don’t attract such filthy lucre. When push comes to shove, it’s all about the money. T’was ever thus, or more accurately…

“Oh! Ever thus from childhood’s hour” from the poem, ‘The Fire Worshippers’ (1817) by Irish writer and poet, Thomas Moore (1779‑1852)

Perhaps more worrying for creative artists and for many music enthusiasts is that the focus is clearly moving away from coherent album releases and more towards the production of single tracks out of context of other material by the same artist. By that statement, I don’t mean a rejuvenation of chart singles, which have long ceased to mean anything. The evidence shows that people are streaming individual songs, rather than a collection of tracks that would historically have made up a cohesive LP. Just look at the streaming stats of albums on any digital online platform and the predominance of maybe one or two tracks over the rest is unmistakeable. There is a feedback loop that encourages artists to change the way they make music and which goes on to influence curated playlists, radio coverage and, ultimately, sales, then repeat. The modern equivalent of the old‑fashioned radio playlist.

In 2016, it was reported that album releases were plummeting while EPs and single tracks were skyrocketing. Will we ever see (or, rather, hear) any more all‑time classic albums like ‘Sgt Pepper’s Lonely Hearts Club Band’, ‘Dark Side Of The Moon’, ‘Rumours’ or ‘Thriller’? Only time will tell. Will the way that music is created, distributed and accessed mark the death knell of the ‘album’ as we know it? Highly likely, but not just yet. The album may, like many things, see a revival. We’ll just have to wait and see (if we live long enough). Personally, I grew up with the antiquated concept of the album or LP, so it retains a certain sensibility but, then again, I am destined for premature oblivion myself, so what the heck do I know?

The topical buzz around Artificial Intelligence (AI) will inevitably play its part in music creation with virtual artists and AI composed tracks. It’s already here and can only evolve from here on. AI isn’t new, its roots go back to 1956 and the American Dartmouth College in New Hampshire. AI generative music goes back to the mid‑1990s. Is AI a threat? The jury is currently out. Thankfully, if AI is used for music, literature and art, it won’t be used to annihilate mankind (except, perhaps, through technological mediocrity). The ultimate demise of humans is up to humans, directly or indirectly, at least for now. Who needs doomsday generative AI when we all have to endure the antics of egregious corrupt despots like Putin, Xi, Kim and too many others of their insane immoral ilk? Don’t you just love mankind’s determined destiny of denial and doom? I digress (again).

“If we don’t end the war, war will end us.” H.G. Wells (1866‑1946)

One certainty is that music will survive in its manifold forms. One hopes that tired and clichéd genres like the current vapid world of commercial pop and dance music since the new millennium will rejuvenate into something more interesting at some point. Conversely, let us also hope that the more dynamic genres don’t descend to the deplorable depths of hideous homogeneity.

Musicians will proliferate. Music will proliferate. The way we access music will change. Whatever happens, change is inevitable and it will be fascinating to see how it evolves and how we adapt. Music as an essential component of the human condition will prevail in one form or another as long as humans exist. Music is, after all, a phenomenon unique to the human race. Thank goodness for that. And, thus, the search goes on.

“When I hear music that parents hate, or older musicians hate, I know that’s the new music. When I hear older people saying, ‘I hate rap or techno’ I rush to it.” George Clinton (1941‑)

Amateur musicology?

I do not pretend to be some sort of self‑appointed authority on contemporary music. My main obsession is still vintage guitars and vintage guitar gear. Perhaps, though, my passion for music predated my addiction to guitars. Over the decades my love of modern music does, I believe, provide a reasonable insight into the science as well as art of music, with a little alchemy thrown in for good measure.

Strictly speaking, musicology is the analysis and study of music. Musicology belongs to the humanities and social sciences, although some music research also belongs to the fields of psychology, sociology, acoustics, neurology, anthropology and computer science.

Musicology covers three general disciplines; music history, new musicology (the cultural study of music) and ethnomusicology (the study of music in its cultural context). For the life of me, I can’t really (be bothered to) differentiate between the last two of those.

Clearly, I cannot compete with professional experts in the field and my research methods are hardly scholarly. I am, however, happy to be an amateur sleuth, as it allows for significant enjoyment. Music should be overwhelmingly pleasurable, rather than playing second fiddle to methodical and clinical academic enquiry. Again, my choice.

“After silence, that which comes nearest to expressing the inexpressible is music” Aldous Huxley (1894-1963)

In addition, and hopefully obviously to readers by now, I also play music (very badly it must sadly be said). I wouldn’t hoard vintage guitars unless I could actually conjure up something vaguely creative and emotional out of them. Perhaps interestingly, I don’t play other people’s music; I much prefer to ‘do my own thing’ for better or worse. Usually the latter.

I am incessantly amazed at what I don’t know. I know that shouldn’t be the case, but society tends to prejudge ignorance as a weakness and expertise as a virtue. What others regard as the blatantly obvious is utterly oblivious to me until I encounter it. However, isn’t that what exploration and discovery is all about?

If we accept that “Music is the universal language of mankind” Henry Wadsworth Longfellow (1807-1882), one can only trust that exploration is the means by which we enhance and articulate our own individual musical linguistic skills.

Musicology may not be quite the right word for my approach towards modern music but I sure can’t think of a better one. Musicology Lite perhaps? Deluded dilettante? Possibly. Biased? Definitely. We all have our own opinions, right? And, thus, the search goes on.

“Music is the strongest form of magic.” Marilyn Manson (1969‑)

Sex, Drugs & Rock ‘n’ Roll

Musicology suggests an interest in music psychology, which is how music affects the cognitive functions of the human system. Building on some of my opinionated comments last month, here’s a thought for the day. Let us remember that music carries with it enormous power to improve our mental health and wellbeing. Music can boost serotonin, dopamine, endorphin and oxytocin levels that work on the pleasure receptors of the brain. Put simply, these magic substances can act as effective natural anti‑depressants and can help to improve both mood and behaviour. All in all, mostly good stuff then. As we all know, music, can also irritate the heck out of us sometimes, so remember to love what you love.

Now here’s an interesting diversion into music cultural history. All three human activities, sex, drugs and music directly affect the pleasure centres of the brain, so there is something scientific behind the old rockers’ adage, ‘Sex, Drugs and Rock ‘n’ Roll’ after all. While some suggest the phrase came from Ian Dury’s 1977 single, its roots derive from a much earlier hendiatris, ‘wine, women and song’, emanating from Germany in the 1770s, although there is some debate as to who actually coined it. Many scholars attribute its origins date back even further to theologian, Martin Luther.

“Wer nicht liebt Wein, Weib und Gesang, der bleibt ein Narr sein Leben lang. (Who not loves not wine, women and song, remains a fool his whole life long).” Martin Luther (1483‑1546)

The first modern use of the phrase was printed in a LIFE magazine article that dates from 1969, “The counter culture has its sacraments in sex, drugs and rock.” In 1971, The Spectator magazine printed, “Not for nothing is the youth culture characterised by sex, drugs and rock ‘n’ roll.” Ian Dury certainly made the most of it.

CRAVE Guitars ‘Record of the Month’

Once again, as this is a bit of an outlier in the overall scheme of CRAVE Guitars’ articles, I cannot leave without at least mentioning one of those albums that warrants repeat listening (for me). While last month, I was clinging onto sultry summer with dub reggae, this month, with the rapid decline into grim winter, I’m going for something a little more contentedly contemplative.

Biosphere – Microgravity (2015 reissue of the 1991 studio album with additional tracks). Biosphere is electronica artist, Geir Jenssen (1962‑) from Tromsø, Troms, Norway. The 16 tracks fall broadly into the ambient, ambient techno, ambient house, field recording and progressive electronica genres. Microgravity was Biosphere’s debut studio album. Laidback ambient grooves are a wonderful way to escape and transport one’s consciousness into an otherworldly, serene dimension, great for relaxation, stress relief and focus. It is also great for testing the hi‑fi.

“If music be the food of love, play on, give me excess of it; that surfeiting, the appetite may sicken, and so die” from the play, ‘Twelfth Night’ (c.1601/1602) by William Shakespeare (1564-1616)

Tailpiece

Well that’s another monthly article done and dusted. Number 75 to be precise since I started writing CRAVE Guitars’ articles way back in November 2014. It’s come a long way.

I am genuinely grateful to be in the position whereby I am able freely to undertake such projects as this one. The author is acutely aware of the extreme difficulties faced by innocents around the globe.

The pursuit of new stuff is unlikely to abate now that it has begun in earnest. Is there anything I regret uncovering? Nope. I try hard not to regret anything; I would rather use any missteps along the way as a learning experience. Are there any guilty pleasures that have been adopted? Probably, but now isn’t the time or place for shaming my deviant musical proclivities! Surprises? Plenty. Pleasure? A mixed bag. Top tips? A few. Anticipation? Always.

What is most encouraging is that there is an almost unlimited wealth of awesome, incredible music out there waiting to be discovered if you want to look hard enough. Enjoy!

The plan is to get back to more CRAVE Guitars core raison d’être for the next article. However, we all know what happens to “the best laid schemes o’ mice an’ men” from the poem, ‘To a Mouse’ (1785) by Scottish poet Robert Burns (1759‑1796), so no promises. OK? Thanks for reading.

Peace, love, truth and guitar music be with you always. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “Material possessions feed the vanity of the ego, while music nourishes the spirit and sustains the soul”

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30 Aug 2019

August 2019 – The Story of Modern Music in 1,500+ Facts – Part VI

by Tony Drew | posted in: History, Introduction, Observations | 0

Introduction

So, here we are again, good people. Like the immortal rose‑tinted glasses of the ‘Summer of ‘69’, 50 years on, the summer 2019 is beginning to degrade and enter the memory banks while the evenings are inexorably drawing in again. Perhaps it is poignant to recount the past and reflect a little on how we got to where we are now.

If you would like to (re)visit any or all of the first five parts (and over 300 years) of the story to‑date, you can do so here (each link opens a new browser tab):

In the last article, the world of music transformed seemingly overnight with the rise of rock ‘n’ roll acting as a significant catalyst for American and British youth culture in the 1950s. Of course, it wasn’t quite like that in reality – so many different ingredients came together to create an irresistible phenomenon. If the 1950s wasn’t enough to challenge the traditionalists, things were about to get a whole lot more liberal and lively in the 1960s. Even greater social change compounded the consternation of the older, and typically more old-fashioned, conservative generation.

The Story of Modern Music Part VI 1960-1969

While rock ‘n’ roll now seems to be a permanent fixture in the minds of modern music lovers, in its purest form, it didn’t last that long before it became diluted and music evolution moved on rapidly. However, the influence of rock ‘n’ roll was pervasive, acting as a major stimulus to all other sorts of genre developments. The 1960s stood alone from previous and subsequent decades in terms of political, cultural, economic, technological climate and this was reflected in the distinctive music emerging over the same period. For many readers, the 1960s is now within ‘living memory’ – it is, just about, for me. Up to now, much of the chronology will be history, picked up second hand from written or pictorial records. From here on in, readers may well have some experience of these events for real. For a younger audience, be patient, we’ll get to your era soon. There is a lot to get through this month, so it focuses only on one decade with a few photos again.

Historical Context 1960-1969

Although fundamental human equality was still a pipedream for many in the west, freedom of expression and individual liberties probably characterised the ‘Swinging Sixties’ more than anything else, including the Sexual Revolution and civil rights movements. People felt able to say and do things that were unthinkable in previous decades. People were also able to protest against what they felt were moral injustices. Many families experienced benefits from improving economic prosperity and technological advancement. The Cold War and the space race dominated international relations, particularly between the capitalist ‘west’ and communist ‘east’. The latter part of the 1960s saw symbols of the peace & love movement, gaudy fashion and hippie ‘flower power’, all kaleidoscopically prevalent. If there was a decade that could live up to the description of ‘sex, drugs and rock ‘n’ roll’, the 1960s would be it.

Year	Global Events
1960	America launched the first satellite navigation geo‑positioning system into space, called Transit for use by the U.S. Navy, entering operational service in 1964. The oral contraceptive pill was approved for use by married women in America followed by Britain in 1961. The classic great American novel, ‘To Kill A Mockingbird’, written by author Harper Lee was published. The classic and ground breaking psychological horror film, ‘Psycho’, directed by Alfred Hitchcock and starring Anthony Perkins was released.
1961	Democrat politician John F. Kennedy became the 35^th President of the U.S.A. JFK’s election heralded a new wave of hope and optimism set against the background of the Cold War. The American‑backed military invasion of the Bay of Pigs in Cuba intended to topple Fidel Castro failed, thereby escalating political tensions. The infamous Berlin wall separating east and west Germany was constructed. It remained until 1989 when it was symbolically destroyed by the German people. Russian cosmonaut Yuri Gagarin became the first man in space aboard the Soviet Vostok 1 capsule. Astronaut Alan Shepard became the first American to go into space aboard a Mercury spacecraft.
1962	The Cuban Missile Crisis between United States and the Soviet Union narrowly avoided escalation into a full‑scale nuclear world war. American actress and cultural icon Marilyn Monroe died of a drug overdose at the age of 36. Her death was ruled controversially as probable suicide. Marvel’s fictional super hero Spider‑Man made his first comic book appearance. The first satellite television transmission and telephone calls took place over the Atlantic ocean from Europe to North America, relayed by the American Telstar communication satellite.
1963	American president John F. Kennedy was assassinated in Dallas, Texas. Former U.S. Marine, Lee Harvey Oswald was accused of the murder only to be killed while in police custody by local night club owner, Jack Ruby, fuelling many conspiracy theories. Democrat politician Lyndon B. Johnson became 36^th President of the U.S.A. following the assassination of John F. Kennedy. The infamous Alcatraz Federal Penitentiary in San Francisco Bay was closed as a prison. The island is now a museum and tourist attraction run by the U.S. National Park Service.
1964	Sidney Poitier became the first African American actor to win an Academy Award (Oscar) for his role in the film ‘Lilies of the Field’. South African anti‑apartheid campaigner Nelson Mandela was jailed, having been charged with sabotage and conspiracy to overthrow the government.
1965	America joined the Vietnam War by sending U.S. Marines into battle supporting the South Vietnamese against the Chinese‑backed North Vietnamese National Liberation Front (the Viet Cong). American space missions took a significant step forward with the launch of manned Gemini low Earth orbiting capsules. The successful programme ended in 1966. Soviet cosmonaut Alexei Leonov became the first person to make a spacewalk, lasting 12 minutes after exiting the Voskhod 2 spacecraft. Renowned British Fashion designer Mary Quant launched the iconic mini skirt in London, encouraging young women to dress to please themselves.
1966	The Chinese Cultural Revolution began, led by Chairman Mao Zedong, intended to preserve Chinese Communism and purge capitalism from its society. The oppressive campaign lasted until Mao’s death in 1976. The Black Panther Party for Self-Defense was founded in Oakland, California in 1966, intended to patrol African American neighbourhoods and protect residents from acts of police brutality. It ceased operation in 1982. The classic, ground breaking science fiction TV series Star Trek was first broadcast, created by American producer and screenwriter, Gene Rodenberry.
1967	British sailor Sir Francis Chichester became the first person to circumnavigate single‑handedly around the globe in his yacht the Gypsy Moth IV. Argentinian Marxist revolutionary and guerrilla leader Ernesto ‘Che’ Guevara, a major figure in the Cuban Revolution, was executed while in military detention in Bolivia at the age of 39. His death secured his status as a political martyr and counter‑culture rebel icon. The first successful human heart transplant took place, carried out by Dr Christiaan Barnard in South Africa. The first American Football Super Bowl took place between the Kansas City Chiefs and the Green Bay Packers. Green Bay won.
1968	Russia brutally crushed the Prague Spring uprising in Czechoslovakia, forcing the country to subordinate its national interests to those of the ‘Eastern Bloc’. The classic science fiction film, ‘2001: A Space Odyssey’ was released, directed by Stanley Kubrick. American civil rights campaigner Martin Luther King Jr. was assassinated by lifelong criminal James Earl Ray in Memphis, Tennessee. The ambitious American Apollo space program got underway with the first manned flight aboard Apollo 7. The program ended in 1972 with Apollo 17.
1969	Supersonic passenger flight became possible with the introduction of the Anglo‑French Concorde airliner. The cult classic counter-culture movie ‘Easy Rider’ was released, starring Dennis Hopper (also directing) and Peter Fonda. American Senator Ted Kennedy  drove his car off a bridge on Chappaquiddick Island in Massachusetts, killing 28‑year old Mary Jo Kopechne, a former aide to Senator Bobby Kennedy. Police raided the Stonewall Inn in New York City, sparking demonstrations and the start of the gay civil rights movement in the United States. Followers of the cult leader Charles Manson carried out a series of 9 brutal murders including that of actress Sharon Tate. American manned space mission Apollo 11 successfully landed on the Moon. Astronauts Neil Armstrong and Buzz Aldrin became the first humans to walk on the Moon’s surface, with Armstrong proclaiming, “That’s one small step for man, one giant leap for mankind”. Republican politician Richard Nixon was elected as the 37^th U.S. president. Infamously, he remains the only American President to have resigned from office, following the Watergate scandal. The United Kingdom abolished the death penalty substituting it with a mandatory sentence of life imprisonment.

Musical Genre Development 1960-1969

The ‘Swinging Sixties’ were particularly important and memorable for music in America and Europe. The musical revolution that began with rock ‘n’ roll in the previous decade rapidly morphed and diversified on both sides of the Atlantic. By the end of the decade, rock and pop were firmly established as major commercial genres that continue to flourish and adapt to the current day. The 1960s was also a time in which large outdoor music festivals flourished, especially towards the end of the decade, with major events like Newport, Monterey and Woodstock in America and Hyde Park and the Isle of Wight in the UK. In addition, the 1960s saw the introduction of the music compact cassette, which made music not only cheaper but also more portable. As the famous quote, probably attributed to American comedian Charles Fleischer (1950-) goes, ‘if you remember the ‘60s, you weren’t really there’. If that is the case, this article might just serve as a timely reminder.

R&B, gospel, and jazz started to evolve into urban African American soul music, made popular by record companies specialising in the genre. One of these labels was Motown in Detroit, Michigan featuring artists such as Diana Ross & the Supremes, The Four Tops, and Smokey Robinson & the Miracles. Another record label that was hugely influential at the time was Stax Records based in Memphis, Tennessee which was significant for its racially integrated production of southern soul and blues music, including house band Booker T & the M.G.’s and artists like Otis Redding. Atlantic Records which began in New York also promoted soul artists such as Aretha Franklin, Ray Charles and Wilson Pickett. Some other popular soul and R&B artists of the 1960s include The Temptations, Stevie Wonder, Marvin Gaye, The Isley Brothers and the Jackson Five. Racial segregation was a major hurdle for aspiring black musicians and soul is often seen as being closely associated with the American civil rights movement.

Surf music originated in the early 1960s on the west coast of America, particularly around the surfing culture of Orange County in southern California. It was influenced by instrumental rock ‘n’ roll artists like Link Wray, The Ventures and Duane Eddy. Surf is, however, distinct from rock ‘n’ roll and was important in the formation of modern rock music. Surf music tended to fall either into instrumental tunes performed by the likes of Dick Dale & The Deltones or harmonised vocal songs characterised by The Beach Boys. The musical style is heavily based around reverb‑drenched electric guitar sounds often making use of a guitar’s vibrato and the amplifier’s tremolo effect. Lyrics focused on, unsurprisingly, surfing, girls, cars and sunny west coast beach culture. Surf was relatively short‑lived and was taken over by many other American and European genres from the mid‑1960s onwards.

Up to the early 1960s, British artists were in the shadow of American acts and were often playing catch‑up. While not a genre in its own right, the so‑called ‘British Invasion’ began around 1963 with many artists from Britain becoming massively popular in the United States. UK artists sometimes took American songs and gave them a British sound. Perhaps the most significant phenomenon was coined ‘Beatlemania’, when Merseybeat pop group The Beatles broke onto the American music scene circa 1963 and spearheaded the export of UK music to the USA. Other British artists included The Rolling Stones, The Animals, Cream, The Hollies and The Who. By the end of the decade American artists had largely regained their homeland audiences. Various attempts to recreate the phenomenon have only been partially successful, for instance Britpop in the 1990s with artists like Oasis, the Spice Girls and Robbie Williams.

By the mid‑1960s, there was a strong revival of folk music, notable especially for songs with a social and moral conscience, widely articulating the feelings and messages of the various turbulent protest movements of the time. Songs encompassed issues such as poverty, class, the Vietnam War, social injustice and racial segregation. Songs also began to exhibit a stronger leaning towards the emerging rock oriented music scene. Perhaps the most significant artist of the period was Bob Dylan who controversially and ultimately successfully fused acoustic folk and electric rock genres.

Pop music is a diverse genre that attracts a lot of debate. It developed not from the broader traditional popular music of previous decades but from rock ‘n’ roll in the late 1950s and ‘pop’ became a commonly used term since the 1960s to describe non‑classical highly commercial and easily accessible youth‑oriented music. From about 1967, there was a clear divergence between rock music and pop music. Rock became harder edged and played by ‘real’ musicians recording albums while pop was refined into short catchy radio friendly ‘singles’ that were largely industry driven, highly produced, easily packaged, widely marketable and hugely profitable. Musically and lyrically, pop songs are generally uncontroversial and tended not to challenge the listener to any significant degree. Pop artists would sometimes appear and disappear overnight, as it was the songs, sales and chart position that mattered more to the record companies, rather than the performer. The term ‘one‑hit‑wonder’ is often associated with the throwaway appeal of pop music consumption. Conversely, the corporations assert that profits enable investment in new artists. Successful pop artists from the 1960s included The Monkees, The Shadows, Herman’s Hermits, The Dave Clark Five, The Everly Brothers, The Bee Gees and The Lovin’ Spoonful. Pop music continues to evolve and has had a number of peaks since the 1960s including in the early 1980s with artists like Michael Jackson and Madonna and late 2000s including the likes of P!nk, Lady Gaga and Katy Perry. Pop therefore represents considerable mainstream economic business to the industry.

Experimental psychedelic rock was popular during the late 1960s and is often associated with the hippie/flower power counterculture. It is also associated with the widespread use of cannabis and manufactured hallucinogenic drugs such as LSD (acid). Song lyrics frequently referenced drugs and altered/elevated states of consciousness. Songs were often long and comprised extended instrumental extemporisation and improvisation (often called jamming). Musicians regularly used esoteric instruments like the sitar, tabla vibraphone and organ, much of it influenced by Asian, Indian and oriental music. Psychedelic rock and folk rock became closely associated with simple messages of peace and love that began with 1967’s ‘Summer of Love’ phenomenon and reached a climax at the Woodstock festival in 1969. Many rock bands of the period stretched the boundaries of the genre, including the Grateful Dead, The Velvet Underground, Janis Joplin, The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, The Moody Blues, Gong, Hawkwind and early Pink Floyd.

Ska is a genre that originated in Jamaica in the late 1950s and came to popular prominence in the early 1960s. Ska was influenced by Caribbean calypso and Latin music combined with American jazz and R&B. Ska developed heavy basslines and offbeat accents producing a distinctive up‑tempo dance rhythm. Jamaican producers began recording ska on their own labels which were then played on DJ sound systems. Ska became popular not only in Jamaica but also in Britain, being associated with the decade’s mod and skinhead sub‑cultures. Importantly, ska was the precursor to rocksteady and reggae. Key players in the genre were Prince Buster, Clement ‘Coxsone’ Dodd and Duke Reid. Ska experienced a major revival in Britain in the late 1970s and early 1980s on the back of the punk rock boom through Two Tone Records and artists like The Specials, Madness, Bad Manners, The Selecter, and The Beat.

Classic rock music, or simply just rock, really came into its own as a separate broad genre during the 1960s deriving from America and the UK. Rock’s origins stem from rock ‘n’ roll, blues, folk, country and R&B. Experimentation with sound and composition mean that there are many, many sub‑genres and crossover styles of rock music. Rock is predominantly performed by a band with vocals, one or more electric guitars, bass and drums played in an un‑syncopated 4/4 rhythm and comprising a verse and chorus structure. Rock became distinct for increasing use of volume and distorted electric guitar sounds. Classic rock was the starting point for the various offshoots that followed including hard rock, psychedelic rock, blues rock, folk rock, progressive/contemporary rock, heavy metal, glam rock, soft rock, AOR, roots rock, jazz rock, punk rock, new wave, post‑punk, grunge, alternative rock and indie. Many of these styles of rock music remain popular to the current day. Culturally, rock music has often been connected with political activism as well as changes in social attitudes to race, sex, crime and drug use, and is often seen as an expression of young people’s rebellious rejection of adult uniformity and conformity. Artists associated with classic rock include The Kinks, Small Faces, Free, Bad Company and Jeff Beck.

Hard rock split from pop and rock during the latter half of the 1960s. As rock music was beginning to define itself throughout the 1960s, an offshoot rapidly developed that had its own distinctive sound. Hard rock took commercial rock and gave it a heavier and more aggressive style. Hard rock vocals tended to be in the higher registers and were often raspy and guttural. The hard-edged, loud, distorted guitar‑heavy music was influenced by blues, rock and garage. Hard rock could often be identified by catchy ‘power chord’ riffs and impressive lead guitar solos. Hard rock quickly became associated with excluded and defiant young people and the lyrics frequently had a distinctly anti‑authoritarian slant. This sometimes hostile approach to the mainstream was characterised by some acts destroying their instruments on stage, for instance by Pete Townsend of The Who and Jimi Hendrix. The hedonistic rock lifestyle went hand in hand with the music, resulting in musicians reportedly partying as hard as they played, regularly destroying property. Many rock artists developed drug and alcohol dependencies, which resulted in some high profile deaths, including Jim Morrison and Jimi Hendrix. Notable hard rock bands from the 1960s include The Who, Deep Purple, Led Zeppelin, Steppenwolf and The Rolling Stones and later in the early 1970s by bands like Rainbow, Whitesnake, Aerosmith, Kiss, Queen, AC/DC, Alice Cooper and Van Halen.

Musical Facts 1960-1969

Michael Stipe (REM)

Day	Month	Year	Music Fact
4	January	1960	American singer, songwriter, producer, artist and former frontman of indie rock band R.E.M. Michael Stipe was born in Decatur, Georgia.
22	January	1960	Australian singer, songwriter and co-founder of rock band INXS, Michael Hutchence was born in Sydney, New South Wales.
9	February	1960	Legendary American singer Elvis Presley received his first star on the Hollywood Walk of Fame at 6777 Hollywood Boulevard.
3	March	1960	American rock ‘n’ roll singer and now soldier, Sargent Elvis Presley set foot in the UK for the first and only (confirmed) time while his forces plane was refuelled at Prestwick Airport in Ayrshire, Scotland.
13	March	1960	British/Irish bass guitarist, best known as a member of rock band U2, Adam Clayton was born in Chinnor, Oxfordshire, England.
31	March	1960	American blues rock guitarist, Popa Chubby (a.k.a. Theodore ‘Ted’ Horowitz) was born in The Bronx, New York City.
4	April	1960	Legendary American rock ‘n’ roll singer Elvis Presley recorded his classic hit single, ‘Are You Lonesome Tonight?’ at RCA studios in Nashville, Tennessee.
6	April	1960	American guitarist and member of blues/rock groups The Allman Brothers Band, Gov’t Mule and The Dead, Warren Haynes was born in Asheville, North Carolina.
17	April	1960	American rock ‘n’ roll singer and guitarist Eddie Cochran died tragically following a car accident in Wiltshire, UK, at the age of just 21.
23	April	1960	English guitarist, singer, songwriter and key member of heavy rock band Def Leppard, Steve Clark (1960-1991, 30) was born in Hillsborough, Sheffield.
10	May	1960	Irish singer and songwriter Paul Hewson, a.k.a. Bono, front man of massive rock band U2 was born in Dublin.
1	June	1960	Great English bass guitarist with indie rock icons The Cure, Simon Gallup was born in Duxhurst, Surrey.
6	June	1960	American virtuoso rock guitarist, singer, songwriter and producer, Steve Vai was born in New York.
20	June	1960	English bass guitarist and co-founder of new romantic band Duran Duran, John Taylor was born in Solihull, Warwickshire.
27	October	1960	American soul singer Ben E. King recorded his first songs as a solo artist after leaving The Drifters, the classics, ‘Spanish Harlem’ and ‘Stand By Me’.
7	November	1960	American guitarist and songwriter with rock band KISS from 2002, Tommy Thayer, nicknamed ‘The Spaceman’ was born in Portland, Oregon.
8	February	1961	After changing their name from The Quarrymen, English pop band The Beatles made their debut appearance at Liverpool’s Cavern Club, their first of 292 performances at the venue.
7	May	1961	Welsh guitarist and long-term member of hard rock band Motörhead, Phil Campbell was born in Pontypridd.
12	May	1961	English guitarist, songwriter and member of post-punk band, The Cult, Billy Duffy was born in Manchester.
29	May	1961	Award-winning American singer, songwriter and guitarist, Melissa Etheridge was born in Leavenworth, Kansas.
3	June	1961	English guitarist and founding member of psychedelic rock bands Ozric Tentacles and Nodens Ictus, Ed Wynne was born in London.
10	June	1961	American bass guitarist, singer and songwriter, former member of alternative rock band Pixies and currently fronting The Breeders with her twin sister, Kim Deal was born in Dayton, Ohio.
10	June	1961	American guitarist and member of The Breeders with her twin sister, Kelley Deal was born in Dayton, Ohio.
23	July	1961	Multi-talented award-winning English singer, songwriter, guitarist, producer, DJ and co-founder of Depeche Mode, Martin Gore was born in Dagenham, Essex.
8	August	1961	Irish guitarist and songwriter with rock band U2, The Edge (a.k.a. David Evans) was born in Barking, Essex, England to Welsh parents.
13	September	1961	American guitarist, singer, songwriter and co-founder of thrash metal rock band Megadeth, Dave Mustaine was born in La Mesa, California.
16	September	1961	English guitarist, singer and songwriter with indie rock band My Bloody Valentine, Bilinda Butcher was born in London.
3	October	1961	The Country Music Hall of Fame in Nashville, Tennessee welcomed its first inductees, Jimmie Rodgers, Fred Rose and Hank Williams.
10	October	1961	English bass guitarist and actor best known as member of new wave/pop group Spandau Ballet, Martin Kemp was born in London.
10	February	1962	American bass guitarist and songwriter, best known as a member of heavy rock band Metallica, Cliff Burton (1962-1986, 24) was born in California.
11	February	1962	Talented American singer, songwriter and multi-instrumentalist, including guitar, bass and drums, Sheryl Crow was born in Kennett, Missouri.
2	March	1962	American singer, songwriter, founder and front man of the rock band that bears his name, Jon Bon Jovi was born in Perth Amboy, New Jersey.
8	April	1962	American guitarist, co-founder and ex-member of rock band Guns N’ Roses, Izzy Stradlin (a.k.a. Jeffrey Dean Isbell) was born in Lafayette, Indiana.
2	August	1962	American folk singer, songwriter and guitarist Robert Allen Zimmerman formally changed his name to… the one and only Bob Dylan.
25	August	1962	Northern Irish guitarist who has been a member of hard rock bands Def Leppard, Dio and Whitesnake, Vivian Campbell was born in Belfast, County Antrim.
11	October	1962	English pop group The Beatles had their song ‘Love Me Do’ reach no. 4 in the UK singles chart, their first record to do so.
16	October	1962	Australian/American bass guitarist and co-founder of rock band, Red Hot Chili Peppers, Michael Balzary (a.k.a. Flea) was born in Melbourne, Victoria, Australia.
17	October	1962	English newcomers, The Beatles made their first regional television appearance playing 2 songs live on Granada’s ‘People And Places’ show.
18	November	1962	Great American guitarist, songwriter and long-time member of metal rock band Metallica, Kirk Hammett was born in San Francisco, California.
24	November	1962	English guitarist and songwriter with the Stone Roses and The Seahorses, John Squire was born in Altrincham, Cheshire.
8	December	1962	American guitarist, well known for his 10-year stint with heavy metal band Megadeth, Marty Friedman was born in Washington D.C.
9	January	1963	English drummer, Charlie Watts joined the rock band The Rolling Stones, starting a long-term membership of the group.
19	January	1963	English pop/rock band, The Beatles made their first recorded UK TV appearance on the ITV/ABC show, ‘Thank Your Lucky Stars’.
2	February	1963	American singer, songwriter and guitarist, the ‘songbird’, Eva Cassidy (1963-1996, 33) was born in Washington D.C.
22	March	1963	Emerging English pop group The Beatles released their debut studio album ‘Please Please Me’ in the UK. Merseybeat had well and truly arrived.
27	May	1963	American folk singer, songwriter and guitarist, Bob Dylan released his classic 2^nd studio album, ‘The Freewheelin’ Bob Dylan’.
30	June	1963	Impressive, prolific Swedish virtuoso neoclassical heavy rock guitarist Yngwie Malmsteen was born in Stockholm.
3	August	1963	American guitarist, singer, songwriter and co-founder of heavy metal rock band Metallica, James Hetfield was born in Downey, California.
9	August	1963	Popular British weekly pop music television show, ‘Ready Steady Go!’ was first broadcast by ITV. The show ran until December 1966.
9	August	1963	Multi-award-winning American soul/R&B singer and actress, Whitney Houston was born in Newark, New Jersey.
30	August	1963	Dutch technology company Philips introduced the Compact Cassette to Europe at the Berlin Radio Show, followed by an American launch in November the same year.
13	October	1963	Emerging English pop band The Beatles made their first major TV appearance on ITV’s famous variety show, ‘Sunday Night At The London Palladium’.
31	October	1963	English guitarist, singer, songwriter, ex-member of post‑punk rock band The Smiths, as well as a successful solo artist and collaborator, Johnny Marr was born in Manchester.
31	December	1963	American guitarist, singer and founding member of thrash metal rock band Anthrax, Scott Ian was born in Queens, New York.
1	January	1964	The BBC’s popular chart music television programme ‘Top Of The Pops’ (TOTP) was first broadcast in the UK. The show ran for over 42 years until July 2006.
13	January	1964	American folk singer Bob Dylan released his 3^rd studio album ‘The Times They Are A-Changin’’, which became a political anthem for social change in 1960s America.
5	February	1964	American bass player and ex-member of rock bands, Guns N’ Roses, Velvet Revolver, Loaded and Jane’s Addiction, Duff McKagan was born in Seattle, Washington state.
7	February	1964	‘Beatlemania’ struck America when The Beatles landed at New York’s JFK Airport on their first visit to the USA.
9	February	1964	‘Beatlemania’ struck again when English pop band The Beatles made their American TV debut on ‘The Ed Sullivan Show’.
11	February	1964	English pop band The Beatles made their debut live performance in America at the Washington Coliseum in front of 8,000 screaming fans.
26	May	1964	American rock guitarist, singer, songwriter, producer and actor, Lenny Kravitz was born in New York City.
30	May	1964	Great American guitarist with rock bands Rage Against The Machine and Audioslave, as well as several solo projects, Tom Morello was born in New York.
3	June	1964	Great American guitarist with thrash metal rock band Slayer, the formidable Kerry King was born in Los Angeles, California.
19	June	1964	English rock band, The Animals, released their seminal hit single, ‘House Of The Rising Sun’.
10	July	1964	English pop/rock group The Beatles released their 6^th studio album ‘A Hard Day’s Night’ in the UK.
24	July	1964	The Newport Folk Festival in Rhode Island, U.S.A. descended into controversy when Bob Dylan performed an electric rather than acoustic set.
13	November	1964	English rock band The Rolling Stones released their cover of the classic Willie Dixon blues song, ‘Little Red Rooster’ as a single in the UK.
23	December	1964	American guitarist, singer, songwriter and long-time member of rock band Pearl Jam, Eddie Vedder was born in Evanston, Illinois.
20	January	1965	The self-proclaimed ‘father of rock ‘n’ roll’, legendary American DJ Alan Freed died from uraemia and cirrhosis in hospital in Palm Springs, California at the age of 43.
28	January	1965	Emerging English rock band, The Who made their debut television appearance in the UK on the ITV music show ‘Ready Steady Go!’
14	February	1965	Australian/French multi-instrumentalist, including guitar, known for working with alternative rock bands Nick Cave & The Bad Seeds and Grinderman, Warren Ellis was born in Ballarat, Victoria, Australia.
8	March	1965	Legendary American folk guitarist, singer and songwriter Bob Dylan released his first top 40 hit single, ‘Subterranean Homesick Blues’ in the U.S.
12	May	1965	English rock band The Rolling Stones recorded their trademark song ‘(I Can’t Get No) Satisfaction’ at RCA’s studio in Hollywood.
17	May	1965	Prolific composer, singer, songwriter, guitarist, producer and founder of industrial rock band Nine Inch Nails, Trent Reznor was born in New Castle, Pennsylvania.
16	June	1965	Legendary American folk singer and guitarist Bob Dylan recorded his classic song, ‘Like A Rolling Stone’ at Columbia studios in New York.
23	June	1965	English guitarist and founding member of rock band Oasis, Paul ‘Bonehead’ Arthurs was born in Manchester.
23	July	1965	British/American guitarist, member of hard rock bands Guns N’ Roses and Velvet Revolver, as well as a successful solo artist, Saul Hudson (a.k.a. Slash) was born in London.
29	July	1965	The full-length film ‘Help!’, featuring a certain English pop quartet, The Beatles, was premiered in London.
6	August	1965	English pop group The Beatles released their 5^th studio album, ‘Help!’ in the UK, which was also the soundtrack to their film of the same name.
15	August	1965	English pop band The Beatles broke the (then) record for an audience of 55,600 at Shea Stadium in New York City.
20	August	1965	English rock band The Rolling Stones released their massive hit single, ‘(I Can’t Get No) Satisfaction’.
28	August	1965	Canadian country music singer, songwriter and guitarist, Shania Twain, the ‘Queen of Country Pop’ was born in Windsor, Ontario.
30	August	1965	American folk guitarist, singer and songwriter Bob Dylan released his classic 6^th studio album, ‘Highway 61 Revisited’ in the UK.
13	October	1965	English rock band The Who recorded their classic single ‘My Generation’ at Pye Recording Studios in London, UK.
21	October	1965	Pioneering American rock ‘n’ roll bass player, forever associated with singer Elvis Presley, Bill Black died of a brain tumour in Memphis, Tennessee, at the age of 39.
26	October	1965	HM Queen Elizabeth II presented members of the English pop band The Beatles with MBEs at Buckingham Palace in London.
29	October	1965	English rock band, The Who released the single ‘My Generation’ in the UK, reaching number 2 in the British singles chart.
12	November	1965	Emerging young English singer, songwriter and guitarist Marc Bolan performed his first single, ‘The Wizard’ on national UK TV music programme ‘Ready Steady Go!’
12	November	1965	American rock band Velvet Underground performed their debut live performance at Summit High School in New Jersey.
19	November	1965	English guitarist, songwriter and lead man for alternative rock band Spiritualized, Jason Pierce was born in Rugby.
21	November	1965	Avant-garde Icelandic singer, songwriter, producer and actress, Björk Guðmundsdóttir was born in Reykjavík.
25	November	1965	American guitarist, singer, songwriter and producer, a member of punk rock bands Rancid and Transplants, Tim Armstrong was born in Albany, California.
3	December	1965	English pop/rock group The Beatles released their 6^th studio album ‘Rubber Soul’ in the UK.
3	December	1965	English rock band, The Who, released their classic debut studio album, ‘My Generation’ in the UK.
10	December	1965	American singer, songwriter and guitarist, front man of alternative rock band Dinosaur Jr., the great J. Mascis was born in Amherst, Massachusetts.
4	March	1966	Member of The Beatles, John Lennon, made his infamously controversial statement that the band was “…more popular than Jesus…”.
18	March	1966	American guitarist and founder of heavy rock band, Alice In Chains, Jerry Cantrell was born in Tacoma, Washington.
25	March	1966	Renowned Canadian blues rock guitarist, Jeff Healey (1966-2008, 41) was born in Toronto.
5	April	1966	American guitarist and co-founder of rock band, Pearl Jam, Mike McCready was born in Pensacola, Florida.
22	April	1966	English garage rock band The Troggs released their version of the Wild Ones’ song, ‘Wild Thing’, which became a classic hit single of its time.
1	May	1966	English pop/rock band, The Beatles performed their final UK live appearance at the NME Poll Winners’ Party, held at the Empire Pool, Wembley in London.
13	May	1966	English rock band, The Rolling Stones released their dark and sinister hit single, ‘Paint It, Black’ from the album ‘Aftermath’ (U.S. release).
16	May	1966	Original American surf pop/rock band, The Beach Boys released their best-selling classic 11^th studio album, ‘Pet Sounds’ in the U.S.
16	May	1966	American folk singer, songwriter and guitarist, Bob Dylan originally scheduled the release date of his classic 7^th studio double album, ‘Blonde On Blonde’. It didn’t actually become available until early June.
26	May	1966	English pop/rock band, The Beatles recorded ‘Yellow Submarine’ at Abbey Road Studios in London.
30	May	1966	American singer, songwriter, guitarist and co-founder of alternative rock bands Pavement and the Jicks, Stephen Malkmus was born in Santa Monica, California.
16	July	1966	British music icons Eric Clapton, Jack Bruce and Ginger Baker formed the short-lived blues/rock super group Cream.
5	August	1966	English pop/rock group, The Beatles released their classic 7^th studio album, ‘Revolver’ in the UK.
20	August	1966	American guitarist, songwriter and founder of heavy metal rock bands Pantera and Damageplan, ‘Dimebag’ Darrell Lance Abbott (1966-2004, 38) was born in Arlington, Texas.
12	September	1966	Featuring an American/British pop-rock band, The Monkees show premiered on American TV network NBC.
20	September	1966	Portuguese/American guitarist, singer, songwriter, producer and member of rock band Extreme, Nuno Bettencourt was born in Terceira, Azores.
23	October	1966	Anglo-American rock trio, The Jimi Hendrix Experience recorded ‘Hey Joe’, their debut single, which peaked at number 6 in the UK chart.
2	November	1966	American blues guitarist Mississippi John Hurt died of a heart attack in a hospital in Grenada, Mississippi at the age of 73.
6	November	1966	American virtuoso rock guitarist, member of rock bands Mr Big and Racer X, as well as successful solo artist, Paul Gilbert was born in Carbondale, Illinois.
17	November	1966	American surf band, The Beach Boys had a number one hit in the UK singles chart with the classic song, ‘Good Vibrations’.
17	November	1966	Talented American singer, songwriter and guitarist, the graceful Mr Jeff Buckley (1966-1997, 30) was born in Orange, California.
25	November	1966	The Jimi Hendrix Experience played their debut live performance in the UK at the Bag O’Nails Club in Soho, London.
7	December	1966	English guitarist and songwriter who has worked with bands Oasis, Beady Eye and Noel Gallagher’s High Flying Birds, Gem Archer was born in Durham.
9	December	1966	English blues/rock super group Cream, comprising Eric Clapton, Jack Bruce and Ginger Baker, released their debut studio album, ‘Fresh Cream’ in the UK.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience, made their UK TV debut on popular music programme ‘Ready Steady Go!’.
13	December	1966	Anglo-American rock band The Jimi Hendrix Experience recorded their classic track, ‘Foxy Lady’ (a.k.a. ‘Foxey Lady’ in the U.S.), released as a single in May 1967.
16	December	1966	Anglo-American rock band, The Jimi Hendrix Experience released their debut single in the UK, ‘Hey Joe’, reaching no. 6. It failed to chart in the U.S.
23	December	1966	After 3 years on air, UK TV network channel ITV broadcast the final episode of the popular music programme, ‘Ready Steady Go!’ following a Musicians’ Union ban on miming on television.
29	December	1966	Anglo‑American rock trio, The Jimi Hendrix Experience made their first UK TV appearance on the BBC’s ‘Top Of The Pops’, performing their single, ‘Hey Joe’.
4	January	1967	American rock band, The Doors, released their classic self-titled debut studio album, ‘The Doors’.
11	January	1967	Anglo‑American rock trio, The Jimi Hendrix Experience recorded their classic song, ‘Purple Haze’ at De Lane Lea Studios in London. It took 3 takes in 4 hours to complete.
14	January	1967	American heavy metal guitarist, singer and songwriter, founder of heavy metal band Black Label Society, Zakk Wylde was born in New Jersey.
17	January	1967	English rock guitarist, singer, songwriter, producer, solo artist and session musician, Richard Hawley was born in Sheffield.
3	February	1967	Pioneering English record producer and studio engineer, Joe Meek murdered his landlady and then committed suicide in London at the age of 37.
17	February	1967	English Blues rock band John Mayall and the Blues Breakers released their 2^nd studio album, ‘A Hard Road’ with Peter Green replacing Eric Clapton as guitarist.
20	February	1967	American singer, songwriter and guitarist with grunge rock band Nirvana, Kurt Cobain (1967-1994, 27) was born in Aberdeen, Washington state.
12	March	1967	American rock band, The Velvet Underground released their debut studio album, ‘The Velvet Underground & Nico’, with iconic cover art by pop artist Andy Warhol.
17	March	1967	American singer, songwriter, guitarist and co-founder of alternative rock band Smashing Pumpkins, Billy Corgan was born in Chicago, Illinois.
12	May	1967	Anglo‑American rock band, The Jimi Hendrix Experience released their debut studio album, ‘Are You Experienced’ in the UK.
29	May	1967	English singer, songwriter and guitarist with rock bands Oasis and High Flying Birds, Noel Gallagher was born in Manchester.
1	June	1967	English pop/rock band, The Beatles released their classic 8^th studio album, ‘Sgt. Pepper’s Lonely Hearts Club Band’ in the UK.
1	June	1967	Aspiring English singer David Bowie released his eponymous debut studio album, ‘David Bowie’ in the UK.
7	June	1967	American guitarist, singer, songwriter and founding member of alternative rock band Jane’s Addiction as well as former member of Red Hot Chili Peppers, Dave Navarro was born in Santa Monica, California.
16	June	1967	The ‘Summer of Love’ officially arrived with the start of the legendary 3-day Monterey Pop Festival in California. Artists included The Animals, Simon & Garfunkel and Sly & The Family Stone.
16	June	1967	English psychedelic/progressive rock band Pink Floyd released their classic single, ‘See Emily Play’, written by Syd Barrett.
17	June	1967	The ‘Summer of Love’ continued with the 2^nd day of the 3-day Monterey International Pop Festival in California. Artists included Canned Heat, Jefferson Airplane, Otis Redding, Steve Miller Band and The Byrds.
18	June	1967	The ‘Summer of Love’ continued with the 3^rd and final day of the Monterey International Pop Festival in California. Artists included Buffalo Springfield, Grateful Dead, Ravi Shankar, The Jimi Hendrix Experience and The Who.
24	June	1967	German guitarist with Industrial Metal rock band Rammstein, Richard Z. Kruspe was born in Wittenberge.
12	July	1967	Great American guitarist and founding member of heavy rock band Dream Theater, John Petrucci was born in New York.
4	August	1967	English psychedelic progressive rock group, Pink Floyd released their debut studio album, ‘The Piper at the Gates of Dawn’.
25	September	1967	American rock band The Doors released their all-time classic 2^nd studio album, ‘Strange Days’.
30	September	1967	English broadcaster the BBC aired their pop music channel Radio 1 for the very first time in the UK. The first record played by DJ Tony Blackburn was, ‘Flowers in the Rain’ by The Move.
3	October	1967	American singer, songwriter and guitarist Woody Guthrie died from Huntington’s Disease in New York City at the age of 55.
9	November	1967	The brainchild of Jann Wenner, the very first issue of Rolling Stone music magazine was published in the USA, featuring a photo of John Lennon on the front cover.
10	November	1967	English blues/rock super group Cream released their classic 2^nd studio album, ‘Disraeli Gears’ in the UK.
1	December	1967	Anglo-American rock trio, The Jimi Hendrix Experience released their sophomore studio album, ‘Axis: Bold as Love’ in the UK.
7	December	1967	Shortly before his tragic death, American soul singer Otis Redding recorded his classic single, ‘(Sittin’ On) The Dock Of The Bay’.
10	December	1967	American soul singer, Otis Redding was killed tragically when the plane in which he was travelling crashed into Lake Monona near Madison, Wisconsin, at the age of 26.
16	December	1967	English rock band, The Who, released their 3^rd studio album, ‘The Who Sell Out’ in the UK.
27	December	1967	Canadian singer, songwriter and guitarist, Leonard Cohen released his classic debut studio album, ‘Songs of Leonard Cohen’.
13	January	1968	American country music legend Johnny Cash performed two live shows at the notorious Folsom State Prison in California.
21	January	1968	Anglo-American rock trio, The Jimi Hendrix Experience recorded their cover version of Bob Dylan’s, ‘All Along The Watchtower’ at Olympic Studios in London.
30	January	1968	American psychedelic rock band, The Velvet Underground released their classic sophomore studio album, ‘White Light/White Heat’.
8	March	1968	The famous New York live music venue Fillmore East opened its doors at 105 Second Avenue and East 6^th Street in Manhattan. It closed 3 years later on 27 June 1971.
6	April	1968	English progressive rock band Pink Floyd announced that guitarist and singer Syd Barrett had left the band he helped to found.
15	April	1968	English guitarist, singer, songwriter and original member of alternative rock band Radiohead, Ed O’Brien was born in Oxford.
20	April	1968	After changing their name from Roundabout, English hard rock band Deep Purple played their first live concert as Deep Purple in Tastrup, Denmark.
24	May	1968	English rock band, Small Faces released their classic 4^th studio album ‘Ogdens’ Nut Gone Flake’.
24	May	1968	English rock band, The Rolling Stones released their massive hit single, ‘Jumpin’ Jack Flash’.
28	May	1968	Multi-talented Australian singer, songwriter, actress, entrepreneur and sex symbol, Kylie Minogue was born in Melbourne, Victoria.
5	June	1968	Marc Bolan’s band Tyrannosaurus Rex released their debut album, ‘My People Were Fair And Had Sky In Their Hair… But Now They’re Content To Wear Stars On Their Brows’ in the UK.
15	June	1968	Acclaimed American jazz guitarist Wes Montgomery died of a heart attack at his home in Indianapolis at the age of 45.
28	June	1968	English progressive rock group Pink Floyd released their sophomore studio album, ‘A Saucerful Of Secrets’ in the UK. It was the only Pink Floyd album to feature both Syd Barrett and David Gilmour.
29	June	1968	The first Hyde Park Free Concert was held in London, UK, featuring Pink Floyd, Jethro Tull, Tyrannosaurus Rex and Roy Harper.
5	July	1968	The legendary San Francisco live music venue Fillmore West opened its doors at 10 South Van Ness Avenue. It stayed at this location until 4 July 1971.
10	July	1968	English guitarist Eric Clapton announced that the blues/rock super group Cream were splitting up, after just 3 studio albums.
13	July	1968	Under their original name, Earth, English heavy metal pioneers, Black Sabbath played their first live concert at The Crown pub in Birmingham.
17	July	1968	The unique psychedelic animated film ‘Yellow Submarine’, featuring characters based on The Beatles premiered in London.
5	August	1968	Influential American country guitarist and principal sideman for Johnny Cash, Luther Perkins, one of the famed ‘Tennessee Three’, died tragically in a fire accident in Hendersonville, Tennessee at the age of 40.
9	August	1968	English blues/rock super group Cream released their 3^rd studio album, ‘Wheels Of Fire’.
6	September	1968	English blues/rock guitarist Eric Clapton recorded the guitar solo on The Beatles’ song, ‘While My Guitar Gently Weeps’.
7	September	1968	English rock band The New Yardbrids, later to become Led Zeppelin performed their live concert debut at Gladsaxe, near Copenhagen in Denmark.
14	September	1968	The animated series based around a fictional pop band, ‘The Archies’, from the original comic strip, premiered on CBS TV in America.
20	September	1968	English Heavy rock band, Led Zeppelin started recording their ground-breaking debut album ‘Led Zeppelin (I)’ in London, to be released in 1969.
7	October	1968	English singer, songwriter and guitarist with alternative rock band Radiohead, Thom Yorke was born in Wellingborough, Northamptonshire.
14	October	1968	English psychedelic folk rock duo Tyrannosaurus Rex released their 2^nd studio album, ‘Prophets, Seers & Sages: The Angels of the Ages’.
25	October	1968	Nine days after its American launch, The Jimi Hendrix Experience released their final studio album ‘Electric Ladyland’ in the UK.
9	November	1968	English hard rock band Led Zeppelin performed their debut London concert at The Roundhouse, Chalk Farm. Members’ tickets cost 16 shillings.
21	November	1968	English bass guitarist and songwriter, principally with Britpop band Blur, Alex James was born in Bournemouth.
22	November	1968	English group, The Beatles released their highly regarded 9^th studio double album, ‘The Beatles’, a.k.a. the ‘White Album’ in the UK.
26	November	1968	Aside from their 2005 reunion gigs, English blues/rock super group, Cream played their final ‘Farewell Concert’ at the Royal Albert Hall in London.
29	November	1968	Emerging British/American blues/rock band Fleetwood Mac released their classic instrumental hit single ‘Albatross’.
6	December	1968	British rock band, The Rolling Stones released their classic 7^th studio album, ‘Beggars Banquet’ in the UK.
24	December	1968	American blues/rock guitarist, singer, songwriter, producer, prolific musical collaborator as well as solo artist, Doyle Bramhall II was born in Dallas, Texas.
5	January	1969	Controversial American rock singer and songwriter, Brian Warner, better known as the artist Marilyn Manson, was born in Canton, Ohio.
12	January	1969	British rock band Led Zeppelin released their self‑titled debut studio album, ‘Led Zeppelin’ on Atlantic Records in the UK.
13	January	1969	English band The Beatles released their studio album ‘Yellow Submarine’ as a soundtrack to the psychedelic animated film of the same name featuring the Fab Four.
14	January	1969	American singer, songwriter, drummer and guitarist with rock bands Nirvana and Foo Fighters, Dave Grohl was born in Springfield, Virginia.
22	January	1969	Legendary Canadian singer, songwriter and guitarist, Neil Young released his eponymous debut album, ‘Neil Young’.
30	January	1969	English rock band The Beatles made their final live public performance, filming their famous unannounced rooftop gig atop the Apple Studio building in London for the film ‘Let It Be’.
21	February	1969	Welsh singer, songwriter, guitarist and producer with rock band Manic Street Preachers, James Dean Bradfield was born in Pontypool.
22	February	1969	Legendary English pop/rock band The Beatles started recording their classic studio album, ‘Abbey Road’ at the famous London recording studio of the same name.
24	February	1969	Anglo-American rock trio, The Jimi Hendrix Experience performed their final UK live indoor concert at The Royal Albert Hall in London.
12	March	1969	English singer, songwriter, guitarist and founder of indie rock/britpop band Blur, Graham Coxon was born in Rinteln, Germany where his father was stationed with the British Army.
7	April	1969	Legendary Canadian singer, songwriter and guitarist, Leonard Cohen released his classic sophomore studio album, ‘Songs From a Room’.
9	April	1969	American folk rock guitarist, singer and songwriter Bob Dylan released his change of direction 9^th studio album, ‘Nashville Skyline’.
13	May	1969	Prolific and inventive American rock guitarist, Buckethead (a.k.a. Brian Carroll) was born in Pomona, California.
14	May	1969	Canadian guitarist, singer and songwriter, Neil Young with his band Crazy Horse released their sophomore studio album, ‘Everybody Knows This Is Nowhere’.
16	May	1969	Before pioneering glam rock, English singer, songwriter and guitarist Marc Bolan with Tyrannosaurus Rex released their 3^rd studio album, ‘Unicorn’.
23	May	1969	English rock band, The Who released their ground breaking epic rock opera double album, ‘Tommy’ in the UK.
26	May	1969	John Lennon and Yoko Ono promoted world peace through an 8-day ‘bed-in’ in Canada proclaiming ‘Give Peace a Chance’.
4	June	1969	American country artist Johnny Cash released his classic live album, ‘At San Quentin’, recorded at the (in)famous high security prison in California.
20	June	1969	Emerging English singer David Bowie recorded his first hit single ‘Space Oddity’ at Trident Studios, London.
3	July	1969	English guitarist, multi-instrumentalist and founder of The Rolling Stones, Brian Jones drowned in his swimming pool at his home in Hartfield, East Sussex at the age of 27.
11	July	1969	Emerging English rock singer and songwriter David Bowie released his classic debut single, ‘Space Oddity’ in the UK.
1	August	1969	The point at which aspiring rock band Earth changed their name to Black Sabbath, announced at a concert held at the Pokey Hole Club in Lichfield, Staffordshire, UK.
5	August	1969	American singer and songwriter Iggy Pop launched his long and varied music career, with or without The Stooges, with the release of his/their debut studio album, ‘The Stooges’.
15	August	1969	The legendary hippie counter-culture Woodstock Festival ‘Aquarian Exposition: 3 Days of Peace and Music’ Arts Fair began at Max Yasgur’s dairy farm near Bethel, New York, attended by over 400,000 people. Tickets were priced at $6 per day. Artists included Melanie, Arlo Guthrie and Joan Baez.
16	August	1969	The second day of the legendary Woodstock Festival took place in upstate New York. Artists included Canned Heat, Grateful Dead, Janis Joplin, Sly & the Family Stone, The Who and Jefferson Airplane.
17	August	1969	The third and (sort of) final day of the legendary Woodstock Festival took place on Max Yasgur’s 600-acre farm 43 miles south west of the town of Woodstock, New York state. Artists included Ten Years After, The Band, Johnny Winter, Blood, Sweat & Tears and CSN&Y.
18	August	1969	As the last of 32 acts, American guitar legend, Jimi Hendrix closed the fabled Woodstock Festival by playing a 2-hour set at 9:00 in the morning with a temporary band.
30	August	1969	After changing their name from Earth, English heavy metal pioneers, Black Sabbath played their first live concert as Black Sabbath at a local pub in Workington, Cumbria.
5	September	1969	Talented American guitarist, son of Frank and carrying on the formidable family legacy, Dweezil Zappa was born in Los Angeles, California.
7	September	1969	English guitarist, best known as a member of Britpop group Cast and his work with alternative rock artist Robert Plant, Liam ‘Skin’ Tyson was born in Liverpool.
22	September	1969	Canadian/American roots/folk/country rock artists, The Band released their classic self-titled 2^nd studio album, ‘The Band’.
25	September	1969	American guitarist, songwriter, producer and one-time member of rock band Guns N’ Roses (2006-2014), Ron ‘Bumblefoot’ Thal was born in Brooklyn, New York.
26	September	1969	Legendary English pop/rock band The Beatles released their classic final studio album with the iconic zebra crossing cover photograph, ‘Abbey Road’ in the UK.
3	October	1969	Influential American delta blues singer and guitarist Skip James died in Pennsylvania at the age of 67.
10	October	1969	American rock guitarist and composer Frank Zappa released his outstanding, classic career-peak studio album, ‘Hot Rats’.
10	October	1969	English progressive rock band King Crimson released their classic studio album, ‘In the Court of the Crimson King’ in the UK.
16	October	1969	Anglo‑American rock trio the Jimi Hendrix Experience released their 3^rd and final studio album, the classic ‘Electric Ladyland’ in the U.S.
18	October	1969	American music family, The Jackson 5 made their debut on American TV, appearing on ABC’s ‘Hollywood Palace’.
22	October	1969	English hard rock group Led Zeppelin released their classic multi-million-selling 2^nd studio album, ‘Led Zeppelin II’ on Atlantic Records in the U.S.
28	October	1969	Award-winning multi-genre American guitarist, singer and songwriter Ben Harper was born in Pomona, California.
4	November	1969	English singer and songwriter David Bowie released his 2^nd studio album, ‘David Bowie’ (also released as ‘Space Oddity’ after the hit single from the album).
7	November	1969	English progressive rock group, Pink Floyd released their 4^th part live, part studio experimental double album, ‘Ummagumma’, with cover art by Hipgnosis.
14	November	1969	Cartoon bubblegum pop group, The Archies began the longest ‘one hit wonder’ UK singles chart-topping streak (8 weeks), with their classic song, ‘Sugar, Sugar’.
27	November	1969	American guitarist, singer and songwriter, a member of heavy rock band Alter Bridge, as well as pursuing many side projects, Myles Kennedy was born in Boston, Massachusetts.
29	November	1969	English rock band, The Rolling Stones, released their classic 11^th studio album, ‘Let It Bleed’ in the UK.
6	December	1969	A man was stabbed to death by a member of the Hells Angels during The Rolling Stones set at the infamous Altamont Free Festival in California.
14	December	1969	American music family, The Jackson 5 made their American Network TV debut, appearing on ‘The Ed Sullivan Show’.

Tailpiece

Well there you go… that’s the 1960s in a proverbial (and quite sizeable) nutshell. An appreciation of music genre development and music facts from the 1960s catalogues the seemingly sudden eruption of creativity that took place against the background of momentous global events. The vibrancy and liberalism of the 1960s was exploratory, liberating and empowering for many, mostly young people at the time. Much of the optimistic idealism was, perhaps in hindsight, naively transient and disappointingly ephemeral. All good things come to an end and things were about to change quite fundamentally all over again.

How the heck do you follow the decade of decadence? Well, that will be the fascinating story of the 1970s, which will unfold in all its hedonistic, nihilistic grime and glory. Intrigued? Why not come back for the next enthralling episode of the ‘History of Music’. Until next time…

CRAVE Guitars’ ‘Quote of the Month’: “I’m glad I’m alive. What else would I do?”

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